Laura Linney Tagged Articles at Cinematical

One day he's getting tortured by the Taliban and then heads home to discover that his bad-boy brother is getting saucy with his wife. The next, he's taking part in a modern War of the Roses. Variety reports that Tobey Maguire is taking on more marital dysfunction by starring in Jacob Estes' new indie black comedy called The Details alongside Elizabeth Banks.

The pair (which was once set to be Banks and James McAvoy) will play a troubled married couple struggling with infidelity and other marital issues. But here's where things get strange: "their lives [are] further complicated by ravenous raccoons burrowing under the sod in their back yard. A disagreement over how to dispatch the pests creates a chain reaction of mishaps that include a murder by bow and arrow." There's nothing like a few coonies to ruin a marriage! Just in case that insane plot isn't enough to whet your appetite, the cast also contains Ray Liotta, Dennis Haysbert, Anna Friel, and Laura Linney, the latter playing an eccentric neighbor. (You can also check out many details of the plot here.)

Maguire reportedly decided to hop onto this project before heading back to Spider-Man land, and I say: "Huzzah!" As much as the webbed wonder is great, it's nice to see us one more reminder that Maguire has talents outside of comic superheroes.

Don't worry, this isn't about some lust-filled obsession with pirates and Abigail Adams. You might remember that back in August, word hit that Mark Ruffalo was gearing up for his directorial debut, Sympathy for Delicious. At the time, Ruffalo and screenwriter Chris Thornton were set to star alongside James Franco. However, after the loss of Ruffalo's brother last month, the project was put on hold.

But now Delicious is back on, Franco is out, and The Hollywood Reporter posts that Orlando Bloom (Franco's replacement) and Laura Linney are in. The film focuses on a paralyzed DJ (Thornton) trying to survive on the streets of Los Angeles when he develops the ability to cure the sick -- but only other people, not himself. He starts to cash in on his new talents, and finds himself between a Jesuit priest (Ruffalo) who tries to help him, and the lead of a "tough as nails" band (Bloom) who wants to exploit him. Linney is playing the band's manager.

Man ... Orlando Bloom as an uber-tough rock star. That is something I just can't imagine. Is Bloom a good replacement for Franco? Can Orlando pull off the "tough as nails" image? Any bets on the likelihood of "Sympathy for the Devil" being on the soundtrack? Weigh in below!

When I was a kid, I watched all the awards shows ... except the Tonys. Even when I was involved in theater as a teenager I wasn't a follower of Broadway. And I lived an hour away from Manhattan. But today's youths may be more interested in tuning in to the 2008 Tony Awards, because everyone's favorite boy wizard is among the presenters. Daniel Radcliffe will likely be there solely to promote his Broadway debut this fall, in Equus, but that shouldn't deter fans of the Harry Potter films, the latest of which, Harry Potter and the Half-Blood Prince, also opens in the fall. Despite the significance of Radcliffe's role in Equus (remember those sexy photos?), Radcliffe will presumably be dressed fully and sharply.

Other presenters include Laura Linney, Alec Baldwin, Marisa Tomei and Radcliffe's costar in both the Equus and the Harry Potter films, Richard Griffiths. This year's Tonys are also of interest to movie fans for its nominees, which include movies-turned-musicals Cry-Baby (4 nominations), Xanadu (4 nominations), The Little Mermaid (2 nominations) and Young Frankenstein (3 nominations), as well as the comic adaption of The 39 Steps (6 nominations), based on the John Buchan book that Alfred Hitchcock and others turned into hit films (with a fourth version reportedly in the works).

The Tony Awards will be held at Radio City Music Hall, and broadcast live on CBS, June 15.

I am in no way a history buff. I like to think I know all I needed to know when I graduated fourth grade -- names, faces, places, dates and documents. It's not that I'm not interested in history, it's just that I never found time to dive into everything. I've enjoyed reading up on New York's history (where I'm from) and I'll enjoy the occasional historical flick (until everyone trashes it for not being accurate), but apart from that ... nada. However, lately I've been pulled into the first two installments of HBO's John Adams, starring Paul Giamatti as that legendary pimp (aka the second President of the United States). Should we just give him the Emmy now?

The mini-series is a great conversation piece; my wife and I stayed up late last night watching the second part, then looking up stuff on Wikipedia and discussing the events just prior to the American Revolution. In case you haven't watched it yet, the first two parts (which premiered this past Sunday) cover everything from the Boston Massacre up to the writing of the Declaration of Independence (loved the scene where Adams, Franklin and Jefferson are reading over the Declaration, sharing notes). Additionally, the cast is pretty awesome -- you have Laura Linney (as Abigail Adams, John's wife), Tom Wilkinson (as Benjamin Franklin), Danny Huston (as Samuel Adams), David Morse (as George Washington) and Justin Theroux (as John Hancock).

The only issue I was having was that the series jumps around in years, and you need to pay close attention to dialogue in order to figure out where we are in time. But other than that, I'm absolutely addicted already. It's intense, it's extremely well-acted, it's beautifully shot and it's definitely something you should watch ... if only to learn a thing a two about how we here in the United States came to be.

How about you? Early reactions?

Last month, I wondered how Jennifer Jason Leigh could sign on for an indie romcom starring Ashton Kutcher -- the man notorious for his bad romantic comedies. She was set to co-star in Spread, the classy-titled indie comedy where Ashton is a serial womanizer and Jennifer would be the thwarted lover -- so, not only a goofy Kutcher movie, but one where he gets to cast her off! But now, however, The Hollywood Reporter posts that one week after signing on, Leigh backed out of the project for undisclosed reasons. Her replacement will be -- Anne Heche.

Rumors suggest that Leigh is pregnant, but you can't help but wonder if she just got cold feet. Production is starting immediately, so it's not like the pregnancy worry would impact things that much right now. As for Heche, well, I'm less surprised about her casting, although maybe a Kutcher film isn't the best thing to follow up her success in Men in Trees. Eh, we'll have to wait and see. Maybe this will be a great romcom, and Jason Dean Hall's script and David Mackenzie's direction will make it all come up roses.

I've got to wonder now... According to IMDb, Laura Linney is attached. What on earth attracted Linney and Leigh to a Kutcher romcom?

The firestorm sparked by Lindsay Lohan's decision to pose naked for a photo spread in New York Magazine is fascinating. The comments in response to Erik Davis' post were mostly negative, either disparaging Lohan's looks or her reputation as a "bad girl." I'm sure her age (21) also affected how people felt about the pictures and her exposure in them. Would the reaction have been the same if she had appeared naked in I Know Who Killed Me, in which she played a stripper who kept most of her clothes on?

We'll never know, but we do know that not every actress who doffs her duds provokes such a heated reaction. And, sometimes, it's not even the actress' body parts on display. For example, initial reports were that Cate Blanchett appeared nude in Elizabeth: The Golden Age, but that proved to be false. The actress didn't feel the nudity was required, and so a "bum double" was called in. None of the other women nominated for an Academy Award in the Best Actress category appear naked in their nominated films, though three of them have done so in the past. In the Best Supporting Actress category, we find only Tilda Swinton has bared all before. Therefore, we'll cheat a little and add screenwriter Diablo Cody, who worked as a professional unclad dancer for a brief period in her life.

We've listed four nominated actresses and a nominated writer, all good women of distinguished accomplishment who, at one time or another, have appeared naked in public, all but one on the big screen. Who's Your Favorite Good Girl Gone Nude? And don't worry, the boys get their turn tomorrow.

Just after we headed into our new century, Bernard Schlink had a selection of short stories published called Flights of Love. One of the tales published in the collection was The Other Man. Just like its title suggests, the story is about a love triangle of sorts. After a man loses his wife to cancer, he receives a letter from her lover. What would seem like a huge blow to an already-mourning man actually does him good. The two men begin a correspondence, and the widower finds comfort in his letters to the other man.

Now Variety reports that writer/director Richard Eyre (Notes on a Scandal) has adapted the story with Charles Wood, and has put together quite a cast to star -- Liam Neeson, Laura Linney, Antonio Banderas, and Romola Garai. Sure, it's way too early to make any real judgments, but I'd be beyond surprised if this doesn't work itself into one hell of a film. However, I'm a bit curious about the plot. The story's layout sounds decent, but Variety describes the film this way: "the story of a husband who starts to suspect he's not the only man in his wife's life, and sets out to track down his rival."

If this is how the film will play out, that means he doesn't find out post-death, and that it's more a story of tracking down the other man than bonding, or finding comfort with him. On the other hand, a synopsis on IMDb says it's "the story of a widower's slowly-developing revenge against his late wife's secret lover," which "reveals to him his own compromises and failings." Who knows?! I guess we'll just have to wait and see. Production will get going next month, appropriately on Valentine's Day, in the UK and Italy.

My pick of the week comes from Brazil: Antonia. Directed by Tata Amaral, Antonia is an engaging, low-key pleasure about four women that live in a poor, crime-ridden neighborhood in São Paolo but have dreams of fame and fortune. As I've written before, "the beauty of Antonia is its down-to-earth nature. These women are not super-heroines, nor do they expect any special treatment just because they can sing like angels. They just want a fair shake." The DVD includes a behind the scenes feature and a music video.

From the Eastern European front, both Czech Dream and The Way I Spent the End of the World have received good critical notices. Czech Dream is perhaps best described as a subversive, activist documentary look at the dangers of rampant consumerism, while End of the World is a "tragic-comic coming-of-age tale." DVD details on both titles are scarce.

An early, entirely distasteful scene in Drama/Mex soured me on the film, yet others have been won over by its stylish excess and primal urgency in telling three related stories in a seaside town. DVD details are not available. Cinematical's Jette Kernion called The Girl Next Door "nightmare-inducing," and not in a good way; it's a family drama set in the 1950s featuring physical torture. The DVD includes two audio commentaries, interviews with the cast and crew, and a "making of" feature.

Ryan Stewart had many things to say about The Hottest State, none of them good, so you may want to check out his review before renting this drama featuring Laura Linney and directed by Ethan Hawke. The DVD includes a commentary with Hawke and the crew and a short film by Hawke. The latest version of Lady Chatterley generated highly enthusiastic early reviews, which did not impress Nick Schager, who said the film "shouldn't be associated with the term 'cinematic' in almost any way, shape or form." The DVD includes trailers and a photo gallery.

Siblings dealing with their dying father trumped a man who can only move one eyelid in a box office battle between two award-worthy independent films. On the face of it, just because of their subject matter, neither would seem likely to draw big crowds, but excellent critical response and festival buzz appear to have paid off.

The Savages opened last Wednesday in four theaters in New York and Los Angeles and earned a very good $38,250 per screen, according to estimates compiled by Box Office Mojo. Laura Linney and Philip Seymour Hoffman star as the siblings, with Philip Bosco as their father; Tamara Jenkins directed. Cinematical's Kim Voynar wrote: "There are no easy answers in dealing with aging and dying parents, and Jenkins doesn't try to give us one; she simply takes us into the story of her fascinating characters, and the integrity with which she handles it makes it ring true throughout."

The "one eyelid" movie, The Diving Bell and the Butterfly, opened at three locations in New York and Los Angeles; weekend receipts reflect a strong per-screen average of $25,100. When he saw it at Cannes, our own James Rocchi said he found himself "on the edge of tears more than a few times ... [it's] a movie well worth seeing, with images and lessons that strike with power and don't let go."

Four other indies opened in one or two theaters in New York and/or Los Angeles, and Leonard Klady at Movie City News has their estimated per-screen earnings: Jessica Yu's doc Protagonist ($4,920; read Christopher Campbell's review); Miles Brandman's "darkly comic" Sex and Breakfast ($3,850), Robert Stone's doc Oswald's Ghost ($1,830; read my review), and Francesco Lucente's drama Badland ($1,220).

At least four other indies also opened, but financial results have not yet surfaced: ice hockey bio-pic The Rocket, prison escape thriller Chronicle of an Escape, foodie/lesbian romantic comedy Nina's Heavenly Delights and Christian Slater-starrer He Was a Quiet Man.

The first feature from Tamara Jenkins, the Natasha Lyonne-headed Slums of Beverly Hills was a pretty darned decent late-90s film. Alan Arkin. Marisa Tomei. Jessica Walter. Mena Suvari. The cast rocked, and the film was dysfunctional fun. So, hearing that she's finally written another feature, one that stars Laura Linney and Philip Seymour Hoffman as a sister and brother who have to care for their dementia-ridden father... Well, that's just too good to ignore.

Just a few days ago, Cinematical posted a great exclusive clip from The Savages, where Nancy Lenehan is a dementia support group leader who doesn't take too kindly to early nibbles at the refreshment stand. (She might have been in a lot of stuff, but I don't know if I will ever see the woman as anything but Pat, the woman who turned demon for Dead Man's Party.) Anyhow, Jenkins and Linney recently took part in Variety's Screening Series to discuss the film, which Jenkins says: "kind of came bubbling up out of my dark recesses, and then I stuffed it in a drawer and didn't think about it for a long time."

Linney says: "It's one of the best scripts I've ever read." You can't get a much better thumbs up than that, since she has had her share of great films. She continued: "With films of this nature, you really just have to throw yourself off a cliff and go. You really don't have time for a lot of exploration. You have to do as much work as you possibly can before you start, and then hit the ground running and you do not mess around." Well, it doesn't sound like they messed around in any way that could possibly hurt it. Kim Voynar gave it a rave from Sundance, and we can finally see it for ourselves when it hits limited release on November 28.