If you're any kind of horror afficionado, you've probably either heard about or even read the script for George Romero's Diamond Dead -- it's one of those projects that's been around for so long no one even talks about it anymore. The film is a horror-comedy about a rock band called Diamond Dead whose members are all zombies and whose hot babe manager tries to use her media wiles to take them to the top despite their rather unappealing habits, like eating brains and stuff. It takes swipes at the media, Christian fundamentalists who hate the band, and various other Romero-style targets. In a forthcoming interview with Suicide Girls, Romero surprises by excitedly announcing to me that in the last week, Diamond Dead has raced back to the forefront of his upcoming projects slate. "I got a phone call two days ago, before I came here, from the producer saying 'We're back!'" he says, noting that he was more surprised than anyone because he worked for years on the project and "it looked dead." Since the financing has apparently just kicked in as this is going to press, no further details are available.

Romero also notes that he's very eager to get going on a sequel to his new film, Diary of the Dead, saying "I wish I could have gone further with it. If there is a possibility of a sequel, I'd actually love to do it, cause there's a hell of a lot more. I'd love to go further with that theme." At the same time, fans of Romero's previous and much larger film, 2005's Land of the Dead, should most certainly not expect a sequel to that any time soon. Romero expressed guarded admiration for that film, but called his experience with big-budget filmmaking "grueling" and said "it was just too hard." He also feels that Land "lost touch with its roots" and he has no idea how a sequel could even happen, if he were inclined to make one.

There are many directors who I think should be barred from making films, but Courtney Solomon is near the top of the list. He disappointed gamers everywhere with Dungeons & Dragons (some people humorously feel it is worth watching), a movie even he admits is awful, and then tried to redeem himself with the not-much-better An American Haunting. As head of After Dark Films, he has gotten into more than one controversy regarding his advertising practices -- going so far as to be made an example of by the MPAA -- and still hasn't even put out a decent-enough release to make the company worth Lionsgate's trouble. Now the director is looking to annoy us some more by attempting to revolutionize the zombie genre, a plan that he claims is desired by horror fans.

Solomon isn't revealing the title for this proposed movie, which he thankfully won't be directing, but describes it as a "zombie version of Underworld," which sounds bad even if you like Underworld. Worse, though, is his explanation that the zombies in this movie will be fast and emotional, something he says is completely new for the creatures (did he not see the running zombies in the Dawn of the Dead remake or the seemingly conflicted zombies in Land of the Dead?). I'm all for new takes on the genre, but I hope Solomon has more ideas than this. Supposedly the movie will feature a whole new lore for zombies (actually, he calls them part human, part zombie, which is redundant, I think) inspired by conversations had on the web between Solomon's people and real horror geeks, but unless the movie has a good sociological undercurrent -- as the best zombie movies do -- the tweaking of the genre is simply an unnecessary attempt to create something original. But if Solomon truly wants to do something original and to please us movie fans, he needs to make a good movie.

Well, this is weird. For the bulk of my 30+ years on this planet, there's been no such thing as a "televised horror awards" presentation, and now, not 15 minutes removed from geeking out over the newly-announced Fangoria Chainsaw Awards nominations -- I come across the Spike TV Scream Awards nominations! Cool!

Now, with all due respect to Spike TV and their cool new concept, I gotta say the Fango Chainsaw noms are just a little bit cooler. But hey, there's no law that says the horror freaks can't hang their hat on TWO new awards presentations. Frankly I think we could use a few more enthusiastic celebrations of juicy genre filmmaking.

Anyway, the Screams seem to run a lot like the Chainsaws do: Check out all the categories and nominees (after the jump) and then head on over to SpikeTV.com and cast your own votes! This is particularly amusing for the horror nuts -- because we're nothing if not passionately opinionated on which horror flicks rock and which ones suck the proverbial egg. Spike TV broadcasts their Scream Awards on the evening of October 10th.

George A. Romero's fourth living dead film Land of the Dead opens nationwide this Friday. Those of us who have been waiting since Day of the Dead came out in 1985 will be chewing our fingernails --until we gnaw through the bone and eat our entire hand-- in anticipation. Then all of us handless freaks will sit back and enjoy the kind of thinking man's zombie movie only Uncle Georgie could conceive. However, if you're someone with only a mild curiosity about Land of the Dead, or any other living dead flick, Chuck Ulie wrote a great piece for the Chicago Sun-Times about the history of the zombie movie, using Romero's seminal contribution as the key focus. It's entertaining, and a nice little history lesson.