InTheLoop Tagged Articles at Cinematical
'Moon' and 'Fish Tank' Lead BIFA Nods
Filed under: Comedy », Drama », Independent », Romance », Sci-Fi & Fantasy », Awards », Mystery & Suspense », IFC », Sony Classics », Fantastic Fest », Oscar Watch »
Fall brings with it awards season, and among our first round of nominations are those of the British Independent Film Awards. According to Empire, Andrea Arnold's acclaimed Fish Tank took the lead with eight, while Duncan Jones' similarly lauded Moon came up with seven, including one for lead actor Sam Rockwell.I'm personally happy to see the savage political satire In the Loop getting due notice, especially its expletive-laden screenplay, since it'll likely go overlooked when it comes to Yank laurels (sad but true, although I'll be happy if it's not). Meanwhile, the multiple nods for An Education and Bright Star only parallel their warm reception Stateside and their likely contention in next year's Oscar race.
And after being quietly blown away by it at Fantastic Fest a few weeks back, I'm also glad to see Down Terrace get some love under the Raindance Award category. Enough of these awards, and maybe that puppy'll earn some distribution in our neck of the woods. (You listening, IFC?)
Poll: How Do You Watch Most New Indie Films?
Filed under: Action », Comedy », Documentary », Foreign Language », Horror », Independent », Thrillers », IFC », Magnolia », Distribution », Home Entertainment »
With one art house dedicated to showing independent films and the spare multiplex screen occasionally hijacked by them, Orlando -- like most markets -- doesn't always get those that open in NY/LA first, and even when we eventually do, it can take months (for example, we got July releases Thirst and In the Loop in September).As such, I'm keen on keeping an eye out for whatever's available on-demand. That's how I recently caught up with the very good Flame & Citron, and between Magnolia and IFC, I can hope to see the likes of Red Cliff and Antichrist for myself and in the comfort of my own home. (Well, I hope that the former hits VOD...)
So now I ask you: Do you have access to on-demand programming? Do you take advantage of it out of convenience, or is it because you might not have any other chance to see something before DVD? If you live in New York or Los Angeles, do you make a particular concerted effort to support a film in theaters if you know you can just watch it at home? Or will you guys and girls just wait to watch a movie whenever it comes home from your Queue?
Discuss: Summer 2009 Fun Facts
Filed under: Action », Animation », Comedy », Drama », Horror », Independent », Romance », Sci-Fi & Fantasy », Thrillers », Mystery & Suspense », Family Films », Remakes and Sequels », Lists », War », Summer Movies »
So here we have it, the summer movie season finally winding down, and maybe it's just us, but a couple of peculiar trends have cropped up since May that we thought were worth bringing to light. For starters, we've only further elaborated on Eric's early indicator that puking was 'in' this year (seriously, it's gotten to be a pretty considerable theme), and as for the rest, you can check them out after the jump. Some spoilers follow. And if there are any corrections or additions to be made, please pipe up in the comments, and do so gently.
Indie Roundup: 'Women' in November, Instant 'Slacker'
Filed under: Comedy », Drama », Thrillers », IFC », Box Office », Fox Searchlight », Cinematical Indie »
Indie Roundup reviews the past week of news from the independent film community and provides a peek at what's coming soon.
Deals. Screen Media Films picked up U.S. rights to Women in Trouble and plans a release on November 13. The film, directed by Sebastian Gutierrez, is "a fun addition to the current trend of revisiting and reworking exploitation-film themes in a lighthearted way," wrote our own Jette Kernion earlier this year. "There's a certain pleasure in seeing a movie where the men are relegated to the Supportive Spouse and Lust Interest roles, after I've seen so many films where those are the only roles for women."
Dave Boyle's White on Rice, described as a heartwarming comedy, has been acquired by Variance Films and Tiger Industry Films; a theatrical release is scheduled to begin in Los Angeles on September 11 before expanding throughout the fall. Matt Bradshaw pointed the way to the quietly funny trailer. [More details on both deals can be found at indieWIRE.]
Online / On-Demand Viewing. All you Netflix "Watch Instantly" addicts can get your fix from even more indie films, thanks to Cinetic Rights Management. Matt Dentler notes that Richard Linklater's charming (and hugely influential) Slacker and festival favorites like Bob Odenkirk's Melvin Goes to Dinner and Gabriel Fleming's The Lost Coast, among others, are now available for online streaming to subscribers. I suppose it's a little too obvious to point out the irony of making a movie called Slacker even easier to watch, with almost no effort required at all? Ah, life in the 21st Century.
Who won the Indie Weekend Box Office? It's a laughing matter -- find out after the jump!
Indie Spotlight: New Releases for July 24
Filed under: New Releases », Indie Spotlight »
Here's a quick look at what's opening in limited release this weekend. If they're not playing where you live, keep an eye out as they make the rounds. And if all else fails, there's always DVD.In the Loop (pictured), a smart, snarky, and hilarious British political comedy, is now playing in New York, L.A., San Francisco, Chicago, Washington D.C., and Cambridge, Mass. It's one of the best-reviewed comedies of the year so far, with a 93% approval rating at Rotten Tomatoes. Cinematical's James Rocchi, reviewing it at Sundance, called it "achingly, wrenchingly, dizzyingly funny, with a bleak, bitter sense of humor."
The Answer Man premiered at Sundance under the title Arlen Faber and is now hitting theaters in New York, L.A., and Philadelphia. It stars Jeff Daniels as a reclusive author of self-help books who -- get this -- is actually really screwed up! The mom from Gilmore Girls comes along and disrupts his life. The reviews at Rotten Tomatoes are mostly negative, citing the film's over-reliance on coincidences, easy solutions, sentimentality, and clichés.
Shrink, another Sundance premiere, has a strikingly similar premise, with Kevin Spacey playing a psychiatrist whose personal life is, you guessed it, really screwed up. It opens today in New York and L.A. Once again, the Rotten Tomatoes consensus is mostly negative.
Finally, there's Deadgirl, a splattery zombie horror that's been making the rounds in the midnight section of various film festivals. The Rotten Tomatoes news is not good here either, with three in favor and eight against. You can find it in New York, L.A., Chicago, Seattle, Houston, Austin, Dallas, and St. Louis.
Review: In the Loop
Filed under: Comedy », Theatrical Reviews »
(By James Rocchi -- reprint from Sundance 2009)
In the Loop, which was picked up for U.S. release by IFC at Sundance, seemed tailor-made for easy summations: "It's The Office meets The West Wing," the early-screening set said, along with raving endorsements about how funny In the Loop actually was. And the latter part of that was proven right when I saw In the Loop at Sundance; it's achingly, wrenchingly, dizzyingly funny, with a bleak, bitter sense of humor that makes each laugh feel like the people behind In the Loop are not so much tickling your funny bone as they are going at it with an ice pick.
And yes, In the Loop has the handheld-yet-slightly-too-steady camerawork of The Office, where the comedy of uncomfortable silence builds and builds as the camera lingers and stays on, and it also has the petty rivalries and silly squabbles of The Office; it seems that whether you're selling paper or pushing it, work is work. And In the Loop also has the insider-y, rushed feeling of The West Wing, where many scenes are done as a walk-and-talk and we're reminded that they talk about the corridors of power because that's usually where the deals get cut.
I Think We Liked 'In the Loop'
Filed under: Comedy », Sundance », IFC », Trailers and Clips »
Embedded above is the trailer for Armando Iannucci's political spin farce, In the Loop, which James and others had been talking up since Sundance. I suppose that's a fitting response, for them to talk about a movie that's all about talk, as the trailer capably demonstrates (well, a commenter or two on Funny or Die still demand to know what the movie's really about). I myself was initially skeptical of anything dealing with labyrinthine political dealings, but I've been assured that that isn't really the point of it all -- and I've gotta say, the phrase "difficult-difficult-lemon-difficult" still tickles me so.
IFC will release this in select theaters and (thankfully, for us non-NY/LAers) on-demand come July 24th. That's enough time for me to catch up on original series "The Thick of It," though I've been told that familiarity with it wouldn't be necessary. At least, that's what I think they said...
Live from SFIFF: Wrapping Up with the Indies
Filed under: Foreign Language », Independent », San Francisco International Film Festival », Cinematical Indie »
My other two San Francisco International Film Festival dispatches focused mostly on mainstream business: popular documentaries, future commercial releases, and Butch Cassidy and the Sundance Kid. But it's a sin to spend a festival only watching – and talking about – commercial fare. So for my farewell SFIFF post, here's a look at two off-the-beaten-track entries I was able to catch.
Sadly, neither indie quite worked for me, which makes me feel like a philistine, I assure you. Ursula Meier's Home, for example, exposed one of my most enduring weaknesses as a cinephile, namely my intolerance for movies that operate entirely on an abstract level – as pure metaphor. Home, a French-Swiss co-production with good arthouse buzz and a wagonload of foreign Oscar equivalents under its belt, tells the "story" of a family that lives peacefully by the side of an abandoned highway, until the highway reopens and all hell breaks loose. The family's response bears no resemblance to the way real human beings would act, and Meier does not make any attempt to render any of it plausible – within the universe of the film or otherwise. And so you're left trying to decipher Meier's big metaphor, which I ultimately decided was either Israel-Palestine or more generally human stubbornness in the face of transformative change (e.g. global warming). It's all very intriguing, even interesting – but deeply unsatisfying as a cinematic experience, at least for me.
Live from SFIFF: Evenings with Robert Redford and the World's Angriest Scotsman
Filed under: Comedy », IFC », Celebrities and Controversy », San Francisco International Film Festival », Summer Movies »
I tend to be skeptical of anything pitched as "an Evening with..." someone, because I don't generally melt from simply being in the presence of someone famous or talented -- they've got to, you know, do something. But when the San Francisco International Film Festival announced "An Evening with Robert Redford," they had a trump card: a brand new print of Butch Cassidy and the Sundance Kid, one of my favorite films that I had nonetheless never seen on the big screen. That seemed like a fair trade: you give me Butch Cassidy and I'll sit through the clip reel and onstage interview. Deal.
It was pretty painless, actually. The interviewer, the San Francisco Chronicle's Philip Bronstein, manages to just be mildly sycophantic, and Redford was thoughtful and articulate -- as charming as you'd expect. The audience questions were typically gushy and occasionally inappropriate (someone tried to pitch a documentary project, prompting a groan from the entire room -- who really thinks that a 1500-person Q&A is a good venue to talk business with Robert Redford?) but the man answered (or deflected) them with the aplomb of someone who has done this a gazillion times. At one point, we learned that Redford has not seen Butch Cassidy in the 40 years since its release, which is kind of remarkable when you think about it.
Trailer Park: The Cloudy and Cranky Conundrum
Filed under: Trailer Trash »
Cloudy With A Chance of Meatballs
Man, I love that title. I haven't read the kids' book that this is based on but the trailer has tons of charm. Flint Lockwood has always dreamed of being an inventor and now it looks like his latest contraption will solve world hunger as he's got food literally falling from the sky. Not just the titular meatballs, but spaghetti, cheeseburgers and a house made of jello that I thought was particularly cool. The storm clouds start gathering on September 18.
The Cake Eaters
This film concerns the interactions between two families in a small town in upstate New York. The trailer focuses on a budding romance between a guy who works in the school cafeteria and a girl with degenerative neurological disorder, but judging from Erik's review of the film the story covers a lot more. Looks like a worthwhile little drama. It's bypassing theatrical release and arriving on DVD on March 24.
Crank 2
The movie's U.K. site has added a new red band trailer for this action sequel and there's so much packed into the thing I have to wonder if there's anything left for the movie. Jason Statham's heart has been stolen, and I don't mean in a romantic way. The artificial heart he has been left with requires periodic jolts of electricity and, well, it gets a little wacky from there. This will be in U.S. theaters on April 17.
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