In this weekend's well-meaning docudrama, Flash of Genius, Greg Kinnear portrays an inventor who struggled for years to sue car manufacturing behemoth Ford and get them to admit that they helped themselves to his patent on the intermittent windshield wiper. (Eugene reviewed it back at Telluride, and I basically agree with his assessment.)

Despite the real-life case being settled a couple of decades ago, Ford has taken this current opportunity to point out the factual inaccuracies in the movie that they've taken issue with, doing so in the form of this handy timeline, without causing any sort of formal stir, as covered in this accompanying text. Especially considering that the film's subject, Robert Kearns, passed away over three years ago, I doubt it would (and hope it won't) come to any sort of renewed head.

Maybe in thirty years or so, we'll get a movie about a blogger battling impossible odds to get all the facts straight on either side of a movie in which an inventor battled impossible odds to get just some facts straight. Now, to just work the word 'Genius' back into the title...

(We're re-posting our review of Flash of Genius from the Telluride Film Festival to coincide with the film's theatrical release this weekend)

By: Eugene Novikov

Flash of Genius is a conventional crowdpleaser but not, I'm pleased to report, a shameless one. Chronicling the true story of a college professor's fight to reclaim his invention – the intermittent windshield wiper – from the car company that stole it, the film does many of the things you'd expect, but it may also surprise you. Don't let its Telluride placement fool you: this is a staunchly mainstream, unchallenging film, the sort of underdog-vs.-corporate-behemoth story you've seen time and again. But it's a decent rendition, hitting the right notes without insulting our intelligence.

Now, the intermittent windshield wiper is not exactly the light bulb. If you're not familiar with the term, the wiper is "intermittent" in the sense that it can pause between wipes – a problem that apparently puzzled engineers at all the major car companies until Kearns cracked it the late 60s. But part of what's nifty about the film is its ability to create suspense and curiosity around something so seemingly mundane. Kearns' first demo of his device to Ford is exciting in a very goofy way, but exciting nonetheless.

"Well, you tried it just for once, found it all right for kicks.
But now you found out that it's a habit that sticks,
and you're an orgasm addict." – The Buzzcocks

The new movie Choke, adapted from the Chuck Palahniuk novel, is about a sex addict (Sam Rockwell) who, in one element of the plot, hooks up with other sex addicts who attend the same Sex Addicts Anonymous meetings as him. Ah, the irony. The same thing happened to Sam Malone on Cheers, if I'm not mistaken, which makes the joke around 20 years old. Yet, despite that fact, sexual addiction as a term and a (non-DSM-recognized) medical problem seem fairly new to cinema.

Sure, there have been sex addicts in films for many decades, but they were more likely to be described as nymphomaniacs, lechers or typical men. Think of Dorothy Malone in Written on the Wind, a number of the female characters created by Tennessee Williams and certainly the locked up nymphos in Shock Corridor. In the past few years, however, there have been a slew of actual "sexaholics," both male and female, though some aren't exactly referred to in such a manner.

Last December, Cinematical was the only movie blog invited to visit the set of Ghost Town over at the beautiful Steiner Studios in Brooklyn, New York. Directed by David Koepp, Ghost Town stars Ricky Gervais, Greg Kinnear, Téa Leoni, Billy Campbell and Kristen Wiig, and it arrives in theaters on September 19. Check out our report below ...

I always get nervous whenever visiting a film set. In the past, I've been a part of a larger group, which meant I could simply follow behind three other people and hopefully fade into the pack. I never want to stand out. I never want be the guy who's standing in the wrong place, on the wrong wire, or the guy who accidentally coughs during a three-minute period where everyone is silent. Sometimes a film set can be an intimidating place to visit if you're not working there, slaving away for hours upon hours -- there's a sort of team mentality and closeness that's shared amongst the crew that you're not a part of. You're the outsider, the blogger -- the guy who's there to criticize and report back on a project that's not yet complete. In some cases, you're the enemy.

But when you're part of the pack, it's easier to digest the experience. It's easier to not be that guy. However, when I showed up to the set of Ghost Town on a very cold day in December, I suddenly realized I was the only web outlet invited ... and knowing I'd be all by myself on this one, my Neurotic Jew Meter (Thanks Mom!) went through the roof.

Flash of Genius is a conventional crowdpleaser but not, I'm pleased to report, a shameless one. Chronicling the true story of a college professor's fight to reclaim his invention – the intermittent windshield wiper – from the car company that stole it, the film does many of the things you'd expect, but it may also surprise you. Don't let its Telluride placement fool you: this is a staunchly mainstream, unchallenging film, the sort of underdog-vs.-corporate-behemoth story you've seen time and again. But it's a decent rendition, hitting the right notes without insulting our intelligence.

Now, the intermittent windshield wiper is not exactly the light bulb. If you're not familiar with the term, the wiper is "intermittent" in the sense that it can pause between wipes – a problem that apparently puzzled engineers at all the major car companies until Kearns cracked it the late 60s. But part of what's nifty about the film is its ability to create suspense and curiosity around something so seemingly mundane. Kearns' first demo of his device to Ford is exciting in a very goofy way, but exciting nonetheless.

Whoopi Goldberg sort of had it coming in Ghost. She was a hack of a psychic, so it was poetic justice to get haunted by Patrick Swayze.This time around, it's still justice, but not the kind you would expect. Up above, you can check out the trailer for Ghost Town, which popped up on YouTube over the weekend.

Ricky Gervais stars as a jerky dentist who can't be bothered to do the simplest thing for another person -- like, say, hold the elevator. But then he goes in for a colonoscopy and dies for a little less than seven minutes. Upon leaving the hospital, he discovers he can see dead people. Lots and lots of dead people. Of course, in a predicament like this, he has to face his jerkish past, but he also has to do something else -- help the ghost of Greg Kinnear keep his widowed wife from shacking up with the wrong guy. The comedy looks cute -- if a bit too familiar. It'll hit theaters this September.

From a magical private school to the heart of the Iraq war is quite a jump. Luckily, Jason Isaacs is just the kind of versatile actor to pull it off. (If you don't believe me, take a look at the man's IMDB page -- talk about well-rounded!) Variety reports that Isaacs (aka Lucius Malfoy of Potter fame) has signed to star in Paul Greengrass' military drama, Green Zone. Isaacs will play an American officer in Iraq in the days following the fall of Saddam Hussein. Matt Damon stars as an investigator searching for weapons of mass destruction, Amy Ryan (Gone Baby Gone) plays as a foreign correspondent from the NYT, and Greg Kinnear makes an appearance as a CIA agent.

Zone is based on the non-fiction book by Rajiv Chandrasekaran, titled Imperial Life in the Emerald City: Inside Baghdad's Green Zone. For those of us who maybe don't watch the nightly news as much as we should, here is a little reminder: "The Green Zone, (the common name for the International Zone of Iraq), is a 10 km² (4 mile²) area in central Baghdad that was the center of the Coalition Provisional Authority and remains the center of the international presence in the city." Chandrasekaran's book highlighted the "absurdities, incompetence, and bureaucratic failings which prevented a timely transfer of power to the Iraqis and bred the growing insurgency" -- you know, just your usual fun bedtime reading.

Greengrass wrote the original script for the military thriller, but eventually L.A. Confidential scribe Brian Helgeland was brought aboard to help smooth out some of the rough edges. Green Zone started filming in Spain last month, and will then move to Morocco (the two locations have served as stand-ins for Iraq, since the production could obviously not work in the actual area). The film has yet to secure a release date, but is scheduled to arrive in theaters sometime in 2009.

I get very excited about the upturns some actors and actresses' careers take following awards season, especially when those performers end up Oscar winners. I always enjoyed reading the post-Oscar write-ups on "What's Next for ____?", though it's less of a thrill nowadays because I typically already know what is in their pipeline. For example, thanks to Variety, I now know that Amy Ryan will be co-starring in Paul Greengrass' "untitled Iraq war thriller". She joins the movie, along with Greg Kinnear, which already starred Matt Damon (who has worked with Greengrass on two Bourne films) and which reportedly began filming in Spain yesterday. While Kinnear and Damon will both play CIA agents involved in the search for Weapons of Mass Destruction, Ryan has been cast as a New York Times correspondent investigating the WMD investigation.

A front-runner for the Academy Award for Best Supporting Actress (for Gone Baby Gone), Ryan has already had one heck of a year (she also appeared in Before the Devil Knows You're Dead and Dan in Real Life). In fact, I'm sure I'm not the only one to admit I'd never heard of her until 2007. But she may still not be a household name, and that should surely change following her expected win (she's also the best bet for the Golden Globe this Sunday). The supporting actress category is sometimes a bit of a joke, as it was throughout most of the 1990s (starting with Whoopi and ending with Angelina, with a Mira in the middle), but Ryan is hopefully going to be one of the few actresses that shows us how much she deserves the accolades by continuing to take respectable roles. In addition to Greengrass' film, Ryan will be co-starring in Clint Eastwood's The Changeling, which also stars Angelina (whose "What's Next ... " in 1999 included Gone in 60 Seconds and Lara Croft: Tomb Raider). By the way, for those not keeping track, after making The Changeling, Ryan will have worked with four of the ten 1990s supporting actress Oscar winners (Marisa Tomei is in Before the Devil; Juliette Binoche and Dianne Wiest are both in Dan). Perhaps Greengrass can find a part in his new film for Anna Paquin?

Okay... Before I get to the wonder that is Bruce Campbell, I've got to take a second and complain. If you remember anything about our previous coverage of Ghost Town, such as David Koepp signing on to direct Greg Kinnear and Ricky Gervais, Tea Leoni signing on, and then Kristen Wiig, you probably remember the premise. A dentist (Gervais) heads in for a colonoscopy under the knife of Wiig, and he dies for seven minutes. When he comes back to life, he can see the dead -- especially a ghostly businessman (Kinnear) who wants him to break up his widow's (Leoni) upcoming marriage.

Anal surgery is no longer the culprit. According to The Hollywood Reporter, the dentist temporarily kicks the bucket during a "routine dental surgery." Now that is a really boring and lame change. What's wrong with a colonoscopy? Gah. At least we've got Campbell to soften the news. He has signed on to play Leoni's character's fiance -- the one that the dentist really isn't into. Since this ghostly apparition isn't through Whoopi, I keep wondering if it'll end up with Kinnear taking over Gervais' body to have a second chance with his wife. Or maybe Campbell will go Ash on his ass and take him out of the picture. He could always just say Deadites possessed the dude. Shooting has already begun in New York, and hopefully they haven't vanilla-ed anything else.

Post edited as the original THR post now says "Billy Campbell" is the other man, and not Bruce. Thanks to ***Lance*** for spotting that. What a shame.

You might remember our Scott Weinberg reviewing a documentary from SXSW called The King of Kong (which has since added onto the end: "A Fistful of Quarters"). He said it was "as compelling, colorful and entertaining as any of the 'human interest' documentaries of the past five years." The film, which opened in limited release this weekend, follows the quest of Steve Wiebe to get his record-breaking score on Donkey Kong recognized -- one that beats the long-established score of Billy Mitchell. There's lots of argument over the whole thing, which has continued beyond the making of the doc. Mitchell isn't happy with how he is portrayed, and four months after Wiebe beat his score, it seems he regained his title. But the kicker is that a fictional account is in the works, to be written by Michael Bacall, and the filmmakers got chatty with VH1 about who they'd like to star.

If you're wondering about what kind of movie this could be, director Seth Gordon described one scene they weren't able to catch on film, but could make it into the feature: "There was a moment recorded only on audio when Steve was approaching a record on his Donkey Kong machine in his garage. As he hopped barrels toward glory, his young son was yelling, 'Daddy, Daddy, wipe my butt,' and hitting dad with a broom. I think it will be pretty fun physical comedy."

And who do they want to play the gamers? Gordon says: "My first idea for Billy was Johnny Depp. Ed Norton I thought would be good. It's not really about the hair, it's about the eyes. It's got to be a real actor." For Wiebe, producer Ed Cunningham thinks Greg Kinnear would be good, while Gordon likes Nathan Fillion. With names like these, this could rock the pants off The Wizard! I imagine they'd have a good shot with Fillion -- he's still making his way so I imagine he'd be easier to sign, and considering the success of the doc and the possible co-stars, it would be an appealing project for an up-and-comer...not to mention the fact that I think he'd make a good gamer. I'd also love to see Depp in the role, but I wouldn't be surprised if he was too busy or uninterested. Who would you pick?