KathleenRobertson Tagged Articles at Cinematical

Friday Night Double Feature had been lingering in my brain for a while before its December release, stemming from memories of insatiable video rentals, and double or triple-movie theater-going when it was too hard to pick between the films screening. However, it has come to our attention that our friends over at Cinema Blend have their own Friday Night Double Feature. (Nuts!) To differentiate the two, this column is now Cinematical's Friday Night Double Feature, and I definitely urge you to check out their own double-feature picks for more viewing options.

Now, onto the 3-ways. Two of my favorite movies of the '90s, a decade that I spent indulging in hordes of cult movies and youth cinema, happen to both dip into alternative sexual relationships -- Gregg Araki's Splendor and Andrew Fleming's Threesome. What is so great about these films is that they are not stunning, pitch-perfect examples of cinema, but rather, awkward, flawed, and endearing glimpses into expanding sexuality. The characters fail to find one person who can fulfill all of their idiosyncratic desires, and come to realize that if they cannot merge two people, perhaps one person is not enough.

Splendor



When Splendor came out in 1999, it was a bright, fun, and candy-coated surprise from Gregg Araki, the filmmaker who always knew how to deliver humor and romance, but always in a dark and disturbing package. With this story, Araki showed that he was more than f-bombs and Rose McGowan, and used his modern sensibility to revisit retro, pulpy romance. The story is simple -- Veronica has been suffering from a romantic dry spell when she meets two guys in the same night -- the light, carefree and sweet Zed, and the dark, pensive, and serious Abel. Thinking she'll date both and then choose, she quickly discovers that she wants them both, because each man has his own special appeal. Neither romantic choice wants to back down, so they decide to try an open-to-two relationship, which has its sexy perks, and its dramatic troubles.

It's dysfunctional, unlikely, and all sorts of fun. Casting Kathleen Robertson, Johnathan Schaech, and Matt Keeslar was step one. Adding an incredibly-vibrant and colorful world was step two. The final, finishing touch -- a great soundtrack that featured the likes of Everything But the Girl, My Bloody Valentine, and New Order. It's the sort of flick you can laugh with, swoon with, sing with, and just be goofy with.

Watch Kelly McDonald rant on the phone, dubbed-style.

A bottle of alcohol, a love triangle, and a game of Dare can only turn out one way.

Before Splendor, there was Rose, Traci, and Shannen as Valley Girls in Nowhere.

Casting bites for the day:

• We've got one more person to add to the cast of Topher Grace's Kids in America, the flick about the guy who has that one last chance to get with the girl of his dreams during a party in the 80's. Ice Princess Michelle Trachtenberg began filming in Phoenix last week. Her part: a Cure and New Order-loving goth girl who clashes against "the Flock of Seagulls mentality surrounding her." It might seem like a big jump for the actress, but she was half-way there with Gregg Araki's Mysterious Skin, so I bet she'll do just fine. Since MTV News says that the film is hoping to be the Dazed and Confused of the 80's, let's hope it does better than That '80s Show.
• There's yet another movie on the pike for Stomp the Yard actor Chris Brown, who has both After School and This Christmas coming later this year. This one is a basketball drama called Phenom. The 17-year-old is the only person cast so far, and there is no director, but he seems to be pretty active in the process: "I'm trying to get Antoine Fuqua, but there are so many different people we're trying to pitch it to as far as the actors and director is concerned." First step: Grammy nom, second step: stomping, third step: the world!
• Lastly, we've got the rest of the main cast set for Sci Fi Channel's upcoming Wizard of Oz re-imagining, Tin Man. Deschanel, Cumming and Dreyfus are being joined by Neal McDonough (The Hitcher) as the Tin Man former cop, Raoul Trujillo (Apocalypto) as Raw, the Wolverine-like creature and Kathleen Robertson (Splendor) as Azkadellia -- the wicked witch. It's not a bad cast to take on the weird project. My interest is up just to see Robertson as the "scintillatingly wicked sorceress." Do you think she'll don the famous tights?

Fresh off a pretty respectable performance in Hollywoodland, Kathleen Robertson has signed to star in the indie-thriller Player 5150. Robertson has climbed her way up from being a bad girl on Beverley Hills, 90210, through some regrettable film choices, but has managed to make successively better films each time out. Robertson also produces and stars in The Business for IFC, so there's no denying that she has come a long way from when I first saw her tempting Brandon Walsh, college man -- yeah, I watched way too much 90210 back then.

Variety announced that Robertson had signed on to the David Michael O'Neill film currently shooting in Los Angeles. The film follows a day trader and his fiancée who get caught up in high stakes gambling. The film also star's Ethan Embry -- who you might recognize from Harold & Kumar Go to White Castle, or maybe from reports of the actor being robbed at gunpoint and even waving around a gun of his own. Who knows? The news of the actor firing a gun at muggers might even give the movie a little boost of press. There is no word of release date but one of the many blessings of independent productions is that they tend to run a pretty tight ship, so we probably won't have to wait long to find out.

[via Empire Online]