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J.A. Bayona Tagged Articles at Cinematical

'Orphanage' Remake Gets A Director; Also, 'Orphanage' To Be Remade

Filed under: Foreign Language », Horror », Thrillers », Casting », Mystery & Suspense », New Line », RumorMonger », Remakes and Sequels »

Color me surprised.

I feel like I shouldn't be any time something gets in line to be remade, but I thought we would've heard about a remake of the J.A. Bayona-directed, Guillermo del Toro-produced thriller The Orphanage by now. Well, it's indeed in the works, with del Toro remaining on board as producer and Larry Fessenden (The Last Winter) being brought on as director, according to THR.

An actor, producer, director, writer and editor in his own right, Fessenden has no small familiarity with the horror genre -- even presently starring as a grave robber in this Friday's horror-comedy, I Sell the Dead -- and his more considered filmmaking style seems ideal for a story that turns out to have as much sorrow in store as spooks.

The Reporter notes the the project is still in need of a lead actress. The original hinged on Belén Rueda's wonderfully empathetic performance; who do you think could fill the role of leading lady in this case? Not to dwell on that Lovely Bones post, but I really do think Rachel Weisz could bring the right sensibility to this, or maybe Diane Lane... Your thoughts?

Review: The Orphanage

Filed under: Foreign Language », New Releases », Mystery & Suspense », Theatrical Reviews », Cinematical Indie »



The Spanish film The Orphanage (El Orfanato) has been marketed in the U.S. as a movie that Guillermo del Toro worked on in some capacity: similar to Pan's Labyrinth, but with more elements of horror. I found this campaign to be terribly misleading, even disappointing in light of my expectations. (Misleading marketing for a movie? You could have knocked me over with a girder, to quote Dorothy Parker.) The Orphanage is instead more of a slow-paced suspense film with supernatural trimmings, centering around a mystery that the main characters cannot solve even though the audience may have figured out a few clues. Although del Toro is credited as a producer on the film, it's directed by J.A. Bayona and has very little in common with Pan's Labyrinth, except that both feature children with rich fantasy lives.

Laura (Belen Rueda) and Carlos (Fernando Cayo) move to an old country estate with their son, Simon (Roger Princep). The mansion used to be an orphanage where Laura lived as a girl, until she was adopted. Now the couple is renovating it as a home for special-needs children. Odd things start occurring, though, before they can finish the job. An old woman who says she's a social worker warns Laura that she's keeping an eye on them because of Simon's chronic illness, and knows information that the parents have not yet told their child. And Simon discovers a whole slew of new invisible friends, some of whom sound extremely spooky and even dangerous. They play a special game that you know isn't going to end well. On the day of the grand opening for the renovated orphanage, Simon disappears without a trace. Has he been kidnapped, and is he still alive? Laura is determined to root out the truth and find her son, and will try anything.
 
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