Film critics are often criticized themselves for being the wrong audience for a movie they've panned. Whether it's old white guys who aren't the right audience for a Tyler Perry movie or old white guys who can't appreciate a "chick flick," the subjectivity of certain reviewers is sometimes even called out for being too racist, sexist or otherwise prejudiced. We saw a high level of apparent chauvinism going on recently with the release of Sex and the City, and now it's happening again with Mamma Mia! Last Friday, in her his review, New York Sun critic Grady Hendrix* noted that Mamma, "has been getting generally good reviews, but it's also been getting trashed by some critics who all have one thing in common: They're men." And the claim has now been escalated by Liz Smith, who quotes Hendrix in the Page Six section of today's New York Post.

Despite my half-belief that Hendrix has a point about some male critics, I didn't want her his claim to go unchecked. Especially because her his review went out on the same day that most newspaper reviews went out. Meaning, how could she have known the true demographics of all negative and positive reactions? Going through all the Mamma Mia! reviews sampled on Rotten Tomatoes, here is what I discovered:

Not to be a snake in everyone's boot, but the all-time opening weekend record is not in the bag for The Dark Knight just yet. The $155.3 million weekend estimate is just that -- a studio estimate -- and when the final numbers come out later this afternoon, Spider-Man 3's $151.1 million may still be on top of the heap. So everyone should chill for a few more hours.

Still -- $150 million! In one weekend! For a movie that's dark and scary and complicated and dead serious! That's pretty amazing, though my hopes for this wonderful film's box office staying power were dampened somewhat when I saw it a second time yesterday and heard the banter of the couple next to me, which consisted of statements like "Do you know what's going on? I don't know what's going on," and "I don't even understand who the bad guy is." (?!??) I guess you can't please everyone.

Anyway. $150 million +. First person to call it a disappointment because it's not the world's first $200 million opening weekend gets a kick in the crotch.

The weekend's counterprogramming saw mixed results. Mamma Mia!'s $27.6 million is an undeniable victory, though I think the market was begging for something not action- or family-oriented. I'm not sure what to say about Space Chimps' $7.4 million, seventh-place bow. I don't think anyone could have expected much more from a movie called Space Chimps.

The Dark Knight did a number on the superhero-themed holdovers, kicking Hellboy II down to the tune of 71%, and Hancock a somewhat gentler 57%. Hancock should see $200 million by the end of the week; Hellboy II probably won't get to $70 million domestic, though it should beat its predecessor's $60 million take.

The full top 10 estimates after the jump.

What are going to be the biggest surprises at this year's ComicCon? Can McG and Christian Bale make us care about Terminator: Salvation? Will the movie adaptation of Twilight please fans, or alienate them? What's behind the venom being directed at Batman's detractors on-line? And does Meryl Streep's Mamma Mia! have a chance against The Dark Knight this weekend? Joining James this week to talk all things ComicCon is Cinematical's Editor-In-Chief Erik Davis. ... Cinematical's podcast is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

I'm fairly certain that a good majority of you will be taking full advantage of the summer weather this weekend by playing some friendly summertime games with the neighborhood children. However, if you happen to get the urge to visit your local multiplex (or IMAX theater) to watch one of them moving pictures in color and surround sound, then we here at Cinematical would be interested to know what you'll be watching.

In one corner we have the year's heavyweight champ of movie marketing in The Dark Knight. He's big, he's a bat and he's ready to take your hard-earned dollars. In another corner, we have one of Broadway's most beloved musicals arriving on the big screen for the first time: Mamma Mia! For the kids too young for Batman, we also have Space Chimps -- and for those in desperate need of an indie fix, we have Transsiberian. I'm happy to say there's a little something for everyone this weekend ... but what will you be watching?

It's a good time to be a cinematic super hero, and Jules Verne proved that his work still has legs 103 years after his death, but Eddie Murphy's Meet Dave died a thousand deaths pulling in a mere $5.2 million and not even making the top five. Here are the totals:

1. Hellboy II: The Golden Army: $34.5 million
2. Hancock: $32 million
3. Journey to the Center of the Earth: $21 million
4. Wall-E: $18.7 million
5. Wanted: $11.9 million

Three new releases this week, and in the very broadest of terms we have one for the guys, one for the gals and one for the kids.

The Dark Knight
What's It All About: Do I really need to explain this one? Christian Bale returns to the role of Batman in the sequel to the series rebooting Batman Begins, with Christopher Nolan once again in the director's chair. There's a new crime boss in Gotham City and he's called The Joker (Heath Ledger). The two clash, things blow up, awesomeness ensues.
Why It Might Do Well: This will be the movie to beat this Summer. Batman is so ingrained into American pop culture that he's bonded to our collective DNA. Batman Begins grossed $205 million domestically and $371 million worldwide. The Dark Knight is scoring 88% over at Rottentomatoes.com and Cinematical's own James Rocchi had some good things to say about it.
Why It Might Not Do Well: There remains the possibility that people with a fear of bats will join forces with those with a fear of clowns and boycott the film, which of course means more popcorn for the rest of us.
Number of Theaters: 4,300
Prediction: $125 million

Even when I started following the industry obsessively, I always wondered how it came to be that by October or November of each year, there would always be a fairly clear picture of who the Oscar "frontrunners" were, which films were falling out of the race, and sometimes even which movies are "locks" in certain categories I figured the buzz had to start somewhere -- and that to some extent, the tail had to be wagging the dog.

Maybe it starts with glowing advance Hollywood Reporter reviews. Consider Ray Bennett on Meryl Streep in the ABBA musical Mamma Mia!, due July 18th: "Streep is sensationally good in rendering the whole yarn credible and in making dramatically moving songs such as 'Slipping Through My Fingers,' sung to her departing daughter, and 'The Winner Takes It All' to a lost love. It's no stretch to think of her performance in Oscar terms, ranking with previous musical winners such as Liza Minnelli, Barbra Streisand and Catherine Zeta-Jones."

So: is this that fabled "Oscar buzz" we keep hearing about, or just one dude sounding off about a movie he liked? Is this the first step toward Streep being a "Best Actress lock" come December? I wouldn't have put Mamma Mia! (or, for that matter, The Dark Knight) on my Oscar shortlist a few months ago -- looks too silly! The release date's all wrong! But I guess now that I've read The Hollywood Reporter, I'm supposed to think it's a contender. Right?

Or did you know that all along?

Even before Sex and the City proved a hit of modest blockbuster proportions, women, such as our own Kim Voynar, were asking whether the film's popularity could lead to more female-targeted fare from Hollywood. Not necessarily "chick flicks," which we already see every now and then in the form of stale romantic comedies (like Made of Honor) and other small movies involving a female protagonist -- but big, smart, well-funded movies that appeal primarily to the ladies. You know, as in the female equivalent to comic book and action movies like Iron Man and Indiana Jones and the Kingdom of the Crystal Skull (yes, I know many women were fans of both these "guy" flicks). Well, according to a piece in Variety asking the same question, women can at least look forward to Sex and the City 2. That's good enough, right?

Apparently New Line is already at work on the Sex sequel, but studio execs are predictably responding to the success of Carrie and Co. as a fluke. Warner Bros. head Alan Horn, who jokingly told Variety that the sequel will be titled Sex in the Suburbs, said last weekend's Sex opening was "unusually big" and claims similar projects wouldn't do as well. In a way, he's right, pointing to the fact that Sex had a built-in audience, being based on a hit TV series. Meanwhile, Universal's Donna Langley, also acknowledging that Sex is "outside the norm," at least says it's something to aspire to. Her studio also has a female-targeted movie coming out this summer: Mamma Mia!. But again, that, as well as this summer's The Sisterhood of the Traveling Pants 2, has a built-in audience.

So after what's felt like a gazillion years, I finally managed to catch Jersey Boys on Broadway last night ... and all I could think about the entire time was why this hasn't been turned into a movie yet. (But in a good way.) In the past few years, we've had Chicago, Rent, Hairspray and The Producers, with Mamma Mia and Nine on the horizon. Where's Jersey Boys? The damn show gets a standing ovation every night, not to mention it's got a great story, great characters and, well, fantastic music. It'd be like Goodfellas: The Musical -- and something like that would probably rake in more cash (from both men and women) than most of these movie-musicals to date.

I haven't had this much fun watching a musical in years; probably since Wicked (which is another one that needs to hit the big screen at some point). But when I sat there, picturing how they could adapt each scene and make it really work on the big screen, one annoying issue kept beating me over the head: Who in the world do you cast? Since Hollywood is all about sticking names in these sorts of roles, you'd need four young guys who not only can sing (Valli gets UP there), but also come with thick Jersey accents. Off the top of my head, I don't know of any young, Hollywood stars who fit the bill. MAYBE Zac Efron, but he might be a tad too young ... and I've never seen him do a tough, Jersey accent (honestly, I don't know if I want to ...)

Now you can take your pick! Back in December, the first trailer for Mamma Mia came out. It started off with a slow and pensive song as Amanda Seyfried sailed against the dark deep blue and sent off three letters, before the teaser pumped up with three potential dads, played by Colin Firth, Pierce Brosnan, and Stellan Skarsgard, and a rendition of the classic Abba tune.

Now we've got the traditional long-form trailer courtesy of Yahoo, and it lays out the whole story. Unfortunately, it does so with that pesky-over-used voice over that always amps up the cheese. Nevertheless, there's lots more of risque, swingin' mamma Meryl Streep, a longer look at the tacky retro-wear from the musical's finale, and all the little bits that set up the story. And, if you're a fan of Abba, or the musical, there's lots of little music nibbles stretched throughout the trailer, from "Mamma Mia" to "Dancing Queen."

Although I'm pretty picky about musicals, I liked this one when I saw it years ago; but I have to admit, the only reason I want to see this as a movie is to see Streep perform Abba tunes in tacky garb. But, maybe like the stage version, it will win me over. What about you? Are you ready to jump up and dance with Abba in the theaters this July?

For those who never got around to seeing Mamma Mia! when it hit the stage, or for those who are dying to see it again (I saw it twice, just so you know ...), the widely popular Broadway musical is now heading to the big screen -- and Cinematical has your exclusive first look at images from the film. Starring Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Julie Walters, Dominic Cooper, Amanda Seyfried and Christine Baranski, Mamma Mia! was written by Catherine Johnson and directed by Phyllida Lloyd (both of whom brought us the staged version). Tom Hanks and Rita Wilson serve as executive producers. Of course, and I shouldn't have to tell you this, the film also comes with more than a few awesome ABBA tunes. Here's a taste of what you're in store for (from the film's official synopsis):

An independent, single mother who owns a small hotel on an idyllic Greek island, Donna (Streep) is about to let go of Sophie (Amanda Seyfried), the spirited daughter she's raised alone. For Sophie's wedding, Donna has invited her two lifelong best girlfriends-practical and no-nonsense Rosie (Julie Walters) and wealthy, multi-divorcee Tanya (Christine Baranski)-from her one-time backing band, Donna and the Dynamos. But Sophie has secretly invited three guests of her own. On a quest to find the identity of her father to walk her down the aisle, she brings back three men from Donna's past to the Mediterranean paradise they visited 20 years earlier. Over 24 chaotic, magical hours, new love will bloom and old romances will be rekindled on this lush island full of possibilities.

Inspired by the storytelling magic of ABBA's songs from "Dancing Queen" and "S.O.S." to "Money, Money, Money" and "Take a Chance on Me," Mamma Mia! is a celebration of mothers and daughters, old friends and new family found. Mamma Mia! will dance its way into theaters on July 18, 2008. Additionally, Moviefone will debut the first Mamma Mia! trailer tomorrow -- so watch for it! Check out our gallery of exclusive pics below (click on the images to head to our gallery) ...