LostInTranslation Tagged Articles at Cinematical

Nothing gets the blood boiling like an ambiguous movie ending. You've invested roughly two or more hours of your time on a film only to watch the freakin' thing fade to black right in the middle of a conversation or before the main characters had time to resolve all their issues. The person you're watching the film with almost always goes "That's it!? That's how they're ending it!?" before turning to you and saying something like, "That's the last time I let you pick the movie!"

Well, good news is those maniacs at College Humor managed to dig up the actual endings for a group of movies whose ambiguous finales are pretty memorable. They have Lost in Translation, No Country for Old Men, The Graduate, The Wrestler and even The Sopranos. Always wonder what Bill Murray whispered to Scarlett Johansson? Or ponder what happened to Mickey Rourke's character after he jumped off the top rope? (I like to think he went and had a couple of beers with Sly Stallone while the two discussed a possible confrontation in Rocky 7, but that's just my imagination running wild.)

Watch the video after the jump and find out all the answers ...

Three years after she premiered Marie Antoinette at the Cannes Film Festival, Sofia Coppola is returning to cinemas with a new film she wrote and will direct called Somewhere. Much like her 2003 film Lost in Translation, Somewhere will be set in a hotel -- though this time she's returning to the States and bringing her cute, angsty Fem Anderson-ish style to the iconic Chateau Marmont hotel in Hollywood.

Wanting to make (in her words) "an intimate story set in contemporary Los Angeles," Somewhere will follow a "bad-boy actor" who's forced to reexamine his life after a surprise visit from his 11-year-old daughter. Possibly looking to capitalize on the new born-again-actor trend, Coppola has cast Stephen Dorff, a guy who's just trying to come back to acting in movies people have actually heard of); one of his last roles was as Ross Tanner on two episodes of XIII last year. Opposite Dorff will be Elle Fanning, doing her best "Screw you Dakota, I can do bitter abandoned child too, b*tch!" Obviously this film and Darren Aronofsky's The Wrestler share similar themes with fathers trying to reconnect with their daughters, except Dorff seems to be playing an extension of himself instead of, say, a former Ultimate Fighting Champion. Still, it'll be fascinating to see what the gal does with this. Definitely a film that will be followed by many.

So has Sofia done it? Could Dorff really be the next big comeback? Somewhere begins shooting this summer; look for it to possibly debut at the 2010 Cannes Film Festival.

[via Variety]

Despite having starred in a series of spoofs that have together raked in over $400 million on the domestic front, it still doesn't feel like Anna Faris is quite the household name she deserves to be. All dollar signs aside, this comedienne has that endearing mix of whip-smart comic timing, goofy mugging, general hotness (what?), and a sense of self-awareness in even her ditziest roles. Time will only tell if tomorrow's release of The House Bunny will formally launch her into the ranks of, say, Reese Witherspoon after Legally Blonde, but even if she doesn't, here's at least seven reasons why she'll always be our funny bunny.

1. Cindy Campbell in Scary Movie 3 (2003)

Say what you will about this parody franchise, but it's been a minor blessing that Faris keeps coming back to ground these puppies from evaporating into pure irrelevance... although it's pure irrelevance that keeps me coming back to this one in particular. Call it a guilty pleasure if you must, but there are glorious non sequiturs a-plenty that help me cope with the slapdash plot and already dated pop culture riffs (oh, right, Simon Cowell, he's that guy...). Naturally, not the least of the credit goes to Faris, who, as the aloof reporter/single mom, is just as inept at either job as we'd like her to be.

It's no secret that our biggest movie stars have earned big paychecks in Japan, where they appear in print and television ads for products like cars, ham, and instant noodles. Brad Pitt, Harrison Ford, Paul Newman and Arnold Schwarzenegger, among others, might never sell out so easily in America, but in the Land of the Rising Sun, it is apparently okay to be an endorsement monkey. The practice was parodied well in Lost in Translation, with Bill Murray portraying a Hollywood big shot shilling for Suntory whiskey, and in the TV-show Entourage, which really displayed Japanese advertising as being a source for a quick buck.

However, now Japan isn't as interested in American faces. For the past few years, the country has seen more Japanese and Korean stars cast in commercials, because Hollywood just doesn't sell like it used to. Another trend Japan has been into lately is -- get this -- focusing on the product, itself. Maybe too many Japanese folks got tired of discovering that their favorite icons don't come with the car/ham/noodles.