If the sequel to Night at the Museum wanted to retain the level of accuracy seen with the original, it would have a Chinese actor playing Russian Czar Ivan IV (aka Ivan the Terrible). But while I'm sure there will still be historical errors abound in Night at the Museum: Battle of the Smithsonian, the honor of playing Ivan has gone instead to pale-enough actor/filmmaker Christopher Guest (Best in Show), according to the Hollywood Reporter. And since Guest is actually a far more serious man than you'd expect, despite all those silly mockumentaries he writes and directs, here's hoping he studies his Eisenstein for inspiration.

A bunch of other actors have also joined Ben Stiller in the fantasy film, including Jon Bernthal (World Trade Center) as Al Capone, Bill Hader (Superbad) as General Custer, Alain Chabat (The Science of Sleep) as Napoleon and the franchise's screenwriters, Robert Ben Garant and Thomas Lennon, as the Wright brothers. This makes for a very packed cast, considering most of the first movie's co-stars are apparently returning, including Robin Williams, Steve Coogan, Owen Wilson, Ricky Gervais, Dick Van Dyke, Jake Cherry and Patrick Gallagher, the guy who looked all wrong for the part of Atilla the Hun. Other newbies to the series include Amy Adams as Amelia Earhart and Hank Azaria as Egyptian pharaoh Kah Mun Rah.

The sequel is currently filming in Vancouver, which seems a bit far away from the actual Smithsonian Institute, but reportedly the production will have access to shoot a few scenes in the actual museum, which is located in Washington, D.C. Maybe it will actually look like it takes place there, too.

Director Brett Morgen doesn't make conventional, talking-head, "impartial" non-fiction films; he himself notes "I'm certainly more interested in creating modern-day mythologies than historical documentaries." After co-directing On the Ropes and The Kid Stays in the Picture, he next, ambitiously, decided to use state-of-the-art techniques to bring a 40-year old event to life in Chicago 10. Combining computer-animated footage and dramatic interpretations of court transcripts with footage and audio from 1968 -- some of it previously undiscovered -- Morgen's film audaciously animates and recreates the trial of activists Abbie Hoffman, Bobby Seale and others that followed in the wake of the protests they organized outside the Chicago Democratic Convention in 1968. Speaking with Cinematical from New York, Morgen talked about the level of digging required to unearth the unseen archival material he found, the differences he encountered between his actors who had done animation before and those who hadn't, what he learned about the '60s from making the films and much more: "This is a timeless story, that I think is relevant at any time -- and more relevant during wartime."


This interview, like all of Cinematical's podcast offerings, is now available through iTunes; if you'd like, you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



For Cinematical's reviews of Chicago 10, you can find Christopher Campbell's take here and my review from Sundance 2007 here.

2008 is not this generation's 1968. Let's get that matter straight, right away. Even if we can draw some parallels or see some similarities between now and then, the truth is that it was a very tragic year, and despite our penchant to fetishize the period and wish that our time could be so important and powerful, we need to pray no politicians are assassinated this year (the fact that one particular candidate has been compared to both MLK and RFK is especially upsetting) and we need to be thankful that there is no draft. But mostly we need to just move on from the '60s already and stop attempting to appropriate its events in order to heighten the relevance of the 2000s. 2008 is indeed a significant year on its own, or it could be if we let it exist as such.

That said, Chicago 10, the latest documentary from Oscar-nominee Brett Morgen (On the Ropes) is literally about events of forty years ago, though the filmmaker claims it is a film about now. Okay, sure, there may be some relevant themes, but imprisoning your film with such definite statements of purpose makes it possibly less enjoyable to the people who are tired of these weak and easy-minded juxtapositions. Without acknowledging the obviously apparent intent, Chicago 10 is actually appreciable as one of the most creative and entertaining documentary films in years. And it could indeed be viewed as significant on its own, if we let it exist as such.

This wouldn't be the first time that a sequel recycled material from the first movie, but since Night at the Museum 2: Escape From the Smithsonian has apparently gone so far as to change the museum setting from New York's Museum of Natural History to D.C.'s Smithsonian Institute, I'd think it would want to avoid repeating material from the original. I guess not. According to The Hollywood Reporter, the Night at the Museum sequel will feature an "all-powerful Egyptian pharaoh" played by Hank Azaria, who is best known for the 1,000 voices he does for The Simpsons. If you remember, the plot of the first Night at the Museum involved a gold tablet stolen from the tomb of the fictional mummified pharaoh Akmenrah. In this sequel, which again stars Ben Stiller and again is directed by Shawn Levy and is again written by Thomas Lennon and Ben Garant, the pharaoh's name is Kah Mun Rah. It isn't stated whether or not the character will be a villain or not, but if Azaria does play an evil pharaoh, it wouldn't be the first time he played a nuisance to Stiller. In 2004's Along Came Polly, he was a scuba instructor who steals Stiller's character's new bride (played by Debra Messing) on the couple's honeymoon.

The trade also notes that Azaria has been cast in another ancient-history kind of role. He will play Abraham in The Year One, the Biblical-era-set comedy from producer Judd Apatow and director Harold Ramis, which Monika first told us about back in June, 2007. That movie stars an all-star lineup that includes Jack Black, Michael Cera, David Cross, Christopher "McLovin" Mintz-Plasse, Eden Riegel, Oliver Platt, Olivia Wilde and Vinnie Jones. Be prepared to hear Azaria do some crazy accents for each of these films, even though he typically avoids the cartoony voices in his live-action work (such as next month's hilarious comedy Run, Fatboy, Run).

It does strike me a little funny that after watching the trailer for the documentary Chicago 10, it managed to make me just a little less interested in watching the flick (not the best start for a movie trailer, IMO). Written and directed by Brett Morgan, the doc is a re-enactment of the infamous trial of the Chicago Seven in 1969. For those of you out there who aren't up on your counter-culture history: In 1968, Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale organized a large scale protest at the 1968 Democratic convention. After an unfair conviction of inciting violence and numerous appeals, five of the eight members finally had their convictions overturned and were able to walk away free men in 1972.

This is Morgan's second animated documentary, and uses the same style as Morgan's acclaimed Robert Evans flick, The Kid Stays in the Picture. Last November, a NYT piece had profiled the doc as a brand new approach to making documentary films. Instead of a bunch of talking heads, Morgan decided to use actual court transcripts to re-enact the trial with actors providing the voices on the infamous seven (well, eight if you count Seale, and in my opinion you really should). The cast includes Mark Ruffalo, Hank Azaria and Nick Nolte. Initial buzz surrounding the film was good, and there was even talk of a bidding war for the property. But after reading James' review back in January, as well as getting my first good look at the motion capture, I have to admit my enthusiasm has been dulled ever so slightly. Luckily, I'm a big enough documentary nerd that I can probably overlook it. Chicago 10 is scheduled for release in February.

Although he often gets work in front of the screen, Hank Azaria is best known in the entertainment industry for voicing multiple characters on The Simpsons. Now, he's going to continue his behind-the-scenes status by directing his first feature, a comedy called Outsourced (not to be confused with the Outsourced that played at TIFF).

The movie, written by Timothy Dowling, is about two guys who are laid off when the factory they work for relocates to Mexico. The plot follows the pair as they travel south of the border to get their jobs back. It kinda sounds like an inverse of Ron Howard's Gung Ho, but with presumably more racist road tripping and less cultural commentary (I think that was Howard's intention, anyway).

A few years ago a comedy about outsourced labor might have been more timely, but I guess the issue still exists, and a film about outsourcing will still be topical. Besides, a modern comedy, especially one sold originally as a vehicle for Vince Vaughn and Owen Wilson, isn't likely to be about the issues. Right? Comedies these days are either dumbed down satire or dumbered down satire (don't get me wrong, both examples are still funny), but rarely are they really about anything of social importance. But I guess it is too hard to mix the funny and the serious.

David Schwimmer hasn't had an easy time after Friends. Since the popular series wrapped, he's had one completely-off-the-radar release, one new release, and the voice of a giraffe. There have been no well-publicized romantic exploits, or a television show. Maybe it's the curse of the Gellars, as Courtney Cox has also been out of the spotlight. Schwimmer's comedic goofiness seems to have carried him as far as it can, at least on-screen. Now, he will Schwim behind the camera with the new film, Run, Fat Boy, Run. It is a first for Material Entertainment -- the joined forces of Entertainment Film Distributors and New Line Cinema.

Our own Martha Fischer originally covered the film when Simon Pegg was in negotiations to play the "fat boy." An original screenplay by Michael Ian Black ( Reno 911!), Run tells the tale of an overweight man who wants to win back the fiancé he left at the alter five years earlier by running in a marathon and somehow upstaging her dapper new fiancé. With casting complete, Pegg will be joined by Thandie Newton, Hank Azaria, and Dylan Moran. Is it safe to assume that Azaria will be the new man in her life? For a man who still has charisma as a tight pants Lancelot, the script must make him really undesirable.

The cast looks promising, although we all know that great casts don't necessarily make great movies. The title? Well, I think they could have come up with something a little more original, but we're talking about the guy who writes about over-the-top cops in Reno . Basically, it follows the usual supportive formula when you can't think of your own words of encouragement. My first memory of it is in Forrest Gump with the whole "Run, Forrest, run!" And, my favourite use would be the juvenile, yet funny, chiding "Fly, fat ass, fly!" from Mallrats.

Can you think of earlier uses of the "Action, Name, Action" formula? What are your favourites?