Helen Mirren Tagged Articles at Cinematical

When Warren Ellis' Red was first optioned, I wasn't particularly excited. As readers have pointed out, Ellis has many books that would be more exciting to see on the big screen. The initial casting of Bruce Willis and Morgan Freeman didn't inspire a lot of excitement, either. (I love both, but Willis as an ex-assassin? Hardly inspired.) But as Robert Schwentke has filled out his cast, things have gotten a lot more interesting. According to The Hollywood Reporter, Mary-Louise Parker and John C. Reilly are in talks to join Red alongside Freeman, Willis, and Helen Mirren.

Reilly would play a retired CIA agent who is paranoid that everyone is out to kill him. Willis' predicament will naturally prove him right, and it's the frantic, nervous role that Reilly specializes in. Again, it's not the most inspired casting, but it's exciting to see Reilly finally land a comic book role. I like to see actors drawn into this world, even if it is in a more "standard" storyline.

Parker will play Willis' love interest, an ordinary employee of the federal pension office who becomes embroiled in his struggle to stay alive. As if relationships aren't hard enough, it's "Honey! My former employers are trying to kill me! Get your passport, we have to hide in Bruges." She is a talented actress, so I sincerely hope she gets a little more to do than run around and be frightened. Perhaps she can be trained in the arts of action by Mirren's character.

It's a really good cast so far, and there's undoubtedly more to come as Willis' opponents are lined up. This could be something a little more in the mold of A History of Violence, which would be a refreshing change from the flashy adaptation attempts like Wanted. Red is officially on my radar.

I have a major girl crush on Helen Mirren. I want to be her, and I simultaneously want her to take me under her wing, and turn me posh. Now she's set to make me geek out even more, because Screen Daily and The Hollywood Reporter report that she's just signed on to Red, Summit Entertainment's adaptation of Warren Ellis' bloody miniseries. Robert Schwentke is set to direct.

Mirren joins Bruce Willis and Morgan Freeman in this cheerful tale of assassins. Willis plays black ops CIA Agent Paul Moses, who is enjoying the peace and quiet of retirement. But when there's a change of guard at the CIA, it's decided that Moses is too much of a liability. While Ellis' book pitted Moses against a single assassin, the movie will put Moses against a host of younger and more technologically adept opponents. It'll be the old school versus the new school -- and we all know who will probably win. I believe Freeman is playing the new CIA boss who decides Moses has seen and done too much to be anything but a liability, but nothing has been specified.

In her first comic book adaptation, Mirren will be playing an old associate of Willis, who has her own lethal set of skills. (Shades of Taken!) Don't be surprised if they're sexy skills. But you know what? It's Helen Mirren. If she wants to use her looks in order to dispatch a dictator or arms dealer, she can. Filming is set to kick off in January, and I count the days until I can see Mirren actually kick some ass onscreen.

Circa 1910, Lev Tolstoy was the most renowned writer and thinker in Russia. The man was so worshipped that he spawned his own political and philosophical movement – Tolstoyanism – that won over scores of fanatically devoted adherents who followed Tolstoy in rejecting notions of private property, condemning sexual intercourse, and embracing what can be described as an idiosyncratic form of communism, with a somewhat creepy religious bent. "I don't believe that Tolstoy is Christ," says one particularly revolting character in The Last Station, a fictionalized chronicle of Tolstoy's last days. "Christ is Christ. But I believe that he is a prophet."

I've read enough Tolstoy to know that the guy was essentially a crackpot. The main problem with The Last Station is that the movie – which wants badly to portray the man as sympathetic – spends most of its running time madly equivocating on this score. Certainly its depiction of his politics does Tolstoy no favors: his worldview appears as illogical and fanatical as it apparently was in real life. At the urging of his advisors, the man robs his wife of 48 years of the rights to his bestsellers, which he is convinced "belong to the people." When asked why his family shouldn't profit from what is, after all, his work, he says that if peasants had money, they wouldn't spend it on footservants – to which his wife, Countess Sofia Andreevna Tolstoya, reasonably replies that they would probably spend it on liquor.

Newspapermen occupy that movie middle ground between detectives and action heroes. They dig up clues, but the clues are hard-won, based on experience and the building up of contacts and sources. The clues are rarely left at the scene of the crime. Newspapermen rarely get into danger, but when they do it's not something they're really prepared or trained for. Coming face-to-face with a deadly killer, Washington Globe reporter Cal McAffrey (Russell Crowe) can barely make eye contact. Cal doesn't fight or outwit the bad guy; he just runs and hides. It's not important that he try to be a hero. It's more important that he survive to write the story.

Of course, real reporters don't get to solve murders and uncover international corporate conspiracies every day, and that's where Hollywood comes in. The new film State of Play is based on a six-hour BBC mini-series from 2003. I haven't seen the original, but I'd bet that it's much distilled and sped up, and no one is going to argue that the new film is any kind of improvement. But taken on its own, it's probably the best newspaper/journalism movie in years -- perhaps since Shattered Glass (2003) -- even if it falls far short of the purity of All the President's Men (1976). It's also the first movie of its kind to address the inherent feud between sturdy, superior, old-fashioned print reporting, and reckless, inexperienced, sloppy blogging. (Guess which side the movie is on?)

Not too long ago, Cinematical had a chance to travel to London to visit the set of Inkheart over at Shepperton Studios where stars Brendan Fraser, Paul Bettany, Helen Mirren, Eliza Bennett and Andy Serkis were filming a crucial scene in the film -- one that involved fire, magic, a non-CGI'd Serkis and strange-looking evil men. But we'll come back to that in a little bit. Shepperton Studios is made up of several buildings, and unlike the set of The Golden Compass (which we visited the day before), there wasn't much green screen to be found on this flick. Instead, the Inkheart sets were big, bold and quite beautiful -- one of which felt as if you were walking straight onto a village street, with shops and cobblestones and realistic rooftops.

On the side of this set stood the interior of a medieval-looking cathedral, which runs up about two stories and boasts a large staircase at its center. They were still dressing this set, which would be used for one of the final scenes later in the week. During our visit, we would meet with executive producer Diana Pokorny, costume designer Verity Hawkes, legendary production designer John Beard, two animal trainers and, of course, the cast with director Iain Softley (The Skeleton Key, K-PAX, Hackers). For more on the Inkheart set visit, follow us after the jump.

News like this is what I wait for when writing about movie news -- announcements that merge so many good things that you can't help but get the tingle of excitement. The Hollywood Reporter posts that Julie Taymor is taking on William Shakespeare yet again, and with one starry-eyed and stellar cast. Strike that ... THE stellar cast.

This time around, we get The Tempest, but with a spin -- there's a bit of gender bending. Prospero, the deposed Duke of Milan who became a sorcerer, is getting a sex change so that Helen Mirren can play the part. The lovely Mirren will be joined by Jeremy Irons, who will play Prospera's brother Alonso, Djimon Hounsou, who will tackle Caliban, Russell Brand as the jester Trinculo, Alfred Molina, who will be the drunken Stephano, Ben Wishaw as the spirit Ariel, and Felicity Jones as Prospera's daughter, Miranda. Oh, but that's not all -- Geoffrey Rush is in negotiations to play Prospera's ol' ally and adviser, Gonzalo. Since things are being changed up a bit, here's how THR describes it: "Shakespeare's play mixes romance with fraternal politics and the supernatural. As revised for the screen, it will center around Prospera, her daughter Miranda (Jones) and a shipwrecked crew full of Prospera's enemies."

After seeing Taymor's Titus, I never dreamed another Shakespeare adaptation could compare, until now. I say this having seen every single one of Will's plays performed at least once, and thinking that Patrick Stewart's Prospero was practically untouchable. But now, with this cast? I'm in love.

But still, Taymor is changing things up, so sound off below: Taymor, gender-bending, and The Tempest -- yay or nay?

When Stephen Frears' The Queen came out in 2006, all the buzz emphasized Helen Mirren's icy performance as London's reclusive royal highness. The ubiquitous praise lead to her Oscar win, but it overwhelmed recognition of the movie's secret weapon: Michael Sheen as Tony Blair, quietly pressuring his Majesty to face the public in the wake of Princess Diana's untimely demise. There's a reason why Sheen conveyed the nuances of Blair's role in the event, which transpired a mere three months after the Prime Minister rose to power -- he had practice. The Deal, a fantastic made-for-TV movie Frears directed in 2003, tracked Blair's cunning (and morally questionable) instincts in the years leading up to his position at the top of the Labor Party.

Sheen played Blair in The Deal first, and it's both a superior performance and a superior film. Whereas The Queen had a tabloid hook and only tangentially explored the deeper political ramifications of a reclusive national leader, The Deal delves into precisely how Blair managed to emerge at the top of British politics with a series of calculated maneuvers. Political drama at its finest, The Deal hit DVD in the United States last month, where it has been touted as "the prequel to The Queen." That's not quite fair; The Queen is the sequel to The Deal, and the two movies ought to be seen as a single, wholly fascinating package depicting British politics in the 1990s.

When news of The Last Station first hit all the way back in 2006, it sounded pretty darned irresistible -- Anthony Hopkins as Leo Tolstoy, Meryl Streep as his wife Sofia, and Paul Giamatti as Tolstoy's supporter, Chertkov. Now, as much as I enjoy a good performance by Hopkins and Streep, I'm happy to say that there's new casting for the film, that's finally heading towards production, and still has Giamatti attached.

Variety reports that Christopher Plummer and Helen Mirren have now signed on to star. Anthony is great and all, but he's no Plummer. Based on Jay Parini's novel from 1990, the film will follow the final year of the famous writer's life -- when his wife's extravagant demands clash with his "philosophy of poverty," and he flees to the house of a station-master for some peace as he dies.

With this latest bit of news, one things for certain: Kevin Macdonald is hurting when he should be playing. State of Play already lost Brad Pitt in November. He was having a slew of issues with the director, and decided to back out of his deal, which instigated Universal to make some threats of legal action. It was particularly crappy timing for the project, since it was set to begin filming when the actor bailed. Word later came that Pitt wasn't happy with the script, and thought it needed work. Presumably not interested in waiting the strike out, Universal disagreed, so they turned to wooing Russell Crowe to replace Brad.

The production will now begin in January, and Variety reports that star #2 is backing out -- Ed Norton. This departure, however, is because of a clash in start times -- State of Play now interferes with Norton's other project, Tim Blake Nelson's Leaves of Grass. So Eddie is out, and Universal already has its replacement -- Ben Affleck. So, as it stands now, Ben will be the "fast-rising politician who is caught up in a murder conspiracy. Crowe will play a journalist who leads a newspaper's investigation into the killing. He's conflicted in that he once ran the politician's campaigns, and he is now romancing his estranged wife." Still on the cast list, at least for now -- Helen Mirren, Rachel McAdams, Robin Wright Penn, and Jason Bateman. There is the possibility that Mirren will be the next to go -- she has a potential conflict with the upcoming Love Ranch, but they're trying to work things out.

So I ask you: Should State of Play frolic away, or is it time to shelve the project?