With five nominations, it looks like Superbad will be the star of the 2008 MTV Movie Awards, and its three jubilant male leads -- Michael Cera, Jonah Hill, and Christopher Mintz-Plasse -- deserve the kudos. But one major talent behind the whole affair has stayed relatively anonymous while these young up-and-comers bathe in the spotlight: Director Greg Mottola. The erstwhile independent filmmaker, responsible for some of the best installments of Arrested Developed and Undeclared, launched his career a solid decade before the rise of Judd Apatow with a charming little low budget comedy called The Daytrippers. Starring Stanley Tucci, Hope Davis, Liev Schreiber,Parker Posey and a host of other fantastic character actors, the film follows a wildly dysfunctional family over the course of a single day, as Davis, playing a worrisome housewife, tries to track down her unfaithful husband (Tucci).
Mixing warm humanity with pitch-perfect screwball timing, Daytrippers marked the sort of debut that told you a filmmaker had a big career ahead of him. After a modest premiere at the Slamdance Film Festival, it landed at Cannes, barely got a theatrical release and promptly vanished thereafter. Mottola turned to TV work, and slipped out of the film scene for a good ten years. These days, it's no easy task to track down Daytrippers on DVD -- you can nab second-hand copies on Amazon for decent rates, but not a single retail outlet carries it. Aside from the occasionally airings on cable, the movie has vanished.
In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When Katherine Heigl suggested to Vanity Fairthat Judd Apatow's movies were sexist, the assertion came across like an after-the-fact shrug of acceptance. Ever the galvanizing provocateur, New York Times critic Manohla Dargis confronts the issue head-on with a thorough analysis of the gender bias in this year's summer blockbusters.
With "Iron Man, Batman, Big Angry Green Man" and other massive expressions of virility invading the box office, female roles appear to be relegated to the back of the multiplex. Dargis touches on the rumors that Warner Bros head Jeff Robinov believes no woman has been able to sell a movie since Julia Roberts (a point that Natalie Portman might contest, but not Paris Hilton) before sizing up numerous upcoming studio releases, with particular attention paid to Anna Faris, "who could be the next Judy Holliday but without the right material will, alas, probably end up the next Brittany Murphy." It's the kind of pronouncement that hits you in gut.
In a little over a week from now, Iron Man crashes into theaters -- signaling the official start of the summer movie season. I know we say this every year, but come September, we could be looking back at one of the greatest summer movie seasons in history -- with popular franchises like Indiana Jones, Star Wars, Batman, Hellboy and The Chronicles of Narnia returning to the big screen. We're eagerly anticipating the arrival of new superheroes like Iron Man and Hancock, there's another adorable Pixar movie, an equally-as-adorable stoner flick from Judd Apatow and the revival of a very funny '60s television show on the big screen. What's not to love?
So in the spirit of sharing our love (or lust, depending on the lighting) for all things movie-related, we at Cinematical present our 10 most anticipated films of summer 2008. Our writers got together, looked things over, and, after sending the information through a magical robot (who talks like a black Robert Downey Jr.!), here's what we came up with. Click on any of the 10 photos below to get started ... and feel free to enjoy all the goodies we have on the other end. (Just leave the bag of Twizzlers for me, please).
Why We Can't Wait to See It: It's a fresh, yet classic stoner story written by Seth Rogen, Judd Apatow, and Evan Goldberg. The trailer looks funnier than hell, there's 227 references, and Huey frickin' Lewis wrote the theme song. Also, Rogen gets to not only fly through the air, but also carry James Franco out of a burning building all action hero-style.
Why It Might Do Well: Between The 40 Year Old Virgin, Knocked Up, and Superbad, Seth Rogen has been comedy gold lately. At the very least, the movie will get the loyal Judd Apatow contingent, along with those curious to see what David Gordon Green can do with comedy.
Why It Might Not Do Well: Aliens land on earth and the world ends. Realistically, it should do quite well, but it won't get as many young girls and action-hungry mens seeing it -- both Sisterhood of the Traveling Pants 2 and Hell Ride open on the same day.
Fun Fact: The chorus of Huey Lewis' theme song for the film: "We got in trouble, we got to get out of here. I've got you, you've got me. We are as high as we can be. That's all right. How did we get into this mess? Pineapple Express!"
Oh man -- I watched Forgetting Sarah Marshall again over the weekend (I first saw it at SXSW back in March) and the laughs held up beautifully; it really is a comic treasure, even if it does suffer a bit from the typical Apatow bloat. So this is great news for me:director Nicholas Stoller is reteaming with Judd Apatow for Get Him to the Greek, a comedy starring Sarah Marshall's Jonah Hill and Russell Brand. Hill will play a young insurance adjuster assigned to get a wild rock star (Brand) from London to LA's Greek Theater for a gig. I don't dispense headline exclamation points willy-nilly, so you know I'm excited.
The idea was apparently hatched at a Sarah Marshall table read, where Hill and Brand exhibited a surprising chemistry. They only had a few scenes together in that film, and since I thought Hill's character was generally a weak spot, I spent most of those scenes being mildly annoyed. But I've seen Superbad, so I know that Hill has the funny, and Brand, whom I had never heard of before Sarah Marshall, has some of the movie's biggest laughs. So: more, please.
Stoller will write Get Him to the Greek in addition to getting back in the director's chair. He has some other projects in the works, including Five Year Engagement, which he will direct and co-write with Jason Segel. He's also working with Segel on his planned Muppet movie. And he co-wrote the screenplay for Jim Carrey's Yes Man, due in December. Busy guy; lucky, too.
So you know how Judd Apatow is slowly but surely becoming the next Jesus Christ Superstar and all? Well, what about you? Yes, you -- the guy who recycles the same three pairs of sweatpants and screams bloody murder when he forgets to DVR Beauty and the Geek. Here's an idea: What if you were able to create your own Judd Apatow movie? Not only would it make lots of money and be hella funny, but I bet you'd be able to score dates with Kristina, Leticia and Amanda once they're finished with the show (oh yes, I watch too). Luckily for us, Cracked came up with a list of easy-to-follow instructions that way you (and we won't tell everyone you know) can make your own Judd Apatow movie. Here's a brief sample of what you'll need (via Cracked):
Difficulty: Can be tricky the first time, but once you've got the hang of it, you can pump them out yearly.
Time: 6 months (4 hours for scripting and casting, a weekend for shooting, and 5 months and 28 days for editing, advertising and "make 'em wait" time).
Things You Will Need: 1. A beloved failed TV show from which to pull your cast 2. A thorough knowledge of basic sexual slang (for help with this, see my other manual, "From Pearl Necklaces to Donkey Punches: the Eight Comedic Sexual Maneuvers") 3. A disdain for continuity 4. An old High School yearbook from which to pull ideas and characters 5. A shitload of film to allow actors time to improvise (ie, "write the script") 6. An understanding of improvisational comedy that entails two guys speaking in unconnected one-liners 7. Paul Rudd's phone number 8. A giant bag of weed (usually Paul Rudd can provide this)
Head over to Cracked to read the rest -- and definitely let us know the name of your Judd Apatow movie when it's done, as well as how to find it. (Oh, and don't thank us -- thank comedy.)
Most conversations about Forgetting Sarah Marshall -- the new Judd Apatow-produced comedy about a devastating breakup -- are going to start with the penis shot. Sure, there have been willies in the movies before -- hell, there have been dongs in Apatow productions before (see Walk Hard). But a johnson this prominently featured, and in a mainstream romantic comedy? It breaks new ground. And not only is it funny, it's the perfect visual representation of what a guy goes through when he gets dumped. The film's star, Jason Segel, is stripped bare literally and figuratively -- exposed, embarrassed, emasculated. It's a comedy moment for the history books. I just wish I could say the rest of the film is as bold, as brave, as ... ballsy as that penis.
Oh, don't get me wrong. Sarah Marshall is a very funny movie. But its faults -- its sagginess, its tendency to let improvisation roll past the point of laughter, its relationships that often don't ring true -- are what separate this Judd Apatow production from a Judd Apatow film.
Ah, this one just cracked me up. It's not terribly hilarious, but there's just something about Christopher Mintz-Plasse (aka McLovin) that gets me in the funny bone. His innocence, perhaps? Here's another (much funnier) one of those Public Service Announcements from Judd Apatow; this time Sarah Marshall herself, Kristen Bell, is featured next to Mintz-Plasse as she pleads for folks to give money to The McLovin Fund. Why? Well, according to her, Mintz-Plasse doesn't realize that he'll never work again. She says, "It's a tragic thing -- so often a young actor will hit it big right out of the gate only to never work again."
Poor McLovin. Good news is the dude is definitely still working. In fact, when I was down visiting the set of Year One in Louisiana, our man Mintz-Plasse was there as well, rehearsing for his very funny part in the film. However, Bell doesn't think he has a shot -- she thinks he'll wind up doing RV shows, crack cocaine and ultimately prison. Sad indeed. Check out the video above. Oh, and no -- unfortunately Mintz-Plasse does not have a cameo in Forgetting Sarah Marshall, so get that out of your head.
Forgetting Sarah Marshall finds Jason Segel vacationing in Hawaii to forget the girl (Kristen Bell) who just dumped him. Alas, she's at the same resort with her new beau! It's the latest comedy from the Apatow camp, and it hits theaters this weekend. Cinematical spoke one-on-one with the film's director, Nicholas Stoller, regarding the movie, his upcoming Muppet project, and how much onscreen penis is too much onscreen penis.
Cinematical: Is it intimidating for you knowing that every movie associated with Apatow these days is such a comedy event? Does that put pressure on you as the director to live up to that standard?
Nicholas Stoller: Not really, I'm still excited I got to make a movie, so I'm not really thinking in terms of if it's going to be a big event. Our movie was cheap so we don't have to make up that much money. It amuses me, and I hope that it amuses more people.
Cinematical: It amused me, so there's one extra person anyway.
NS: We have you and me and we just need 30 million more Americans.
The insanely funny folks over at Funny or Die are at it again. While I'm not sure anything could be better than Jerry O'Connell's spoof of Tom Cruise, this new clip has it's own brand of funny. It's Heroes star Hayden Panettiere talking about sexual harassment. It's not the sort of thing that employs lots of comedic technique, but the young actress plays it seriously -- and it works. So much so, in fact, that it has helped remove some of my Claire aggression.
It leads me to wonder if the key to Hayden goodness is just the right director? This puppy was helmed by Mr. Judd Apatow himself, so it's not terribly surprising that this clip is worth the time. Although, considering the name of the site, Hayden's Claire could fight off any death if it wasn't! Check the clip out for yourself and sound off below.
One of my favorite bloggers, Jim Emerson, gives Hollywood Elsewhere's Jeff Wells a virtual bitchslap for a recent post Wells made on his favorite topic: how he doesn't believe guys who look "normal" (i.e., to him, fat and ugly) really score with beautiful women. In a post last month titled "Eclipse of the Hunk," Wells starts off by talking about the opening of the Judd Apatow-produced Forgetting Sarah Marshall, then goes on to mourn the loss of sexy, buff leading men and the success of Judd Apatow's films, in which dorky guys like Seth Rogen and Jason Segel get the hot chicks. Emerson excerpts my favorite quote from Wells piece:
"Taking their place are guys who look like real guys, which means almost never slender or buffed, and frequently chunky, overweight or obese. And usually with roundish faces with half-hearted beard growth, hair on their backs, man-boobs with tit hairs, blemishes, and always horribly dressed -- open-collared plaid dress shirts, low-thread-count T-shirts with lame-ass slogans or promotions on the chest, long shorts and sandals (or flip-flops), monkey feet, unpedicured toenails."
Montreal's Just for Laughs Comedy Festival turns 25 this year, but the well-established mecca of merriment isn't afraid to try something new. Organizers announced Tuesday that July's edition will include a brand-new industry conference called Just Comedy, and that in conjunction with it they've named Judd Apatow Comedy Person of the Year.
This will presumably be an annual award given out during the conference, which is aimed at industry types and filled with panels, workshops, etc. (unlike the festival as a whole, which is aimed at regular comedy audiences). Apatow is certainly an industry type, having established himself as the go-to writer, producer, and director for successful comedies. Given that the Just for Laughs folks wanted to establish a "Comedy Person of the Year" award, I don't know who else they could have given it to right now.
While I'm not willing to go into too many details about my personal habits, I will say that I do have an affinity for the so-called 'stoner movie' (well, at least the ones that try to portray smokers with just a modicum of reality). So with that in mind, you can guess why I am looking forward to the release of Pineapple Express -- the first poster of which has just hit the interwebs (check out the full size in the gallery below).
Seth Rogen stars as Dale Denton, a perpetually baked process server with a close relationship to his dealer, Saul (as played by James Franco). When Dale accidentally witnesses a murder, he and Saul are forced on the run from bad guys while suffering from the mother of all paranoid freak outs. Rosie Perez also stars as a crooked cop, and Gary Cole (aka Bill Lumbergh) as a drug lord.
Before I get started, I just wanted to say that anyone who was undecided as to whether or not Knocked Up was sexist, probably wasn't really paying too close attention to Leslie Mann's performance. Mann's portrayal of a woman forced into being the bad cop because her husband isn't into the whole 'grown up' thing was one of the best things about that film. Now she's heading for another 'wronged wife' role, and The Hollywood Reporterannounced that Mann has joined the cast of I Love You, Phillip Morris.
Phillip Morris is based on the true life story of Steven Russell (as played by Jim Carrey). Russell was a married family man whose criminal exploits landed him in the Texas prison system. While incarcerated, Russell fell in love with his cell mate, Phillip Morris (Ewan McGregor). After Morris' release, Russell concocted a variety of bizarre escape attempts in hopes of reuniting with the love of his life.
Everyone wants to know about this movie -- and thankfully, Jason Segel is willing to tell all about it. On the heels of the latest plot hints from ComingSoon and CHUD, Segel spoke to Empire and revealed that he's planning to scatter the Muppets across the globe.
"It's a classic story," he told Empire. "It's the Muppets needing to get back together to save the show...It's going to take place all over the world. Basically, the Muppets are no longer together. So that might take a while to film. I guess they've set the precedent in that last movie (Muppets From Space) that Gonzo is, in fact, an alien, so he could well end up in space. That guy's all over the place!"
He also works incredibly fast -- the script, which is being co-written with Nick Stoller, is halfway finished. (Which says we probably will see it before Five Year Engagement.)
With five nominations, it looks like Superbad will be the star of the 2008 MTV Movie Awards, and its three jubilant male leads -- Michael Cera, Jonah Hill, and Christopher Mintz-Plasse -- deserve the kudos. But one major talent behind the whole affair has stayed relatively anonymous while these young up-and-comers bathe in the spotlight: Director Greg Mottola. The erstwhile independent filmmaker, responsible for some of the best installments of Arrested Developed and Undeclared, launched his career a solid decade before the rise of Judd Apatow with a charming little low budget comedy called The Daytrippers. Starring Stanley Tucci, Hope Davis, Liev Schreiber, Parker Posey and a host of other fantastic character actors, the film follows a wildly dysfunctional family over the course of a single day, as Davis, playing a worrisome housewife, tries to track down her unfaithful husband (Tucci).
In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When 
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Oh man -- I watched Forgetting Sarah Marshall again over the weekend (I first saw it at SXSW back in March) and the laughs held up beautifully; it really is a comic treasure, even if it does suffer a bit from the typical Apatow bloat. So 
So you know how 
While I'm not willing to go into too many details about my personal habits, I will say that I do have an affinity for the so-called 'stoner movie' (well, at least the ones that try to portray smokers with just a modicum of reality). So with that in mind, you can guess why I am looking forward to the release of 
Before I get started, I just wanted to say that anyone who was undecided as to whether or not 
Everyone wants to know about this movie -- and thankfully, Jason Segel is willing to tell all about it. On the heels of
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SCOOP: Spider-Man 4 and 5 Might be Shot at the Same Time!
Cinematical Seven: Disney's Awesome Live-Action Kid Adventures
