Well, we knew it wouldn't be too long before writer/director's Jason Friedberg and Aaron Seltzer tortured us with yet another one of their awful "spoof" movies. And I put the word 'spoof' in quotations because I don't believe they're making spoof films; they're making sh*tty films. It's a whole new genre. Moviehole tells us the two dudes behind such instant microwave classics as Meet the Spartans and Epic Movie will next give us Goodie Two Shoes. Apparently, the "film" will follow "a group of friends who go on a life-changing adventure."

MH tells us the main movie being "spoofed" here is Superbad, which means the "group of friends" in the description will probably resemble Jonah Hill, McLovin,' etc ... I wouldn't even be surprised if they threw in a few cracks at some other Apatow films like Knocked Up and Forgetting Sarah Marshall. What was that? The latter film hasn't even come out yet? Oh, I know -- but that won't stop these boys from spoofing it. In fact, MH says they'll also be going after Will Smith's Hancock, Sex and the City and The Love Guru. WTF? So now we're writing jokes about films that haven't even hit theaters, and won't for a couple months? I can't. I won't. Where's the gun?

The best movie year since 1999, 2007 offered a staggering bounty of cinematic delights. I keep track of all the movies I see in a given year and give each a letter grade, "A" through "F". Usually my Top Ten list consists of all of the "A's" and a few "B's." This year, "A" pictures made up my top twenty. With so many great films, I won't wallow through a "Worst of the Year" list, I'll simply present you with a few that didn't fully satisfy:

The Biggest Disappointment: The Darjeeling Limited -- A Louis Vuitton commercial stretched to feature length. The Darjeeling Limited is a perfect title for the film because it makes plain what a limited filmmaker the once great Wes Anderson has become. Hey Wes, people running in slow-motion while a Kinks song plays is always going to look pretty neat. But if there's absolutely nothing else going on in the scene, then that's all it is -- people running in slow-motion while a Kinks song plays. We all think it's really cool that you like The Kinks. Hell, I love those guys! The Rolling Stones are awesome, too! But I wouldn't ask them to do my job for me.

and...

The Biggest Question Mark: There Will Be Blood

Undoubtedly one of the year's most impressive technical achievements, There Will Be Blood is frequently stunning. It's so stunning, in fact, that it's easy to overlook how infuriatingly empty it all is. The film focuses on two main characters, and neither one changes a lick in thirty years and 158 minutes. How did Paul Thomas Anderson, creator of such deeply emotional rides as Boogie Nights, Magnolia, and Punch Drunk Love come up with a movie completely devoid of human emotion? (I'm not counting greed.) Beautiful, brilliant, and boring in equal doses, I've seen Blood twice, and I still don't know if it's a masterpiece or a mess. I just know I felt...nothing watching it. It's as hollow, as frustrating, as difficult to know as its "hero," Daniel Plainview.

On to my list. First, ten that didn't quite make the cut. Here's #20 through #11: (#20) Breach, (#19) Once, (#18) The Diving Bell and the Butterfly, (#17) Sicko, (#16) Sweeney Todd, (#15) The Lives of Others, (#14) Eastern Promises, (#13) Zodiac, (#12) Atonement, (#11) Before the Devil Knows You're Dead

And my Top Ten is after the jump...

The American Film Institute has announced its picks for the ten best films of 2007, and once again it favors Judd Apatow over Joe Wright. Back in 2005, the organization named The 40-Year-Old Virgin as one of the best films of that year, while ignoring Wright's Pride & Prejudice. This time, the AFI has included Knocked Up and left out Atonement, despite the latter's huge presence in the Golden Globe nominations and very probable huge presence in the Oscar race. So, what's going on? Does the AFI really have something against Wright and his very Anglocentric filmmaking? Well, kind of, but only because the organization concentrates on American films (it is, after all, the American Film Institute). To be eligible for the year-end honors, a movie has to have "significant creative and/or production elements from the United States." The movie can even be in a foreign language (non-English, that is) if it is "incontrovertibly American."

Tom O'Neil at the Gold Derby blog still sees some controversy, though. He points out that The Diving Bell and the Butterfly, which the AFI included this year, was primarily an American production (from Kennedy/Marshall Co. and American director Julian Schnabel) yet had seven foreign partners, while Atonment (directed by a Brit) was also produced by an American company (Relativity Media) and had two foreign partners. I'd add that The Diving Bell is no more "incontrovertibly American" in its subject matter than Atonement -- or even Ratatouille for that matter. While I'm not arguing that Atonement deserved to make the list, I'd assume American Gangster would deserve it more than The Diving Bell, regardless of how much better the latter film may be. At least comedy fans should be happy with the inclusion of Knocked Up, which has so far been left out of most awards season honors.

The complete list is as follows: Knocked Up; Juno; Before the Devil Knows You're Dead; No Country for Old Men; There Will Be Blood; Into the Wild; Ratatouille; The Savages; Michael Clayton; The Diving Bell and the Butterfly.

There are some actors who need to stick to playing supporting roles. Paul Rudd is not one of them -- he is good-looking and perfectly capable of being a lead -- but that doesn't mean I can't prefer him as the leading man's buddy, or as the romantic opposition, or as a member of an hilarious ensemble. But as goofy as the guy is, we have to remember that he was once just that love interest/step-brother for Alicia Silverstone in Clueless. Fortunately, as Rudd appears to grow in Hollywood status, starring in his own vehicles, he seems to be choosing movies that relate more to his work with Judd Apatow, Adam McKay and the Stella guys than to run of the mill romantic comedies.

His latest to be announced is called I Love You, Man, which makes one think of the joke in Wayne's World about platonic love between two grown men (" I LOVE you, man"). And, what do you know? I Love You, Man is in fact about platonic love between two grown men. According to Variety, the movie is about a guy (Rudd), who is about to get married, but who doesn't have a male friend who can serve as his best man. So, he seeks one out and eventually finds gangly Jason Segal of TV's How I Met Your Mother (and Knocked Up, which co-starred Rudd).

Earlier this year, in Knocked Up, Katherine Heigl played a television personality for E! But her character started out in a behind-the-camera role, despite the fact that she's a knock-out beauty. Now, according to Variety, the actress has been cast in a similar part. She'll play an off-screen producer of a morning show, who also happens to be "romantically challenged," in the romantic comedy The Ugly Truth, in which she must deal with a "chauvinistic" correspondent attempting to teach her how to find love. Here's where the plot description makes little sense: "His clever ploys, however, lead to an unexpected result." Unexpected? I think we all can easily predict and expect the result as being that Heigl's character falls for the correspondent. Anyone who has ever seen a screwball romantic comedy can see that one coming a mile away. When is Hollywood going to just own up to the fact that they use genre conventions and that we in the audience enjoy genre conventions (and have enjoyed them for a century now) and leave out the "unexpected" crap? Who do they think they're kidding?

The sad thing is that this not only sounds like another genre picture; it actually sounds more like the plot of Anchorman: The Legend of Ron Burgandy. But fans of that movie may not be interested in The Ugly Truth, which is being made by the collaborative team behind Legally Blonde. The script was written by Karen McCullah Lutz and Kristen Smith, who last gave us She's the Man (which I'm still not ashamed to admit I enjoyed), and it will be directed by Robert Luketic, whose last movie was Monster-in-Law (which I'm still not ashamed to admit I would never ever watch). Filming is set to begin mid-April. All we need now is a hot, irresistible, but believably chauvinistic actor to play the obvious love interest.

Friday night I got the opportunity to attend a talk with three of my writing heroes: "The Jack Oakie Celebration of Comedy in Film featuring Judd Apatow, James L. Brooks and Larry Gelbart." James L. Brooks is one of the major reasons I started writing. I saw Terms of Endearment when I was a little kid and sobbed like...that little kid in Terms of Endearment. I have seen Broadcast News fifty times, and consider it perhaps the finest romantic comedy ever written. As Good As It Gets is a modern classic, I loved I'll Do Anything, and even have a soft spot in my heart for Spanglish. Oh, plus The Mary Tyler Moore Show, Taxi, and the guy has been with The Simpsons from day one! No further questions, your honor.

Brooks' incredible skill of seamlessly blending laughter and heartbreak clearly made a huge influence on Judd Apatow (although from reading all the articles about him, you'd think Apatow invented the practice). Like Brooks, Apatow did a lot of television work (the classics Larry Sanders Show, Freaks and Geeks, and Undeclared), and lately he's written and directed two of the best film comedies of the decade -- The 40 Year-Old Virgin and Knocked Up.

Larry Gelbart wrote Tootsie (with Murray Schisgal) -- one of the greatest screenplays ever penned, comedy or otherwise. That script earned him an Oscar nomination, as did Oh God! He earned Emmy nominations for writing, producing, and directing episodes of the classic sitcom M*A*S*H, and his writing career spans more than 50 years.

These three dudes on one stage, plus little cameos from the likes of Garry Shandling, Leslie Mann, and Jonah Hill. It was quite a night. Apatow kicked off the evening by sharing that he had been in that very theater as a boy, to see Steven Spielberg's notorious flop 1941. "I thought this was about comedy," quipped Gelbart.

It isn't uncommon for a guy to get a girl who's out of his league. It certainly happens in the movies and on television all the time. But it does happen sometimes in real life, and often the guy ends up feeling like he's never good enough. And then he sabotages the relationship somehow because of his insecurity. And then the idiot is back to dating women who aren't the woman of his dreams, always regretting screwing up that perfect thing he could have had. We've all seen it happen, right? Well, if you haven't, you can also see the scenario happen in the movies. Just recently I saw Run Fatboy Run, in which Simon Pegg plays a guy who leaves Thandie Newton (totally out of his league, right?) at the altar -- pregnant. And certainly this year's hit comedy Knocked Up was about a situation of a mis-matched couple. Oh, and the upcoming Margot at the Wedding has the same thing going on between Jack Black and Jennifer Jason Leigh. See, it happens all the time.

Now, according to Variety, there's another such movie coming (which we previously heard about and then saw on the pre-strike priority list). Titled literally She's Out of My League, this one is about a guy who finds himself dating an "extraordinarily beautiful woman" (why does it have to be about looks? certainly she could be out of his league in terms of brains or humor or other personality traits -- in Margot, Leigh is out of Black's league in multiple ways). Because he is insecure about her attraction to him, and because his friends and family are suspicious of beauty's motives, he comes close to sabotaging the relationship (unless he's about to leave her at the alter, with child, then this movie's got nothing on Fatboy). The movie will be directed by British sketch comedian Jim Field Smith and will star Jay Baruchel, best known from TV's Undeclared and, interestingly enough, Knocked Up. Originally scripted as a spec by Sean Anders and John Morris, the movie is currently in re-writes care of Tim Dowling (George Lucas in Love). It goes into production early next year, but if you can't wait to learn the secrets about how to score and keep a girl out of your league, I've got some tips: if it's good enough for Ric Ocasek, Rod Stewart and Billy Joel, it's good enough for you. And: girls love a funny guy, so if she's laughing, she probably doesn't care that you're not a hottie.

It's been eight months since we started awarding prizes to our weekly Insert Caption contest winners, and we've given away everything from DVD box sets to a guitar to underwear to an HD DVD player. But this week we're presenting our most excellent prize to date: a trip for two to the beautiful country of India, courtesy of our friends at Jet Airways and Fox Searchlight.

That's right, the writer of our favorite caption for the photo below from Wes Anderson's new comedy The Darjeeling Limited will win their own five-day, four-night Indian adventure (airfare and four-star hotel included) for themselves and their favorite friend or family member (or Cinematical blogger/Moviefone employee). The best part? You will not be asked to train a single employee or customer service rep while there. So scroll on down the page, check out last week's winners of our Knocked Up contest (they win DVDs, a dartboard and more), then click on the "comments" link and give us your sharpest, wittiest, funniest, awesomeist caption possible. And for those first-time players, bookmark this link here and come back and play every weekend. Our Darjeeling winner will be announced next Friday, October 12 at 4 PM EST.
Good luck!

UPDATE: WINNER ANNOUNCED! Click Here

Winners from last week's Knocked Up contest:

1. "Ummm... No, I didn't know it was Bastille Day. " -- Michael L.

2. "Just when I think you can't get *any* dumber, you go and do something like this... and TOTALLY REDEEM YOURSELF!" -- Peter S.

3. "Exactly how much pot have you smoked today?" -- Curt T.

See full image and read all captions

Wow, we got a better response to last week's Sydney White contest than we anticipated. That must mean one of two things: You really are big Amanda Bynes fans, and celebrate her entire catalog. Or maybe you're hurting for beer money and think a Bynes-autographed poster will score you some cheddar on eBay. On second thought, highly doubt it's the latter. So congrats to our Bynes maniacs below.

1. "...And then he totally gave me an A!" -- Gregory R.

2. "I can't feel my hands!"
-- Aaron L.

3. "I know! I got my Prozac perscription refilled!" -- Kayla W.

See full image and all captions

This week we're stepping it up a little, with three copies of the special one-disc edition of the Knocked Up DVD to give away. So free the inner-Apatow within you and make us "cackle" -- not only will we send you the DVD, but you'll get a Knocked Up dartboard, door hanger and bumper sticker as well. Sorry, no clothing this week. And a special heads up for next week: We'll be giving away our BIGGEST prize yet (and you know I don't use Caps Lock lightly). Bigger than the Eragon snowboard. Bigger than the guitar. Bigger than the HD DVD player. Yes, even bigger than the Mr. Woodcock hats! Good luck, and come back next Thursday at 4 PM to see this week's winners and find out what all the fuss is about...

UPDATE: WINNERS ANNOUNCED! Click Here

Despite having a familiar cast and an easily digestible concept, Gregg Araki's stoner comedy Smiley Face has been dumped to the same status as a modern Steven Seagal vehicle. That's right, according to MTV, it's going straight to DVD, following a barely-even-limited run in Los Angeles, that is. The movie, which premiered at this year's Sundance Film Festival, stars Anna Faris (Scary Movie), John Krasinski (The Office), Jane Lynch (The 40 Year-Old Virgin), Danny Masterson (That '70s Show) and Danny Trejo (Grindhouse), none of whom are apparently good enough for a theatrical release. Maybe it's the fact that it can't be sold to Araki's typical fans, or maybe it's the fact that nobody likes to admit that Up in Smoke, Harold and Kumar Go to White Castle, Dazed and Confused, Knocked Up, Half Baked and Dude, Where's My Car? were all fairly popular and successful movies -- because then maybe it will seem like an admission that marijuana is cool.

Smiley Face stars Faris as a woman who starts her day by smoking up and then mistakenly taking care of her munchies with a batch of pot cupcakes. Then ... hilarity ensues. During its Sundance premiere, crowds were reportedly laughing non-stop (though Karina claimed that it received some awful buzz) and it seemed to be well-enough-received at later festivals, too. Jette reviewed the movie at SXSW, pointing out that it's "the kind of movie that will be more fun to watch with a big audience than alone on your DVD player." So much for that idea. Earlier this month, Monika saw the film in Toronto, where she confirmed its worth. "Araki's comedy gives us the best of many comedic worlds in an incessantly funny, easily-quotable serving," she said in her review. "From discussions of Marxism to love of lasagna, Smiley Face serves it all -- with some weed and a very, very stoned smile." Well, at least we can be sure it will develop a cult following on video; aside from that we can only hope our local art-house cinema will give it a midnight screening somewhere down the line.