Ahem. Where were we? Oh yes -- a few nude, er, new photos from the set of Jennifer's Body have arrived online, and it seems the lovely Megan Fox (pictured above) has finally transformed into a girl that doesn't wear any clothes. About damn time! (Last week she transformed into a motorcycle and we were all, like, what the F!) These new images come to us via The Bad and Ugly, who have a few more of Fox in and out of the lake, and let's just say they're a tad more revealing. For those who don't remember, Fox was recently named the sexiest woman in the world by FHM magazine -- and these new photos definitely help the girl live up to that title.

Written by Diablo Cody (Juno), Jennifer's Body stars Megan Fox as a newly-possessed cheerleader who begins killing her male classmates; specifically, those trying to woo her. Amanda Seyfried stars as Jennifer's best friend and the film's hero, while guys like Adam Brody show up as the lead singer of a band (see images of Brody's Nikolai character over at Just Jared).

Man, looking at that image above reminds me of those days when I was applying to be "guy who holds blanket over naked actress on set." Never got the job, of course, because I didn't have 3-5 years experience, but it was still fun to try. Jennifer's Body arrives in theaters next year ... as well as on the desktops of every horny male teenager in the world right ... about ... now.

Hmmm ... well, file this one under "this could be an interesting casting decision." Variety reported yesterday that Ellen Page, who's been one of my favorite young actresses since I saw her in Hard Candy, has signed on to play one of classic literature's greatest (and most adapted) heroines, Jane Eyre, in an adaptation for BBC.

On the one hand, I can see Page physically in the role -- she looks very like the waif-like Jane in the ancient hardcover edition of the book I inherited from my great-grandmother, all narrow-faced and doe-eyed. And she's certainly proven that she has the acting chops to take on a serious role (see her performances in both Hard Candy and An American Crime).

Of late, though, she's become so identified with the snarky, wise-cracking teenagers she played in Juno and Smart People, that it may be a bit hard now to wash the modern, smart-mouthed teen out of our collective viewing palettes. I say this as a fan of both Page and Juno -- and Lord knows, I've taken enough crap here and elsewhere for loving Juno over the last year -- but I'm trying to wrap my mind around Page as one of the most depressing heroines in literature (all right, Wuthering Heights' Cathy is perhaps more depressing, but until the very end of the book, Jane Eyre isn't what I'd call cheery and uplifting).

Juno
She came onto the scene with a bang, charming audiences and quickly becoming a sensation. Of course, after the press she got, and buzz that followed, many have grown sick of the snarky teen and her Diablo Cody dialog that often crosses over the line from quirky to tired, but one thing always remains -- the phenomenon that followed the film centers on the fact that it's a wildly enjoyable comedy.

Ellen Page stars as Juno, a young woman who has discovered that she's gotten pregnant from an interlude with Paulie Bleeker (Michael Cera). After mulling over her options, she decides to have the baby and give it up for adoption -- to the awkwardly yuppie couple Vanessa (Jennifer Garner) and Mark (Jason Bateman). The story is simple, and it's the delivery that gives Juno charm. Within the over-the-top dialog exists real, flawed characters and a lot of heart. This is the sort of film that exists on many levels. For some, it will be utterly perfect as they delight in undone doodles, a melange of cultural references, and a moment in time that wonderfully encapsulates today and yesterday. For most of the rest, it will still be a great and enjoyable comedy because there are so many pieces to the Juno puzzle -- one might not capture you, but another piece is sure to.

There are three DVDs to choose from, and each one ups the ante on the other -- refreshingly, no matter which you pick, you're sure to get a large selection of goodies to watch. On the single disc version, there's a bunch of deleted scenes, a gag reel, gag take, cast & crew jam, and even screen tests. When you add another disc to the mix, there's a digital copy and four featurettes -- about the kids, Diablo Cody, Jason Reitman, and creating the film. Finally, with the Blu-Ray option, you get all of the above features plus two extras from Fox Movie Channel Presents.

Check out Scott's Review, and Kim's | Buy the One-Disc, Two-Disc, Blu-Ray

After seeing Juno, the first thing my friend and I did was speedwalk back to my neighborhood so that I could scour my local open-late music store for the soundtrack. (Even after Diablo made me feel really frakking old by referring to "Superstar" as dated.) It was the first time in eons that I really wanted a soundtrack (I used to be addicted to them), and annoyingly, it wasn't out yet. After a bit, the disc was finally released, and now, quickly on the heels of soundtrack #1, Ace Showbiz reports that we're about get more great Juno tunes in Juno: B-Sides Almost Adopted.

Sure, there might not be a technical B-side, but it still works. In the liner notes, Reitman wrote: "None of these songs made the movie, but they are all essential members of the Junoverse." There's more Kimya Dawson, some Yo La Tengo and Buddy Holly, and even a new Diablo Cody-penned tune. The song is called "Zub Zub," and was performed by Page in a cut scene, one that I imagine will pop up in the DVD. Just as a teaser, it contains the lyrics: "He filled me with baby batter/then we ate some orange tic tacs after." Oh, how I love catchy tunes with strange lyrics.

The collection will be available on iTunes next week, April 8, but so far, there are no plans for a disc.

"Man, I am totally Wes Craven right now."

It was only a matter of time before someone threw together a spoof of the Juno trailer, and I have to say this one is pretty damn well done. Not only did they re-create the Juno trailer -- using all Jewish stereotypes -- but they even re-created the two songs as well. There's all sorts of fun Jewish stuff in here; like instead of a hamburger phone, Jewno talks on a bagel with lox and cream cheese phone. This isn't just some random spoof though; apparently it was created by Rob Kutner (writer for The Daily Show), with help from Simpsons writers and Dennis Miller Live. Not only that, but they also got someone very familiar to play Jewno's dad. Check it out up top, then let us know what you think they're missing -- I, personally, thought the mother could've been a bit funnier in certain ways.

[via JoBlo]

Now that the girls are all lined up to star in Jennifer's Body, it's time to bring in some of those hottie boys to populate the flick. The Hollywood Reporter tells us Adam Brody has hopped onboard the dark comedy/horror (written by everyone's favorite stripper-turned-Oscar winner, Diablo Cody), where he'll play Nikolai, "a hot lead singer of an up-and-coming band with a penchant for evil." Jeepers! Also joining the cast is Juno's dad, J.K. Simmons, who'll play Mr. Wroblewski, a high school science teacher.

Jennifer's Body marks a reunion for Juno's Jason Reitman and Diablo Cody, the former of which will produce, not direct. That job has gone to Karyn Kusama. Already starring in the film is Transformer's Megan Fox; she'll play a cheerleader who becomes possessed by a demon and starts feeding off the boys in her town ... while still finding time to shovel out a good amount of pop culture references, one imagines. Amanda Seyfried will play Jennifer's best friend, and the one who's placed in charge of protecting the community. I'm looking forward to a badass teen horror/comedy with females in the lead. It's about damn time we get a female-centric scary movie that doesn't involve half-nekked females being tortured (though with Megan Fox in the lead, I wouldn't mind one scene ... or several ... but I didn't just say that). Jennifer's Body is due out next year.

Although I read Libertas and other conservative sites regularly, on the premise that it's a good idea to know what the barbarians are up to before they get to your gate, I rarely post about stories I read there. This piece they had up yesterday, though, is so blatantly misinformed and misguided that I felt compelled to address it.

The piece is yet another conservative rant against the liberal Hollywood machine. It starts out by linking to an article over on The Daily Standard, deemed by Libertas an "insightful piece on a disturbing trend." That alone set off my inner alarm bells, but I gamely went off to see what insights the Standard had to offer. In his piece, titled "Hollywood on the Offensive -- Child Abuse Hits the Silver Screen," Kevin Kusinitz starts out by attacking two films from Sundance 2007 -- Hounddog, starring Dakota Fanning as a young rape victim, and An American Crime, a dramatization of the murder of Sylvia Lukens in 1965, starring Ellen Page. Kusinitz then goes on to attack Page for her role in Juno thusly:

It's sad, and it's unfortunate, but it all comes down to money, homeskillets.

When the Canadian Genie Awards airs this Monday, March 3, it might be with the lovely Sandra Oh leading festivities, but it will be doing so without any sort of Juno love. This might seem strange since, well, Ellen Page and Michael Cera are Canadian, as is director Jason Reitman, the comedy was filmed in Canada (British Columbia, to be exact), it had an extended Canadian cast, and a Canadian crew. Topping that Canuck goodness off with all the nominations and wins the film has received, it would seem certain that Juno would be all over the Genies.

Not quite. As Yahoo/Reuters states: Genie rules say that some of the film's production budget must come from Canada for it to be deemed a Canadian film and be worthy of consideration. (Is there a certain, specific amount of "some," I wonder? Could some dudes just donate a $20 and make these sort of problems go away?) I see the rationale, but it sure makes for skewed selections. Ellen Page and her Diablo-led brethren have been snubbed, but Eastern Promises is in the running because approximately 20% of the film's budget came from Canada.

Reitman says: "how are we not eligible for a Genie when David Cronenberg's film about Russians living in London shot in England with a British crew and British cast is eligible? I'm sorry, but somebody is going to have to explain that to me; I don't get it." Well, I get it, but it's a massively flawed rationale -- as Etan Vlessing says: "Leave it to other awards shows to honor filmmaking excellence, whatever its origins. The Genies celebrate government support." Next time, Jason will have to get his film paid for with loonies and toonies.

Honest to blog, folks! Even though director Jason Reitman has said there will not be a sequel to the mega-hit Juno, the script for the sequel was written and -- get this -- you can own it for a crisp $100,001.00. Oh yes, my friends, the sequel to Juno (Juno 2 or Juno She's Pregnant Again?) is now available (in script form) on eBay. Unfortunately, Diablo Cody did not write the script -- someone by the name of screenwriter_in_paradise is the mind behind this masterpiece.

Thanks to Slashfilm, we get the following hilarious quote on the eBay page: "Juno grossed over $130 million domestically. I have written the sequel. If Mr. Mudd, Mandate or Fox Searchlight don't buy than it is available to any legitimate production company that wants to jump on the bandwagon. Your lawyers will tell you the names will have to be changed, so we will call this 111 page script Juno-like or Junoesque. A 4-page sample is available via e-mail." And how is Fox Searchlight not all over this friggin' winner right now? Searchlight? Are you out there? Were you aware that a sequel to Juno is already written ... and available on eBay? Why is this not in development yet? I'd definitely be interested in reading that 4-page sample, if only to see how it stacks up against the Juno sequel I wrote last week. Don't worry, now that I know the starting price, I'll offer mine up for only $99,002.00. Beat THAT screenwriter_in_paradise!

Well, that didn't take long. Only two days after the gal took home a best original screenplay Oscar, nude photos of stripper-turned-screenwriter Diablo Cody have surfaced online, courtesy of Egotastic. Most of the photos look a tad old, and they definitely shouldn't take anything away from her win (I'm sure the gal is used to being seen without any clothes on), but it does mean we're not exactly ready to stop talking about this rather amusing success story. The images show Cody in some pretty revealing outfits, and in one photo she's actually rocking the whip cream bikini top. Groovy. Then there's a few others of the girl swinging from a stripper pole in what appears to be her own house. Why don't I have one of those yet in my living room? Oh yeah, I'm not hot.

Personally, I couldn't help but snicker when this girl walked up onto the Oscar stage in a leopard-print dress and a "Jonny's Girl" tattoo. I suddenly felt like it was New Year's Eve at a dive bar in Jersey. What's interesting about that particular tattoo is that, according to reports (including Wiki), Cody divorced her husband (aka Jonny) in late 2007. So fellas -- anyone interested in a former stripper-turned-Oscar winner with a tattoo dedicated to her former husband on her arm? Don't all raise your hands at the same time. Nevertheless, we here at Cinematical dig Cody (her body, her tat and her script for Juno) and we wish her nothing but luck going forward.

Before the rain pooed on my parade and the poo rained on my parade at the Independent Spirit Awards Saturday, I had a pretty great time. The highlight for me was being "on set" for a series of interviews between Martin Short's Jiminy Glick and various celebs. I was just tipped off by the good folks at Netflix that those conversations have hit youtube, and if you're a fan of the character, you may want to check them out. Here's Jiminy with Matt Dillon, with a never foxier Illeana Douglas, with the always youthful Dennis Hopper (an interview that opens with a depantsing), with Ed Begley, Jr, with Juno director Jason Reitman and his father Ivan, with Aaron Eckhart, with John Waters, and with Allison Janney. They could all stand to be edited down a bit, but there's a lot of good stuff in there. If I had to direct you to the funniest couple of discussions, I'd recommend the Illeana Douglas and the Ed Begley, Jr, which contains graphic mouth-to-mouth.

I intended to run a live blog from the show, but the internet connection went out -- one of the dangers of doing a live show from a tent in the rain! I did get to see some cool people up close and personal. Philip Seymour Hoffman (a winner for Best Male Lead) charmed the little press room in a fun Q & A with Savages writer/director Tamara Jenkins (a winner for Best Screenplay) and it was a thrill to meet Scott Frank, a screenwriter I truly admire. He won Best First Feature for The Lookout, one of my favorite 2007 films. I always question what they deem "independent," but I do appreciate that the Indie Spirits have special honors -- like the John Cassavetes Award -- to honor the truly independent and low-budget films each year. Did anyone watch the broadcast? I know it's not the biggest awards show of the year (or even the weekend), but the show was really entertaining. Have favorite moments or disagreements with the winners?

I have such a huge Oscars hangover this morning. Did anyone theme it for the night? I cooked some mean-ass burgers in honor of Juno, then attempted to make a few milkshakes (in honor of There Will be Blood) before realizing I had no ice cream. Anyone get nutty and make Ratatouille? Anyway, when it comes to the day after the Oscars, talk usually surrounds the big surprises. What were the shockers? Personally, I totally thought Transformers would walk away with at least one Oscar for special effects or sound, and Marion Cotillard winning best actress came somewhat as a surprise. I mean, a French actress winning best actress for a foreign language film that practically NO ONE saw?

And Tilda Swinton? Really? Do cracked-out single mothers not mean anything to the Academy voters? Amy Ryan definitely should've won in that category. Other surprises -- who the hell let Gary Busey onto the red carpet? Did you see him lick Jennifer Garner's neck? Poor girl. Unfortunately, her husband was f**king Jimmy Kimmel at the time and couldn't be there to rescue her. But anyway, last night's biggest upset? In your opinion, who was it? (And is it okay to say that my new crush is Marion Cotillard. Holy crap did she look fantastic!)

Analyzing the weekend box office returns, Leonard Klady of Movie City News saw "no great Oscar box office surge," though No Country for Old Men enjoyed an upward swing; based on his estimates, Best Foreign-Language Film Oscar winner The Counterfeiters (Sony Pictures Classics) topped the indie charts. Hailing from Austria, The Counterfeiters tells "one of the most interesting stories to come out of World War II," wrote Christopher Campbell, though he felt it was "not quite a great film." The Counterfeiters averaged $12,330 per-screen at the seven locations where it played.

French master Jacques Rivette's latest, The Duchess of Langeais (IFC Films) struck Ryan Stewart as similar to La Vie en Rose "in that it works just well enough to support a dynamic performance but contains too many structural oddities, fights too many directorial idiosyncracies and stifles its own momentum too much to succeed on the whole." Rivette's fans came out at both theaters where it opened, averaging $11,250 per screen, according to Box Office Mojo.

Well, the Oscars are a wrap. You can see all the winners right over here.
Cinematical staff did pretty well with our predictions, and so did our readers. You guys picked the winners for Best Picture, Best Director, Best Supporting Actor, Best Actor, Best Original Screenplay, and Best Adapated Screenplay -- the same categories we got right. We missed Best Doc and both actress categories. Not bad overall.

What do you think about this year's Oscars? Did you think Jon Stewart did a good job with the hosting? Aside from the part where he kind of disappeared for the last hour, but I guess they usually do that towards the end when everyone wants to wrap it up already and get to the parties. What were the big surprises of the night? Any huge disappointments? (Go ahead, anti Diablo Cody contingent. You can say it.)

Oh, and who looked awesome, and who didn't? I thought Marion Cotillard, Helen Mirren, Jennifer Garner and Anne Hathaway had the best looks of the night among the ladies. On the guy's side, Johnny Depp and George Clooney both looked hot, and so did Denzel Washington. And Glen Hansard ... yeah, he was adorable too. I'm just saying.

Time for your thoughts on Hollywood's big night -- discuss away!

If you still haven't seen all the Oscar-nominated films, you're not alone. I still haven't seen a number of them, and I have less excuse than most people. After all, I live in a city in which pretty much every nominee has played. Some major contenders I haven't gotten around to -- with little reason for not -- include Atonement, Sweeney Todd: The Demon Barber of Fleet Street and Into the Wild, all of which are still in theaters and are probably best to see on the big screen.

Apparently, at least according to Variety, a lot of people are seeing the Oscar nominees on the big screen compared to in previous (recent) years, as cumulatively the five Best Picture contenders have seen a significant bump at the box office since the nominations were announced. I would be extremely excited if I didn't believe the truth is that Juno's tremendous success has elevated the Best Picture box office average. The comedy is showing on far more screens, is much more accessible to a wide audience and has so far earned twice as much money domestically as the next highest-grossing Best Picture nominee. Variety also this week had published a story about how Juno is the one movie that may save the Oscar telecast's ratings, since it's the one movie people have actually been able to or bothered to see. One thing I will note, though, is that Best Picture nominee Michael Clayton came out on DVD this past Tuesday and yet there was still a significant number of people seeing it in theaters through the week. Additionally, I would be interested to know how many people took advantage of yesterday's AMC Theatres-hosted Best Picture marathon.