It's a slow day today... But here are Variety's latest casting bites:

• He's been a Kim of Comedy, and lately he's been playing around on The Real Wedding Crashers, but now actor and comedian Steve Byrne is getting a high-profile feature gig in The Goods: The Don Ready Story. Well, the film, not so much the role, although it could certainly prove to be memorable. He will play an irate customer at Jeremy Piven's dealership. This is his second feature in the last year, as he's also got a role in the indie comedy Don't Shoot the Pharmacist! But for now, check out some of these links to see what the comedian is all about. Personally, I hope he's an irate customer in pink short shorts.
  
• Earlier this month, I posted that Brittany Snow was joining Lee Toland Krieger's indie film called The Vicious Kind. The film centers on a girl is targeted by her boyfriend's obsessed older brother (to be played by Adam Scott) when she's taken home for Thanksgiving. Now Alex Frost and J.K. Simmons have nabbed gigs in the film. While there is no word on who they're going to play, let me go out on a limb and say Frost, who is a year younger than Snow, is the boyfriend, and Simmons is his dad. Frost got his start starring as Alex in Elephant, while Simmons is, of course, Spider-Man's J. Jonah Jameson. For now, you can see the young actor in two upcoming films that hit screens next month -- Stop Loss and Drillbit Taylor.
  

I saw Spider-Man 3 Saturday night. It was a total mess, but the visuals were incredible, the fight scenes were thrilling, and I enjoyed enough of the film to make it worth my time. Still, it occurred to me on the way home that with a few simple changes, the film could have been a superhero classic. And

Before we begin, please know that I'm not a die-hard Spidey fan. The first two Spider-Man films were entertaining enough, but I forgot them immediately afterward. I know when you read that heading you probably thought this article would consist of complaints like "Why didn't they do such-and-such with the character of Venom like they did in Issue #231 of blah-blah-bloo?" But that's not me. This article comes from the point of view of an average guy with no knowledge of comic books who went into Spider-Man 3 with no expectations. Here's what I would have changed to make the movie more entertaining to me. SPOILERS AHEAD!

1) Kill Mary Jane in the opening scene

The Uncle stuff is played out, Peter needs something new to be upset about. And I used to love Kirsten Dunst, but now she "acts" her scenes like she can't wait for someone to yell "Cut!" so she can go and make out with one of The Strokes. Are we really supposed to believe that Peter would choose Dunst's dehydrated, negative, miserable Mary Jane over Bryce Dallas Howard's pants-explodingly hot, upbeat, and cheerful Gwen Stacey? Mary Jane is a terrible girlfriend! She spends the entire film whining about her lackluster singing abilities to a guy who spends his time keeping the city free from evil! She's dull, she's pouty, and she participates in elaborate Chubby Checker-scored cooking/dancing/infidelity montages with James Franco! Dump her!

2) Have your villains get upset before the last twenty minutes roll around

A no-brainer. I can't recall seeing a movie where the villains decided "You know, maybe we should kill the hero" so late in the game. The Sandman appeared to be thinking about what to have for dinner for most of the film. Venom doesn't even enter the picture until the last third. It's screenwriting 101, especially in a movie of this kind. By the end of Act One, you better be damn sure your audience knows who the antagonist is, and what your hero is up against. Nobody seems to have clear motives here. All the characters are confused and conflicted and don't really know who they want to kill and why or if they even want to. That's fine for a Scorsese film, but this is Spider-Man, people!

3) More J.K. Simmons and Bruce Campbell

In the few moments of screen time given to each of these fantastic character actors, they charged the movie with an energy that nearly all of the other actors lacked. As a huge Oz fan, it's always a little jarring to see J.K. Simmons in other roles – I kept expecting him to sexually assault Peter Parker. But once I got past that, the guy was hilarious. And Bruce Campbell's champagne back-and-forth in the restaurant was pure gold. Truth be told, Campbell should have played The Sandman. He certainly would have brought more life to it than Thomas Haden Church -- who must have thought he was playing the Sandman who puts kids to sleep.

*A guest review today, from Nick Schager, of Slant Magazine

On the evidence of First Snow, it's apparent that Mark Fergus is a devoted student of classic crime cinema. For his directorial debut, the filmmaker (re-teaming with his Children of Men screenwriting partner Hawk Ostby) delivers a streamlined, straightforward slice of "Sunshine Noir," a sub-genre in which noir's pessimistic thematic preoccupations are transplanted from the shadowy night to the blisteringly bright daytime. As in Fergus' film, this shift also often involves a milieu relocation from the seedy, malevolent city to the imposingly empty rural wasteland, with the omnipresent air of gloom and calamity found not beneath towering skyscrapers and in darkened alleys but, rather, just behind scraggly tumbleweed bushes, across the horizon-seeking interstate, and around the corner from the dilapidated gas stations that sit, like ominous oases, in the middle of the vast nowhere.

Such a fill-up station is the starting point for the turbulent journey of Jimmy (Guy Pearce), a cocky, fast-talking flooring salesman who dreams of making it big selling classic Wurlitzer jukeboxes, and who becomes stranded at an out-of-the-way New Mexico rest stop after his car hits a (literal and figurative) bump in the road. While waiting for repairs, Jimmy entertains himself by having his fortune read by a laid-back psychic named Vacaro (J.K. Simmons), though his mockery of the man's supposed supernatural gifts come to a halt when – after offering up some cryptic comments about impending events – the seer is overwhelmed by violent seizures and, consequently, halts the reading and returns Jimmy's money. Simultaneously amused and mildly annoyed, the salesman nonetheless thinks little of the encounter until the prophesies begin coming true, prompting a return visit to Vacaro during which he's told that death shall arrive with the season's first snowfall.