MGM Tagged Articles at Cinematical

MGM has been plagued by financial woes for much of their long and illustrious career, but their most recent crisis could end up costing them two of their biggest titles. Nikke Finke of Deadline Hollywood Daily is breathlessly reporting that the studio is teetering on the edge of bankruptcy with over $3.5 billion in debt. MGM held a very long conference call with their creditors, pleading with themto waive their interest payments until February 2010, and allow them the cash they need for the rest of the year, particularly to fund its upcoming slate of films. Naturally, some of those are highly anticipated, such as Robocop, The Hobbit, and the latest James Bond installment.

However, MGM's creditors aren't feeling particularly charitable, and may force the studio to file for bankruptcy. If that happens, they could lose James Bond, The Hobbit, and numerous other franchises as MGM would have to sell them to the highest bidder. Right now, they're trying to convince their Scrooges that bankruptcy is the worst possible option, and that Bond and Bilbo are big enough moneymakers to cover their debt. That's where the situation stands now, and it'll certainly be quite the economic spectacle to watch.

I find the news particularly interesting in light of Peter Jackson's remarks on The Hobbit at ComicCon, when he squashed rumors that the film was in the casting stages, and noted that it hadn't even really been green-lit or had its budget approved yet. It was a douse of cold water after a lot of breathless excitement, much of which seemed to come straight from the filmmakers themselves. Could the brakes have been put on because of MGM's financial woes? Possibly.

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This year marks the 70th anniversary (and a rerelease) of MGM's The Wizard of Oz, which is really quite startling. It's one of those films that's absolutely timeless, and it's so ingrained in each one of our childhood memories that it seems like it was made for our childhoods. If that sounds mawkish, I apologize. To be honest, Oz isn't even one of my favorite movies today, but it rocked my world when I was small, most memorably during its 50th Anniversary in 1989. I know that isn't the first time I saw the film, but I was absolutely enthralled with the little collector book and the documentaries and "deleted scenes" featured on the VHS. It's one of the earliest times I can remember finding out there was a "making of" tale behind a movie I adored, and it struck me as absolutely impossible that the movie was 50 years old. I'm not even sure I was aware
Judy Garland was long gone, though there were certainly enough "if we'd only known" hints in those documentaries.

But I digress. As I said, I outgrew the movie and I was never particularly fond of L. Frank Baum's original book or any of the sequels, though I dutifully read them. (I should take that back -- I adore Marvel's 8-issue run. Beautifully illustrated! Buy it!) I've never known much about Baum beyond his history with the Hotel Del Coronado (he stayed there while writing, and designed the light fixtures!), so Meghan O'Rourke's Slate article on Baum was a treat. I'll leave you to read it for yourselves, but what thrilled me was finding out some of the history, myth, and inspiration behind the book.

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The terribly handsome Jeffrey Dean Morgan clearly has a thing for action, adventure, and DC comic books. Collider sat down with him last weekend, and Mr. Morgan let slip that he's stepping into the Red Dawn remake. (He also let slip a few f-bombs that he shouldn't have told anyone, but we're glad he did, aren't we?) "I guess I'm more or less the old Powers Boothe character ... I'll be the old guy in it, which is cool ... I'm very much looking forward to it. But I'm going straight from here to Detroit which I can't imagine at this point."

Morgan also planted the first flag when it came to playing the part of Lobo, soon to be the star of a Guy Ritchie film. "That would be cool. Lobo would be very cool. I don't think that I'm as big as Lobo is, but if you could, like, transplant Mickey Rourke's body on my head, that would be just great. But I don't know. It's an untapped world for me as well. Every time I kind of hear about something I go out and get the book or I look it up on one of your guys' sites. We'll see."

Well, if he's reading this one -- Mr. Morgan, I suggest that you try to nab an audition for Jesse Custer. He's one of the few American actors that has the right amount of grit. Or do a reversal on The Comedian and play the ever-so-good Captain Marvel / Shazam. Or jump the DC ship and try out a little Dark Horse with Fear Agent. Lobo sounds cool from afar, but you've already got the biggest DC badass under your belt with the Comedian. Go with something more charming.

As a Los Angeles native and a film history buff, I am endlessly fascinated by little-known tales that continue to emerge from Hollywood's storied past. Girl 27, now available for free streaming courtesy of our friends at SnagFilms, first caught my eye when it was released on DVD a couple of years ago: A woman hired as a movie extra in the 1930s is instead raped at an MGM party. If that real-life premise sounds intriguing, or causes the hairs on the back of your head to stand up with righteous indignation, you might want to check out the movie.

Beginning on a Biblical note with a quote that "nothing hidden ... will not be disclosed," the documentary mixes black and white archival footage with recent interviews of outraged observers looking back at the events of 1937. MGM, the biggest studio in the world at the time, sponsored a convention for its sales force; dozens of young women were lured there with the promise of work as an extra or bit player. Instead, they were wined and raped. Well, at least one woman was: Patricia Douglas, a 20-year-old lady who was brave enough to press a lawsuit against the studio, only to be discredited and "disappeared" from the legal record. David Stenn was finishing a book on Jean Harlow when he learned about what happened and was compelled to write about it, spurred on by his editor, Jacqueline Kennedy Onassis. As narrator and director, he's somewhat self-serving (as pointed out by an irritated Carina Chocano in her Los Angeles Times review), but the doc brings a shameful, unknown story to light.

Watch Girl 27 in its entirety for free, right here at Cinematical -- after the jump!

It's very popular to hate on princesses right now thanks to Disney and their frenzied marketing, but there's nothing wrong with a good fairy tale once and awhile, especially if they're served up with a bit of snark. So, I have some hope for Once Upon a Time, an Enchanted sort of story that's being set up at MGM. It's moving pretty quickly too. The script was snapped up in March, and now The Hollywood Reporter says that Mike Mitchell is coming on board to lend his Shrek-honed skills to the fantasy flick.

The story follows three famous princesses: Sleeping Beauty, Snow White, and Cinderella, who have settled down in domestic bliss with their Prince Charmings, and are prepared to live happily ever after. But the Charming Brothers go missing (clearly, they're charming, but they lack street smarts) and our pretty sisters-in-law must team up, and set out to save their true loves. But a woman's job is never done, and they also have to save their fairy tale kingdom in the process.

It's a live action film, and THR notes that MGM is aiming for a Shrek and Enchanted level of satire. This almost feels like a Shrek spinoff, as all three princesses keep getting more and more screen time in the neverending ogre franchise. Hopefully it'll mix the best of Shrek with a dash of Ever After and Enchanted, and give girls some new princess costumes to wear on Halloween. Ones with swords.

If anything can make you forget the disappointment of Quantum of Solace, it's the news that James Bond 23 has taken the first big steps into production. No, that's not casting Bond girls or plotting explosions, but writing the script. Not surprisingly, producers Michael G. Wilson and Barbara Broccoli have looked again to the cream of Britain's film crop and hired a man who's gotten some attention at the Oscars lately: Peter Morgan. Few of his scripts have gone wrong (The Other Boleyn Girl is one mark on an otherwise impeccable record .. and even then, it's not that bad) and he'll definitely lend a lot of gravitas to the project. A lot.

Morgan won't be penning 23 solo, however. He's got some old hands in
Neal Purvis and Robert Wade (the pens behind both Quantum and Casino Royale), who are returning to the franchise ... and well, so long Paul Haggis. I guess he's taking the fall for Quantum.

So, now to find that new director. Rumors swirled that Danny Boyle had been offered the job, but that was quickly shot down by Boyle in an e-mail to EW. While it's always possible he could duck in once the script is done, we need to look to the rest of the United Kingdom ... and possibly to Morgan himself, who is about to make his directorial debut with The Special Relationship.

Back in January, we all recoiled a little bit at the news that Neil LaBute was remaking Death at a Funeral -- a nice little British movie that only just came out in 2007, making a remake seem even more superfluous than they usually are. The fact that he was making it with Chris Rock made the whole thing seem even more cheesy. (Not that we don't like Rock ... it's just that we like him in original, edgy stuff.)

Well, the remake just got a lot more over the top. The Hollywood Reporter has announced that Martin Lawrence and Tracy Morgan have joined, along with Loretta Devine, Ron Glass, Danny Glover, Regina Hall, James Marsden, Zoe Saldana and Columbus Short. (Who wants to bet money that Marsden is the gay lover? Anyone? Anyone?)

It's keeping the exact same plot of misplaced cadavers, gay blackmail, hallucinogenic drugs, and family secrets, though Rock cowrote the script with Ayesha Carr, so we can expect some changes. It's just not clear yet what they might be ... but at least it probably won't involve bear suits or misogyny. I'm still not convinced this needed to be remade, but I suppose if you're going to do one, it ought to feature Danny Glover. Let's just hope Tyler Perry stays a million miles away from the set.

ETA: Yes, the title originally read Tracy Jordan. I watch way too much 30 Rock.

Have you ever wondered how, exactly, the Hollywood studios came up with their logos? No, not really? It's cool, I've never given much thought to it either, but the folks over at Neatorama did, and they tracked down the stories behind the logos for Dreamworks SKG (boy fishing on a moon), MGM (which was your favorite lion?), 20th Century Fox, Paramount (are those real mountains?), Warner Brothers and Columbia Pictures (who's that torch lady again?). It's a rather fascinating read, if only to learn the names behind the artists who created some of the more recognizable images in film history.

From the Dreamworks SKG description: "Spielberg wanted the logo for DreamWorks to be reminiscent of Hollywood's golden age. The logo was to be a computer generated image of a man on the moon, fishing, but Visual Effects Supervisor Dennis Muren of Industrial Light and Magic, who has worked on many of Spielberg's films, suggested that a hand-painted logo might look better. Muren asked his friend, artist Robert Hunt to paint it. Hunt also sent along an alternative version of the logo, which included a young boy on a crescent moon, fishing. Spielberg liked this version better, and the rest is history. Oh, and that boy? It was Hunt's son, William."

Check out the rest over on Neatorama. Which logo is your personal favorite? (And is it weird to have a favorite Hollywood studio logo?)

OK, I highly doubt that anyone has ever sat down to read Dante's Divine Comedy and thought, "Hey! This would make a great video game!" -- But I guess there have been worse places to get an idea. Variety reports that Universal has snapped up the film rights to an upcoming console game with the working title of Dante's Inferno.

Universal was the lucky winner after a bidding war erupted between major studios (including Warner Brothers, MGM, and Paramount) for the netherworld adventure. The project went to Universal for the low, low price of a seven-figure deal, and this is the first title Electronic Arts has sold this year that was not based on an popular existing game. This brings EA's total to three film deals this year, with the possibility of a Sims feature (which some of us might have tried to block out), and then the announcement of an Army of Two feature film with Bourne scribe, Scott Z. Burns.

Since it's still early days for Inferno, not much is known about the game other than it will take players on a journey through hell. The games creator's will be taking a hands-on approach to the adaptation, and according to Variety , "Making a movie deal well before the game's release will give EA a shot at seeing a movie released closer to the beginning of the game's life cycle." I don't know about that, but I do know that it can't be any worse than most movie tie-in games.