News has been slooooowly trickling out about Judd Apatow's directorial follow-up to Knocked Up -- or maybe it just seems like it because there's so much curiosity about the project. Back in March we knew literally nothing other than that it would star Seth Rogen, Adam Sandler, and Apatow's wife Leslie Mann. At the start of the month, Rogen and Sandler revealed the movie would be set in "the world of stand-up comedy," and that it would have serious dramatic elements. A few days after that, we heard rumors that Eric Bana was circling a role in the film. Today, Apatow's people officially made public the film's title -- Funny People -- and the rest of the ensemble cast: Eric Bana, Jason Schwartzman and, unsurprisingly, Jonah Hill.

Since people will be doing double-takes when they read "Eric Bana," the Variety article takes pains to point out that Bana began his career in stand-up comedy, and even starred in a pair of sketch comedy series in Australia, before breaking out in Chopper. I had heard that before, but since Bana seemingly hasn't cracked a smile in his entire film career, it remains very weird to me.

No new plot details were revealed, so expect another post in a couple of days when someone decides to let slip another tidbit.

Some have said that The Darjeeling Limited is a movie for Wes Anderson's fans. While that description is fairly accurate, it also suggests that this is some sort of Jay and Silent Bob Strike Back project -- a self-indulgent film only for those filled with Anderson adoration. While it does tap into the magic that brings fans to the filmmaker -- the rich colors, quirky characters, and strange introspection -- it is also a study of grief, and a film that perfectly embodies the importance of charisma and chemistry.

As Erik Davis wrote in his NYFF review, it's hard to see Adrien Brody, Jason Schwartzman, and Owen Wilson as brothers, but from the minute they come together on screen, each mannerism and look makes them seem immediately comfortable with each other, as if they are actually related and intimately familiar. It doesn't matter that they all look incredibly different. Brody slips into Anderson's world fluidly, and the three leads play off each other, making the quirk not only palpable, but subtly genuine.

With the writer's strike in full swing, I thought I'd pay tribute to a few of the writers who currently have films in theaters. Quite frankly, you really have to admire some of them. Take Allison Burnett, who adapted Feast of Love (2 screens) as well as this year's earlier Resurrecting the Champ. Burnett received very little love for either movie, but consider how hard it must have been to cut down a novel and expand a newspaper article at the same time? It makes my head spin. It's also quite impressive that Burnett was able to work again after his earlier script was turned into the universally panned film Autumn in New York (2000). But the thing that impressed me most of all about Burnett is his first produced script, Bloodfist III: Forced to Fight (1992), a vehicle for "Z" level action star Don 'The Dragon' Wilson. This is from a guy who studied playwriting and has published a novel. I can only imagine what it must be like to sit down and actually write something like that. Do you tape the paycheck on the wall next to your desk and keep staring at it? Good for Burnett that he made it out of that hole.

Then there's The Simpsons Movie (96 screens), which has at least eleven credited writers, and possibly more who added material without credit. Among them we have David Mirkin, who directed one of my all-time favorite guilty pleasures, Heartbreakers (2001), and James L. Brooks, who won an armload of Oscars for Terms of Endearment (1983). Most of the others are from TV, and I'd like to think they wrote this movie the way they might have written a half-hour episode: by sitting around a big table and throwing out ideas and laughing a lot. Those writer rooms are usually decorated with stuffed animals and novelty items, as well as plates of donuts and other snacks -- perhaps some kind of air freshener as well. It makes me all warm just thinking about it.

Today we salute the military veterans who have either served in wartime or in peace. I think technically Veteran's Day specifically honors war veterans, but I don't see why the non-combat military personnel needs to be excluded. Still, in the movies, it's the war vets that are most memorable, and on this holiday, I'd like to present my list of seven favorites.

Obviously this list isn't comprehensive -- in fact, I don't feature any examples of the now-stereotypical Vietnam vet character, which would include Tom Cruise in Born on the Fourth of July or Gary Senise in Forrest Gump. This is just a list of characters, positive and negative, that I prefer and which I think somewhat represents the wide and diverse scope of war vets.


"Homer Parrish" from The Best Years of Our Lives (1946, William Wyler)

About fifty years before Robert Zemeckis was digitally removing Gary Senise's legs to make him the disabled vet Lt. Dan of Forrest Gump, William Wyler directed a real amputee veteran named Harold Russell as the handicapped character Homer Parrish in this movie about the difficulty of coming home following World War II. Russell actually won an Oscar for his performance as Parrish, a former high school quarterback who returns to his childhood sweetheart, with whom he's engaged and for whom he no longer feels good enough. The actor/character has hooks for hands and appears in some sappy, obligatory scenes where he has trouble with them, but he ends up a guy that is beloved more than pitied, and it's almost easy to forget he has the handicap, especially after hearing him play piano with the false limbs.

It's been eight months since we started awarding prizes to our weekly Insert Caption contest winners, and we've given away everything from DVD box sets to a guitar to underwear to an HD DVD player. But this week we're presenting our most excellent prize to date: a trip for two to the beautiful country of India, courtesy of our friends at Jet Airways and Fox Searchlight.

That's right, the writer of our favorite caption for the photo below from Wes Anderson's new comedy The Darjeeling Limited will win their own five-day, four-night Indian adventure (airfare and four-star hotel included) for themselves and their favorite friend or family member (or Cinematical blogger/Moviefone employee). The best part? You will not be asked to train a single employee or customer service rep while there. So scroll on down the page, check out last week's winners of our Knocked Up contest (they win DVDs, a dartboard and more), then click on the "comments" link and give us your sharpest, wittiest, funniest, awesomeist caption possible. And for those first-time players, bookmark this link here and come back and play every weekend. Our Darjeeling winner will be announced next Friday, October 12 at 4 PM EST.
Good luck!

UPDATE: WINNER ANNOUNCED! Click Here

Winners from last week's Knocked Up contest:

1. "Ummm... No, I didn't know it was Bastille Day. " -- Michael L.

2. "Just when I think you can't get *any* dumber, you go and do something like this... and TOTALLY REDEEM YOURSELF!" -- Peter S.

3. "Exactly how much pot have you smoked today?" -- Curt T.

See full image and read all captions

Cinematical has just received the first official poster for Walk Hard: The Dewey Cox Story (click on the image above for a larger version), the upcoming comedy written by Judd Apatow and Jake Kasdan. Do I need to say more, or are you already sold? I mean, if John C. Reilly in a Jim Morrison-like pose doesn't do it for ya, we've got issues to discuss. Essentially, the film will be spoofing all those popular musical biopics, like Walk the Line, etc ..., but I take it the flick will be a major step up from the silly spoofs like Scary Movie and Not Another Teen Movie, etc .. It'll be silly, sure, but check out some of this cast: John C. Reilly, Jenna Fischer, Paul Rudd, Justin Long, Jason Schwartzman, Jack Black, just about every popular SNL cast member in recent years and White Striper Jack White as Elvis Presley.

Walk Hard follows the life and times of fictional music legend Dewey Cox (Reilly) who, throughout his turbulent (yet awe-inspiring) career, fathers 22 kids, 14 step-kids, becomes addicted and subsequently kicks every drug known to man, and falls in love with his longtime backup singer Darlene (Fischer). Somewhere along the way, he also makes friends with everyone from The Beatles to Elvis -- and stars in his own 70s Variety Show. As a big fan of everyone involved, I know this movie is going to kick major ass -- how can it not? Directed by Jake Kasdan (who also helmed the very funny Orange County and comes from the same Freaks and Geeks world as Apatow), Walk Hard is set to sing its way into theaters on December 21.

There are a couple different ways to approach reviewing The Darjeeling Limited. I can look at it from the mainstream audience's point of view, or I can look at it from the point of view of a long-time Wes Anderson fan -- which, coincidentally, I happen to be. The first thing my friend said to me as the credits began to roll: "Loved it ... but the film won't make a dime at the box office." Unfortunately, and most likely, that will be the case -- The Darjeeling Limited is a tough film for audiences to grasp, in that there's not much of a story to hang onto. Sure, there's a beginning, a middle and an end, but when you look back on it, everything sort of mushes together. There's also not a lot of physical action; a majority of the film takes place on a moving train, in one compartment, which subsequently leads to a very claustrophobic feel; albeit one that was intentional. And there's dialogue -- lots of it.

But this is a Wes Anderson film, and those of you out there who appreciate his sense of humor -- his quirky characters, his hipster soundtracks and his extraordinary attention to detail -- will most likely find a lot to love in The Darjeeling Limited. Essentially, it's a meditative piece about three brothers who reunite while on a train in India, having not spoken to one another for a year following the death of their father. In that time, Jack (Jason Schwartzman) was holed up in a hotel room in Paris, unaware of how long he'd actually been there. Peter (Adrien Brody) kept busy tending to his marriage, which he always expected would end in divorce, even though he really loves his wife. And Francis (Owen Wilson), who's the reason why all three are in India, has been recovering from a terrible motorcycle accident that left him near-death, which, afterwards, inspired him to take on this spiritual journey with his two estranged siblings.

There are many iconic pairings of actor and director: DeNiro and Scorsese; Bogart and Huston; Mifune and Kurosawa; Depp and Burton. One of the best recurring collaborations, though, is Bill Murray and Wes Anderson. The comedic actor appears in almost all of Anderson's movies (maybe one day he can be digitally imposed into Bottle Rocket a la Jabba in Star Wars), including The Darjeeling Limited, which opens tomorrow. I haven't seen the new movie yet, but I did read a great piece about Anderson in this week's New York magazine, and I have to say that Murray and Anderson were made for each other. Whether it is true or not that the filmmaker really had to deliver a suitcase with $14,000 in cash from Murray to a guy named Luigi is beside the point; the story just proves the duo have a fun sense of humor that can involve the other at any given time.

That's why it isn't surprising to learn that Murray will be voicing a character in Anderson's stop-motion-animated film, The Fantastic Mr. Fox (and I don't mean because Murray would avail his voice to anything). MTV Movies Blog chatted with Anderson about the film, which is still a few years in the making, and got other confirmations on its cast of voices. Yes, George Clooney is definitely on board as "Mr. Fox", and also Jason Schwartzman is doing a voice, too. There is no mention, however, of Cate Blanchett or Angelica Huston, both of whom are said to be part of the film. It also wasn't revealed which characters Murray and Schwartzman would be doing. The Fantastic Mr. Fox will be Murray and Anderson's fifth movie together (and Schwartzman's fourth with the director, if you count shorts), and will likely be far from the last. The film also reunites Anderson with his Life Aquatic co-writer Noah Baumbach; the script is based on the book by Roald Dahl.

Early buzz hasn't been too nice to Wes Anderson's The Darjeeling Limited, which opens this week, on the 29th. But does it really matter, at least, if you're a fan? I remember hearing a lot of bad things about The Life Aquatic with Steve Zissou, but Wes still caught me hook, line, and sinker. This time around, things are up in the air. Beyond some crappy response to the film, fans were dealt a blow when Fox announced that the prequel short, Hotel Chevalier, would not screen in its regular release like it did during festival screenings. However, Apple is coming to the rescue, at least for fans in selected cities, according to indieWIRE.

Lucky fans in New York, Chicago, San Francisco, and LA will be able to see the short in all of its 12-minute glory, tomorrow, September 25, at 9 pm. Sweetening the pot even further -- Anderson, Jason Schwartzman, and Natalie Portman will be at the SoHo store in New York, and co-writer Roman Coppola will make an appearance at the Chicago store. Darjeeling is about three American brothers, Schwartzman, Adrien Brody, and Owen Wilson, who head to India on a spiritual quest and then find their journey veering into unexpected territory. Chevalier is a prequel to the story, which stars Jason and Natalie in a Paris hotel room -- the end of their love, and the prologue of the journey.

Fox Searchlight sent us this exclusive first look at a clip for The Darjeeling Limited . The more I see glimpses of this film, the more I can't wait to see it. It would be enough for me just to have Wes Anderson working with Jason Schwartzman again, but to make it even better, Owen Wilson, Adrien Brody and Schwartzman seem to be hitting just the right note as the three brothers on a spiritual quest through India ... it's kind of feeling to me like there's a bit of a "City Slickers" vibe to the film (with brothers instead of just friends, which gives you that whole delicious layer of drama and trauma that comes with spending time with the people with whom you shared a childhood), only set in India and sans Billy Crystal spoofing "Rawhide".

Are you on the edge of your seat waiting to see Wes Anderson's newest project?