Mark Millar's American Jesus has been kicking around studios for a few years -- about as long as it's taken him to put out any more issues of the series. Sony Screen Gems nearly optioned it, but Millar pulled the plug on the deal in order to expand the story, with an eye on making it as enormous as Lord of the Rings.

Once he actually thought about it a little more, he realized that 9 issues or so could make a single movie. Back in September, his Kick-Ass helmer Matthew Vaughn wanted to tackle it, but Millar still hadn't decided what to do with the story, and urged Vaughn to do Kick-Ass while he wrapped it up. He must have it plotted out now, as The Hollywood Reporter is saying that the duo is back to work on a film adaptation and looking at a summer start date. Meanwhile, Millar is still trying to get the comic's second volume done for a fall release, so don't hold your breath for American Jesus.

The story of American Jesus is right there in the title. A 12-year-old boy named Jodie Christianson discovers he is the Messiah. (The initials are a big clue.) From there, I'm honestly not sure what happens as I have only read the first issue (which you too can read at Newsarama), I just know there's some kind of cliff-hanger. Millar gave a few hints as to where Vol 2 was going: "I don't want to spoil the ending of Chosen for anybody who hasn't read that, but the second volume is about the adult Jesus in the modern day walking around in the world of Guantanamo Bay and conservative Republicans running Americans who don't have that much in common with a 2000-year-old Judean idea of what Christianity is. It's Jesus in the modern world, and they crucified him last time, so it's kind of updating that for the modern world."

Okay, so what are we going to do about Superman? Obviously Bryan Singer is done with the Man of Steel; he's moved on to other projects. Meanwhile, Mark Millar (the brains behind Wanted and Kick-Ass) has been extremely vocal in his quest to take over the superhero franchise ... but his (and our) cries and screams seem to have been ignored by Warner Bros. Now, however, Millar has returned to update fans on his blog and unfortunately it doesn't sound very promising. He says, "Warner's talked to us and a few other writer/ director teams, but things seem to be in stasis right now. As far as I understand, nothing is happening with Superman at the moment and so the director and I are just working on another project. If it happens, great. If it doesn't, no biggie."

Millar went on to vent a little more, adding a cheap shot or two ("The idea of taking notes from the guys who liked the idea of Superman lying in bed for the final act of Returns doesn't sound good to me"), and looks to be just about out of the running for a reboot that really needs to succeed this time around. And that's probably why Warners is taking so much time with it -- they desperately need to get Superman right, and they desperately want that one-two punch of Supes and Batman. As Millar notes, "I think Avika Goldsman (Batman and Robin dude) has been charged with rethinking them to match the Marvel juggernaut."

But how do you reboot Superman in an age where folks want their superheroes dark and a little bit dirty? Do you start from the beginning or pick it up somewhere in the middle, like Singer did? What do you want to see? Which villains should they include? And who the hell do you get to play the big S?

I think the dust has pretty much settled on the story of the Superman reboot. Presumably, the Man of Steel's fate is being plotted out in those DC-Warner Bros meetings. Are they going dark and Christopher Nolan-ish? Is Bryan Singer in or out? Anyone penned a script yet? Like most of the DC properties, Superman seems to be sitting in uncomfortable limbo.

But at least one man is chugging right along -- Mark Millar has been talking for months about his Superman script, and the "big Hollywood action director" who wants to shop it around for him. Now, he's told Empire his big pitch and goal, which is nothing short of a Superman epic. Millar wants to make an 8-hour saga, split into three films, Lord of the Rings style. "It's gonna be like Michael Corleone in the Godfather films, the entire story from beginning to end, you see where he starts, how he becomes who he becomes, and where that takes him. The Dark Knight showed you can take a comic book property and make a serious film, and I think the studios are ready to listen to bigger ideas now ... I want to start on Krypton, a thousand years ago, and end with Superman alone on Planet Earth, the last being left on the planet, as the yellow sun turns red and starts to supernova, and he loses his powers."

Wow. That's a reboot, all right. Somehow, I would expect nothing less in scope from the man who fed Daredevil and the Punisher to dinosaurs. (See Wolverine: Old Man Logan.) I think that sounds too exhausting to even contemplate -- but if there was a superhero to give an epic series to, it would probably be Superman. I'll hand it over to you to think about.

I think this is the quietest week in the land of the nerdy since I started here at Cinematical. No major casting news from Marvel, no new graphic novels optioned, no reboots announced. It was a pretty crazy summer when it came to superheroes -- maybe everyone is just really tired. Nevertheless, let's look at what has come across the wire, shall we? It's a very verbal day -- Alan Moore still hates Hollywood, William Shatner is still annoyed at JJ Abrams, and M. Night Shyamalan is all wistful. There's plenty to discuss here!

• Geoff Boucher interviewed Alan Moore over on HeroComplex and finds him as intractable as ever when it comes to the upcoming Watchmen movie. He believes it sounds like "more regurgitated worms" as Hollywood is wont to produce. (Not just of his work, mind you, but of films in general.) He even hinted that its recent legal woes (which he finds "wonderfully ironic") might, in fact, originate from his corner of the world. "Perhaps it's been cursed from afar, from England. And I can tell you that I will also be spitting venom all over it for months to come." I'm not surprised, but I do wish he could concede that there are good films just as there are bad comic books. Can we send him something by Darren Aronofsky? Perhaps a gift set of The Fountain and its graphic novel companion?
  

The Geek Beat is taking a late-September vacation to Middle Earth -- but it will be back next month and those of you suffering withdrawels can always check the archives. In the meantime, you can relax with a daily round-up of nerdy news bites. (They taste like coconut!) This is relaxing for me, too -- I get to catch up on my reading, my Halloween shopping, and my yoga. I can stay up all night re-reading Preacher (you know I will) and not waiting for an X-Men Origins: Wolverine story. A good way to end summer!

Now, onto today's news ...

• According to The Hollywood Reporter, Jeffery Erb and Robert Robinson Jr. have launched Framelight Productions with an eye to producing edgy comic and graphic novel adaptations. They already have options on Larry Hama's Dr. Death with Kip and Muffy, Gary Reed's Deadworld, Ralph Tedesco and Joe Tyler's Sins of the Fallen, as well as their 1001 Arabian Nights. (Clicking on any of those links will take you to previews of the books.) All of their productions aim to do one thing in particular -- involve the creator in all aspects of movie making. "We weren't the only producers wanting to make movies based on these creators' babies, but we were the only ones inviting them in as co-producers," says Erb.

• Edward Norton told MTV News that he's uncertain about the future of The Incredible Hulk and his role in it. There's been no word on whether they will be a solo sequel, or if Norton will be playing the Hulk in The Avengers. "The minds of Marvel are sometimes opaque. I won't say [they're] obtuse, but I don't have any idea what they want to do." Perhaps they're considering Matthew McConaughey, who had no idea he was rumored for Captain America -- but revealed to MTV that Hulk is really the only Marvel character he would like to play. (They could save on the budget -- all they have to do is dye that muscled dude green.)
  

Above: Nicolas Cage on the set of Kick-Ass

It's not like Mark Millar is the most reserved guy when it comes to his enthusiasm for his work, but even for him, this might be a little much. Over at Millar World (a fan forum), the man himself weighed in with an update on Matthew Vaughn's version of his comic series, Kick-Ass, and says, "I hereby declare Kick-Ass as the greatest movie of 2009." Pretty bold words for a movie that stars Nicolas Cage, don't you think? (you can read the full details over at the Millar forums.)

Aaron Johnson stars as the titular 'Kick-Ass' (better known as Dave Lizewski), an otherwise ordinary New York City high school student whose interest in comic books inspires him to become a real-life superhero. Nicolas Cage and Chloe Moretz also star as a father and daughter crime-fighting team known as Big Daddy and Hit-Girl.

Millar went on to give major props to the film's crew and cast, saying, "I lucked out with Wanted and Timur and James and Angelina. But nothing-- I mean nothing-- can prepare you for Nic and Chloe as Big Daddy and Hit-Girl. As I said to Nic after the first scene was shot on Saturday morning, this is a movie about comic-book guys MADE by comic-book guys.." Luckily for fans of the original series, it looks like the non-stop carnage that made the series so popular is remaining intact -- regardless of what Cage may have to say to the contrary.

I guess the actual release date didn't occur to Millar when he made his 2009 declaration, because Kick-Ass will arrive in theaters on January 1, 2010.

[Photo via Bad and Ugly]

Matthew Vaughn's Kick-Ass seems to be one of the projects of the moment -- either because it's a super slow news time or because Mark Millar has taken over the Internet. I suspect the latter.

When this movie was officially pushed into gear, much was made of the violence of Millar's book, and how Vaughn refused to tone it down for the film. Studios fled screaming from it. But according to Nicolas Cage, it's not going to be excessive. "When I said 'yes' to this movie, it was to a script," Cage told MTV. "Then I started seeing the comics which are pretty far out in terms of violence. But I think Matthew and the script have a different style to it. I'm not fond of gratuitous violence ... There will be some moments of action that will be violent, but there will be a sense of elegance to it. [Matthew Vaughn] doesn't want to get gratuitous with it. At least that's what Matthew has told me."

Now, perhaps this is all a matter of perspective -- what studios see as over-the-top and gratuitous, Vaughn and Cage don't. But on the snap judgment surface, it sounds as though Vaughn is watering down Millar's book, which is hard to believe when he was so dedicated to the blood and guts that he funded it himself. I want him to stick to his guns (no pun intended) and make the movie that shocked studio executives. My future katana-wielding daughter must be portrayed accurately, in all her foul-mouthed and blood drenched glory. (For the record, I trained her, not her father. As if I would trust such a delicate task to anyone else.)

It's definitely no secret that writer Mark Millar is a wanted man these days (or at least he wants you to believe he's a wanted man), what with his comic series Wanted doing very well in theaters and another series of his, Kick-Ass, about to start production -- not to mention all this talk of the guy possibly taking over the Superman franchise from a writing and creative standpoint. We'll get to the latter in just a second, but first up there's Wanted ... and Wanted 2 ... and, wait, Wanted 3, too?

In an interview with Newsarama, Millar spoke about how much he's participating in the Wanted follow-up ... and it would seem like he only gave the studio a "very small amount for a story, and that will be used as a basic story that they can build from." He adds, "It will be some of the stuff that we didn't utilize from the first book for the movie – like chapters three and four – there will be some stuff from that, so in the loosest sense it will be based on the book, but only very little." Millar also noted that both part two and part three are greenlit, and that James McAvoy is indeed signed on to reprise his role in both sequels.

Hear what Millar has to say about his proposed seven-hour, Lord of the Rings-like Superman trilogy after the jump ...

One of the more interesting comic book projects in the pipeline is an adaptation of Mark Millar's Kick-Ass (title likely to be changed?), directed by Matthew Vaughn. We previously covered the action comedy -- about a high school dork who decides to become a superhero despite not possessing any of the gifts normally associated with superherodom -- here and here.

Perhaps hinting at the tone of the eventual film, the first bit of casting was Superbad's Christopher Mintz-Plasse. Though he may seem like the perfect choice to play a dweeb with delusions of grandeur, Mintz-Plasse was cast in a supporting role. A week later, they've cast the lead: it'll be 18 year-old Aaron Johnson, whom you may remember as little Ed Norton in The Illusionist. Joining him will be Nicolas Cage and TV vet Lyndsy Fonseca. Fonseca will play the love interest, while Cage will play the father of Elizabeth Rappe's future daughter, "a vicious, foul-mouthed 11-year-old who chops down criminals with a katana." Apparently he's trained her to do that as part of his quest to take down a druglord.

Mark Millar, by the way, is the dude behind Wanted, a comic that was about 250 times crazier than this summer's movie adaptation. I'd like to see Shoot 'Em Up's Michael Davis get a crack at a Millar project, but I'll settle for the ultra-talented Vaughn, who can do both over-the-top violence (see Layer Cake) and elegant movie versions of difficult source material (see Stardust).

Matthew Vaughn is set to direct an adaptation of Mark Millar's comic Kick-Ass -- and part of the cast he was hinting at back in June has been announced: Christopher Mintz-Plasse (McLovin, as predicted in the comments two months ago) and Chloe Moretz are joining the production.

Kick-Ass is the ultra-violent (surprise, it's Millar) story of a high school dork, Dave Lizewski, who reinvents himself as a superhero named Kick-Ass. Unfortunately, he's pretty bad at it, until he's forced to face real bad guys, who pack real weapons.

Surprisingly, Mintz-Plasse will not be playing the lead -- he's playing the Red Mist, the angry teenage spawn of a mob family, who tries to uncover the Kick-Ass' real life identity. Moretz will be playing a vicious, foul-mouthed 11-year-old who chops down criminals with a katana. (In other words, she's playing my future daughter. What can I say, I'm going to raise her right.) The lead has yet to be cast, and Vaughn is courting several big names to play parents and mobsters.