Josh Olson Tagged Articles at Cinematical

If you read my posts regularly, you might be under the impression that the only movies that make me truly weak in the knees are Marvel adaptations. But my heart belongs more to rogue cops than it does superheroes, and if I could have my film wish, it would be for a renaissance of the action/thriller. And you know, I think it might be on its way ...

First comes a story from The Hollywood Reporter that Paramount has hired Josh Olson to adapt Lee Child's novel One Shot. It's the ninth in Child's Jack Reacher series -- why they aren't adapting the first, I have no idea. Now, I haven't read the series, but from all accounts Reacher is the kind of man we haven't seen onscreen since Harry Callahan or Wendell "Bud" White. And that's why Olson (who was also behind the adaptation of A History of Violence) took the job: "I had just finished watching the first two Dirty Harry movies on Blu-ray. And I thought, 'No one's making movies like that anymore.' It coincided perfectly. It's just the kind of movie that I haven't seen in a while. It's a tough, smart, action-oriented thriller." (In a really funny twist, I was watching Dirty Harry last weekend and thinking the same thing -- and also how much I want to date Clint Eastwood circa 1971.)

Obviously, One Shot isn't enough to revive the genre, but Entertainment Weekly reports that rumors continue to gather around Lethal Weapon 5, particularly with Shane Black's Cold Warrior catching everyone's interest. Seems he's down for writing and directing the fifth installment, though all waits on the approval of Mel Gibson. I'm intrigued by the new story details, as it introduces a pair of young New York cops. Now, if Lethal Weapon 5 was more of a reboot/origin story for two new characters who could carry some films of their own, well, that would be pretty darn cool.

Oz (as in The Wizard of) is just so hot right now. We already know about the Oz re-imagining in the works where DG (Dorothy) gets swept off to The Outer Zone and goes on a journey with some weird creatures. Now we're going to see another update of Oz in a feature film. Variety has reported that Warner Brothers and Village Roadshow Pictures are teaming up for a flick called Oz -- not based on that sparkly classic film, but directly from L. Frank Baum's books. Well, not directly, but a "revisionist take."

The idea comes from Spawn creator Todd McFarlane, and was expanded on and pitched by Josh Olson, who adapted A History of Violence. McFarlane is also the guy behind the "Twisted Land of Oz" figurine series, featuring Dorothy barely-clothed and awkwardly bound while a creepy Munchkin snarls. Before you think of an S&M Oz, Olson has said: "I saw those toys, and Dorothy as some bondage queen isn't something I want to do." McFarlane says: "My pitch was 'How do we get people who went to Lord of the Rings to embrace this?' I want to create (an interpretation) that has a 2007 wow factor. You've still got Dorothy trapped in an odd place, but she's much closer to the Ripley from Alien than a helpless singing girl."

While the plot is being kept under wraps so far, Olson describes it as a remake and says that while a lot of the characters are "all Baum," the plot is mostly his. It'll be interesting to see how the over-sexualized Oz eye of McFarlane and Olson's PG-plan come together. Will it be a mess, a masterpiece or something in between?

Novelist Dennis Lehane, whose Hollywood career once seemed to have begun and ended with the successful adaptation of his Mystic River, has seen his star rise rather dramatically over the past few months. It's already been announced that Ben Affleck's directorial debut, Gone, Baby, Gone, is based on a Lehane novel (from Clint Eastwood to Affleck - I'm sure he's so proud), and now comes the news that Oscar-nominated A History of Violence scribe Josh Olson has written and will direct Until Gwen, a film based on a short story by Lehane. The story, which Olsen describes as "one of the best...I've ever read," is "a dark crime drama that explores a relationship between a father who is a con man and a son who has been raised on the edges of society." Among other things, the story deals with the issue of identity, which is one of the reasons for Olsen's interest.

Olsen's screenplay is already finished and has won praise from Lehane; the movie is about to star casting and will shoot later this year with a budget of less than $10 million.