Skip to Content

Summer Budget Travel Tips from Gadling

HelenMirren Tagged Articles at Cinematical

Review: State of Play

Filed under: Thrillers », New Releases », Universal », Theatrical Reviews », New in Theaters »



Newspapermen occupy that movie middle ground between detectives and action heroes. They dig up clues, but the clues are hard-won, based on experience and the building up of contacts and sources. The clues are rarely left at the scene of the crime. Newspapermen rarely get into danger, but when they do it's not something they're really prepared or trained for. Coming face-to-face with a deadly killer, Washington Globe reporter Cal McAffrey (Russell Crowe) can barely make eye contact. Cal doesn't fight or outwit the bad guy; he just runs and hides. It's not important that he try to be a hero. It's more important that he survive to write the story.

Of course, real reporters don't get to solve murders and uncover international corporate conspiracies every day, and that's where Hollywood comes in. The new film State of Play is based on a six-hour BBC mini-series from 2003. I haven't seen the original, but I'd bet that it's much distilled and sped up, and no one is going to argue that the new film is any kind of improvement. But taken on its own, it's probably the best newspaper/journalism movie in years -- perhaps since Shattered Glass (2003) -- even if it falls far short of the purity of All the President's Men (1976). It's also the first movie of its kind to address the inherent feud between sturdy, superior, old-fashioned print reporting, and reckless, inexperienced, sloppy blogging. (Guess which side the movie is on?)

Set Visit: Inkheart

Filed under: Action », Sci-Fi & Fantasy », Fandom », Family Films »



Not too long ago, Cinematical had a chance to travel to London to visit the set of Inkheart over at Shepperton Studios where stars Brendan Fraser, Paul Bettany, Helen Mirren, Eliza Bennett and Andy Serkis were filming a crucial scene in the film -- one that involved fire, magic, a non-CGI'd Serkis and strange-looking evil men. But we'll come back to that in a little bit. Shepperton Studios is made up of several buildings, and unlike the set of The Golden Compass (which we visited the day before), there wasn't much green screen to be found on this flick. Instead, the Inkheart sets were big, bold and quite beautiful -- one of which felt as if you were walking straight onto a village street, with shops and cobblestones and realistic rooftops.

On the side of this set stood the interior of a medieval-looking cathedral, which runs up about two stories and boasts a large staircase at its center. They were still dressing this set, which would be used for one of the final scenes later in the week. During our visit, we would meet with executive producer Diana Pokorny, costume designer Verity Hawkes, legendary production designer John Beard, two animal trainers and, of course, the cast with director Iain Softley (The Skeleton Key, K-PAX, Hackers). For more on the Inkheart set visit, follow us after the jump.

Is the Best 'Tempest' On the Horizon?!

Filed under: Classics », Drama », Casting »

News like this is what I wait for when writing about movie news -- announcements that merge so many good things that you can't help but get the tingle of excitement. The Hollywood Reporter posts that Julie Taymor is taking on William Shakespeare yet again, and with one starry-eyed and stellar cast. Strike that ... THE stellar cast.

This time around, we get The Tempest, but with a spin -- there's a bit of gender bending. Prospero, the deposed Duke of Milan who became a sorcerer, is getting a sex change so that Helen Mirren can play the part. The lovely Mirren will be joined by Jeremy Irons, who will play Prospera's brother Alonso, Djimon Hounsou, who will tackle Caliban, Russell Brand as the jester Trinculo, Alfred Molina, who will be the drunken Stephano, Ben Wishaw as the spirit Ariel, and Felicity Jones as Prospera's daughter, Miranda. Oh, but that's not all -- Geoffrey Rush is in negotiations to play Prospera's ol' ally and adviser, Gonzalo. Since things are being changed up a bit, here's how THR describes it: "Shakespeare's play mixes romance with fraternal politics and the supernatural. As revised for the screen, it will center around Prospera, her daughter Miranda (Jones) and a shipwrecked crew full of Prospera's enemies."

After seeing Taymor's Titus, I never dreamed another Shakespeare adaptation could compare, until now. I say this having seen every single one of Will's plays performed at least once, and thinking that Patrick Stewart's Prospero was practically untouchable. But now, with this cast? I'm in love.

But still, Taymor is changing things up, so sound off below: Taymor, gender-bending, and The Tempest -- yay or nay?

Fan Rant: 'The Deal' is Better Than 'The Queen'

Filed under: Comedy », Drama », Independent », Casting », Deals », New Releases », Celebrities and Controversy », Scripts », Home Entertainment », Politics », Columns », Fan Rant »



When Stephen Frears' The Queen came out in 2006, all the buzz emphasized Helen Mirren's icy performance as London's reclusive royal highness. The ubiquitous praise lead to her Oscar win, but it overwhelmed recognition of the movie's secret weapon: Michael Sheen as Tony Blair, quietly pressuring his Majesty to face the public in the wake of Princess Diana's untimely demise. There's a reason why Sheen conveyed the nuances of Blair's role in the event, which transpired a mere three months after the Prime Minister rose to power -- he had practice. The Deal, a fantastic made-for-TV movie Frears directed in 2003, tracked Blair's cunning (and morally questionable) instincts in the years leading up to his position at the top of the Labor Party.

Sheen played Blair in The Deal first, and it's both a superior performance and a superior film. Whereas The Queen had a tabloid hook and only tangentially explored the deeper political ramifications of a reclusive national leader, The Deal delves into precisely how Blair managed to emerge at the top of British politics with a series of calculated maneuvers. Political drama at its finest, The Deal hit DVD in the United States last month, where it has been touted as "the prequel to The Queen." That's not quite fair; The Queen is the sequel to The Deal, and the two movies ought to be seen as a single, wholly fascinating package depicting British politics in the 1990s.

Hollywood's Crappy Kissers

Filed under: Celebrities and Controversy », Newsstand »

Movie stars can get a stylist, remove those errant eyebrow and nose hairs, and even get some high-dose skin cleaner to make themselves smooth, shiny, and sexy; if all else fails, there are legions of makeup artists to make the men and women of Hollywood look as hot as possible. But there's not much they can do about their tongue prowess. Sometimes, the smooch or sex scene is so bad that it's even obvious on-screen, and on occasion, movie kissing is so bad that those who were forced to endure it remember the moment forever and tell tales about their bad kissing moments.

Defamer has a list titled: Top Ten Worst Kissers in Hollywood: From the 'Icky' to the 'Sweaty' to Tongues That Taste Like Kitty Litter. The folks at Defamer weren't just guessing in compiling the list -- they've gathered quotes from those unlucky suckers who had to experience it for themselves.

Christopher Plummer and Helen Mirren Take on Tolstoy

Filed under: Drama », Casting »

When news of The Last Station first hit all the way back in 2006, it sounded pretty darned irresistible -- Anthony Hopkins as Leo Tolstoy, Meryl Streep as his wife Sofia, and Paul Giamatti as Tolstoy's supporter, Chertkov. Now, as much as I enjoy a good performance by Hopkins and Streep, I'm happy to say that there's new casting for the film, that's finally heading towards production, and still has Giamatti attached.

Variety reports that Christopher Plummer and Helen Mirren have now signed on to star. Anthony is great and all, but he's no Plummer. Based on Jay Parini's novel from 1990, the film will follow the final year of the famous writer's life -- when his wife's extravagant demands clash with his "philosophy of poverty," and he flees to the house of a station-master for some peace as he dies.

'State of Play' Loses One More -- Ed Norton, and Guess Who Will Replace Him!

Filed under: Drama », Casting »

With this latest bit of news, one things for certain: Kevin Macdonald is hurting when he should be playing. State of Play already lost Brad Pitt in November. He was having a slew of issues with the director, and decided to back out of his deal, which instigated Universal to make some threats of legal action. It was particularly crappy timing for the project, since it was set to begin filming when the actor bailed. Word later came that Pitt wasn't happy with the script, and thought it needed work. Presumably not interested in waiting the strike out, Universal disagreed, so they turned to wooing Russell Crowe to replace Brad.

The production will now begin in January, and Variety reports that star #2 is backing out -- Ed Norton. This departure, however, is because of a clash in start times -- State of Play now interferes with Norton's other project, Tim Blake Nelson's Leaves of Grass. So Eddie is out, and Universal already has its replacement -- Ben Affleck. So, as it stands now, Ben will be the "fast-rising politician who is caught up in a murder conspiracy. Crowe will play a journalist who leads a newspaper's investigation into the killing. He's conflicted in that he once ran the politician's campaigns, and he is now romancing his estranged wife." Still on the cast list, at least for now -- Helen Mirren, Rachel McAdams, Robin Wright Penn, and Jason Bateman. There is the possibility that Mirren will be the next to go -- she has a potential conflict with the upcoming Love Ranch, but they're trying to work things out.

So I ask you: Should State of Play frolic away, or is it time to shelve the project?

Helen Mirren Had Sexist Run-In with Director Michael Winner?

Filed under: Casting », Celebrities and Controversy », Newsstand »

Over the years, lots of news has come out about lusting directors wanting more than just a read-through during casting calls. This is nothing new, but it may be surprising to hear about it regarding Helen Mirren. The Guardian reports that in a recent television interview, she spoke harshly of director Michael Winner (Appointment with Death) and a casting session back in 1964 -- a few years before she even had her first feature role in Herostratus.

She says that he treated her "like a piece of meat," and asked her flaunt her body and spin for a casting session. "I was mortified and incredibly angry. I thought it was insulting and sexist, and I don't think any actress should be treated like that -- like a piece of meat -- at all." The director-turned-restaurant critic, meanwhile, has an entirely different story, or at least, he seems to think so. He shared his version of things over at The Mail, and it is, well, interesting.

In his story, she was an actress with "sagging bosoms" who refused to wear a bra. Her then-agent supposedly was at a loss, so she convinced Winner to help try and convince her. But even after this whole story about how he was just trying to be of help, he said: "Now I don't mind that Helen looks back on those days as humiliating, but I'll tell you something else, Helen: even after that period, for years after I still asked girls to stand up away from my desk so I could get a good look at them." Okay, Winner, thanks for sharing.

Really, it's not like Mirren shied away from racy fare. She isn't complaining about sexist troubles when she read to star as Caesonia in Penthouse's Caligula, or as a prostitute in Hussy. If she isn't complaining about a Guccione production, that says something.* We'll never know what happened for sure, but at least its an entirely strange story for the weekend.

*Edited thanks to the catch by Rich. You're absolutely right!

Gallery: Helen Mirren

Actress Helen MirrenDame Helen Mirren and David BeckhamActress Helen MirrenActress Helen MirrenActress Helen Mirren

Russell Crowe to Replace Brad Pitt in 'State of Play?'

Filed under: Drama », Casting », Universal », Brad Pitt », Johnny Depp »

When Brad Pitt ditched his starring role in State of Play last Wednesday, it seemed like for once a production was hitting snags that have nothing to do with the writer's strike. Not true; it turns out Pitt's departure was due to a script problem, specifically that Pitt thinks it needs some more work and Universal disagrees, and so State of Play has become yet another victim of the strike. But unlike other strike-affected movies, such as Pinkville and Shantaram, State of Play may not be going into a development hibernation. According to Variety, Universal is attempting to woo Russell Crowe to fill Pitt's shoes and keep the movie on track. Crowe would have to make sure he can squeeze this film in before his March start on Ridley Scott's Nottingham, while the studio would have to make sure that Crowe doesn't mind problem scripts. If the actor doesn't get cast, though, Variety points out that both Tom Hanks and Johnny Depp seem to be available thanks to the strike (same goes for Bruce Willis I think).

Obviously, Universal is hoping to get this movie made no matter what, because it needs to have something in the can once the strike has left us with a release void. Yet despite the strength of its cast, which includes Edward Norton, Helen Mirren, Rachel McAdams, Robin Wright Penn and Jason Bateman, the studio has to understand that if the script is problematic, the outcome may be a disappointment. It's worth pointing out that the plot of State of Play, which deals with politics and journalism, sounds superficially like the recent remake of All the King's Men, which had a stellar ensemble yet failed anyway. State and Play may be nothing like that film, but regardless it does remind me enough to foresee a failure. Anyway, we should hear definite word on whether or not Crowe takes the part early this week. We should also hear definite word, though probably not this week, on whether or not Universal plans to sue Pitt over his exit. The case will certainly be interesting to follow, because it could change the way in which Hollywood deals with A-list talent and pay-or-play contracts.

'The Queen' Still Winning Awards -- For its Dogs

Filed under: Action », Drama », Independent », Awards », Other Festivals »

If you love movie awards and dog shows, there's a new event that's perfect for you: the Fido Awards, which recognizes cinematic canines. Presented in conjunction with the London Film Festival, these awards were presented Sunday night with the top honor, "Best in World", going to five corgis -- named Poppy, Anna, Alice, Oliver and Megan -- that appear alongside Oscar-winner Helen Mirren in The Queen. The same dogs also won another award, "Best Historical Hounds for a dog/dogs in a film set in bygone days", beating out dogs from Control (I don't even remember a dog in this, which means it makes sense it didn't win) and Molière. Other winners include Travis, a Welsh cardigan corgi named "Comedy Canine for smochiest pooch in a romantic comedy " for his "method-acting" in Year of the Dog, Logan, a "Bernese Mtn English Mastiff X" named "Blockbuster Bowser -- best canine achievement in an action flick" for sharing a beer with Mark Wahlberg in Shooter, and dogs from the short film Dog Flap and the London Film Festival entry Far North. In addition to those from Control and Molière, losers included pups from The Holiday, Feast of Love, Shoot 'Em Up, The Savages (for some reason listed in the action category) and Paddy Considine's short Dog Altogether. Hopefully none of them were Old-Yellered because of their failures.

Isn't that cute? The Fidos are technically considered "the world's first-ever international awards ceremony for canine screen stars," but this isn't the first time awards have been given out to animal performances in film (I would be shocked if it were). Since 1939 -- after a horse was accidentally killed on the set of Jesse James -- the American Humane Association has honored animals in cinema and television with the PATSY Awards (yet apparently the first actual PATSY went to "Francis the Talking Mule" in 1951). Some of the obvious past winners include Lassie, the pig from Green Acres, the dog that played Benji (name: Higgins), Gypsy the horse (from Gypsy Colt) and Orangey the cat, who appeared in Rhubarb and Breakfast at Tiffany's. Unfortunately I can't seem to find a full list of the winners through the years, just this spotlight from TCM.

What is your favorite animal performance, canine or otherwise?

 

Sponsored Links