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Posts with tag lars von trier

RIP: Reel Important People -- July 14, 2008

Filed under: Obits »

  • Evelyn Keyes (1916-2008) - Actress - Played Scarlett O'Hara's little sister, Suellen, in Gone With the Wind. She also co-starred in The Seven Year Itch, The Jolson Story, in which she also sings, Mrs. Mike, Here Comes Mr. Jordan, Union Pacific, Before I Hang, A Thousand and One Nights, The Prowler, Johnny O'Clock, Enchantment and A Return to Salem's Lot and made a cameo appearance in the 1956 version of Around the World in Eighty Days, produced by her then-boyfriend Michael Todd. Her husbands included Artie Shaw, John Huston and Charles Vidor, who directed her in The Desperadoes, The Lady in Question and Ladies in Retirement. She died of uterine cancer July 4, in Montecito, California. (Variety)
  • Henry Beckman (1921-2008) - Actor - Appears in The Brood, Niagara, The Wrong Man, Breakfast at Tiffany's, Marnie, Sweet Charity, Silver Streak, I Love You to Death, Death Hunt and Kiss Me, Stupid. He died June 17 in Barcelona. (Variety)
  • James "Jimbo" Breen (1955-2008) - Greensman, Carpenter, Actor - Worked on M. Night Shyamalan's The Sixth Sense, Signs, Unbreakable and The Village, appears in Lady in the Water and can be heard in The Happening. He also worked on Beloved, In Her Shoes, Two Bits and Annapolis. He died of cancer July 3, in Pennsylvania. (Philly.com)

RIP: Reel Important People -- May 12, 2008

Filed under: Obits »

  • Claus Nissen (1938-2008) - Actor. Played "The Perfect Man" in Jørgen Leth's The Perfect Human, which was featured in and updated for Leth and Lars von Trier's documentary The Five Obstructions. He also played the character "Jensen" in von Trier's miniseries The Kingdom and The Kingdom II and appears in Susanne Bier's Family Matters, Bernard Girard's The Happiness Cage, Erik Balling's Olsen Gang series and Leth's Notes on Love and Good and Evil. He died April 29. (Danske Film)
  • Carl Belfour (1952-2008) - Chief projectionist for the Academy of Motion Picture Arts and Sciences. He died of a brain aneurysm April 23, in Los Angeles. (Variety)
  • Nino Candido (1942-2008) - Property master and actor. Worked on Bull Durham, Wes Craven's New Nightmare, Smile, Timescape, Night Game and TV's My Name is Earl. He appears in Hud and I Come in Peace. He died April 26, in Laughlin, Nevada. (IATSE Local 44)

Lars von Trier's 'Antichrist' Gets Back on Track

Filed under: Horror », Deals »

I was first introduced to Lars von Trier through the horror and thrills of The Kingdom (Riget). I had never even heard of Lars before, but for some reason, I let myself be talked into buying the DVD -- at full, foreign import price -- and it was worth it. I was quickly engulfed in the strange world and hungered for more chills, von Trier style. Unfortunately, I've had to wait a good decade. Now, through the haze of depression, and reports that trickled out all the way back in September of 2006, Variety tells us that the English-language Antichrist is still on, Lars is still shooting it, and it will launch production in Germany this summer. Yes, that means von Trier is traveling to Germany -- a big step for the filmmaker.

Early reports were tight-lipped on the plot, but now there's a few nibbles. The film will focus on "a couple who retreat to a cabin in the woods to recover from the death of their child." Cabin in the woods, ooo, cabin in the woods, yeah. Oh, there's nothing like a cabin in the woods. But that's not all that's being said about it. Talking to the Telegraph back in February, the filmmaker said that it's a "psychological thriller that evolves into a horror film."

If this can even tap into some of the essence of The Kingdom, this should become one sweet cinematic journey. Thoughts?

RIP: Reel Important People -- January 14, 2008

Filed under: Obits », Cinematical Indie »

  • Edward Klosinski (1943-2008) - Cinematographer who shot Lars Von Trier's Europa, Krzysztof Kieslowski's series The Decalogue and his Three Colors: White, many of Andrzej Wajda's films, including Man of Iron and Man of Marble, and Rolf Schübel's Gloomy Sunday. He is also credited as a co-writer on Kieslowski's Three Colors: White and on Felkis Falk's Szansa. He died of lung cancer January 5, in Milanówek, Poland. (NY Times)
  • Christopher Bowman (1967-2008) - Champion ice skater who also worked as a stunt man on Lost Boys, License to Drive and Surf Nazis Must Die. He also plays an assistant football coach in Brian DePalma's next film, Down and Disturbance, coming out this year. He died January 10 in Mission Hills, California. (LA Times)
  • Grace Cianciotta (c.1964-2008) - Marketing expert who worked for Alliance Atlantis and Maximum Films. She died of breast cancer January 7, in Toronto. (Variety)
  • Dusty Cohl (1929-2008) - Founder of the Toronto International Film Festival. Read Kim's full obit post here.
  • Alexandre de Paris (c.1922-2008) - French celebrity hairdresser who styled Elizabeth Taylor's hair for Cleopatra. He also worked as a hair stylist on the 1980 Agatha Christie adaptation The Mirror Crack'd and on Claude Sautet's César & Rosalie. His date and cause of death are unknown. (BBC)

Michelle Williams Joins Moodysson's 'Mammoth'

Filed under: Drama », Independent », Casting », Newsstand », Cinematical Indie »

If you've ever quickly passed by the DVD for Lilya 4-ever in a store, you might have had to do a double take, thinking the girl on the cover was Michelle Williams -- a very young Michelle Williams, that is. The lead actress in that film, Oksana Akinshina, doesn't exactly look like Williams, but there are a few shots where you can see a resemblance. Take a look at this still, and this one, to see what I mean. With this in mind, I wonder if Lukas Moodysson, the writer-director of Lilya, was also thinking of Akinshana when he cast Williams to co-star in his next film, Mammoth. According to Variety, the Oscar-nominated actress will play the wife of Gael Garcia Bernal, who we previously learned would appear in Mammoth, which will be Moodysson's English-language debut. The film, about a couple "facing a crisis", begins shooting next week in Thailand. Filming will also take place in the Philippines, Sweden and New York.

Though the exact plot is still unclear, I previously made the prediction that it involved an affair between the husband played by Garcia and his 8-year-old daughter's nanny played by Filipino actress Marife Necesito. But then, I just assume all movies these days are about infidelity. The most I've read about the story so far is that Bernal's character is on a business trip to Thailand when he decides to seriously alter his life. I guess that could very well mean something other than cheat with the nanny. Whatever the plot, I'm excited. I am typically dubious regarding a favorite foreigner making an English-language film, but with Bernal and Williams on board, I am imagining great things. And this is even without the involvement of Lars von Trier, who had previously been named as a producer. However, Lars Jönsson, who has produced much of the work of both von Trier and Moodysson, is still attached, as is regular von Trier-producers Vibeke Windeløv and Peter Aalbæk Jensen and long-time Tom Tykwer-producer Maria Köpf. Sounds like it could be one of the best non-foreign-language foreign films to come out next year (so far it's set for Swedish release in August, but hopefully it will be easily picked up for the U.S., too).

Rock Out with an Ingmar Bergman T-shirt!

Filed under: Foreign Language », Fandom », Cinematical Indie »

Back in high school, I was one of those kids who wore mostly band t-shirts. Now that I'm older and more interested in movies than music, I've filled my wardrobe with movie t-shirts instead. But what if I could combine the two? Well, I kinda already have with my Un Chien Andalou shirt, which I sometimes tell people is a Pixies shirt (it only has the eyeball-cutting shot, with no title mentioned). However, I could also sport these excellent designs, made and sold by CineFile Video in Los Angeles. They combine the names of four of our favorite foreign filmmakers with the logos/fonts of heavy metal bands. There's Von Trier in the Van Halen font, Fassbinder in the Metallica font, Ingmar Bergman in the Iron Maiden font and Herzog in the Danzig font. What better way to pay homage to your favorite filmmaker while also appearing pretentiously hip?

Hopefully CineVideo will design some more, possibly utilizing non-metal logos. I don't know who would work with this, but someone has to be applied to the AC/DC font. And I know it's a bit long, but couldn't Kurosawa be done up with the Kiss logo? Here are some other ideas that I'd be interested in buying: Buñuel as Boston; Wenders as Weezer, Antonioni as Aerosmith; De Sica as Def Leppard; Ozu as Ozzy Jean-Luc Godard as Journey; Jean Renoir as Judas Priest (or the last two the other way around). Okay, some of these are stretching, and I still can't find good ones for Truffaut, Fellini, or Eisenstein. Any ideas? Unfortunately, CineFile is only selling these shirts at their store on Santa Monica Blvd. Anybody want to ship one to NYC for my birthday (ps: I like the Herzog one best).

[via Movie City Indie]

DVD Review: Cinema 16 - European Short Films

Filed under: DVD Reviews », Shorts », Home Entertainment », Cinematical Indie »

For a few years now, Cinema 16 has been packaging great short films on Region 2 DVDs for European release, but as far as I can tell, this new "European Short Films" collection, with 16 short films on two discs, is the first to get the Region 1 treatment. This new set culls shorts from various previous collections; I'm not sure why they just didn't re-transfer the European DVDs for American release, but no matter. What we have here is a wide selection of shorts from many decades, by filmmakers both famous and unknown. Probably not too surprisingly, the best shorts come from folks you've never heard of. Most of these folks provide commentary tracks for their work (almost all of it in English).

Like many authors, filmmakers sometimes try the short form in order to "practice," which ultimately shows a kind of lack of respect for the medium; it's seen as a stepping stone to features rather than a form in itself. But it also sorts those filmmakers that are good at the short form from those that aren't. Ridley Scott's first film, Boy and Bicycle (1965), starring his little brother Tony as a young boy, is a particular example of a failed attempt. Scott admits a fascination with John Schlesinger (Billy Liar) at the time, and his endless attempts at arty realism are painfully dull. This film was also released on Paramount's The Duellists DVD, and both times I sat down to watch it, I couldn't make it through. It's a pretty long 27 minutes.


Indies on DVD: 'The Boss of It All,' 'The Valet,' 'Zoo'

Filed under: Comedy », Documentary », Drama », Foreign Language », Horror », Independent », New on DVD », Cinematical Indie »

My personal DVD picks this week are the new editions of Lewis Teague's Alligator (scripted by indie filmmaker John Sayles), John Boorman's Deliverance (which is shockingly indie, even though it was released by a major Hollywood studio in 1972) and William Friedkin's Cruising (c'mon! Al Pacino in gay bars chasing a serial killer? That would definitely be an indie today.). But if you're looking for sometime a little more recent, here are three titles that received (mostly) positive reviews from our Cinematical critics.

Everyone's favorite Danish provocateur, Lars von Trier, made a "refreshing change" with The Boss of it All, according to our own Ryan Stewart. He said the director "turns his attention back to his own side of the Atlantic and finds his faith in humanity just as lacking, and his comic timing as sharp as its ever been." He felt the film "is absolutely a worthy entry in the von Trier canon and a reminder of the natural directing skill that he possesses."

Kim Voynar saw Francois Veber's comedy The Valet at AFI Dallas and enjoyed it. She noted that the plot was "a tad predictable" but "the film is genuinely funny, and at times the laughter from the packed house was so loud I was grateful for the subtitles so I could keep up." On the other hand, Nick Schager did not laugh so much: "This lack of any dynamic energy, any hysterical verve, is what ultimately dooms The Valet's attempts at innocuous whimsy." Sony's DVD includes an audio commentary by the director.

Zoo is a documentary that tackles "the difficult task of exploring the death of a man who had sex with a horse," as Kim Voynar wrote in her Sundance review. That may be enough for you to decide if you want to rent it, but Kim expounded at length if you'd like to know more. The DVD from ThinkFilm includes an audio commentary by writer/director Robinson Devor and writer Charles Mudede.

One consumer warning, I'm afraid. As I've written before, Thai horror film The Victim looks gorgeous, but its unimaginative use of horror movie conventions (loud! bang!!) and "twists" that are telegraphed far in advance quickly become tiresome.

TIFF Review: Erik Nietzsche -- The Early Years

Filed under: Comedy », Foreign Language », Theatrical Reviews », Festival Reports », Toronto International Film Festival », Cinematical Indie »



This year, fresh off two comedic scripts (one of which he directed), Lars von Trier announced that he was suffering from depression and had lost his urge to make films. The director has always challenged the typical and the 'normal,' so it's a bit fitting that his ailment would come after the comedy, and not after the heavy, dramatic films like Dogville and Manderlay. Perhaps he became troubled when he tapped into his youth; Lars von Trier is also Erik Nietzsche -- the man who wrote Jacob Thuesen's new comedy Erik Nietzsche -- The Early Years.

The comedy focuses on a young man named Erik Nietzsche, and is based on von Trier's memories of film school. As the film starts, Erik is a nice, gentle young man trying to find his path in life. Unfortunately, his efforts aren't leading to success, and he gets rejected from every school he applies to. Then, however, he submits a leaf-loving short film to the Danish National Film School. Before he can get rejected yet again, lascivious chance slips his application into the accepted pile and Erik becomes a film student amongst a motley collection of wannabe filmmakers -- from the feminist to the ego-maniacal control freak. As time passes, Erik barely holds onto his spot as he struggles for his alternative, cinematic eye to be accepted by his stubborn school. He shocks his principal and professors with forays into The Decameron and a daring screenplay adaptation of some Marquis de Sade.

Gael Garcia Bernal is 'Mammoth'

Filed under: Drama », Foreign Language », Casting », Cinematical Indie »

Now an official rule in filmmaking, if you want to break out in America -- cast Gael García Bernal (Babel) in your film. According to The Hollywood Reporter, this is what Lukas Moodysson is doing for his next pic, titled Mammoth. The Swedish writer-director, who gave us the brilliant teen-trafficking drama Lilya 4-ever and the very sweet lesbian film Show Me Love, has cast Bernal in the domestic drama, about a young couple, their child and their nanny. Knowing how most domestic dramas go, we can assume Bernal's husband character has an affair with the nanny, who will be played by Filipino actress Marife Necesito (Evolution of a Filipino Family). Bernal, who may have helped the Stateside successes of many Latin American filmmakers, possibly appeals to foreign directors because he speaks English, Spanish, French, Italian and Portuguese. After shooting Mammoth, he should be able to pick up some Swedish and Filipino.

I typically frown upon foreign directors making the leap to filming in English. Sure, a ton of great filmmakers have done it well, but too many have not. However, because Lukas Moodysson didn't hit so well with his previous two Swedish films (A Hole in My Heart; Container), it is perhaps time for him to try something different. This isn't the usual immigration to Hollywood, though; Mammoth is still technically a foreign film, co-produced by Swedish, Danish and German companies and financiers. It may be better to think of this as similar to Lars von Trier's English-language work since the Dogville director is producing Mammoth with Peter Aalbaek Jensen (Breaking the Waves) and Maria Kopf (Heaven), both of whom work for von Trier's company Zentropa Entertainments -- Kopf being head of the new division Zentropa Berlin. Jensen also co-produced many of Moodysson's Swedish work, including Lilya 4-ever. Moodysson will shoot in Sweden, New York, Thailand and the Philippines.
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