There aren't too many movies that necessitate sequels. Unless a movie is part of a pre-proposed series or is an adaptation of a series of books, it should probably be able to stand alone. But a lot of sequels come from movies that are perfect by themselves -- sometimes the sequels compliment nicely; sometimes they are easily ignored; occasionally they actually take away from the previously regarded original.

It isn't often that a movie screams out for a sequel, but I think I've come up with seven that at least whisper a request for one. Two actually have source sequels that they would be adapted from. One has a lot of history to mine material from. Three of them have been discussed at length at different points in time by makers of the original(s). The problem is that none of these sequels is likely to ever grace your DVD player let alone your local theater. For whatever reason, they simply have too much against them in the minds of studio execs. For now, though, we can dream.

1. The Restaurant at the End of the Universe (sequel to The Hitchhiker's Guide to the Galaxy)

Even with the incredible cast and the surprisingly faithful-enough script, The Hitchhiker's Guide to the Galaxy was not the epic that I was hoping for. It also wasn't the blockbuster that Disney was hoping for. The filmmakers, Garth Jennings and Nick Goldsmith (aka Hammer and Tongs) and the necessary actors had signed on for the sequel, to be adapted from Adam's follow-up, The Restaurant at the End of the Universe, but it appears to be dead in the water. Despite my few reservations with the first film, I would love to see the sequel, as well as the rest of the series (they could end before The Salmon of Doubt, I guess). I remember being bored with some of the prehistoric Earth sequences in Restaurant, but I think they'd make for great cinema. In any event, I think Martin Freeman and Mos Def were a great duo in the original, and they alone should have been propelled to stardom following its release. Maybe they can appear in something else together.

After disappointing comic book fans everywhere with Catwoman, the mono-monikered director Pitof should have gone back to his day job. He is a terrific special effects man, particularly for his work with Jean-Pierre Jeunet on such films as Delicatessen and Alien: Resurrection. But for all his recognition for the effects work, he's going to be best known for guiding Halle Berry through one of the lamest movies of the 2000s (it 'won' four Razzies including Worst Picture, Worst Director and Worst Actress). While he hasn't given up his day job yet (he's back with Jeunet for The Life of Pi and he's working on the next Astérix and Obélix movie), he's also not giving up on directing. His follow-up to Catwoman has just been announced as an independent crime thriller called Only in New York, starring Jim Caviezel.

Caviezel has some problems of his own coming on to this project, as he does with any project these days. Many of us will forever associate the actor with his role as Jesus in The Passion of the Christ, despite the fact that he hasn't physically resembled that role in anything since. I don't know if Hollywood also sees the difficulty with such a connection, but in looking at his IMDb listing I noticed that since The Passion he doesn't seem to be getting as much work as he had been before. Of course, it could be that Caviezel is the one keeping low, staying away from the city he calls "a cesspool piece of crap." Or it could be that producers want to avoid the kind of accidental humor that showed up in Deja Vu. Either way, I could only think of the possible religious elements when reading the description of Only in New York, which the Hollywood Reporter says is about, "a recently paroled street hustler looking for a new life and seeking redemption."

As if Pitof's and Caviezel's involvements weren't enough trouble for the production, Only in New York will be marked by an ironic and bogus title. It seems the film can't be shot only in New York, because it begins filming in Toronto in June. The whole production would probably be better off aborting this project and getting to work on self-parodic shorts for YouTube. Anyone interested in seeing Catwoman vs. Jesus?

My love of cinema originally came about through my love of production design, particularly for science fiction and fantasy films. As I grew up, one of my dream careers was art director, and some my early heroes were Dante Ferretti and Bo Welch. Naturally, then, a lot of my favorite filmmakers have been those who display creative art direction in their movies. Terry Gilliam has always been at the top of my list.

Other fans of Gilliam will agree with me that no other living director is more deserving of recognition by the Art Directors Guild. In fact, I'm surprised that he wasn't the first choice to receive the guild's Outstanding Contribution to Cinematic Imagery Award when it was originally given in 1998 (to Norman Jewison instead). Other filmmakers that I expect to see honored in the future include Tim Burton, Jean-Pierre Jeunet, Peter Jackson and Guillermo del Toro.

Gilliam will receive the award at the Art Director's Guild Awards on February 17, when the guild also names the winners of its prizes for excellence in production design for 2006. Like other guild awards, the ADG's honors recognize distinct categories for its field. Nominated films are separated into three groups: period piece; contemporary; and fantasy (you may remember these are the same categories for the Costume Designer Guild Awards).

• Of the five features that Jean-Pierre Jeunet has directed, three place high on my list of favorite films. Therefore I am very happy to hear that he has just been knighted by France's Legion of Honor. The ceremony took place on Wednesday, where Culture Minister Renaud Donnedieu de Vabres called Jeunet, "an atypical, unusual filmmaker, who created more than just a style -- an entire universe."

• Two-time Oscar-winner Olivia de Havilland is being honored this evening with a tribute by the Academy of Motion Picture Arts and Sciences. The actress, who will be 90 on July 1, is the last surviving star of Gone with the Wind and was named Best Actress by the Academy for To Each His Own and The Heiress. She will be only the fourth person to be given such a tribute.

• Neil Simon will be awarded the Mark Twain Award for humor by the Kennedy Center in a ceremony on October 15. The Center's officials cited Simon as America's foremost playwright, but the honor will also be in recognition of his contributions to film and television. Proving himself still funny at age 78, Simon joked about the award by saying, "It makes up for my losing the Samuel Clemens Prize." Simon was one of my idols in high school, when I was writing my own semi-autobiographical plays and performing in scenes from his works, such as The Prisoner of Second Avenue. We could use more writers like him on Broadway and in Hollywood.

• It may not be an award, but I would call it an honor to be named head of the jury for The Venice Film Festival (Aug. 30 - Sept. 9), and Catherine Deneuve is the person given that honor this year. The actress is familiar to the fest, as she starred in the 1967 Golden Lion winner Belle de Jour and won the Volpi Cup Award for Best Actress in 1998 for Place Vendrôme. American filmmakers in competition might hope for the best from Deneuve, as she was on the Cannes jury in 1994 that awarded Pulp Fiction the Palme d'Or.