We've known about dueling Marvin Gaye biopics for two years now, but apparently there's a third. Variety reports of a film to be directed by F. Gary Gray (The Italian Job) and scripted by C. Gaby Mitchell (Blood Diamond) simply titled Marvin. It's possible, though, that this is the same film previously reported as D. Stevens' Marvin: The Life Story of Marvin Gaye, which was being written by Greg Guss and Robert Scharrer. The IMDb certainly thinks so.

Regardless of Gray's film's origins, his project still has a competitor in Sexual Healing, which will star Law & Order's Jesse L. Martin as Gaye and will co-star and be produced by James Gandolfini. There will be a difference between the two, at least. Sexual Healing only has access to Gaye's post-Motown music, so it will be focused on the singer's later years. Marvin, on the other hand, has finally secured the rights to Gaye's entire music catalog and will cover the man's life from beginning to end, when he was shot by his father in 1984.

Back in January, I blogged about the BBC show The Thick of It getting the feature treatment. The film, tentatively titled In the Loop, will be set in the same world as the television show, but it hadn't been determined whether the same characters would pop up. According to the latest post over at The Hollywood Reporter, it seems that the production is going half-fresh. This is particularly noteworthy because the actors are James Gandolfini, David Rasche (United 93), and ... My Girl Anna Chlumsky. Yes, Anna his swam out of the ether and right to BBC remakes!

The film will focus on the inner workings of US and British government agencies and international relations, Chlumsky will play a State Department official, Gandolfini will play a general, and Rasche has signed on to play an undersecretary of state. On the British side of things, Peter Capaldi, Chris Addison, and Paul Higgins from the series are starring with Tom Hollander and Gina McKee.

Imagine if New Jersey mobster Tony Soprano suddenly became the Mayor of New York City? Variety is reporting that James Gandolfini, best known for his starring role in the long-running HBO series The Sopranos, will be joining The Taking of Pelham 123. Gandolfini is set to play Hizzoner (AKA The Mayor) in Tony Scott's remake of the 1974 thriller.

Gandolfini steps into the role inhabited by Lee Wallace in the original, a politician felled by the flu, stuck in bed, and motivated more by a selfish desire to be reelected than any altruistic concern for his fellow citizens.

Before The Sopranos, Gandolfini established himself as a colorful and versatile character actor (Crimson Tide, Get Shorty, A Civil Action). He was so supremely charismatic and memorably menacing as Tony Soprano, though, that his other recent roles have paled in comparison. Variety says he has other projects in development, based on writer Ernest Hemingway and basketball camp guru Sonny Vaccaro, that may showcase more of his range. Monika Bartyzel also noted recently that he's set to play Marvin Gaye's manager in Sexual Healing.

As Jessica Barnes originally reported, Pelham 123 will star Denzel Washington as a Transit Police officer charged with trying to foil a criminal gang that has hijacked a subway train. John Travolta will play the gang's ruthless leader. Production in New York City evidently began on February 7 and is scheduled to continue through July 4, according to the NYC Mayor's Office of Film Theatre & Broadcasting (PDF document). The film is due for release from Columbia Pictures in 2009.

I don't spend a lot of time imagining the business concerns of strip club owners. I'm sure they involve many questions of labor relations, plus the question of how warm you have to keep the place so that the goosebump factor is low -- but one New Jersey club manager's long-term business decisions may have given us the heads-up on a well-loved HBO series heading to the big screen.

The good people at /Film are linking to a story at the Times Herald-Record explaining how the manager of the Satin Dolls gentleman's club recently received a phone request asking him to hold off on some upcoming renovations -- which may seem less than germane to the world of film until you realize that Satin Dolls also served as the Bada Bing on The Sopranos. Nick D'Urso, manager of Satin Dolls, relates in the piece how his planned renovations might be held off so as to preserve the, uh, Bing-ness of the location: "I got an inside tip that they're going to do a movie, so I don't want to make any major changes ... I'm not going to reveal my sources, but we got a call from somebody (working) on the script."

Oh, this latest bit of news gives me a bit of a fangirl jump. Variety reports that Jake Scott and Jordan Scott -- offspring of Ridley -- are both gearing up for new feature films. Why do I care? Jake's not only the guy behind a lot of memorable videos like "Fake Plastic Trees," "Disarm," and "Everybody Hurts," but also Plunkett and Macleane. If you haven't seen it, it's a terrible, great movie starring Jonny Lee Miller and Robert Carlyle (plus Liv Tyler and Alan Cumming) that has disappeared from shelves. So, not only could the film be good, but maybe Macleane will get a new DVD release. At least, I hope!

While the previous flick dealt with robbers in the 18th century, this new feature, Welcome to the Rileys, is a bit softer. The film will star James Gandolfini and Kristen Stewart, focuses on "a man and a woman who have been driven apart by grief after losing their daughter, and are brought back together when they meet a troubled young woman." Somehow, there's "unexpected love" and "catharsis" in there -- perhaps between the stars listed? That would be, um, interesting. While production should begin in New Orleans this April for the above film, Jordan is looking to make her debut with Cracks overseas. A period drama set in a British boarding school, Scott describes it as a film "about misguided love and obsession, as told through the eyes of a group of elite girls in this boarding school." She'll start scouting locations next week.

Why are these features being lumped together? Handmade Films International is handling worldwide sales and will present the films as a package to potential buyers at Berlinale.

As funny, or potentially scary, as it could be to see James Gandolfini in a sexy movie, especially if he gets to say: "When I get that feeling, I need sexual healing," this is just about the sexy, classic music. Just 5 days short of the two-year anniversary since Cinematical first blogged about the upcoming Marvin Gaye picture, one that had Law & Order's Jesse L. Martin attached as the music icon, word is finally picking up again. The Hollywood Reporter has posted that Gandolfini signed on as both co-star and producer of the the film, Sexual Healing, which is finally heading into production this April in Massachusetts, Belgium, and Los Angeles.

The feature focuses on Gaye's later years, and the ex-Soprano "will play Gaye's manager, Freddy Cousaert, the promoter who guided the singer through the recording of his biggest-selling album, 'Midnight Love.'" But it isn't all roses. As Karina said all those months ago, the film will cover Marvin's move to Europe, his drug addiction, his move home to live with his parents, a drug relapse, and then particularly sad demise -- he was shot and killed by his father one day before his 45th birthday. Yeah, this isn't going to be an upper, folks. Still, it's looking to be a pretty interesting film.

Well, Spike Lee and I have had a complicated relationship over the years. As much as I have always respected his films, I haven't always agreed with him. But, unlike a lot of directors, at least he always has something to say. BlackFilm.com is hosting the first image from Lee's Miracle at St. Anna. The script focuses on the "tale of four members of the U.S. army's 92nd division of all-black soldiers, who in 1944 became trapped in a Tuscan village, as they contended with their racist, incompetent commanders and the Nazis".

Based on the novel by James McBride, the story centers on the massacre of Sant'Anna di Stazzema. On August 12, 1944, retreating SS-men rounded up 560 villagers and refugees (mostly women, children and the elderly) shot them and then burned the bodies. McBride adapted his own novel for the screen and the cast includes John Turturro, James Gandolfini, Derek Luke (Antwone Fisher) -- who is replacing the tax-plagued Wesley Snipes, and Laz Alonso.

The project had a rocky start when Lee's comments about the treatment of African-American veterans in film caused a bit of a press frenzy. Shooting began back in October on location in Tuscany and Lee is also planning to shoot in Rome, New York, and Nassau, Bahamas. Surprisingly, Miracle has yet to find a studio, but Lee is planning on a 2009 release, so I would expect to hear something soon. It just goes to show you the sorry state of the industry when somebody like Michael Bay has no trouble setting up a studio for whatever crap-fest he has planned next, and yet one of the greatest American directors struggles to secure a deal. How depressing is that?

Let the following story be either a cautionary tale, or a story of hope, one that carries the message: always pay your taxes. As you know, Wesley Snipes got into a wee bit of tax trouble last year. He was indicted last October, and arrested last December. Well, the thing is, he was supposed to star in Spike Lee's upcoming World War II drama, Miracle at St. Anna. According to Variety, he's withdrawn from the project "because it became too difficult for him to leave the U.S. and shoot in Italy while he fights federal tax-fraud charges." Gee, what a surprise!

This scenario is, however, probably the only one where it might be beneficial to ignore the rules. I mean, if he's found guilty (he pleaded not guilty), how else is he going to pay back the money? He'll have to dip into his piggy banks, or find work in the states, because Derek Luke has replaced him. (That's good for Luke, but there is a 12-year age difference between them... I'm not sure what the rationale is here.) The actor just played an Army Ranger in Lions for Lambs, and now he's going back in time to play one of four members of the U.S. Army's all-black 92nd Division -- who found themselves without their squad behind enemy lines. "The soldiers, bitter about racism and the feeling that their own government treats its enemy better than it does them, finds humanity in the small Tuscan village of St. Anna."

If you were a little apprehensive about the last casting announcement, the other ensemble players should sweeten the deal. Joining Luke are John Turturro, James Gandolfini, Michael Ealy (Barbershop 2: Back in Business), and two actors from Get Rich or Die Tryin', Omar Benson, and Tory Kittles. Considering the fact that the last three are young black men, I imagine they might be the other three soldiers.

One of the toughest films I've sat through in recent memory wasn't at a film festival (though, to be sure, you can always find some good downers at a fest), it was a screener of James Gandolfini's first project since The Sopranos, a documentary for HBO called Alive Day Memories: Home from Iraq. Disconcerting though it was to see Tony Soprano being warm and fuzzy, that wasn't the tough part to get through; the hard part was watching ten young men and women who, while serving in the armed forces in Iraq, nearly died there. All of them have been scarred in one way or another by their near-death experiences in Iraq.

The format is pretty simple: take a group of battle-scarred soldiers, sit them down one-by-one with Gandolfini on a sparse set hung with black velvet curtains, and let their stories speak for themselves. The soldiers' stories are interspersed with footage -- some of it, we're told at the beginning, taken by insurgents -- of the events that caused their injuries. It's not pretty; actually, it's pretty damn horrifying to watch a truck or tank driving down the road, see it get blown up, and know there are people inside, someone's sons and daughters. It's pretty damn horrifying, too, to see an arm or leg or head or torso all mangled and bloody, to see men and women crying in pain.

It's horrifying, too, to see a solidier, strong and active, intelligence shining out of his eyes, in home video and then to see that same solidier now, in a wheelchair, living with the effects of a traumatic brain injury caused by two bullets to his head. It's hard to hear the slight tremor underlying his mother's voice as she talks optimistically about the hope that her son will walk again, to see the pain in her eyes when he sings "From the halls of Montezuma, to the shores of Tripoli ... " with all the exuberance of a small child. She is happy to have her son still alive, no doubt, and proud of his service to the Marine Corps, but this is what her son is now, and the likelihood that he will ever again be the man he was before Iraq is slim.

*Apparently, some people still haven't seen last night's episode yet, so popular demand forced me to change my original headline -- stop reading now if you haven't seen it! Okay, you've been warned. I think it's safe to start taking David Chase at his word -- that there will be no Sopranos movie to launch after the series finishes its run in four weeks. In last night's episode, Tony murdered Christopher Moltisanti, perhaps the biggest character on the show besides himself, after Christopher nearly killed the two of them, driving off the road while high on smack. One of the biggest dramatic threads of the show is now finished, so any eventual movie would have to create for Tony some new love-hate foil to work around. That's assuming, of course, that Tony or any of the main characters even make it through the last three episodes. Some who claim to have picked up a little knowledge about the last episode are calling it "Shakespearean," and no one outdoes Shakespeare when it comes to blood and body counts.

However, Chase may have another idea up his sleeve for expanding the franchise beyond the current crop of characters. The MTV Movie Blog recently reported on a conversation between Chase and 'Oz' producer Tom Fontana, in which Fontana apparently floated the idea of basing a Sopranos movie around the main characters' grandparents, first arriving from Italy and presumably getting started in 'this thing of ours.' Chase told MTV "I had never thought about that. That was interesting to me." Just a passing thought, or something more serious? Who knows, but with HBO execs undoubtedly nervous about sailing into the 'post-Sopranos' era in a few weeks, there could be any number of deals being cooked up, either for a theatrical release or a future stand-alone HBO movie, perhaps.

By the way, for those who saw the episode, wouldn't a routine autopsy show that someone died of suffocation, not their injuries from a car accident?