HarveyMilk Tagged Articles at Cinematical

"Oh, good grief, it's Oscar."
--Lucille Bluth, "Arrested Development"

(The following post is written to the tune of Bruce Springsteen's "The Wrestler," which was not among those nominated for Best Original Song when the 81st Academy Award nominations were announced earlier today.)

Have you ever seen a one trick pony in the field so happy and free?
We'd call 'em by another name, the Academy
Have you ever seen a piece of pap that they all wouldn't eat?
If you've ever seen that Crash, then you'd agree.

Then you'd agree, The Dark Knight should've had more of a shot
Then you'd agree, Gran Torino deserved to go home with naught
Then you'd agree, I'm struggling to come up with just one more bon mot
Tell me, friend, can you ask for anything more?
We sure as hell would've asked for a whole lot more

Couldn't Let the Right One In have been recognized outside of Foreign?
If they'd even seen that movie, then they'd agree
Didn't The Reader leave most of these guys snorin'?
If they'd stayed up for this movie, then they'd agree

Then you'd agree, Dear Zachary... shouldn't have been snubbed from the start
Then you'd agree, The Fall was a tremendous work of art (direction)
Then you'd agree, they left off Gommorah too, old fart after old fart
Tell me, friend, can you ask for anything more?
We really would've asked for a whole lot more

Those nods that have comforted me, I drive away
For all of Milk's attention, I just cannot feel gay
The snubs here and there have caused far too much dismay

Have you ever seen a year where AMPAS actually got it right?
I'll plan to watch something else that February night...

One might chalk up a reluctance to cry at the movies to having sat through roughly four hundred of them a year and grown numb to the more melodramatic efforts. And yet I can't say that I've ever been given much cause to shed tears in the theater or at home, even from the earliest years of my moviegoing. I'd be willing to admit it -- heck, I believe that I'm just about to -- but I've just never been one to end up wiping at my cheeks when the lights come up, and yet more and more often, I find myself wondering: Why not?

Are the filmmakers to blame for failing in other respects to elicit tears for these characters and the fates they face? Sometimes. Am I to blame for coming in on guard, waiting for a film to get at me and maybe throwing up some hurdles along the way if there's no lack of trying? Perhaps. Isn't it acceptable to feel something without showing it, and to do so without being labeled a callous bastard? You better believe it.

Milk is a well-intentioned film, but it's also well-made, and it never confuses nobility of purpose with narrative direction. It's full of inspiration and aspiration, but at the same time, it never kids itself -- or us -- about the tricky, twisty ways of modern American urban politics. It's a sincere plea for equality that doesn't ignore the challenges of prejudice and fear. It celebrates past victories and speaks to current struggles; it mourns devastating losses and is still a hymn to hope. It commemorates a man and spotlights a movement; it avoids cliché feel-good moments but still wrings richness out of moments that feel good. It has a heart, and a brain; it's tender and loving while also being sexy and hot; it features a brilliant performance from Sean Penn but surrounds him with other talented actors doing superb work. Milk is adult and intelligent in ways many films are not, and it's rousing and enthralling in a way few films are. It's a minor miracle of sheer film making joy and determination, and one of the best American films of 2008.

Directed by Gus Van Sant (Elephant, My Own Private Idaho), Milk is radically conventional; it's also subtly, gracefully, innovative and sharp. Best of all, Milk shows us a man who may have been a martyr, but who was most assuredly not a saint -- and makes us respect his accomplishments all the more by showing us the public work and private deals it took to make them happen. Sean Penn stars as Harvey Milk, a New York white collar worker who, at 40, came out of the closet, moved to San Francisco in 1972 with his lover Scott Smith (James Franco) and opened a business and got active -- first as a community organizer, then as a political candidate and ultimately a San Francisco City Supervisor in 1977, the first openly gay elected official in California. Milk was killed in 1978, when his fellow Supervisor, Dan White (Josh Brolin) shot and killed San Francisco Mayor George Moscone and Milk in the wake of White's resignation. It's hard to imagine an audience member not knowing this going into Milk, and yet Van Sant wisely puts it up front, to contextualize Milk's work and to let the film -- and the audience -- commemorate a life instead of merely chronicling a death.

In a fitting move to, ahem, milk the boycott against Cinemark Theaters and its subsidiaries for having openly supported Proposition 8's ban on gay marriage, moviegoers are now being encouraged to see Gus van Sant's new film, Milk -- a biopic about Harvey Milk (played by Sean Penn), who valiantly fought for gay rights before his tragic death in 1978 -- at any theater but those owned by Cinemark.

The website No MILK for Cinemark! also feature a printable PDF for flyers that say as much, as well as a link to its corresponding Facebook group, which had over 17,000 members as of this writing. Their revised aim is to cost the business $10,000, or equivalent to the amount donated by CEO Alan Stock to the Yes on 8 campaign.

It's a film well worth watching, though I can't say much (and don't really need to -- our James Rocchi will say his piece soon enough), but chances are that those going to see this film will be equally willing to give this movement some consideration.

(If the version above doesn't work, here's the proper Quicktime link.)

To paraphrase an IM conversation I just had with a friend regarding the trailer for Gus van Sant's forthcoming biopic, Milk: he thought the trailer was "incredible", whereas I felt it painted openly gay elected official Harvey Milk in a bit too saintly a light, at least within those two-and-a-half minutes, much to his chagrin.

I'm not saying that the real-life Milk wasn't a key figure in the fight for gay rights; I'm not saying that he deserved to be assassinated by Dan White (Josh Brolin); I'm not saying that Sean Penn doesn't look or sound just like the guy (that, I cannot speak for) and won't turn in an impressive performance. All I can speak for is the trailer itself and how I felt towards it.

So, as I go to put the 1984 Oscar-winning doc The Trials of Harvey Milk in my Netflix Queue, in the name of knowing better, would any of you care to attest for both the accuracy and anticipation behind this project?

The cinematic Harvey Milk has got himself another lover. Entertainment Weekly has reported that Diego Luna, the Mexican actor famous for his role in Y Tu Mama Tambien, has joined Gus Van Sant's upcoming biopic, Milk. He will play Jack Lira, a supporter of Milk and also his lover. We've already got Sean Penn as Milk, the first openly-gay city supervisor of San Francisco, Josh Brolin as Milk's assassin, Dan White, Emile Hirsch as gay rights activist Cleve Jones, James Franco as another lover and campaign manager Scott Smith, and further cast played by Victor Garber (Alias), Denis O'Hare (The Anniversary Party), and Stephen Spinella (24).

I have to say, I agree with Christopher Campbell's previous coverage of the film. Penn being bright and cheery? I'm not so sure. Hopefully, however, he'll surprise us, because there's a heck of an interesting group of actors attached to this movie. The film is said to focus on Milk's story as the third openly-gay elected official in America (in 1977), and how he and Mayor George Moscone were assassinated by White, who was another city supervisor.

A lot has changed in the last 30 years, but it will be interesting to see how Van Sant's film does with the movie-going public, and whether "If a bullet should enter my brain, let that bullet destroy every closet door," will become even more recognized, lauded, and followed.

I once thought that Matt Damon was the only actor suitable to portray Dan White. But that was a whole month ago, before I saw Josh Brolin in American Gangster and No Country for Old Men. Now I'm satisfied that he too would be great as the bad guy in Gus Van Sant's Milk, and fortunately enough, he's close to being cast in the role. According to Variety, Brolin is in negotiations to replace the never-quite-locked-in Damon as the man who assassinated two prominent city officials in 1978. For those of you not living in the Bay Area in the late '70s and who haven't seen the Oscar-winning documentary The Times of Harvey Milk and who haven't been reading my coverage of this movie, Milk dramatizes the story of Harvey Milk, the first openly gay politician, who served as a San Francisco county supervisor before being shot by his former co-worker Dan White. Also killed by White at the same time was S.F. Mayor George Moscone.

While I still kinda wish Damon was attached, I have an easier time picturing Brolin under that little boy haircut of White's. Of course, just as Damon would have, Brolin will need a prosthetic dimple chin in order to get the look just right. Then again, it might be bad if he looks too much like the real White, who was eventually convicted of manslaughter and who later took his own life after serving five years in prison. The actor portraying the title character is Sean Penn, and he hardly looks anything like Milk. Anyway, it sure wouldn't be the first time an actor didn't look much like the famous person he or she is playing.

Additionally, The Hollywood Reporter tells us that Emile Hirsch and James Franco are also in negotiations to star, with Hirsch playing gay rights activist Cleve Jones and Franco playing Milk's lover and campaign manager, Scott Smith.

Three people I'll admit to being a fan of: Harvey Milk; Gus Van Sant; Sean Penn. Yet for some reason I'm not really looking forward to Van Sant's Milk, a biopic of openly gay politician Harvey Milk, in which Penn will play the title role. Mostly (and I said this when Penn was first attached) I can't see the cranky actor playing the typically smiling San Francisco city supervisor, who was assassinated by a co-worker in 1978. Sure, Penn is a terrific actor who can play nearly any kind of role. But Harvey Milk? I'll believe it when I see it. If you haven't already seen the Oscar-winning documentary The Times of Harvey Milk, and you are looking forward to Milk, you might as well save the doc to watch after seeing the Hollywood version ...

... Or, this Hollywood version, at least. There are two. The other one, titled The Mayor of Castro Street, is supposed to be directed by The Usual Suspects' Bryan Singer. But according to Variety, Mayor is stuck "in strike limbo" -- Christopher McQuarrie's script is reportedly finished but failed to be submitted pre-strike. So, Milk will definitely be the first to be filmed, and therefore will likely be the first to hit theaters. Traditionally, the first of dueling biopics wins the better box office (see Capote vs. Infamous), so Mayor may not even want to bother. Unless it gets a much better actor to play Milk -- and who knows a better actor who also resembles Milk more than Penn? As much as I dislike Penn in the role, I don't see anyone else fitting the part (I'd rather just let Times be the only Milk movie). At one point, Matt Damon was also lightly attached to Milk, but the latest news makes no mention of Damon playing assassin and fellow S.F. City Supervisor Dan White, who he would be perfect as. If he were still set to play the film's villain, I would be totally into it, but without him, I'm really fearful.

If you've never seen the Oscar-winning documentary The Times of Harvey Milk, you should lend it your attention. Aside from being a great film, about a homosexual politician in 1970s San Francisco who was assassinated by a co-worker, it needs to be seen before Milk's image is tainted by Sean Penn. According to The Hollywood Reporter, Penn is set to play Milk in a biopic to be directed by Gus Van Sant (My Own Private Idaho). Now, I admit Penn is a great actor, but he just doesn't have that nice-guy charm that Milk had. Instead, Penn is good for serious, brooding characters. Milk was all smiles, and Penn's smile is not nearly as pleasing. Also attached to the film is Matt Damon, who will play Milk's assassin and fellow SF City Supervisor, Dan White (hopefully Damon will wear a dimple-chin prosthetic).

For those wondering, no, this isn't the Milk biopic that we've been hearing about for awhile being made at Warner Bros. That long-planned project, being scripted by Christopher McQuarrie and to be directed by Bryan Singer, is waiting on the production of the duo's Valkyrie -- and maybe even on The Man of Steel. But we did learn of this rival production back in April. Now, if Van Sant can fast track his version, it will take the lead and the advantage. Plans are to begin filming in December with a script penned by Dustin Lance Black (TV's Big Love), though apparently if the untitled film doesn't finalize a shoot date soon, Damon may not stay on board (too bad; he's perfectly cast). The project is being produced by American Beauty's Oscar-winners Bruce Cohen and Dan Jinks with financing coming from producer Michael London (Sideways) and his Groundswell Productions. They are currently in talks with one of the major specialty divisions about distribution.

If you're one of the people who enjoyed Bryan Singer's version of the Man of Steel story and were anxiously awaiting his next trip to Metropolis for a sequel to Superman Returns, your wait may have gotten a bit longer. According to Rotten Tomatoes, producing partners Neil Meron and Craig Zadan are moving forward with Singer directing their pet project, a biopic of slain gay right activist Harvey Milk called The Mayor of Castro Street, as soon as Singer finishes with his current film -- the WWII story Valkyrie.

According to them, their film could be Singer's next project, no matter what may have been announced previously. So, what about a Superman sequel? "The next Superman, that's a ways off," claimed Meron, with Zadan adding. "Don't worry about it. Trust me." As for Singer, as we previously reported, he has maintained he would direct the sequel to Superman Returns, currently titled Superman: The Man Of Steel, and that it would be his next project after Valkyrie. But he has also been attached to a Logan's Run remake and has apparently also been attached to The Mayor of Castro Street for two years already.

So, with the director being so busy and apparently being pulled in several directions at once, the question has to be asked: is he going to try and do them all? If so, that's a tall order to be sure and something that would undoubtedly take a great deal of time and effort. Although, with Singer possibly off the Logan's Run remake, that does free up some time in his schedule. Maybe he feels he can now squeeze in the smaller Harvey Milk biopic between Valkyrie and a Superman sequel? Whatever he ends up doing, I just hope he remembers to find some time to sleep.