Maiko Haaaan!!! Tagged Articles at Cinematical

• It's got to be a bit stressful to screen your film at a fest and watch nothing happen with it for months, or even years. But all is not completely over, especially as the latest news from The Hollywood Reporter will attest. Roadside Attractions has picked up two period films that screened at TIFF -- Before the Rains, which screened this year, and The Fall, which screened in 2006. Rains is about a British man in colonial India in 1937, who has an affair with his Indian servant, while Fall is a fantasy set in the 1920s about a young girl in a hospital who is told stories about heroes on a deserted island by an injured stuntman. Both films will be released next year.
• It looks like the San Francisco-based Viz Pictures likes the idea of men and geishas. Variety reports that the company has picked up Maiko Haaaan!!! for distribution stateside. The hit comedy by Kankuro Kudo is about a geeky salaryman who is obsessed with geisha and tries to infiltrate Kyoto's geisha world. Five lucky cities will get to see the film in March, including New York and San Francisco, with further locales added later.
• Finally, you might remember a certain film that Peter Martin blogged about back in June, one that would be the first cinematic collaboration between Singapore and Hong Kong. Donnie Yen had signed on to star in a big-budget thriller called Painted Skin, and now Variety reports that production has started in Hong Kong. It's a pretty sexy scenario -- there's a "vampire-like" lady who likes to go cannibal on her lovers -- eating their skin and heart. (It's a remake of an old 1965 Hong Kong film.) Since the film began cooking, the budget has jumped to $15 million, and Gordon Chan is now the director. The bloody production will continue through to February -- fitting since it's the month of hearts -- and will get to us in Christmas of 2008, just in time for the red of the holiday. I wonder if they planned it to coincide with such red-themed, and heart-themed holidays...

In comparison with film festival veterans, I'm a newbie: I've attended all or part of about two dozen over the past five years. I've yet to make it to Cannes, Toronto or Sundance, but I've gone to regional fests, Asian fests, homegrown fests run entirely by volunteers and big city fests sponsored by large corporations. With all these fests, I've come to expect different things: red carpet premieres and well-known stars at the bigger ones, great enthusiasm and excitement for the films at the smaller ones. Fantastic Fest in Austin, which concluded its third edition this past Thursday, walks another line entirely.

Our own Scott Weinberg described it as "the slickest, screwiest, most user-friendly genre festival this side of the continent." (We'll get to Scott and the unexpected pleasures of the game show he hosted later in this article.) Allow me to explain further: the festival is held at the Alamo Drafthouse (South Lamar location), a multiplex where, yes, you can order food and drinks from your seat, but, more important, all the auditoriums are superb screening facilities. Any projection glitches are fixed quickly and the sound is cranked up as loud as it should be.

Three of the six auditoriums were set aside for the festival, and clearly marked lines were set up in the lobby so you knew where to stand while waiting for your next movie. The staff and volunteers are friendly, well trained, knowledgeable and willing to share opinions on movies if they can spare a moment. It's a huge advantage to have all the festival screenings at one location, especially an exceptionally well-run facility with plenty of free parking. This gives Fantastic Fest a tremendous leg up on other well-meaning though poorly-organized festivals I've attended.