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Stars in Rewind: Patrick Dempsey is a Dancing Fool

Filed under: Comedy », Disney », Fandom », Trailers and Clips », Stars in Rewind »



In the new Disney movie Enchanted, Patrick Dempsey (aka Dr. McDreamy) shows off some classy moves on the ballroom floor. When he's done, Amy Adams mentions that he had previously told her he can't dance. He corrects her, saying that he can dance, he just doesn't dance (normally, anyway). While watching the scene, I thought to myself: has Giselle (Adams' character's name) never seen Can't Buy Me Love? Of course Patrick Dempsey can dance. In fact, he's able to turn an African ritual into a hot new craze at his high school dance, as you can see in the video above. I wonder who is more embarrassed of that scene from twenty years ago, Disney or Dempsey.

Maybe it's because I'm not female, but I much prefer the Patrick Dempsey of old -- back when he was super dorky, but he could still get a girl by spending $1000 on her or, tables turned, pimping himself out to married women by way of a very special pizza delivery offer. Or, there's that time he accidentally got a female roommate thanks to a college housing error, and she ended up falling for him. But my favorite Dempsey movie is Coupe de Ville, in which he plays my younger brother, while I was played by Arye Gross and my older brother was played by Daniel Stern, as we drive to Florida in the titular old auto. Well, it seemed like that movie was about my brothers and me, anyway.

Wong Kar-Wai to head 2006 Cannes jury

Filed under: Cannes », Newsstand »

Hong Kong director Wong Kar-Wai has a clear affection for the Cannes Film Festival, and Cannes has long returned his love. Starting in 1997 when Happy Together won Wong best director honors at the Festival, whenever his work appears there it is received with gushing praise. in 2000, In the Mood for Love was a Palme d'Or nominee, and his follow-up to that film, 2046, was recognized in the same way.

Now, though, Cannes has honored the director in an entirely different way: he's been selected to head the jury of this year's Festival. Though I've never full understood exactly how much power a festival's jury chair holds, the appointment is nevertheless both a recognition of Wong and of the rising status of Asian cinema on the world stage. It'll be interesting to see if any of Wong's fingerprints will be discernible when the jury hands out its awards this spring, or if the logic behind them will be just as murky as it usually is.
 
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