KeriRussell Tagged Articles at Cinematical

Rejoice! It's time for another one of those rare moments where we get to talk about Brendan Fraser acting in a drama -- one that should get him a little more recognition than the smaller dramatic bits and thrillers he's taken on recently. See, he's co-starring with Harrison Ford in a pic called Extraordinary Measures, and the still above is the first from the film (via Cinema Blend).

Based on a true story (optioned by Ford), the film follows a couple whose two youngest children were diagnosed with a neuromuscular disorder called Pompe disease. Rather than take things as they were, John Crowley quit his job and created a startup research company to help make advances that could help his children. (The C.B. link has a whole featurette sort of deal on the family.) Fraser plays Mr. Crowley, Keri Russell has the role of his wife, and Ford plays a researcher who might have a cure.

It's no Gods and Monsters, but I'm happy to see Fraser getting dramatic again, and Ford in something a little more serious as well. Here's hoping the Extraordinary Measures leads to some extraordinary filmmaking. Then again, this is coming from the man who just gave us What Stays in Vegas. Sigh. One day, my prince will return!

The murder of Adrienne Shelly was obviously not just a devastating loss to her friends and family, but to the people who followed her work eagerly from her early days as a star in Hal Hartley movies like The Unbelievable Truth and Trust. (By the by, Trust is only available on VHS, and I'm sure I wouldn't be the only one rushing to buy it on DVD.) She was also just getting back into writing and directing after taking a break for a few years; Waitress, which she wrote, directed, and also acted in, had just been accepted to Sundance when she was murdered. (Read Jeffrey M. Anderson's take on the movie and her murder.)

Through the efforts of her husband Andy Ostroy and friends and costars like Cheryl Hines and Keri Russell, Waitress was shephered through the festivals, inevitable press days, and release. Ostroy also began the Adrienne Shelly Foundation, which was created to "support the artistic achievements of female actors, writers and directors who are either working on current short and feature film projects, new productions, or are seeking to transition from acting to writing and directing."

It sounds like a can't-miss concept: a Disney movie about a guy who tells wonderful, fantastic bedtime stories that actually come true in real life. And when the guy is Adam Sandler, how can this possibly be a bad movie? Aren't you buying tickets online for your entire family right now, even as you read about this possible cinematic land of delights? Except that watching Bedtime Stories is about as delightful as peeking into your Christmas stocking and finding it empty except for a few lint-covered peppermints.

The movie opens with a little tale narrated by the most stereotypically folksy voice you can imagine, a distillation of Wilford Brimley and Roy Rogers ... and it's Jonathan Pryce, setting up the story of Sandler's character Skeeter. Seeing Pryce at this time of year made me think of Brazil, thus triggering nostalgia for a movie that is the diametric opposite of this one. Pryce's character, Marty, has to sell the hotel to a Brit who gets to keep his accent, Barry Nottingham (Richard Griffiths), who promises that someday Marty's little boy Skeeter can earn the chance to run the hotel himself. (Marty's daughter is SOL, one presumes.) Barry agrees, then replaces most of the homey motel with a snazzy high-rise hotel.

Have you seen the recently-released trailer for the animated Wonder Woman? If not, you can check it out above.

Firstly, I must admit that they certainly did a great job portraying Wonder Woman's toughness, although it's a bit tainted by the lone piece of dialogue in the trailer: "It's not polite to hit a lady." There's nothing to weaken the muscles of toughness like references to ladies and impoliteness. If they changed "lady" to "goddess," then I'd be good -- it would be a nice play on words.

Anyway, what really surprises me is that there's no dialogue, save for the above quote. Sure, it's important to show the action, but considering the voice talent connected to this project, I see no better way to get people interested. Keri Russell is Wonder Woman, Virginia Madsen is Hypolyta, Nathan Fillion is Steve Trevor, Alfred Molina is Ares, Oliver Platt is Hades, Rosario Dawson is Artemis, and David McCallum is Zeus.

Now that's the sales kicker for me. The feature will hit shelves in February of 2009.

Most Adam Sandler fans are probably more than a little relieved that he has left some of the 'earnest' comedy behind and is now headed back to a sillier state of mind with You Don't Mess with the Zohan. But don't get too comfortable; it looks like there's more family-friendly fare on the horizon. ComingSoon.net recently got the chance to speak with Adam Shankman on the set of his latest flick, Seventeen (starring the 'dreamy' Zac Efron) to talk about his upcoming directing gig with Sandler in Bedtime Stories.

Shankman told Coming Soon that the release date of December 25th is foremost in his mind and that production is going to have to work, "Unbelievably fast, because I'm going till mid-June; it's a long schedule. Then, I have to be out in theaters December 25th. And there's a ton of CG, so I'm excited." Sure, he sounds excited, but why am I suddenly worried that this film is going to be the Jumanji of 2008?

The family comedy was written by Matt Lopez, a relative newcomer who only has a few credits to his name -- one of which is the upcoming remake of Witch Mountain. Stories stars Sandler as a guy whose life is forever changed when the stories that he tells his nephew at bedtime start to become real. Keri Russell (Waitress) also stars, although there is no description of her part. The smart money is that Russell will get the thankless role of 'love interest'. Shooting is set to begin in the next three weeks and keep your fingers crossed that Shankman can keep on schedule.

It's about to get a smidge gossipy in here, but once I read these stories back-to-back, I had to write up these bits for you...

First up: Early Obituaries
There's death pools for the masses, and early obits written up by the press just in case the sometimes-inevitable happens. Why waste time writing it up and losing the scoop if you can just hear the news, grab the story, and click "publish"? Well, that's what the Associate Press thinks about Britney Spears, according to Ace Showbiz. The AP have confirmed that they are preparing a blurb for that possibility, and editor Jesse Washington says: "We are not wishing it, but if Britney passed away, it's easily one of the biggest stories in a long time. I think one would agree that Britney seems at risk right now. Of course, we would never wish any type of misfortune on anybody, and hope that we would never have to use it until 50 years from now ...but if something were to happen, we would have to be prepared." Topping this off, Ace says she has chronic mood disorder and is predicted to die in six months if she doesn't get treatment. Poor Spears. Her problems seem never-ending.

Meanwhile... Morgues!
While some people are waiting for Britney to hit the slab, Yahoo reports that Lindsay Lohan will have to visit one. Still in her first legal drinking year (21), Lohan will have to work at a morgue as part of her misdemeanor drunk driving punishment. She's gone to rehab, done some community service, and now she has to do two 4-hour days at the morgue -- "part of a court-ordered program to show drivers the real-life consequences of drinking and driving." Topping that off, she'll also have to spend two days in a hospital ER. I'm sure that will be all sorts of scary for Lohan, but considering how many damned stars and celebs drink and drive, I think all of them should be put in this program.

But all hope is not lost, Wonder Woman is coming!
Justice League is kaput, and that whole live-action project for the lady with the lasso isn't going anywhere, but that doesn't mean we can't get more Wonder Woman. TV Guide reported recently that their sources say that there's a straight-to-DVD animated Wonder Woman feature on the way, and Keri Russell will be voicing the epic, Amazonian heroine. That leads me to wonder (pun!), should she pull off the voice well (and these rumors are true), could Russell also make it work in a live-action setting? Stay tuned!

Variety is reporting that Keri Russell will follow in the footsteps of such beautiful actresses as Drew Barrymore, Winona Ryder, and Jessica Biel. In Disney's Bedtime Stories, Russell will romance Adam Sandler. She'll play "a potential love interest for Sandler's character, a harried real estate developer whose life is suddenly turned upside down when the lavish bedtime stories he tells his niece and nephew become real." Adam Shankman, a director who totally underwhelmed me until Hairspray, will direct. Matt Lopez (the upcoming Witch Mountain) wrote the script.

It might not be the most challenging role Russell could tackle -- women in Sandler comedies historically don't have much to do other than laugh at the star. But I'll be thrilled if appearing in the film bumps Russell into the stardom that has bafflingly eluded her all these years. I was a big Felicity fan, I've enjoyed her in pretty much everything else, and she was just wonderful in this year's Waitress, now on DVD. Her lovely performance in Adrienne Shelly's romantic comedy just might snag her an Academy Award nomination. And here's hoping this gets Sandler comedy back on track. I'm not expecting another Happy Gilmore, but I can't sit through another Click. Get ready for your Bedtime Stories next year at Christmas.

Time flies, and we've almost approached the first anniversary of Adrienne Shelly's murder. Since then, Waitress has hit both the festival circuit and local big screens, charming audiences as a bittersweet cherry to her career; however, Waitress wasn't the only material she was working on. Variety reports that another Shelly screenplay is heading towards production. Cheryl Hines, who co-starred with Keri Russell in Waitress, is going to make her feature directorial debut with a project called Serious Moonlight -- which Shelly's husband, Andy Ostroy, will co-produce along with Michael Roiff.

Moonlight is a dark comedy about a "high-powered female attorney who learns that her husband is about to leave her for another woman, then prevents him from doing so by binding him to the toilet with duct tape." I guess she didn't see 9 to 5, which has a much more creative means of binding the pesky man. Anyway, things get more tricky when the home is invaded by robbers.

Ostroy says: "I felt compelled to continue her work for her after her death. I think she was just hitting her stride with Waitress. I tried to put together a team that was part of the Waitress family to re-create the vibe and the success of that film and honor Adrienne and get her work out there with a group of people who really cared about her and (understood) her spirit and vision." The comedy will head into production this December in LA, and considering Ostroy's plan, there's probably a decent chance Russell will also get involved, since there has been no mention of new projects. We should know soon -- Roiff, Ostroy, and HInes are currently casting the film.

For those of us who'll never get enough Andy Griffith, it was a real treat seeing him in this year's Waitress. In the film, he's a crotchety but lovable old diner-owner and guide to Keri Russell's "with child" pie-making protagonist. The best part about his role was how subtly crass he could get at times. If you haven't seen it (do it!), just picture Ben Matlock saying the following line: "I saw that look on a woman's face before. Her name was Anette. I made sweet sweet love to her all through the summer of 1948, and she had that look on her face all through the fall." Well, now we don't have to settle for stories from youth, because in Griffith's next movie he plays a guy on the prowl. The indie pic is titled Play the Game, and it casts the 81-year-old opposite Battlestar Galactica's Paul Campbell, who will play his grandson.

According to Variety, the plot centers on the inter-generational duo as they go out and pick up girls, the younger teaching the widowed elder how it's done. But of course the kid's game plan fails to work for grandpa, according to a synopsis from a 2003 script reading of Play the Game, and even causes problems for the old man when it ruins his chances with the woman of his dreams. The cast includes Everybody Loves Raymond Emmy-winner Doris Roberts, who I assume plays Griffith's love interest, and The Practice's Marla Sokoloff, who probably plays Campbell's -- though wouldn't that be an interesting twist if it was the other way around? Will we at least see him attempt to woo a girl who could be his great-granddaughter? Or hear some more naughty talk from ol' Andy Taylor? We'll just have to wait and see. The indie rom-com was written and is being directed by Marc Feinberg, and shooting began in Los Angeles this week.

Expect Sigourney Weaver to receive an Oscar nod for her work in The Girl in the Park, which got a warm reception at this year's Toronto fest. Weaver plays Julia Sandburg, a 40-something business executive and mother of two, including a toddler named Maggie. Julia's life, which we can sense has been planned down to the smallest detail, is unexpectedly shipwrecked when, during routine playtime in a park one day, Maggie goes missing under her nose. The child is not found, and her disappearance is tied to a string of similar abductions in the area, leaving practically no hope. Cut to fifteen years later -- Julia now looks to be in her late 50s and has spent the last fifteen years living a solitary, robotic existence, the disappearance having disintegrated her marriage, poisoned her relationship with her remaining child, and taken a toll on her mental health. Existing more or less as a shut-in these past years, her own relatives, including her son and new daughter-in-law, can hardly believe it when she turns up at a family function.

The son and daughter-in-law, played by Alessandro Nivola and Keri Russell, are budding suburbanites who are planning for a new child and have no intention of living their lives in the past, but the past is the only place Julia feels safe, and there seems to be little prospect of her returning to any kind of social normalcy. This is the lay of the land when Louise comes into the picture. A sleazy drifter and scam-artist in her young twenties, played effectively by Superman's dame Kate Bosworth, Louise meets Julia in the city by chance and picks up on her vulnerability, perhaps sensing she's some old, lonely lesbian who can be taken for a ride and cleaned out or more simply, someone who will feel sorry for her. During their first meeting, Louise gives Julia a phoney tale of woe, and in the space of a few minutes, Julia has her checkbook out and is shelling out for travel fare and medical expenses for an unborn child (which doesn't exist.) Louise then wisely disappears, but their interaction isn't over yet.