Photographers, journalists and casual television watchers alike went into frenzies late last year when the Sex and the City team reunited all across
Photographers, journalists and casual television watchers alike went into frenzies late last year when the Sex and the City team reunited all across

You're going to see a lot of bad reviews of Woody Allen's Cassandra's Dream, as I did before I went to see it. But having gone in with lowered expectations, I came out thrilled. I liked Cassandra's Dream a great deal. I went back and looked at some of the reviews, and I couldn't see how what they said related to the film. It seemed that most of the bad reviews were directed at Allen himself, his habits and ideas, or perhaps an expectation of Allen, or an expectation of the crime genre, rather than the film itself. This leads to a complex discussion of Allen's career, which goes much deeper than I'll ever have room for here. But suffice it to say that Allen has had a far more difficult time pleasing moviegoers than he did before he broke up with Mia Farrow and married Soon-Yi Previn.
I am a longtime fan, and in the past I have willingly put myself in the position of defending Allen's work even when there wasn't much to defend. I have written rave reviews only to revisit the films later and realize that I may have been wrong. But I believe he has tried harder, and tried more different kinds of things, in recent years than he did when he was younger and far more popular. I also believe that in the future, Allen's work, like Ozu's or Fassbinder's, may make up a far more coherent whole than it will a collection of individual masterpieces. That said, Cassandra's Dream is the third of Allen's British series. It ignores the previous entry, Scoop (2006), and harkens back to Match Point (2005), which most critics considered a successful comeback and a reinvigoration for Allen. It also revisits the themes that bubbled through Crimes and Misdemeanors (1989), wondering not how one accomplishes a crime but how one deals with the concept of having accomplished a crime.
So I sent my wife out to a 7-Eleven by my apartment yesterday in hopes there would be something Simpsons-related left for me to devour, and all she came back with was two cans of Buzz Cola and a couple of weird twisty straws. Looks like this is going to be tougher than I thought. Anyone manage to grab a Radioactive Man comic? How is it? Can you send me one? While the 7-Eleven/Quik-E-Mart promotion has been the talk of the town this week, some more news regarding plot for The Simpsons Movie has arrived via The Hollywood Reporter. Apparently, a 10-minute clip of the film was recently screened in London and a majority of the scenes suggested the film will carry plenty of environmental and religious themes. Not to mention there's one scene featuring Bart's private area.
Although folks have been talking up Bart's so-called full frontal nudity for quite some time now, some have suggested that you don't actually see anything. Instead, all the talk was more of a marketing ploy to get people in seats. Well, according to The Hollywood Reporter, that's definitely not the case. In describing the scene, they note (possible spoilers ahead): "Perhaps the biggest laugh was for Bart, who skateboards through town naked after being challenged to do so by Homer. After a series of scenes where strategically-placed extras and props protect his modesty, the audience gets a full view of his private parts through a gap in a hedge." Poor Bart. Speaking at a post-screening Q&A, Matt Groening said he expects some people to be a tad miffed by what they see. "In America there's someone willing to pretend to be offended by everything and so we annoy people and that's part of the appeal," he said. "It's to entertain people and also to annoy a certain segment of the audience as well."
Apart from the brief nudity, Simpsons family members will also be tackling some of the world's more pressing issues. For example, the band Green Day is booed by Springfield residents when it starts talking about the environment following a performance. Also, Lisa becomes a green campaigner and gives a lecture called 'An Irritating Truth,' based on Al Gore's Oscar-winning doc An Inconvenient Truth. But that's just the tip of the melting iceberg; I'm sure there's a lot more heading our way when The Simpsons Movie lands in theaters on July 27.
Sure, you could travel to Sundance in the dead of winter and suffer frostbite for your trouble, or visit any one of dozens of conveniently-located festivals in the US screening independent films. But doesn't it sound more exciting and exotic to hop on a cross-Atlantic overnight flight so you can arrive in Swinging London just as the brand-new Declaration of Independence Film Festival gets underway? (Gotta love the cheekiness of the name, though the logo is a bit abstract for my taste.) Friday, June 1 marks the first day of screenings for the inaugural edition of the fest, which promises "the very best in new independent cinema from the USA and Canada." Many of the films are receiving their International Premiere (i.e., screening for the first time outside their native country) and a number are still awaiting distribution deals in the US, so this looks like a great opportunity for Londoners and stray cinema tourists to catch up.
Continue reading Cinematical Has Seen First 28 Minutes of '28 Weeks Later'!
It's old news by now that Harry Potter star Daniel Radcliffe will be appearing nude on stage in London during a production of Equus. However, we've recently come across this poster for the upcoming play, and it's hard not to find it just a little bit disturbing. They've even made Radcliffe's nipples into the horse's eyes, and it'll be hard to look at Harry Potter the same way again. The play is about a boy who really loves his horse, and Radcliffe decided to take the role to prove that he could play other parts besides the boy wizard.
Jette told us in March about the evolution of Dirty Dancing from gloriously cheeseball film to equally cheesy stage musical, and the show -- which has already had a run in Australia -- is finally in rehearsals for its London debut. And, frighteningly enough, London has gone wild over it, despite the fact that it isn't even in previews yet: British audiences are so eager to see The Lift in the flesh that they've completely sold out the first six months of the show's upcoming run, making Dirty Dancing (at least by whatever math the BBC's The Ticket uses) one of the most successful West End musicals of all time. Before anyone has seen it. I don't know about you, but I suddenly find myself a little frightened by our English friends.Academy Award winner Reese
Witherspoon has decided to trade in her Oscar glory for a job as a pizza delivery girl. The actress is currently in
London where she's co-producing and co-starring in Penelope
alongside Christina Ricci. The film itself appears to be some sort of
modern day fantasy fable in which a girl (Ricci) attempts to break away from a family curse on a search for love
and happiness.
With production starting later this month, Reese Witherspoon has signed up for driving lessons because, well, driving around London on a bike with pizza strapped to the back is kind of freaking her out. Here's the best part: After said lessons, our Best Actress will be tagging along with some regular old pizza delivery guy so that he can teach her the ropes.
Here's my question: Knowing Witherspoon is reportedly making upwards to $30 million for her role in Our Family Trouble, should she show up to your house with a pizza pie, do you tip her? And if so, how much? If it's less than $10 million, do you think she'd clock you over the head with a golden statue? Oh, and if there's something wrong with your pizza, would have to go through her publicist for a refund?
The Human Rights Watch Film
Festival opens next week in London (New York gets one in June), continuing the group's effort to both showcase and,
increasingly, "[help] make movies with distinct human rights themes." In addition to screenings - some of the
world premieres- the festival offers short plays on relevant themes, educational programs for students, and Q&As
with actors and directors involved in some of the featured films.
You can add the 1987 film Dirty Dancing to the ever-increasing list of movies that have
become lavish stage productions. (For me, nothing beats Reanimator: The
Play. It wasn't lavish but it sure was gory.) The stage musical story about Baby and Johnny and their magical
dances of looove played to record crowds in Australia last year and now is being staged for London's West End. The
production includes special effects to re-create the memorable scene on the lake, among others. (I don't remember the
memorable scene on the lake, but I saw the movie once on cable in a hotel room and wasn't impressed.)
The
Oscars are March 5. Take the EW Oscar
Challenge (online-only).
I can hear you now. "My life would be complete, if only I could watch
all 485 minutes of Andy Warhol's Empire. Preferably outside, perhaps in
London." I don't know how many times I've said the same thing myself -
and our chance has finally come! (The film, which
consists of a single, overnight shot of the Empire State Building,
promoted Warhol to announce that he preferred movie-making to painting,
because the former was easier.)
Sometimes
I come across these news items, and I have to blink several times, rub
my eyes, and/or slap my own face before I believe what I'm reading. So Jessica
Simpson is traipsing around telling people that a Dukes of Hazzard
sequel is not only in the works, but it's going to be set in, of all
places, London. Simpson shrilled to Sky News: "[The Dukes] would be
lost in London. I think Daisy and those crazy boys will have a great
time in the UK." At what point does something move from simply being a
bad idea, to becoming a public nuisance? I urge all Londoners to fight
the scourge of a Dukes of Hazzard II location shoot – haven't you been through enough?
British exhibitors are predicting that today's terrorist attacks will have a major effect on movie exhibition in London. Two of the city's theater chains, Odeon and UCI, have closed their doors, and others are expected to follow. With mass transit a general nightmare right now, it seems unlikely that even the most die-hard of moviegoers would brave a trip to the cineplex this weekend. Meanwhile, two major productions centered in London will carry on without disruption: Woody Allen's latest project, though based at London's Ealing Studios, is on location in Oxfordshire this week, and even though Anthony Minghella's Breaking and Entering has been shooting in and around King's Cross (where one of today's explosions took place), the cast and crew were left unharmed.
Yes, this is a post about Tom Cruise, but don't yell at me. Because this one doesn't have the name "Katie Holmes" in it. (Damn, I screwed that up already.) Anyway, Tom Cruise was in London for the premiere of War of the Worlds, and as he was answering questions with a reporter holding a microphone, he was suddenly squirted with a stream of water that seemed to come from the microphone itself. Cruise was a little stunned by it and kept asking the man "why would you do that...why would you do that?" The man tried to get away but Cruise told him not to run away, got a towel from someone, and four men were eventually arrested. Turns out they were filming a prank show for Channel 4. After the watering, Cruise continued to greet fans and sign autographs. (Click below for the great video footage that everyone will be talking about for the next few days.)
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