Remember David Goyer's Jewish-themed thriller that Scott told us about back in February? About the dybhuk -- "an angry, undead spirit that possesses a human being?" The spin was that it would be the dybhuk of a boy who died in Auschwitz, and is now terrorizing a young woman played by Cloverfield's Odette Yustman. Gary Oldman signed on to play a "spiritual specialist" and The OC's Cam Gigandet took the role of the haunted girl's boyfriend. Now, The Hollywood Reporter posts that the film has a name -- Unborn -- and more cast -- Meagan Good (Stomp the Yard), Carla Gugino (Sin City), Jane Alexander (Fur), Idris Elba (American Gangster), and Rhys Coiro (24).

With the players in place, this is how it's breaking down -- Yustman's haunted girl is getting Good as a best friend, Coiro as a college professor, and Gugino as a mother. Meanwhile, Alexander is playing a Holocaust survivor and sister of the slain boy, and Elba will be a priest helping Rabbi Oldman with the exorcisms.

Oldman is enough to have me intrigued, but more in a Hebrew Hammer sort of way -- a down-and-dirty Rabbinical Spiritual Specialist. Dig it? Heck, I'm even itching to see Alexander as the sister. However, a serious Holocaust spook story? I'm not so sure. Eh, we'll see soon enough -- principal photography got underway today.

To be perfectly honest, the premise of Gigantic didn't grab me at first. The plot seemed a little too self-aware and contrived.

Paul Dano (who is also executive producer) will be playing a depressed mattress salesman, who is on a quest to adopt a Chinese baby. But he's sidetracked by falling in love with a girl named Happy, played by Zooey Deschanel. (That's the second reason this film didn't grab me. You're depressed and you meet someone named Happy? How lucky! When I was depressed, I just made good friends with a cold Russian named Stolichnaya.)

But it's starting to win me over now, particularly with these latest cast members. The Hollywood Reporter has announced that Ed Asner, John Goodman, and Jane Alexander have signed on.

Asner will be playing Dano's father, who loves pot and gangsta-rap, and Alexander will be playing his long-suffering mother. Goodman will be playing Happy's brilliant and domineering father. The parental combo overcomes my misgivings about the film -- although a stoned Asner could fall incredibly and painfully flat. But they inexplicably have me at "gangsta-rap loving father."

No director alive can make family melodramas as brilliantly as Douglas Sirk once did, but I'd suggest that Robert Benton comes the closest. Though filmmakers continue to grind out weepies by the truckload, it's extremely difficult to find that exact thread between heavy and hammy, perhaps even more difficult than making a funny comedy. Weepies generally tell depressing stories, about death, disease, failed romances, unrequited romances, estranged romances, etc. The trick is not to make the film itself depressing. Most directors make the mistake of shooting the material head-on, which has the effect of bludgeoning the audience rather than coaxing them in. Part of Sirk's genius was his timing; he made his best films in the 1950s when you couldn't show everything. He used his skills, his palate of colors, space and the elements, to suggest, rather than tell, his stories.

Admittedly, Benton isn't as visually astute as Sirk, but he's a good writer, good with words and characters. He has lots of different kinds of films on his resume -- he's often attracted to crime stories -- but his melodramas almost always hit home: Kramer vs. Kramer (1979), for which he won a Best Director Oscar, Places in the Heart (1984), and Nobody's Fool (1994). Even his previous film, The Human Stain (2003), worked on a basic, emotional level, though critics generally dismissed it because of its failure to live up to Philip Roth's novel and its mismatched casting of Wentworth Miller as a young Anthony Hopkins. Benton's new movie has less of a pristine literary pedigree, and so perhaps it will go down easier.

In case you're interested, here are some casting tidbits from the past couple of days:

• Talk about lining up a decent cast for a first-time director, Sissy Spacek is set to join Ian McShane in the comedy Hot Rod, SNL writer Akiva Schaffer's directorial debut. Also starring in the film will be Schaffer's SNL buddies (and Lonely Island partners) Andy Samberg and Jorma Taccone. The film, which we've previously discussed, reminds me of that Simpson's episode where Bart attempts to jump Springfield Gorge in order to impress his friends. Pam Brady, who occasionally writes for South Park, penned the script. Hmm, could a South Park writer be borrowing from The Simpsons?
• Damn, Feast of Love is turning out to be some feast all right, having recently added an additional eight people to its cast. Pic, which already stars Morgan Freeman, Greg Kinnear and Radha Mitchell, has tacked on Jane Alexander, Alexa Davalos, Toby Hemingway, Selma Blair, Stana Katic, Billy Burke, Fred Ward Erika Marozsan and a Partridge in a Pear Tree. Davolos will play the lead role; a sensual free spirit who interrupts the lives of a group of friends from Oregon and changes them in unexpected ways. Geez, and here I didn't even think that may people lived in Oregon.
• Emmy-winning actress Tammy Blanchard is currently in talks to star opposite Brittany Murphy in The Ramen Girl. Director Robert Allan Ackerman will make his feature film debut with this story about an American girl stranded in Tokyo who decides to survive by learning how to be a ramen noodle chef. Blanchard would play a drug-addicted American escort who befriends Murphy's character and, hopefully, the two will share stories over a wonderful dish of warm noodles. Yum.