Would you like that shaken or stirred, Leo? Writing in Los Angeles Times, Jay A. Fernandez reports that Leonardo DiCaprio's Appian Way company recently came on board to produce a biopic about Ian Fleming, the creator of James Bond, based on an original script by Damian Stevenson. Fernandez speculates that DiCaprio might play Fleming: "During the writers' strike, DiCaprio showed interest in Fleming and his world, but he's looking to take the script in a different direction with a new writer."
Leo has produced other films in which he did not appear (The Assassination of Richard Nixon, Gardener of Eden) and already has a very full plate of upcoming projects. Still, it's fun to speculate because Fleming was such a fascinating character. According to Wikipedia, Fleming was a journalist first, including time in Moscow in 1933, then a stockbroker, before working in Naval Intelligence for Britain during World War II. He personally directed an intelligence-gathering unit that employed "lock-picking, safe-cracking, forms of unarmed combat, and other techniques and skills." He published his first Bond novel, Casino Royale, in 1953. Stevenson's script started on the eve of Fleming's wedding in 1952 before flashing back to his years as a journalist, playboy and spy planner.
Fleming sounds like it could be a good, thrilling drama. What do you think? Could Leo pull off the part? If not, who would you like to see as Ian Fleming?
Thanks to Bourne, the spy-fi genre is alive and well and every studio is on the lookout for a franchise of their own -- even Disney. Variety reports that super-producer Jerry Bruckheimer (along with the Mouse) has purchased the screen rights to David Ignatius' spy thriller, The Increment. Ignatius is an associate editor for The Washington Post and Increment will be his seventh novel. An adaptation of his 2007 book, Body of Lies, has already finished shooting with Ridley Scott at the helm, and Leonardo DiCaprio starring as a CIA agent hot on the tail of a terrorist.
The Increment centers on a "shadowy, elite group of British undercover intelligence operatives who are conscripted by a CIA agent to help a weapons scientist defect from Iran." Early reviews of the manuscript praised the story, citing the wealth of facts about the CIA and the international intelligence community. But insiders were shocked that Disney would want the property considering the amount of 'hot button' issues in the book, like Islamic politics and an invasion of Iran.
Ignatius' novel has not even been published yet, so it's very early days for the adaptation -- and leaving plenty of time for Disney to water down the story. In the meantime, look for Body of Lies to arrive in theaters on October 8th, 2008.
My personal pick is the powerful, haunting There Will Be Blood, but there are other intriguing titles to explore. Manda Bala (Send a Bullet) won the inaugural Cinema Eye Award for Best Feature; according to one synopsis, the documentary examines the "cycles of violence that plague Brazil's upper and lower economic classes in fits of rampant corruption and violent kidnappings." The DVD from City Lights includes an audio commentary by the director and producers, as well as several additional scenes.
Linda Hattendorf first met the subject of her documentary, The Cats of Mirikitani, on the streets of New York. He was homeless; she bought one of his drawings. "Thus began a strange, intimate relationship," Martha Fischer wrote in her review. She called the doc "a treasure of personal filmmaking, created on a shoe-string budget and completely devoid of pretensions or aspirations beyond simple, intimate, storytelling." The DVD from Arts Alliance America includes 20 minutes of bonus footage, deleted scenes and Mirikitani art gallery images.
No, Leonardo DiCaprio isn't joining a sequel of that crappy Codename flick. He is, however, looking to star in a Korean thriller remake -- but it won't be in the vein of those many supernatural thriller re-dos. The Hollywood Reporter has posted that right after Warner Brothers picked up the remake rights to The Chaser for mid-six figures, Leo started looking at the lead, presumably because The Departed helmer William Monahan is in talks to direct.
Should he sign on, Leo will play an "ex-cop who goes on the warpath trying to find a missing girl. The girl, who may or may not be alive, is being used by a serial killer to taunt the police." That whole "may or may not" thing, mixed with taunting, is filling my head with visions of kid digits and horror, but hopefully the taunting is just with some carefully-lettered ransoms or "nyah nyah" taunts.
Not surprisingly, the original is a hit in Korea, which sparked the attention of many, including Vertigo Entertainment's Roy Lee and Doug Davison, who, I quote: "specialize in bringing Asian fare to American audiences." Just as I imagine Michael Clayton gets sick of clean-ups, you gotta wonder how tiring it is to have your whole job revolve around redoing films. They must hate rants about remakes.
Mid-strike, filmmaker Peter Berg and Mark Wahlberg signed on for Cocaine Cowboys, a feature adaptation of that cocaine trafficking documentary that came out back in 2006. Mr. Wahlberg was set to play Jon Roberts, a Miami drug dealer who distributed billions of dollars worth of cocaine. Now Page Six says that he'll be joined by Departed co-star Leonardo DiCaprio for all of the retro drug shenanigans.
A movie insider told the site that this film "will blow Blow out of the water," and that Leo "is excited about the opportunity to play the airplane pilot who travels with Mark's character to obtain kilos of cocaine from Pablo Escobar." Correct me if I'm wrong, but I assume that means Leo will be Mickey Munday? (Get more info on the story through the above doc link, or in an old interview here.)
Considering how schnazzy the documentary about Roberts is, I would hope that this isn't just a straight-out drama, but something with a Basketball Diaries sort of life to it -- the film that first brought Marky Mark and Leo together. I like Leo best when he gets to be a little crazy -- a poetic, struggling Jim Carroll, or a wacky Howard Hughes, and would love to see him with a little flair in this. But what do you think? Are you ready for Leo and Marky Part 3?
If you had to pick one of the break-out stars in 2007, chances are Ben Foster would be one of the names at the top of the list. Between his performances in 3:10 To Yumaand 30 Days of Night there is no question that this young actor has earned the right to get his own starring roles. Besides, anyone that can make me laugh or scare the crap out of me in equal amounts deserves a little respect. The Hollywood Reporter has announced that Foster has signed to star in the military drama, The Messenger.
The story centers on an army man (Foster) who has been given the unpleasant assignment of informing families that a loved one has died in combat (talk about being the bearer of bad news). Forced to work with a partner he can't stand, things become even more complicated when he begins to fall in love with a soldier's widow. So far, only Foster has been officially attached to the film, so there is still plenty of time to fill out the rest of the cast.
The film marks the directorial debut of Oren Moverman, who is probably most famous for co-writing Todd Haynes' Dylan 'biopic' I'm Not There. Alessandro Camon co-wrote the script for The Messenger and is already hard at work on the Leonardo DiCaprio thriller, The Chancellor Manuscript. Foster has also lined up a role in the dysfunctional family comedy Birds of America, but for that role it looks like it's going to be another ensemble piece. Luckily for Foster, he's not the type of actor who fades into the background. The Messenger is scheduled to start shooting in April.
Like most people, I'll go see a Martin Scorsese movie no matter what they call it. Empire reports (via The Boston Herald) that Scorsese's latest, Shutter Island, will now be known as Ashecliffe -- and while I wasn't all that attached to the first title, it's not like this one is a vast improvement. The film is based on Dennis Lehane's novel about an investigation at an asylum for the criminally insane. The new title is taken from the name of the mental institution.
DiCaprio stars as Teddy Daniels, a US Marshall sent to investigate the disappearance of a multiple murderer on the remote and fictional location of Shutter Island. Michelle Williams also stars as Dolores Chanal, the wife of DiCaprio's character who is communing with him from beyond the grave (it sounds weird, I know, but the book was pretty 'Gothic' to begin with). Williams has recently halted production on her latest film Blue Valentine due to Heath Ledger's sudden and tragic death. However, there was no mention of whether she is still planning on staying on for Ashecliffe.
Shutter ... I mean Ashcliffe, also stars Mark Ruffalo as DiCaprio's partner, Ben Kingsley, and Patricia Clarkson. Clarkson has always had the uncanny knack of portraying either the kindest or most hateful person you have ever met, so my money is on her portraying the murderess, Rachel Solando. Production is set to begin this March, and Scorsese has already been scouting locations in Nova Scotia, Massachusetts, and Connecticut as the stand in for the island. Ashecliffe is scheduled for release in 2009.
An article over at Cinema Blend reminds me that today marks the tenth anniversary of the opening of the biggest film in history, Titanic. Movie studios are still scratching their heads over that one -- how did a downer, a period piece, a movie with unknowns and a runtime of over three hours smash the box-office records so profoundly that even today's globular, 'one-size fits all so bring the entire family' movies like Shrek and Harry Potter haven't even come close to touching its title? When you look at the all-time list, you see that the number two film, Star Wars, is way, way behind the champ, with only a paltry $460 million domestic compared to Titanic's $600 million. Shrek 2, massive, massive hit that it was, and bringing in every possible demographic no doubt, couldn't come anywhere close to touching Titanic. The best it could do was hit the number three slot. The Spider-Man and Harry Potter films aren't even contenders.
When it comes to international box-office, Titanic also still reigns supreme, although Lord of the Rings: Return of the King gave it a run for its money, raking in $1.1 billion to Titanic's $1.8 billion. Still, the champ remains untouched. Stop and think about that -- even globally, its numbers can't be touched. So, I'm seriously asking -- what was it about that movie that so profoundly moved audiences and demanded multiple viewings on an unprecedented scale. And that's what did it, by the way -- common sense dictates that Titanic's demographic base was statistically narrow, meaning the fans basically went time after time after time. Five times, ten times, or more. Were you one of those people?
The casting news just keeps piling up for Shutter Island, Martin Scorsese's upcoming adaptation of the Dennis Lehane novel. (Films of Lehane's books have a pretty damn good track record -- see Mystic River and Gone Baby Gone.) Scott told you that Scorsese will be teaming (yet again) with Leonardo DiCaprio, who will play the lead role of U.S. Marshall Teddy Daniels. I told you that Mark Ruffalo signed on to play DiCaprio's partner, U.S. Marshall Chuck Aule. Christopher told you that Ben Kingsley is on board as Dr. Cawley, "the chief physician at a Massachusetts hospital for the criminally insane." And now I shall tell you that Michelle Williams is playing DiCaprio's wife in the film.
Variety reports that the drama "revolves around the trip made by Daniels to a remote New England island in 1954 to figure out how a multiple murderess escaped from a hospital for the criminally insane. He is grieving over the recent death of his wife, who was killed in a fire by one of the inhabitants of the facility." I'm about a hundred pages into Shutter Island, and have not yet been made aware of this wife/patient connection, but I do wonder how large a role Williams will have in the film. The only involvement her character has had in the novel so far has been brief flashbacks. I realize I'm setting myself up for meanie readers to spoil the book's secrets in the comments, but please don't! I'm just speculating. Regardless, I'm loving the novel and can't wait for the film...
So while I wouldn't necessarily pair the rough and tumble director Ridley Scott with the world of high fashion, Fox must see something in the pairing that I don't. Varietyreports that Fox 2000 is putting together a vehicle for Scott to direct that is based on the life and murder of Maurizio Gucci (head of the famous Gucci fashion house). The project had been wasting away at Paramount before Fox finally picked it up through The Devil Wears Prada producer, Carla Hacken.
The famous house of Gucci was founded by Guccio Gucci back in 1906. By the time the 70's had rolled around, the company was in serious financial trouble and there was infighting and bad blood running rampant in the family. Maurizio was the grandson of founder Guccio and had managed to retain 50% of the business after the death of his father. He allied with his cousin Paulo, and the two finally turned the company around. It was Maurizio who had hired a relatively new designer at the time, Tom Ford, to help revive the label in the 90's. On the eve of his big debut though, Maurizio was gunned down outside his apartment building. In 1998, Maurizio's ex-wife was convicted of the murder (she was later retried but her conviction was upheld with a reduced sentence).
Fox has already lined up Charles Randolph (The Interpreter) to begin working on the script as soon as the writer's strike is over. According to Variety, the story "chronicles the wild and glamorous story of the Gucci family in the 1970s and '80s". Scott is currently shooting the drama Body of Lies with Leonardo DiCaprio and Russell Crowe on location in Morocco, before heading off to work on the revisionist Robin Hood flick, Nottingham. So since Scott has plenty of work left to do and a script has yet to be written, it could be awhile before Scott and company can get this project underway.
He's always a great actor, but Ben Kingsley has a habit lately of working with undeserving directors (e.g. Uwe Boll) and appearing in undeserving movies (e.g. A Sound of Thunder). Give him a great director (Spielberg, Glazer) or even a good one (Attenborough, Levinson) and he shines. So, it's an enormous treat to learn he's finally working with Martin Scorsese, appearing in the newly Oscar-winning director's next film, Shutter Island. According to the Hollywood Reporter, Kingsley (or Sir Ben, as he's typically referred to on set) will play Dr. Cawley, the chief physician at a Massachusetts hospital for the criminally insane who must play host to two U.S. marshals played by Leonardo DiCaprio and Mark Ruffalo. Based on the novel by Dennis Lehane (Mystic River, Gone Baby Gone), the plot follows the marshals as they investigate the disappearance of a mental patient/inmate. While on the case, they experience a hurricane, get stuck on the eponymous island thanks to a riot and of course, "encounter a web of deceit."
Best known for being the fourth collaboration between Scorsese and DiCaprio, Shutter Island will also hopefully be known as the movie in which Sir Ben has a Massachusetts accent. As a cranky "enigmatic" doctor, though, he could be from anywhere (and with Kingsley, I truly mean that literally). Actually, this could be a rare Lehane adaptation where none of the main characters have that Boston-area intonation. Regardless, it should be entertaining to watch Kingsley as a slightly villainous physician who performs illegal brain surgery. Picture a cross between Don Logan, his character from Sexy Beast, Cosmo, his character from Sneakers, and Xavier Fitch, from Species. I would add in his loony psychiatrist character from the upcoming The Wackness, but I've only seen one scene and you likely aren't familiar with any of it. Of course, under the masterful direction of Scorsese, Kingsley will probably give us something fresh, like no character of his we've encountered before. I see a fifth Oscar nomination on the horizon.
Mark Ruffalo probably just sent an expensive bottle of something to his agent -- he's got a plum role in the new Martin Scorsese flick. Ruffalo will co-star with Leonardo DiCaprio in Shutter Island, an adaptation of Dennis Lehane's 2004 novel. According to The Hollywood Reporter, Ruffalo plays "U.S. Marshal Chuck Aule, who travels with his new partner (DiCaprio) to the eponymous Massachusetts island in 1954. As they investigate the disappearance of a patient from a hospital for the criminally insane, they encounter a web of lies, a hurricane and a deadly inmate riot that leaves them trapped on the island." Oh good Lord, can't wait for this one! But...
Does anyone else wish the Scorsese/DiCaprio collaboration would come to an end? Scorsese is my favorite director, and DiCaprio is a talented actor, but we're not talking about the second coming of DeNiro here. Shouldn't Scorsese share the wealth a bit, spread the love around? I don't think the pairing has gotten stale yet, but why push it until it does? Oh well, anything that keeps Marty from movies about Tibetan monks is okay by me. Laeta Kalogridis (writer of -- uh-oh -- Alexander, Pathfinder and the Bionic Woman pilot) will adapt Lehane's book, which I will be reading on an airplane in about three hours. Lehane is mighty hot in Hollywood these days. He writes for The Wire -- the best show on television, and his books have been turned into Oscar winners (Mystic River) and Oscar hopefuls (this fall's Gone Baby Gone, which was great baby great). Shutter starts shooting this March.
They first teamed up to create the Gangs of New York. Then it was a very fine flick about an Aviator. Most recently they were Departed to very fine effect. And now it looks like master director Martin Scorsese and prolific actor Leonardo DiCaprio are about to team up for a fourth film. According to Variety, Marty and Leo will collaborate on Shutter Island, a crime drama based on a novel by Dennis Lehane. (The author also penned Mystic River and Gone Baby Gone, both of which were made into films.)
Variety offers a plot synopsis that reads like this: "Drama is set in 1954, with DiCaprio in final talks to play U.S. Marshal Teddy Daniels, who is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding on the remote Shutter Island." Screenwriter Laeta Kalogridis (Alexander, Pathfinder) will be on adaptation duty. The Paramount-Columbia co-production looks to begin production in March, and apparently the goal is to shoot somewhere in New England.
All I know is we're getting a new Scorsese movie (relatively) soon. Leo's involvement is just a little good news on the side.
Have you seen Black Bookyet? It's on DVD now, and with Ryan and I raving about it and especially its star, Carice Van Houten, all year, I hope you got the hint. It's really worth seeing. And once you do check it out, you'll understand why we are so smitten by Van Houten. And you'll understand why Hollywood can't get enough of her these days, casting her opposite many of the most prestigious actors, such as Tom Cruise, who she's linked up with in Bryan Singer's Valkyrie, and Leonardo DiCaprio and Russell Crowe, both of whom she's appearing with in Ridley Scott's Body of Lies. Now, according to The Hollywood Reporter, the Dutch actress is confirmed to play opposite Jude Law in Repossession Mambo. She will play wifie to Law in the film, which is a sci-fi thriller about a guy who can't afford his most recently installed artificial organ. Directed by Miguel Sapochnik, a former storyboard artist who worked on Trainspotting, the film is said to also star Alice Braga, who actually plays Law's love-interest in the form of an ex-wife he reunites and goes on the lam with.
So then is Van Houten just a minor character who is left behind? That's what it sounds like, and if you look at most of these American roles she's getting they're either labeled simply as wife or love-interest. Considering all that she got to do in Black Book, it seems Hollywood could be missing the boat on why she's worth casting. If Van Houten does end up wasted or underused in these roles, it wouldn't be the first time a young European actress came into flavor and was then miscast. I'm thinking mostly of Audrey Tautou being put in The Da Vinci Code, of course. I have to admit that after falling in love with her in Amelie, I gradually grew out of my crush by watching the rest of her available films, none of which featured her in quite the same way. For Van Houten, I've already gone and looked at one of her earlier films, and was similarly disappointed -- though it could have been the fact the movie, Minoes(aka Undercover Kitty), is only available here in a terribly dubbed version. All I can hope is that I won't ever see her in a worse movie than that, but with Hollywood's track record of late, such hopes are really difficult to hold on to.
You may have noted my mention of a playwright named Beau Willimon last week. If not, it was in a post about a remake of the British miniseries The Jury, which Finding Neverland's Marc Forster will direct. I pointed out that Forster actually handpicked Willimon to be the screenwriter of that project after reading the guy's play Farragut North. The political drama is set to open on Broadway early next year with Jake Gyllenhaal starring and Mike Nichols directing, and I figured that eventually there'd be a movie in the works, possibly with that prestigious duo re-teamed for the big screen version. But no, it seems Gyllenhaal and Nichols just aren't good enough for Warner Bros., who owns the film rights. Instead they've cast some guy named Leonardo DiCaprio for the lead and are hoping to sign on some old television has-been named George Clooney to direct.
According to Variety, the project is also being produced by DiCaprio's company, Appian Way (The Aviator), and Clooney's company (with Grant Heslov), Smoke House (Leatherheads); both companies apparently teamed up after reading the script (were they at the same party as Forster?) and then together brought the thing to Warners. In the film, DiCaprio will play a young idealist working on a presidential campaign who ultimately ends up resorting to bad tactics like backstabbing and trickery. Basically, it sounds like the sad story of the common politico who still thinks there's room for Mr. Smith's out there, only to wake up and discover the real world of Washington. But as much as it sounds familiar, or obvious, or otherwise trite, it seems the play is somewhat autobiographical, as Willimon based it on his experience working on Howard Dean's 2004 campaign. Certainly the film would be a great timely release for 2008, but right now the film, which Willimon is adapting himself, doesn't have a clear start date. Hopefully Warners can grab DiCaprio as soon as he's done with Ridley Scott's Body of Liesand Clooney as soon as he's done with the Coen Brothers' Burn After Readingfor a just-in-time Fall opening.
Would you like that shaken or stirred, Leo? Writing in Los Angeles Times, Jay A. Fernandez reports that Leonardo DiCaprio's Appian Way company recently came on board to produce a biopic about Ian Fleming, the creator of James Bond, based on an original script by Damian Stevenson. Fernandez speculates that DiCaprio might play Fleming: "During the writers' strike, DiCaprio showed interest in Fleming and his world, but he's looking to take the script in a different direction with a new writer."
Thanks to Bourne, the spy-fi genre is alive and well and every studio is on the lookout for a franchise of their own -- even Disney. Variety 
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Cinematical Seven: Disney's Awesome Live-Action Kid Adventures
