You know, I've always gotten an irrational thrill from watching good old fashioned physical destruction -- rock stars trashing hotel rooms, Gallagher sledge-hammering watermelons, you name it. Sure, it's a little immature of me, but I place the blame on my 'inner child', who's been known to be a little destructive now and again. So, personal idiosyncrasies aside, I have to ask: is there anyone who wouldn't enjoy watching lovable stoner James Franco wield a staple gun?

The Room Before and After is a 32-minute short film that appears in the latest issue of Wholpin (McSweeney's DVD magazine), and was directed by McSweeney's founder, Dave Eggers. There are other films included in the issue for the Room series starring Creed Bratton from The Office and comedian Maria Bamford, but I don't know if they contain quite the same level of mayhem as Franco's installment. The clip is the perfect combination of McSweeney's (and presumably Franco's) style of high-art mixed with abstract silliness, and it's a great of example of how Franco has slowly become one of the most interesting actors working today. He has the same great sense for silly comedy that he does for dramatic work -- and without the usual hang-ups of so many 'serious' actors. Not to mention, you have to love a guy that can go from likable weirdo to just plain weird in 51 seconds flat.

After the jump: Franco lays waste to a studio apartment and another of his famous 'freakouts'...

Last Wednesday, I threw on Jeff Buckley - Live in Chicago and got to work. One of the times I glanced at the TV screen, a thought occurred to me: Robert Pattinson could pull off a decent Jeff Buckley. He's only a few years younger than the musician was during the creation of Grace; he's a got a slew of musical talents; and has a similar look. Heck, I even tweeted about it. Only a few days later, in a turn that taps into my collective conscience/coincidence question, there's a mass of buzz about a Buckley biopic.

ABC News reports that Pattinson and James Franco are in a showdown to play the musician in the upcoming biopic. There's not much beef to this account, and they get it wrong that "Hallelujah" was released posthumously (it was on Grace), so it doesn't seem definitive. However, an older news release down under explains things in detail. The Sunday Mail reports that Buckley's mother Mary Guibert is overseeing the project, with producers Michelle Sy (Finding Neverland) and Orion Williams (Control !!) and screenwriter Ryan Jaffe (the less-promising The Rocker). (With the inclusion of Sy and Guibert, this must be the project that began cooking three years ago, although writer/director Brian Jun is not mentioned.)

I like this James Franco chap. Always have. Part of it, I think, is that he never seems like he's slumming. It would have been real easy to phone in Harry Osborne in Spider-Man -- it seems like such a thankless role -- but he wound up giving one of the most finely calibrated performances in the franchise. It would have been even easier to milk his heartthrob qualities for a banal and lucrative career. Instead, he's constantly doing something challenging. And even when he's not, e.g. in total junk food like Annapolis, he tries to add value.

I think I like the guy even more after this story. Franco is enrolled in the masters program in directing at NYU -- points for both ambition ("I want to direct") and humility ("I need to learn how"). (Apparently he's also, simultaneously, getting his masters in English from Columbia, which is sort of insane.) Before heading off to film David Gordon Green's follow-up to Pineapple Express, Franco will headline a low-budget project directed by his professor, Jay Anania.

Anania -- little brother to Elizabeth Edwards, weird fact! -- last directed Martin Donovan and Olympia Dukakis in the little-seen Day of Fire, an avant-garde take on post-9/11 New York. The new movie, saddled with the rather precious title In Praise of Shadows, tells the story of a dude who returns to New York City after four years "in exile" (?) to rescue a woman from the mob.

I guess it helps to have a famous student -- especially one without a bloated ego.

I really enjoy Natalie Portman when she cuts loose and has some fun (albeit not in that Manic Pixie Dream Girl sort of way) outside of her dramatic indie fare. So color me happy that she's just signed onto a comedy. It's not just any comedy either, as Variety reports that she's joined Your Highness, the medieval farce starring James Franco and Danny McBride.

As you might remember, Your Highness teams McBride and Franco back up with their Pinapple Express director, David Gordon Green. McBride (who penned the script with Ben Best) plays an arrogant, lazy prince who teams up with his brother (played by Franco) to complete a quest, save the kingdom, and Franco's fiancee. Portman will play "a warrior princess" that McBride's prince falls in love with. So, you know what this means -- Portman will be clad in strategically placed leather and chainmail, and that sound you heard was the lustful groan of a million fanboys imagining her doing high kicks. Well played, McBride. Well played.

The film begins shooting this July in Ireland. As you wait for the first photos to emerge from production, you can start Photoshopping Xena: Warrior Princess and Red Sonja outfits on Portman, and see how close fantasy matches reality.

Yeah, Mark Wahlberg has come a long way since his Marky Mark days. In fact, if there is anyone that the young and cherubic pop icons should try to emulate, it's him. Wrenching your way out of your niche is one thing. Moving from a good, vibrating, spunky underwear model to notable big-screen name -- that takes talent. But these days, that's talent has been squeezed into the serious with no room left for laughs.

Until now. Five years after his Huckabees angst, The Hollywood Reporter posts that Wahlberg is signing on to 20th Century Fox's upcoming comedy, Date Night. In fact, this will be his first all-out mainstream comedy, setting aside existential detectives and Middle-East action laughs. Date Night follows a couple who go out for dinner and a movie, and then get mistaken as other people -- that leads to, one would assume, comic moments.

As Eric pointed out when the news first hit last year that Steve Carell and Tina Fey joined the project -- it's getting directed by Cheaper by the Dozen helmer Shawn Levy, which doesn't bode well. But the cast certainly does. Fey and Carell are the couple, while Wahlberg will play a black ops man in private security who offers to help them. But there's more. James Franco somehow found time in his schedule to sign on and play a "dim con man," the Oscar-nominated Taraji P. Henson will play a cop who doesn't take things at face value, Common and Jimmi Simpson will play detectives on the take, Leighton Meester will play the couple's babysitter, and Kristen Wiig will play Fey's best friend.

Could all of these names have signed on if this was going to be like other Levy features? Maybe he's ready to surprise us.

It looks like David Gordon Green has added another actor to his oft-used cast list, which already boasts the likes of Danny McBride, and it's one super-sweet addition. According to Variety, James Franco is re-teaming with Green and McBride for Universal's upcoming comedy Your Highness -- the film that kicked into gear almost a year ago.

While the project might be just one Seth Rogen away from a complete Pineapple Express re-team, this idea is quite different than killer pot and killer pot dealers -- even if the title can be interpreted in a Mary Jane sort of way. Believe it or not, Your Highness will follow "two spoiled and arrogant princes" living in a fantastical medieval setting when some evil wizard comes along, steals the older prince's fiance, and puts a spell on their dad, spurring them to go out on a quest to save their family and kingdom. Oh yes, McBride and Franco as brothers, princes, and possibly, heroes.

As a fan of Franco in anything other than Spider-Man (nothing against the guy -- the character is just too annoying to enjoy), this sounds insane enough to be fun. And while it's still a bit more mainstream than the direction Green's mentality seems to sway, at least this project has some original promise.

Let's just get the important part out first -- Variety reports that Jon Hamm, the man who looks like a cartoon pilot, has joined the cast of Howl. Commence girly shrieking, gaze at the photo to your left, sink into your chair with a grin on your face. It's cool. I did it too.

All right, now that's over with. Howl is already generating a lot of buzz, all of which should keep it from disappearing into indie obscurity. Not only does it center on a notorious moment of literary history, but its collected a heck of an ensemble cast -- James Franco (who is playing Allen Ginsberg), Paul Rudd, Mary-Louise Parker, David Strathairn, Jeff Daniels, Bob Balaban, Treat Williams and Alessandro Nivola are all on board. (Check out Peter Martin's piece to see who plays whom.)

Hamm has landed a very meaty part in the Ginsberg story -- he'll play the famous defense attorney Jake Ehrlich. Ehrlich was actually the attorney for Lawrence Ferlinghetti who had published Howl stateside as the owner of City Lights Bookstore. He faced a $500 fine and a 6 month sentence for daring to publishing Ginsberg's poem, and gained the services of Ehrlich thanks to the ACLU. Ehrlich took the case pro-bono, and later wrote an account of the trial titled Howl of the Censor, and was the inspiration for the television series "Perry Mason."

All joking and gushing aside, it's wonderful to see Hamm get to use his acting chops outside of Mad Men and Keanu Reeves. Now if some studio executive would watch that Lex Luthor video and make the obvious DC choice ...

You probably won't be terribly surprised to discover there's an alternate ending to Pineapple Express -- but you might be surprised to find out how bleak it was. I think we're all glad it didn't end this way, particularly since this scene feels less like an ending and ... well, more like a random DVD extra. I mean, where is Seth Rogen's left hand? Why doesn't he move it? Is it missing? Why does the dialogue feel so inorganic?

This comes courtesy of Empire, whose gotten so cool about handing out embed codes that we can post it here for your viewing pleasure. If you haven't seen the film, you can still watch it. It is spoiler free in all respects, as the real ending is miles away from this one. Watch, enjoy, and be grateful for what might have been.

Obscenity! The '50s! Legal drama! Book-length poems! OK, that last one is part of what distinguishes the upcoming Howl, in which James Franco will star as legendary beatnik writer Allen Ginsberg. The film revolves around the court trial that took place after Howl was published in 1956 -- and promptly banned for obscenity. Mary-Louise Parker, Paul Rudd, Jeff Daniels, David Straithairn, and Alan Alda have just been added to the cast, according to The Hollywood Reporter.

All will play fictional versions of real-life characters. On the side of the prosecution (boo! hiss!), indie darling / TV star Parker will play radio personality Gail Potter, the reliably venal Daniels will embody Professor David Kirk, and the firm and steady Staithairn will be prosecuting attorney Ralph McIntosh. In behalf of the defense (yay! cheer!), Paul Rudd will play literary critic (?!) Luther Nichols. Calm and fair as always, I'm sure, Alda will play Judge Clayton Horn.

Documentarians Rob Epstein and Jeffrey Friedman will make their narrative debut and the film is all theirs: they are writing, producing, and directing. Epstein made the terrific doc The Times of Harvey Milk and the pair made Common Threads: Stories from the Quilt. Gus van Sant is serving as executive producer, and Coen crony Carter Burwell is set to provide an original score. I hope that Epstein and Friedman can pull off the transition to narrative film and give us an incendiary picture; the elements are all in place, and the time is right.

(If the version above doesn't work, here's the proper Quicktime link.)

To paraphrase an IM conversation I just had with a friend regarding the trailer for Gus van Sant's forthcoming biopic, Milk: he thought the trailer was "incredible", whereas I felt it painted openly gay elected official Harvey Milk in a bit too saintly a light, at least within those two-and-a-half minutes, much to his chagrin.

I'm not saying that the real-life Milk wasn't a key figure in the fight for gay rights; I'm not saying that he deserved to be assassinated by Dan White (Josh Brolin); I'm not saying that Sean Penn doesn't look or sound just like the guy (that, I cannot speak for) and won't turn in an impressive performance. All I can speak for is the trailer itself and how I felt towards it.

So, as I go to put the 1984 Oscar-winning doc The Trials of Harvey Milk in my Netflix Queue, in the name of knowing better, would any of you care to attest for both the accuracy and anticipation behind this project?