Jennifer Love Hewitt Tagged Articles at Cinematical

Could Jennifer Love Hewitt and Jamie Kennedy be the next IT couple? Probably not, but that's not stopping them from bringing their romance to the big screen. The Hollywood Reporter posts that Hewitt and Kennedy are going to star in a new indie drama called Cafe from writer/director Marc Erlbaum. Hewitt will play an employee at the local West Philly Grounds coffee shop where Alexa Vega and other ensemble members stop by for a cup.

Already, "indie drama" separates this project from the likes of Kennedy's supremely cringe-worthy feature work, so I can't help but wonder: Is Jennifer the muse that will wipe away our reservations and give Jamie work more worthy of his post-Randy Meeks life?

Meanwhile, Rita Wilson is gearing up to write a new college comedy, according to Variety. Not only that -- she's going to star. Look out Rodney Dangerfield, Rita's going back to school. Titled Terms of Embarrassment, the film will focus on a middle-aged couple who end up attending the same college as their son.

Maybe I'm just being influenced by the other news bite here, but could this possibly be a film that will reunite her with hubbie Tom Hanks on the big screen? The pair haven't appeared together in a film since the '90s, and never one where they were the focus.

The story behind the making of Delgo is heartwarming and inspiring. Fathom Studios, based in Atlanta, Georgia, has been creating commercial computer animation for more than ten years. When they decided to produce their own feature-length narrative film, they did it completely independent of the Hollywood studio system. They labored long and hard with a much smaller budget and a much smaller staff than the animation behemoths. They bravely posted "digital dailes" throughout production, a kind of progressive, online series of "making of" snippets. They recruited a slew of actors with name recognition -- Freddie Prinze Jr., Jennifer Love Hewitt, Val Kilmer, Malcolm McDowell, Louis Gossett Jr., Michael Clarke Duncan, Burt Reynolds, Chris Kattan, and the late Anne Bancroft in her last performance -- to voice the characters.

If only the film as a whole was as dramatic and lively as the behind-the-scenes story. Under the direction of Marc F. Adler and Jason Maurer, the 3-D animation is quite lovely to behold, but the characters are one-dimensional and the script, credited to six writers, spends too much time on convoluted plot mechanics. Delgo falls into an uncomfortable place where the technical achievement can be admired without the emotions ever being engaged, provoking nothing more than a tepid response ("meh") when the end credits begin to roll.

Set in a lush fantasy world of flying creatures, colorful reptiles, and the odd monster, beast, and giant insect, Delgo pits two races against one another. The proud, dominant, invading race lords it over the humble, subjugated, native race. Sound familiar?

In the '90s, she was the teen dream girl after stints in Party of Five and films like Can't Hardly Wait and I Know What You Did Last Summer. These days, she's mostly on television as a Ghost Whisperer, but according to early reports, Jennifer Love Hewitt has got a new movie in the works -- She Had Brains, a Body, and the Ability to Make Men Love Her. This way-too-long-titled project is described on IMDb as "a broad comedy take on the events surrounding a hooker housewife scandal that involved many prominent members of a small Texas town." There's nothing quite like selling your stay-at-home body for money.

These days, she might be playing a housewife hooker, but years ago, she was all about the Barbies -- more specifically, Superstar Barbie who so conveniently has outfits that change from long gowns to short and saucy minis. (A hint at things to come, perhaps?) Ms. Hewitt pretty much looks the same, just tinier, a bit perkier, and embodying the '80s in this clip with her poofy bangs and side ponytail. So stylish!

Alec Baldwin just can't catch a break lately. Monika told you about the status of his directorial debut back in January and now we're finally starting to hear more about its release. Trouble is, Mr. Baldwin doesn't want you to see the thing! In addition to directing, Baldwin produced and starred in the film, an update of The Devil and Daniel Webster. The movie wrapped in 2001, and has experienced nothing but problems since. It will finally be released this Friday, and oh dear, that's -- dun dun duh! -- Friday the 13th! If you're trying to find the film at your local multiplex, good luck. It is only being released in six cities (Las Vegas, Rochester, Fort Myers, Columbus, Albuquerque and Santa Fe), and you'll have to look for it under its new title: Shortcut to Happiness. Oh, and Baldwin's name won't even be listed as director or producer. It has been removed and replaced with an "Alan Smithee" -- style fake name -- Harry Kirkpatrick.

Despite Baldwin's many talents and a solid cast that includes Anthony Hopkins as Daniel Webster, Jennifer Love Hewitt as The Devil (?), Kim Cattrall, Dan Aykroyd and Jason Patric, the film has been called "one of the greatest train wrecks of all time." Where did it all go wrong? Apparently producers didn't like the more serious cut Baldwin submitted, and they recut the film into a pure comedy. Baldwin was naturally upset. To make matters worse, two of the films investors became entangled in legal woes after they were investigated for bank fraud. On top of all that, one of Baldwin's producing partners sued him for her cut. A source close to Baldwin tells the New York Post: "Alec doesn't recommend unrecognizable films to his fans. This is not an Alec Baldwin film. He's in the movie but he has nothing to do with it. His name was taken off as producer and director six years ago, but he couldn't get it taken off as an actor." So, I have to ask ... if any of you live in one of the six cities listed above and don't mind taking one for the team -- would you check it out and tell us if it's as bad as it sounds?

Airlines have traditionally not shown controversial films on flights, making sure to stay far away from anything that might be slightly objectionable. That's why you've never seen a disaster movie (although you've probably seen movies that have been disasters) while jetting across the continent. That may all be changing soon as airlines have decided to show more mainstream fare like Brokeback Mountain and Transamerica in an effort to upgrade in-flight entertainment, and provide more choice, variety, and current releases to passengers.

Airlines edit films for content even more stringently than television networks do, cutting out language, sexuality, and anything that might even suggest that an airplane has a problem. According to the World Airline Entertainment Association, films are edited "because airlines carry young children as well as a diverse population of passengers from diverse cultures, many airlines require movie edits for language, sex, violence and political or religious content. The film distributor generally handles this process."

I remember flying from Los Angeles to Dallas and watching a cut of the Jennifer Lowe Hewitt film Heartbreakers that featured a digital insert over the cleavage of one ghost whispering actress. This reflects an oddly reciprocal effect between films edited for American vs. European airlines; Europe edits out violence, and America edits out sex. Apparently breasts might incense an American passenger to hijack the plane and fly to Club Med, but a bullet-riddled body will lull them into complacency.

I suppose I can understand the need to edit films on flights, because in a way it is forced viewing. You can't exactly get up and leave the theater if something on the screen bothers you. It is also understandable that you wouldn't want to watch anything that features a spectacular plane crash on a flight, for obvious reasons. However, more planes are starting to feature in-flight entertainment that allows each individual passenger to choose what they want to watch. What happens if the person next to you on that JFK-to-SFO flight wants to watch something featuring ultra-violence and you find that objectionable? It's hard to go through a flight with blinders on, but perhaps the next-generation of flight entertainment will feature a digital alternative.

What do you think? Should films be edited for airlines, or should you be able to watch whatever you want?