JohnAugust Tagged Articles at Cinematical

By: John Gholson

Screenwriter John August declared the Shazam feature film completely dead in January 2009, unable to come up with a screenplay that seemed to satisfy Warner Bros. "By "dead," I mean that it won't be happening. I don't think it's on the studio's radar at all, " August stated in a blog post.

I'm happy to report that John August was wrong. Shazam is most definitely on Warner Bros radar, and they've tasked DC Comics scribe Geoff Johns and rookie screenwriter Bill Birch with a new version of the script. Birch spoke to CineFOOLS about the project, "The way the story is shaking out, Geoff and I see this not as 'dark' as Dark Knight but definitely as cool...Tonally, I think it's important to successfully find the balance of comedy and danger in the story. That's a major aspect I'm focusing on. Frankly, hitting the right tone is what's going to either get this made or keep it in development hell."

Read the rest over at SciFi Squad

When it comes to Preacher stories, you have to check your enthusiasm and optimism at the gate -- it seems like it's closer to the big screen this time around, but plenty of names have been attached before, so take this story as you will.

We know Sam Mendes will only direct if he likes the script, and according to The Hollywood Reporter, that script now has someone to write it, as Tim Burton-favorite John August landed the tricky job of adapting the Garth Ennis series. So while he lost Shazam!, he gained Reverend Jesse Custer ... and I might be biased towards rebellious preachers who are good in a fight, but I think that's a pretty respectable trade off, don't you?

It's pretty nice to be August now, actually -- in addition to trying to officially attach Mendes, he's also been confirmed to write Burton's stop-motion remake of Frankenweenie , and he's writing the Dark Shadows remake for Burton and Johnny Depp.

Assuming Preacher goes forward from this point ... are August and Mendes the right men for the story? While both do solid work, they also strike me as a bit safe. Neither have ever tackled material as dark and twisted as Preacher. But I might be underestimating their talent for depravity, and the fact that they are "unconventional" picks as opposed to someone like Kevin Smith means this could work out in one of those perfect, fateful ways.

So remember that whole Shazam! movie, with John August writing, Peter Segal (Get Smart) directing and Dwayne "The Rock" Johnson starring as the villain, Black Adam? Last year we talked about this project a lot, wondering which actor would eventually play Captain Marvel, as well as teenager Billy Batson. In fact, as recently as November of 2008, Variety had reported that Shazam! was part of Segal's first-look deal with Warner Brothers. (The project was originally set up at New Line, but moved to Warners when they went under.)

However, over on his blog, August says the project is now dead in the water after several re-writes, most of which came about after the studio wanted him to take the film from a lighter action-comedy to something much darker (a la The Dark Knight). And regarding the recent news that Segal would be directing, August notes that "press releases often have little relationship to reality." He does admit, though, that the movie may still happen ... just not with him onboard and not anytime soon. Which is a shame, because this pitch -- "Like Big, but with superpowers ..." -- definitely had potential.

Were you looking forward to Shazam!?

Producer Scott Faye is keeping the faith -- but fans of the Electronic Arts video game American McGee's Alice will have to wait an indeterminate amount of time to see a movie version. According to McGee's own blog (and thanks to Shock for the tip), Mr. Faye has announced that Universal has placed the project into turnaround -- which essentially means it's comatose until another backer snags the property. (IF another backer snags the property.)

Here's what the producer had to say: "Jon and Erich Hoeber have written a very compelling feature film screenplay adaptation of the Alice game. Their screenplay will certainly serve as a jumping off point as we find a new studio home for the project. In terms of the realistic chances of seeing the Alice project being produced, all I can say is that I have invested (along with Julie Yorn and Karen Lauder, my producing partners on the project) a lot of time and effort in this project. We will get it made." Just not at Universal, unfortunately. Earlier reports indicated that actress Sarah Michelle Gellar and director Marcus Nispel were attached to the project, but as Inspector Clouseau used to say "Notennymore."

For those who are unfamiliar with American McGee's Alice (I really should play this game already), it's sort of a dark semi-sequel to Lewis Carroll's Alice's Adventures in Wonderland (or Alice in Wonderland, if you prefer). Filmmakers previously (and temporarily?) attached to the project include director Wes Craven, screenwriter John August, and actress Jean Marsh. (Thanks to Wiki for the reminders.) So to those who've played (and hopefully enjoyed) this video game, here's my question: Who should direct the thing?

What are The Nines? I have no idea, but I think The Eights are koala bears. That's about as close as you'll get to answers in this film, screenwriter John August's directorial debut, but don't let that deter you -- this is one of the most fun, most brain-twistingly clever films of the year. It's at once a serious meditation on the responsibilities of creators, a light-hearted poke at people in the entertainment industry who apply life-or-death stakes to everything that happens to them, and a metaphysical meditation on exactly what constitutes reality. Is television reality? The characters certainly seem to think so. Who are we to tell them they aren't real? And what about our creator? Do we have one? If so, what would that creator think about what we're up to, and how would they go about inserting themselves into the everyday world to get a closer look? What guise would they use? The Nines is a movie that raises about six million major, thought-provoking questions but then holds back on answering most of them.

The film is structured as a three-part anthology, with three actors -- Ryan Reynolds, Melissa McCarthy, and Hope Davis -- playing different characters in each part. Part 1 has Reynolds playing a capricious Hollywood actor who totals his car and ends up being put under house arrest in his gigantic Hollywood home -- some punishment, right? Going stir-crazy under the watchful eye of his ultra-chipper publicist, played by McCarthy, Reynolds' character becomes enamored with a sultry next-door neighbor, played by Davis, and starts to challenge his house arrest. Part 2 is a more autobiographical section, with Reynolds playing a television executive fighting to keep his pet project in development while also submitting to the demands of a Project Greenlight-style reality show, starring him. Davis plays a cold-hearted network executive in this piece, while McCarthy plays a thinly-disguised version of herself, acting out a version of her own past experiences with August. Part 3 is a self-contained story, starring Reynolds and McCarthy as a couple with a child, lost in the woods -- Davis plays a mysterious jogger. Still with me?

Our good friends over at DV Guru have thrown up a real groovy two-part interview with screenwriter John August that you simply must read right now. August made his mark in Hollywood with his script Go back in 1999, a fun film that tells the story of a drug deal gone bad from three different points of view. From there, August dipped into blockbuster territory, writing for both Charlie's Angels and Charlie's Angels: Full Throttle. Lately, he's found himself wrapped up in the bizarre world of Tim Burton, penning the scripts for Big Fish, Charlie and the Chocolate Factory and Corpse Bride.

Not only is he one of today's most successful screenwriters, but he also offers a tremendous amount of advice for young writers looking to break in. Through his blog and various speaking engagements, August is a man who clearly lives for the craft. In Ajit Anthony's very informative interview, August covers everything from writing and directing to what it's like working so closely with Tim Burton. Oh, and what would a John August interview be without a ton more advice on breaking down doors in Hollywood? Go check out part one and part two now.