Harold Lloyd Tagged Articles at Cinematical
RvB's After Images: The Penalty (1920)
Filed under: Classics », Critical Thought », Cinematical Indie »

On some occasions Anthony Lane of the New Yorker is a real mug. However, he certainly was right in his Spider-Man 3 review. He wrote that the transformation--a literal pulverization, a "turning into powder"--of Thomas Haden Church's Flint Marko was the most interesting part of the blockbuster. But isn't this always the case? Superhero movies quicken the adolescent inside a viewer, and the most savory part is the detail about how people are warped into super-villains. Ex-teens remember the horrific transformations. the mysterious energies and compulsions, and the new, secret identities we grew.
Beside this, it seems that Sam Raimi is trying to channel certain silent movie ideas in his Spider-Man series. Peter Parker must have been based by Steve Ditko on the figure of Harold Lloyd, eager bespectacled kid that he is. It's easy to juxtapose the climb up the tower in Lloyd's Safety Last with Doctor Octopus pursuing Spider-Man up the clock-tower of a skyscraper in Spider-Man 2. Watching Thomas Hayden Church in Spider-Man 3 was a different kind of flashback. With his jaw filled out with some kind of prosthetic, and his ears pushed forward, and that old-time bully's sweater (the kind that thugs used to wear 80 years ago, along with derbies and checked suits) Hayden seems to be honoring the monarch of all screen villains, Lon Chaney. And an excellent place to start a study of Chaney is with one of his most insane films, 1920's The Penalty.
Vintage Image of the Day: Football with Harold Lloyd
Filed under: Classics », Comedy », Vintage Image of the Day »

The continuing box-office success of Invincible reminded me of other great football movies and football scenes in movies. Mark Wahlberg's character, struggling against the odds to make it in pro football, recalled another movie in which a guy tries to rise to stardom on the football team: Harold Lloyd in the 1925 film The Freshman. (Don't confuse it with the 1990 Matthew Broderick/Marlon Brando film -- this silent film is Komodo Dragon-free.)
In The Freshman, Lloyd plays Harold Lamb, a mild-mannered if not nerdy guy who plans to become the toast of his freshman college class, if not the entire college. Like other Lloyd characters, he studies books to determine the best road to popularity, but the books don't exactly steer him the right way. For example, I love the little jig he dances when he shakes hands. His football skills provide a number of comic moments. If this sounds a bit like the Adam Sandler film The Waterboy ... well, the Lloyd estate thought so too, and actually sued for copyright infringement (but lost the case). Many of Lloyd's films were finally released on DVD last year, so you can rent The Freshman and compare "Speedy" Lamb to Vince Papale, if you like.
News from Slackerwood: Pee-Wee, Transformers, and The Dude
Filed under: News From Slackerwood »

Austin is chock-full of special screenings and film events this week, so let's just get right to them.
- This week's AFS@Dobie film is Sophie Scholl: The Final Days. The 2005 German film about University of Munich students during WWII will run all week at Dobie Theatre.
- Dude, Lebowski Fest is in Austin this weekend. Friday night's event includes live music and a midnight screening of The Big Lebowski, and Saturday night's main event features bowling (after sunset, natch) and other fun related to the cult-like film.
- One of the first times I was allowed to drive a car without a parent around was to see Pee-Wee's Big Adventure (my first Tim Burton film). Now Rolling Roadshow is hosting a benefit screening for Austin Yellow Bike Project on Saturday night near the Yellow Bike shop at 2013 E. 51st. If you ride your bike to the event, you get discounted admission and VIP seating. (If only Alamo Drafthouse had a basement where they could screen this film, that would be ideal.)









