Journey to the Center of the Earth Tagged Articles at Cinematical

Kit Kittredge -- An American Girl
It's the feature film for all the little girls out there who have American Girl dolls, and those who have long since grown up. Abigail Breslin stars as a young, budding reporter who tries to help her family during the Great Depression. She's surrounded by the financial woes of the time, plus prejudice and a situation that asks for a little Nancy Drewing. It's a must-see for the kids, and anyone who can enjoy a youthful dip into the past. Buy It.

Billy the Kid
Jennifer Venditti had come to the small Maine town to do some casting for Bugcrush, but she found something better -- Billy. Spending a week with the 15-year-old, Venditti captured a young man's highs and lows, his triumphs and vulnerabilities. The film is wildly funny, but also a telling account of the danger of assumption, the troublesome labels that get put on us during our youth, and the tribulations of the unique. Check out my review for more information. Buy It.

Hell Ride
Presented by Quentin Tarantino, this Larry Bishop film was pretty much ravaged by critics (11% fresh on Rotten Tomatoes). But if you like the rumble of a bike barreling down the road, Hell Ride follows some badass bikers trying to avenge the death of one of their own by a rival gang. There's lots of talent in this puppy -- Madsen, Balfour, Hopper, Carradine -- but unless you really like to just lose yourself in footage of bikers on bikes, Skip It.

Also on DVD: Journey to the Center of the Earth (see: Blu-ray), Tinker Bell (see: Blu-ray), Zombie Strippers.

As an opinionated cinephile, Roger Ebert has every right to dislike 3-D movies. And recently, on his blog, Roger Ebert's Journal, he wrote about such disfavor. Basically, in response to accidentally missing the press screening for the new animated 3-D flick Fly Me to the Moon, he admits that, because of a certain prejudice against the format, he likely wouldn't have enjoyed the movie anyway.

My issue here is not to attack Ebert's opinion or his belief that after half a century of dissatisfaction with the format he's never going to change his mind about it. He's free to express both. And while I disagree and am disappointed, I would never claim that Ebert doesn't know what he's talking about. He's certainly smarter about film than I'll ever be, and his opinions are far more respected than my own.

However, Ebert is also one of the most widely read film critics in the world, and therefore he is a pretty influential person when it comes to the subject of movies. And I would hate for moviegoers to dismiss the new wave of 3-D movies simply because of Ebert's stance on the format. So, I merely intend to respond to his opinion with an opinion of my own, as apparently one of the wider read gushers on the topic of digital 3-D.

The weekend estimates have The Dark Knight taking the top spot for the fourth straight week in another squeaker -- though not as close as last week's victory over The Mummy: Tomb of the Dragon Emperor. It dropped 39% to $26 million, which was good enough to beat the $22.4 million showing for the stoner comedy Pineapple Express. That brings The Dark Knight to $441.5 million, edging out Shrek 2 for third place on the all-time domestic charts. By next weekend, it should pull ahead of Star Wars (its unadjusted numbers, anyway) for second place. Titanic still remains out of reach, or at least it seems that way right now.

It's worth noting that Pineapple Express was released on Wednesday (since Wednesday's the new Friday, doncha know), and pulled in $40.5 million over the five days -- a victory for an R-rated stoner comedy. The horribly titled The Sisterhood of the Traveling Pants 2, also released on Wednesday, had a $19.7 million five-day on just over 2,700 screens, a reasonably strong showing for a sequel to a niche film that made $39 million in 2005.

The Mummy: Tomb of the Dragon Emperor dropped 60% to $16.1 million -- whoops. It looks to top out at around $100 million, which would make it a distant third in the main franchise, though it might beat out The Scorpion King.

One of the summer's biggest box office surprises is lurking down at #7 on the weekend chart. Journey to the Center of the Earth continues to suffer only miniscule drops; it's taken in $82 million after five weekends of release, after an opening weekend of only $21 million. That sounds like a ringing audience endorsement of Real-D 3-D to me.

The full estimates after the jump.

As anyone who went to see Journey to the Center of the Earth 3-D last weekend knows, a viable, attractive, non-headache-inducing 3-D technology now exists for feature-length films in regular theaters (albeit ones outfitted with a special projector). Unfortunately, it's still not being used as a storytelling tool so much as an attempt to impress people -- look, it's Brendan Fraser, spitting water in your face! -- but maybe James Cameron will fix that soon, what with his plans to film a low-key drama in 3-D after he finishes Avatar. In any case, now that Journey has proven the mettle of the format (the 800-some theaters showing it in 3-D made up for more than half of the film's opening weekend gross, and rightfully so), you should probably expect to wear goofy plastic glasses with increasing frequency.

Case in point: Sony's announcement yesterday that its previously-announced adaptation of the children's book Cloudy with a Chance of Meatballs will be the first digital 3-D release for Sony Pictures Animation. The movie (which I believe still has Anna Faris and Andy Samberg doing the lead voices) is about a scientist who tries a radical approach to solving world hunger only to wind up with food coming down from the sky, which doesn't turn out to be as awesome as it sounds. A Sony exec provides an amazing quote to go along with the announcement: "The story is about 'food weather,' and so food falling from the sky lends itself so well to 3-D." No kidding.

I anxiously await the day when 3-D is used to tell better, more engaging stories rather than to provide the equivalent of a novelty theme park ride. Maybe soon.

If you thought the latest Indiana Jones adventure was implausible, wait till you see Journey to the Center of the Earth! It makes Kingdom of the Crystal Skull look like a documentary. It's fun, though, and a perfectly good way for a family to spend a Saturday afternoon, particularly if that family has a lot of 8-to-12-year-old boys. I have friends with kids in that demographic, and watching the movie I thought, "Those guys will LOVE this."

It was shot in digital 3D and is being exhibited that way in select theaters. By all means, if you see it, see it in 3D. The filmmakers indulge in some shameless gimmickry every now and then, making characters point things directly at the audience for no good reason, but for the most part the effects look fantastic. It's a smart way to bring the story to life, even if the story in question is all spectacle and very little brain.

Brendan Fraser, getting back into wholesome action-hero mode, plays Trevor Anderson, a scientist who specializes in tectonic physics. That was the life's work of his deceased brother, Max, whose 13-year-old son Sean (Josh Hutcherson) has now come to stay with Trevor for a few days. Trevor hasn't seen his nephew in years and barely knows the lad. Sean, sullen and heavily into his PSP (that's a portable video game system, old-timers), was only 2 or 3 when his dad disappeared.

Once again the Independence Day holiday proved successful for Will Smith. Hancock launched on Tuesday night, had a total of $103.9 million by weekend's end and provided Smith with his eighth consecutive film to open at number one. Kit Kittredge: An American Girl, which went into wider release last weekend, finished in eighth place. Here's the top five:

1. Hancock $62.6 million
2. Wall-E $32.5 million
3. Wanted $20 million
4. Get Smart $11.1 million
5. Kung Fu Panda $7.3 million

Three new ones this week with (surprise) yet another superhero flick gunning for the top spot.

Hellboy II: The Golden Army
What's It All About: Ron Perlman returns as Hellboy, a demon employed by the U.S. government to do battle against the things that go bump in the night. Denizens of a mystical world of supernatural creatures are about to wage war upon humanity, and Hellboy, the scarlet skinned scourge of evil, must stop them. Also returning are Doug Jones as the aquatic Abe Sapien (voicing the character himself this time, and not being dubbed by David Hyde Pierce) and Selma Blair as the pyrokinetic Liz.
Why It Might Do Well: In a nutshell: Guillermo del Toro. The man behind the original Hellboy film is back. In addition to being rejoined by the original cast, Hellboy creator Mike Mignola collaborated on the script. Also, we're talking 90% from Rottentomatoes.com.
Why It Might Not Do Well: Who's going to go see a movie based on a comic book? Oh, wait...
Number of Theaters: 2,900
Prediction: $42 million

I don't know the last time I felt like a kid at the movies, but while watching Journey to the Center of the Earth 3-D this past week, I honestly reverted to my 8-year-old self. That isn't to say the movie is necessarily as good as the movies that astonished me as a kid -- because of the subject matter, I'd think about comparing it to Indiana Jones and the Temple of Doom and The Goonies, both of which came out when I was around that age, and neither to which this film holds up in terms of originality or storytelling craft. But as far as holding onto my sense of wonder, Journey is up there.

Of course, it's necessary to point out that Journey would be nothing without the digital 3-D factor. It's actually the first live-action narrative feature to be shot and released in the new format (the non-fiction concert films, U2 3D and Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour were technically the first live-action 3-D features), and while it's far from perfect, it is a terrific pioneer. I shall continue favoring the look of animated 3-D films, especially those directed as well as Monster House, and I anticipate that James Cameron's Avatar will blow away all live-action 3-D films released prior to its arrival. For now, though, I'm telling you, with the utmost cinemaphilic urgency: you need to see this ASAP.

USA Today has a piece up today about 16 "hot" movies to watch for in 2008. Here's the list:

The Chronicles of Narnia: Prince Caspian
Indiana Jones and the Kingdom of the Crystal Skull
Sex and the City: The Movie
The Dark Knight
Mamma Mia!
The X-Files
Quantum of Solace (aka the New James Bond Flick)
Star Trek
Iron Man
Speed Racer
The Incredible Hulk
Journey to the Center of the Earth 3D
The Mummy: Tomb of the Dragon Emperor
Madagascar: The Crate Escape
Harry Potter and the Half-Blood Prince
The Day the Earth Stood Still

I honestly didn't even know we were still making movies in 3-D. I mean, I enjoy putting on the glasses and watching old westerns in 3-D as much as the next Film Forum lover, but that's enjoyable because it's a weird novelty, not because I actually think movies are improved by the illusion of things flying out at me. This is an honest question -- do audiences really want to see stuff in 3-D? Beyond the novelty factor, what's appealing about it? Help me out here.

While I'm wasting time asking stupid questions, the ubiquitous Walden Media and their friends at New Line are busy updating and 3-D-ing the crap out of Journey to the Center of the Earth -- only, in an effort to appeal the very busy, non-reading kids of today, they're calling it Journey 3-D. (I'm not actually sure this really counts as a remake -- it's more of an additional adaptation than it is a riff on a specific film.) The screenplay was written by D.V. DeVincentis (he wrote both High Fidelity and Grosse Pointe Blank, which makes this sound like it could be a lot smarter than you'd expect), and Link Brendan Fraser will produce and star as "a geologist who, with his teenage son, discovers a message hidden in an ancient artifact, leading them into a previously unseen world." Did you catch that? A teenage son?! Brendan Fraser, screen dad of the characters he used to play. Holy crap do I feel old.