LuisBunuel Tagged Articles at Cinematical
Cinematical Visits MOMA's "Dali: Painting and Film" Exhibit
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Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him.
Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou (where the opening eye splicing retains its original gross-out impact) and L'Age D'Or attest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true.
After Images: El Bruto (1953)
Filed under: Classics », Foreign Language », After Image »
Can't get a ticket to The Hulk? Try The Brute. Movies give all kinds of different pleasures to all different kinds of people. But there's no substitute for the special dirty pleasure of class-card playing melodramas; this is a pleasure we usually deny ourselves. Our critical establishment, from wattle-shaking newspaper dinos down to acne-pocked bloggers, are very careful to detect a film's inhumanity to fictional evil landlords, conniving bosses and cruel millionaires.
Being a cartoon character, The Simpson's C. Montgomery Burns gets a pass. Burns is reputedly based on a real-life Hollywood type, but he has some other real-life predecessors. (Standard Oil's John D. Rockefeller is one; he put a lot of people out of business, lived to be enormously old, and ... this is so Burns ... survived in his last years off the breast-milk of a hired wet nurse.)
Harry Potter Star to Play Gay Salvador Dali
Filed under: Drama », Foreign Language », Independent », Romance », Casting », Celebrities and Controversy », Harry Potter », Cinematical Indie »
Those crazy artists, always experimenting sexually. Big deal. Nothing new. Right? Oh wait, the idea still has people intrigued. Remember those lesbian scenes in Frida? Of course you do -- they're the only reason you watched the film. But will you be as interested in seeing a young Salvador Dalí make it with a man, specifically Spanish poet Federico Garcia Lorca, as you were in seeing Salma Hayek kiss Ashley Judd? A UK-Spain production must be hoping so; it not only has the distinction of being about the 100th Dalí film in the works right now, but it also describes itself as the "racy" and "sexy" one, and will likely be released into the public reception as "the gay Dalí movie". According to Guardian Unlimited, the film is titled Little Ashes, named for one of Dalí's paintings, and it isn't exactly based on any definite evidence. In fact, Dalí reportedly acknowledged being the object of Lorca's homosexual affection multiple times, but denied they ever became physical and insisted that he continually rejected the poet. However, the film's screenwriter, Philippa Goslett, stands by her depiction of the events. She claims to have done enough research to believe that the men consummated in some way. The way the script apparently shows it, as far as Guardian Unlimited relays it, is Dalí wants to have sex with Lorca but can't and then ends up merely acting as a voyeur, watching while Lorca sleeps with a woman.
Little Ashes is apparently done shooting, having been filmed primarily in Barcelona on a low budget of £1.4 million (roughly $2.9 million -- I think). Paul Morrison (Solomon and Gaenor) directed the film, with Robert Pattinson, best known as "Cedric Diggory" in the Harry Potter movies, playing Dalí. Spanish newcomer Javier Beltran is Lorca and Matthew McNulty (Control) portrays a young Luis Buñuel. On a related yet personal note, I must address to all my friends that this news will have no impact on my long-decided plan to go as Dalí for Halloween this year (I'm broke, and it's cheap -- you only need a long mustache and a suit!).
RIP: Reel Important People -- April 23, 2007
Filed under: Obits »
James Aljian (c.1932-2007) - Vice President of finance for MGM Studios in the 1970s and then for MGM/UA in the early 1980s. He died of cancer April 12, in Los Angeles. (Variety) - Dick Arnall (1944-2007) - British animator who worked on Yellow Submarine and produced the BAFTA-nominated shorts A is for Autism and Home Road Movies. He died of pneumonia as a consequence of a brain tumor February 6. (Guardian)
- Nair Belo (1931-2007) - Brazilian actress who appears in Heart and Guts and Alberto Cavalcanti's Simon the One-Eyed. She died of heart disease April 17, in Rio De Janeiro. (Globo)
- Ariane Borg (1915-2007) - French actress who appears in The Phantom Wagon. She died April 16, in Couilly-Pont-Aux-Dames, Seine-et-Marne, France. (IMDb)
- Kitty Carlisle Hart (1910-2007) - Actress best known for starring alongside the Marx Brothers in A Night at the Opera. She also starred opposite Bing Crosby in She Loves Me Not and Here Is My Heart and appeared as herself in Hollywood Canteen. After more than forty years away from the movies, she made appearances in Radio Days and Six Degrees of Separation. She was also the widow of Moss Hart. She passed away following a battle with pneumonia April 17, in New York City. (MSNBC)
- Jean-Pierre Cassel (1932-2007) - French actor (pictured) who worked with many of the great masters of cinema. He starred in Melville's Army of Shadows, Bunuel's The Discreet Charm of the Bourgeoisie, Renoir's The Elusive Corporal, Clément's Is Paris Burning? and multiple films by Chabrol and by de Broca. He also appears among the ensemble casts of Superman II, Those Magnificent Men in Their Flying Machines, Murder on the Orient Express, Prêt-à-Porter, the upcoming Asterix at the Olympic Games and the 1973 version of The Three Musketeers and its follow-ups, The Four Musketeers and The Return of the Musketeers. His son is actor Vincent Cassel, with whom he appears in Matthieu Kassovitz's Café au Lait and The Crimson Rivers. He died April 19. (Playfuls)
Tribeca Review: Lunacy
Filed under: Animation », Comedy », Foreign Language », Horror », Tribeca », Theatrical Reviews », Cinematical Indie »
If it was possible for collaboration between Luis Buñuel and Terry Gilliam the result might look something like Lunacy, the latest oddity from Czech filmmaker Jan Svankmajer. This bizarre "horror film," as the director simply labels it, is a vile and depraved examination of mental illness and the methods used to treat it. Wickedly funny and astonishingly conceived, the film is a nonstop cavalcade of shocks, surprises and enchantments. I loved every minute of it, and I can honestly state that I won't see a more brilliant picture at Tribeca this year.
Based loosely on writings by Edgar Allen Poe and inspired by the Marquis de Sade, Lunacy exists in a kind of overlap of present and past, seemingly set in 19th century France but anachronistically punctuated with modern inclusions like automobiles and bluejeans. It tells the ironically tragic story of Jean Berlot (Pavel Liska), a troubled young man on his way home from his mother's funeral. During his stopover at a country inn, he meets The Marquis (Jan Triska), a wealthy nobleman who invites Jan to come and stay with him on his estate. There, Jan witnesses a blasphemous ritual and an eccentric form of therapy, which The Marquis imagines may be helpful in the healing of Jan's own psychological ailments.
Girls on Film: Domestic Violence and Media
'Spider-Man 4' Villain Rumor: Rachel McAdams as Black Cat
Original A-Team Making Cameos in New Movie?
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Exclusive: Poster Premiere for 'Extraordinary Measures'
