Eric D. Snider tried his best to trick me into watching Beverly Hills Chihuahua this week. It didn't work on me, but it worked on millions of Snider acolytes all over North America, who joined forces to give the talking-animals kidflick a strong $29 million, first-place debut. I didn't see it, as I say, so it would be wrong for me to bemoan the decline of civilization that this surely (if unsurprisingly) represents. Feel free to do so in the comments.

Nick & Norah's Infinite Playlist opened to $12 million and third place, which I'd have to say is okay for the low-profile, borderline-niche film. That number, though not terribly impressive, is actually a fair testament to Michael Cera's star power, since his presence was literally the only mass-marketable aspect of the movie. So the debut is at least a draw for Sony.

It was an interesting weekend in that there were several films opening in, or expanding into, semi-wide release. The biggest winner of that bunch has to be Religulous, Bill Maher's aggressively anti-faith documentary, which did $3.5 million on around 500 screens for $6,972 per screen. Given the preaching-to-the-relatively-small-choir quality of the film, I don't expect it to hold up too well in the weeks ahead, but this level of interest is a mild surprise. Facing off against Religulous ideologically was David Zucker's conservative spoof An American Carol which, according to the estimates, edged out Religulous with $3.8 million on over 1,600 screens.

Ed Harris's lightweight western Appaloosa expanded to roughly 1,000 screens and took in $5 million -- which is okay, but seems like a missed opportunity. Faring worse were Flash of Genius (1100 screens) and Blindness (1700), with $2.3 and $2 million respectively, both landing outside the top 10. The grim Blindness was a no-sale from the beginning, especially since the critics never got on board, but the unabashedly populist Flash of Genius underperformed. Maybe the ads emphasized windshield wipers too much.

A bit more plus the weekend's top 12 after the jump.

Welcome back to another installment in our groundbreaking, game-changing (to borrow a phrase from the news anchors of the world) Insert Caption series -- where you provide the content and we provide the prizes. Last week we asked you to dish out some captions for a photo from How to Lose Friends and Alienate People, which opens in theaters today. Congrats to our three winners -- none of whom include you, dude.

1. "But the ad said the auditions were for Hair" -- Debra F.

2. "All Simon's attempts to compliment Jeff's "very masculine" hair piece ended in futility after mistakenly introducing himself to whom he thought was "Mrs. Bridges." -- Nathan H.

3. "Look, it's part of the bailout agreement. I get to keep my CEO golden parachute, and you have to swim back to England." -- Kevin M.

See full image and all captions


This week we've purchased a one-way ticket for The Express, which hits theaters on October 10th, and follows the story of Ernie Davis, the first African-American to win the Heisman Trophy. The three readers who score a touchdown with our caption judges this week will hit the showers with a prize package that includes one The Express poster, one The Express t-shirt, one The Express hat and one The Express mini football. Sunday afternoon will never be the same again. Sound off below ...



Read the official rules for this contest

Chalk up another number one opener for Shia Labeouf as Eagle Eye took the top spot with Richard Gere's romantic drama Nights in Rodanthe sliding into second. Here's the top five:

1. Eagle Eye: $29 million
2. Nights in Rodanthe: $13.4 million
3. Lakeview Terrace: $6.9 million
4. Fireproof: $6.8 million
5. Burn After Reading: $6 million

We've got a whopping six new releases this week, so let's get started...


How to Lose Friends and Alienate People
What's It All About: Simon Pegg stars as a small time gossip journalist from England who joins the staff of a prestigious New York magazine and proceeds to piss off a lot of people.
Why It Might Do Well: Dude, it's Simon Pegg.
Why It Might Not Do Well: No zombies or cricket bats in sight.
Number of Theaters: 1,750
Prediction: $6 million

In a true example of life imitating art, British author Toby Young managed to offend an Oscar-nominated director, a few producers and even the leading lady on the set of the movie adaptation of his novel How to Lose Friends & Alienate People.

But Young -- who can't help but laugh when rehashing outlandish stories about hiring a stripper for the office on Take Your Daughter to Work Day and, ultimately, being tossed aside after Vanity Fair was no longer amused with him -- still maintains that he's actually a very charming guy.

Young talked to us about getting kicked off the movie based on the book he wrote about his life, who he'd cast to play himself if he could choose anyone and why Kirsten Dunst thinks he's a demented stalker.

Welcome back to another installment of Insert Caption -- our imaginary award-winning weekly contest in which you won't lose friends and alienate people, but you will walk away with some cool prizes (assuming you make us laugh, like, a lot). Last week we snuggled up next to Richard Gere, Diane Lane and a big box of tissues in preparation for their new flick Nights in Rodanthe, based on the Nicholas Sparks novel. Congrats to our three winners who all somehow managed to write their captions without shedding even one tear.

1. We've secretly replaced this couple's '94 Zinfandel with new Folger's Crystals. Let's see if they notice. -- Kurt P.

2. "Don't look now but there is a couple who looks exactly like us in the next room." -- Frank T.

3. "I'm going to be honest. You looked better on MySpace." -- Kyle S.

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This week we're losing friends and alienating a whole bunch of people while celebrating a new film called -- wait for it -- How to Lose Friends and Alienate People. In the flick, Simon Pegg stars as a British writer who bumbles and fumbles his way through a new gig at a high-profile magazine in New York City. Megan Fox, Gillian Anderson, Jeff Bridges and Kirsten Dunst round out the cast. The folks behind our three favorite captions this week will take away one very cool How to Lose Friends and Alienate People poster signed by the man himself, Simon Pegg. Go for it ...



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October 3 is quickly approaching -- the day that will bring Simon Pegg's How to Lose Friends and Alienate People to the big screen. Since the countdown has begun, a series of Pegg-led blogs and vlogs are being released posted over at the Guardian. The first video dips into the first day of shooting and working with a pig, and it looks more like a behind-the-scenes featurette than a blog, but that's okay. It's also teamed with Pegg's impressions of his experience on set. Ever wonder what they're like behind the camera? Here's some of the dirt:

On Kirsten Dunst: "She was friendly and unassuming and got on well with Nick Frost, which is usually my benchmark for judging people."

On Jeff Bridges: "a legend and an incredibly generous actor had me quivering with excitement every time he walked onto set" ... and Pegg says a future vlog will show him playing Pass the Pigs with Bridges.

On Danny Huston: "a man who I don't recall ever seeing not smiling is like me, a giggler, a condition which always causes exquisite anxiety when the cameras are rolling."

On Megan Fox: "an actress all too easy to underestimate, due to her striking beauty but one who definitely proves her worth as the 'so hot right now' ingenue Sophie Maes."

Will How to Lose Friends and Alienate People be on your Fall must-see list?

I can't think of anything hotter than Megan Fox as a sexed-up Mother Teresa in an NC-17-rated film. We should just call that Atheist Porn. I kid, I kid. But anyway, the entire movie world was thrown for a loop when this mysterious trailer for a hardcore Mother Teresa flick starring Megan Fox showed up online. Was this an older film Fox starred in before she became hot-famous? Was this leaked footage from Michael Bay's private fetish collection? Or ... was it another one of those fake trailers for a movie within a movie? Unfortunately for all the disturbed individuals who'd love to watch a full-length, NC-17-rated Mother Teresa biopic, the latter is indeed true and the above fake trailer is part of the marketing campaign behind Fox's next flick, How to Lose Friends and Alienate People.

The fake film, titled Mother Theresa: The Making of a Saint (official website here), stars Sophie Maes (Megan Fox) as Mother Teresa. Maes, we assume, is the name of Fox's character in How to Lose Friends. That film, in case you're wondering (watch the real trailer over on Moviefone) is based on Toby Young's memoir and tells of a bumbling celebrity journalist (Simon Pegg) who's hired by an upscale New York magazine and proceeds to, well, lose friends and alienate people. How to Lose Friends and Alienate People arrives in theaters on October 3. Meanwhile, Megan Fox's NC-17-rated Mother Theresa movie is currently available for download in your dreams.

More: Megan Fox Wants to Film an Entire Movie Naked

The poster for How to Lose Friends and Alienate People uses that horrible big red font you're no doubt familiar with -- that ubiquitous "goofy family comedy" lettering suggesting that it features Eddie Murphy in a fat suit and is terrible. God knows why. The movie stars Simon Pegg, not Eddie Murphy, and -- not surprisingly -- looks pretty funny. I actually didn't go nuts over Shaun of the Dead and Hot Fuzz, though I liked both a lot; on the other hand, I also enjoyed Run Fatboy Run, which seemed to leave most people cold. Maybe the answer is that I think Pegg is the genius and not (necessarily) Edgar Wright.

Friends, based on Toby Young's memoir about being a British nobody who finds himself among New York's high society, working at a prestigious magazine, is another Wright-less Simon Pegg affair. Most of the laughs in the new trailer, which you can watch at the top of this post (it's considerably longer and better than the British teaser from a while ago), come courtesy of Pegg's unassuming physical comedy; I love that he never forces it or tries too hard, so that the slapstick seems to be a natural part of whatever character he's playing. The little dance he does about 40 seconds in might justify the film's existence all on its own. And I like that the dog gag at the end doesn't go quite where you'd expect.

The movie also stars Kirsten Dunst, Jeff Bridges, Danny Huston, Gillian Anderson, and Megan Fox (probably not naked the whole time). It's supposed to come out October 3rd.

For this week's Trailer Park we're taking a Rube Goldberg approach, with an intricate series of mechanisms (metaphorically speaking) allowing us to careen from one trailer to the next by one connection or other. Ready? Let's start with:

X-Files: I Want to Believe
Yes, I want to believe too. X-Files became unwatchable for me in its last few years on the air, but prior to that it was one of the best hours of dramatic television ever. I'd love to see the series revived as a successful film franchise, but this trailer isn't doing much for me. We have the reappearance of Fox Muldar (David Duchovny) and Dana Scully (Gillian Anderson), as well as the theme from the TV show, but the rest is a muddle of chaotic imagery. This being X-Files, details are being kept to a minimum, but I'm not seeing enough here to get me revved up, which is how I was hoping to feel. Here's Elisabeth's take on it.
And speaking of Gillian Anderson...

It was supposed to be a story about a British dude who ticks off the celebrity and Vanity Fair masses, relayed in a voice that charms some, but annoys many. But then the first short little trailer for How to Lose Friends and Alienate People popped up, and as Christopher Campbell said last December, "the trailer makes How to Lose look like a Ben Stiller comedy."

Now the international trailer has hit the waves, and yes, indeed, it still looks like a Stiller comedy -- right down to the dog accidentally flying out the window. Where's the snark? (Okay, snark without cute undertones.) I was expecting bitterness, not slapstick -- a questionable lead, not a seemingly innocent Simon Pegg. At least it's got some Danny Huston without the vampiric language and sharp teeth.

Still, I don't know what to think anymore. My world is all askew, because Kirsten Dunst's moments in the trailer actually seemed more interesting than Pegg's bumbling shenanigans. The film will hit screens this fall.

Warning: Watch for foul language.

[via Ace Showbiz]