HarpoMarx Tagged Articles at Cinematical
Cinematical Visits MOMA's "Dali: Painting and Film" Exhibit
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Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him.
Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou (where the opening eye splicing retains its original gross-out impact) and L'Age D'Or attest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true.
Cinematical Seven: Best Non-Halloween Costumes and Disguises on Film
Filed under: Classics », Comedy », Documentary », Drama », Paramount », Paramount Classics », Universal », 20th Century Fox », Family Films », Tom Cruise », Steven Spielberg », Comic/Superhero/Geek », Remakes and Sequels », Lists », Miramax »
If you're a true movie geek, you probably refuse to dress up at Halloween in anything but a movie-related costume. I guess I'm not a true movie geek, because two years ago I went as Family Guy's Quagmire, who as of yet is not in any movies. Last year, though, I was Harpo Marx. I haven't decided what to be this year yet, but it isn't definite that I'll be something with cinematic reference.
Of course, if I was a real, hardcore movie geek, I wouldn't just settle for the basic, predictable movie-themed outfit. I'd go for the gold, and be an uber-geek. How? I would doubly dress up as a movie character who is dressed up as somebody or something else. To do so, I would pick one of my favorite non-Halloween costumes and disguises depicted on film (it isn't as fun dressing as a character who is dressed up for Halloween). However, most of these would be difficult to achieve -- or at least too obscure to wear to a common party, where the crowd isn't as film familiar as you. If you attempt any of these, good luck! And please, please send me a photo.
See, now if I had really wanted to be geeky (or pretentious), I would have not just dressed as Harpo last Halloween; I would have dressed as Harpo dressed as Groucho. In one of the most famous sequences in any Marx Brothers film, Pinky (Harpo) and Chicolini (Chico) each disguises himself as Rufus T. Firefly (Groucho) in order to steal some war plans. The real gem of the sequence, of course, is the "mirror scene" (watch it if you've never seen it before, please), where Pinky pretends to be the reflection of Rufus until Chicolini appears and ruins everything. Although historically it was only Harpo and Chico who were often mistaken for each other, or for twins, all three brothers look so alike here, that when they're all together, it is almost difficult to tell who is who. If you want to pull this double-costume off, it won't be hard -- Grouch faces are easy to do, and then you just need a sleeping cap and gown -- but I doubt you'll get much tolerance when you constantly correct everyone who thinks you're simply Groucho.
Cinematical Seven: Celebrating Election Day with Documentary Films
Filed under: Documentary », Politics », Cinematical Seven », Michael Moore », Lists »

Election Day is not a federal holiday in America (yet), and it doesn't call for any exploitation by Hallmark. Each year it even results in a lot of unhappiness. But the first Tuesday after the first Monday in November is a day for celebration, because it is a day to recognize the right to vote as much as it is a day to exercise that right. When I think of Election Day festivities, I envision the "Election Day bonfire" described by Harpo Marx in his autobiography "Harpo Speaks." This was a biennial tradition in the Tammany-era New York City that the Marx Brothers grew up in, and I can only imagine what a delight it was to have such an observance on this day. For me, festivities are as simple as renting a political-themed film, particularly one about democracy, such as Mr. Smith Goes to Washington or Manderlay. This year, I decided to choose a non-fiction title, but with so many political documentaries coming out these days, it was hard to pick just one.
This year alone has seen a number of election-related docs released, including one nominated for an Oscar (Street Fight). There is a yet-to-be-released film on the political career of Arnold Schwarzenegger, who is up for re-election today. There is a doc about voting machines called Hacking Democracy which premiered on HBO last Thursday and which will be airing again today (unfortunately, I don't have cable). And of course, An Inconvenient Truth will be released on DVD later this month. It isn't directly about an election or voting, but it is sort of marked by the reminder of Gore's loss in the 2000 election.
So, with all the choices out there for me and you for doc-watching on Election Day, I've narrowed down a list of seven that are worth checking out for different reasons. They aren't all great, they aren't all liked by me and there's one I haven't actually seen (I'll give you a hint: it just recently came out on DVD and isn't available yet from Netflix).









