MarkRomanek Tagged Articles at Cinematical

Never Let Me Go will be Mark Romanek's follow-up to One Hour Photo, the sinister Robin Williams film he directed back in 2002. Romanek, as you may know, is a legendary music video director who has worked with Nine Inch Nails, Michael Jackson, Audioslave and Madonna, among others. You may remember his heartbreaking video for Johnny Cash's cover of "Hurt," which was all but hailed as the second coming. Though One Hour Photo was not Romanek's first feature film – that would be Static, the surreal, low-budget 1986 drama he co-wrote with Keith Gordon – but it was supposed to be the beginning of a distinguished film career.

From 2002 to 2008, Romanek became attached to a number of projects, none of which made it out of development hell. He was meant to direct an adaptation of the Philip Gourevitch non-fiction crime drama A Cold Case starring Tom Hanks, but that has thus far gone nowhere. He had decided to tackle James Frey's A Million Little Pieces but that, of course, was before it turned out that James Frey was a honking fraud. In 2008, it looked like Romanek would at last cross the finish line with The Wolf Man – and then he walked out on the eve of filming over creative differences. Journeyman director Joe Johnston will be delivering that finished product this November.

What do you do when you need a pretty actress with limited facial expressions? Well, if Nicole Kidman is busy, I guess you call Keira Knightley (only kidding ... well, maybe not completely kidding). Believe me when I tell you I have nothing personal against the girl, but darn it if I can detect a facial movement in most of her performances other than the example provided to the right. But Knightley's 'reserved' approach to emotion might come in handy now that Variety has announced that the perpetually pouty Ms. Knightley will star as a clone alongside Carey Mulligan in Never Let Me Go, a romantic sci-fi thriller based on the acclaimed novel by Kazuo Ishiguro.

The story centers on three friends who grow up together in a posh boarding school; unfortunately for them, however, this charmed life is a short one and the three learn the disturbing truth that they have been bred for organ donation. Don't worry if this sounds an awful lot like the 2005 stinker, The Island, because unlike Bay's exploration of 'happy organs' and Xbox competitions, Ishiguro's story is much more concerned with existentialism and the meaning of humanity (not exactly Bay country).

Mark Romanek is on board to direct the adaptation, and Alex Garland (28 Days Later) is already at work on a script. Romanek made his name making music videos (even though he didn't make the cut for Monika's list) but has directed only one other feature film: the slightly underwhelming One Hour Photo. But the pressure is on, because unlike The Island, if this flick is a flop we won't be able to blame Michael Bay.

One of the most disappointing pieces of news this year was that Mark Romanek was dropping out of The Wolf Man. While I was never too fond of One Hour Photo, this is the man who brought us videos like "Closer," "Rain," "Cochise," "Criminal," and even that heart-breaking Johnny Cash cover of "Hurt." (Just seeing June look at him in that -- so powerful.)

Now, finally, he's picked up a new gig -- almost a full year later. /film posts that Production Weekly has reported that Romanek has signed on to helm a film adaptation of Kazuo Ishiguro's Never Let Me Go. Named a best novel by Time magazine, the book focuses on a woman who begins to remember her time at a private school as a few of her old friends come back into her life. "But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham's nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood–and about their lives now."

If his treatment of "Hurt" is any indication, this could be one mouth-watering, bone-chilling drama. Let's hope this gig sticks.

Plenty of music video directors have gone on to make great films. But what if they were to make a great film based on one of their videos? That's kinda the concept behind a list over at JoBlo.com titled "Music Videos That Should Have Been Movies." Many of my favorites are on there, such as Jamie Thraves' video for Radiohead's "Just," Jonathan Glazer's video for UNKLE's "Rabbit in Your Headlights," and Garth Jennings' video for Blur's "Coffee & TV" (pictured above and watchable after the jump). The last of these is said to be one for the kids, but I'd probably be first in line for a feature-length movie about a milk carton on a mission.

Most of the videos included are quite enigmatic, and JoBlo's Mike Sampson admits that for some he simply wants answers, which could be revealed in the longer format of a narrative feature. Haven't we all wondered what the heck is going on in Mark Romanek's video for Nine Inch Nails' "Closer"? And why's that guy in the "Just" video just lying there? Then there's the more easily adaptable videos, such as Van Halen's "Hot For Teacher". I think they've already somewhat made that movie, titled My Tutor, and there's even a remake on the way, but I'd still be interested in Hot For Teacher: The Movie, directed by Judd Apatow, at Sampson's suggestion.

Hearing that Mark Romanek was going to direct a new stab at The Wolf Man a year ago, with Benicio Del Toro starring, was music to my fangirl ears. It was the sort of project that sliced through remake apprehension, and sounded like tasty, cinematic candy. Well, if Nikki Finke's sources are correct, we can forget that possibility. Over at Deadline Hollywood Daily, she has posted word from her sources, who say that Romanek has just quit the project. And Variety has followed up with confirmation of his departure. What?! Is he nuts!?

The source says: "He just blew the opportunity of a lifetime, which is mind-boggling." Indeed! It seems that the $100 million budget wasn't enough for him: "He's a purist, an artiste, an exquisite craftsman, but he just had a budget schedule he couldn't accommodate." Okay... Sure, budgets can make for headaches, but lots of amazing films have been made with small budgets, and we're talking about Del flipping Toro as the Wolf Man, and Anthony Hopkins as Sir John. I might not sell my blood for it, Rodriguez-style, but I'd somehow make it work.

The studio thinks it will fill his shoes pronto, but there's no word about whether they'll stick to their February 18 start date. With Romanek out -- who could fill in his shoes and do the project justice?

Ever since her star-making role as Meryl Streep's proudly ambitious assistant in The Devil Wears Prada, Emily Blunt has been very much in demand for both big studio and smaller independent pictures. Currently she's a Sundance darling, showcasing her work in two films playing at the festival: Sunshine Cleaning, in which she's teamed with Amy Adams as sisters who become crime scene cleaners, and The Great Buck Howard, in which she plays "a fiery publicist hired to stage the comeback of a lifetime," according to the program notes.

Now it looks like she's set to play the gal pal of a rather hirsute fellow. Back in December, Scott Weinberg first passed on a report that Ms. Blunt had been (almost) hired to play Benicio del Toro's girlfriend in Mark Romanek's version of The Wolf Man, based on a script by Andrew Kevin Walker (Seven). MTV News spoke to her at Sundance, and she confirmed on Saturday that she has been cast and will begin filming in February.

I very much agree with Scott's description of Ms. Blunt as "mega-hot and seriously talented," and the romantic pairing of her with Mr. del Toro looks like a powder-keg of dynamite ready to explode. I look forward to witty banter being exchanged between the couple -- Emily with her pitch-perfect diction rolling bon mots off her tongue, as Benicio mumbles something incomprehensible in return. What a great contrast that will be when Benicio goes all lupine on her! Brilliant casting, I say. The only drag? We'll have to wait until February '09 to see the results.

I know I bitch and moan about horror remakes all the time, but every once in a while there comes a project that melts my cynicism and gets me all geeky. Universal's impending rendition of The Wolf Man is one such project, and I'm basing my early opinions on a few cool factors:

1. Benicio del Toro is going to star, and that's what I call good casting. OK, and this Anthony Hopkins guy is pretty solid, too.
2. Mark Romanek is directing, and if you've ever seen One Hour Photo (or, better yet, this DVD) then you know that's a good thing.
3. The screenplay comes from Andrew Kevin Walker, also known as the man who wrote the blisteringly awesome Seven and one very cool version of Sleepy Hollow.

And now, courtesy of CHUD.com, I have a fourth reason to get excited for this new version of The Wolf Man: The mega-hot and seriously talented Emily Blunt has been (almost) cast as the female lead. (Probably best known for a great supporting turn in The Devil Wear Prada, Ms. Blunt appeared in no less than four films this year: Wind Chill, The Jane Austen Book Club, Dan in Real Life and Charlie Wilson's War.) Plus, like I said, she's really pretty with a powerfully sexy accent.

Unfortunately the new Wolf Man isn't scheduled to make his big-screen appearance until February of '09 -- which will give us plenty of time to bring you all the newest developments.

It seems crazy to me that studios "claim" release dates two and three years before the movies come out. I understand that it builds up anticipation, but hanging a release date over filmmakers' heads can't help the end result. For example, I attended a screening of the director's cut of Troy the other night (very cool), with director Wolfgang Petersen introducing. He discussed how at test screenings he realized the score of the film wasn't working. He wound up replacing it in a huge rush to make the release date, and it became one of many aspects of the final film he was unhappy with. Why not just give directors time to make the films they want instead of all the "starting without a finished script" -type stuff that goes on? Well, two upcoming movies -- The Chronicles of Narnia: The Voyage of the Dawn Treader (or as I call it, TCONTVOTDT -- it just flows better) and The Wolf Man -- seem to be doing just that.

Prince Caspian, the second Narnia adventure, is still set for release this May, but TCONTVOTDT has been moved from May 1st, 2009, to May 7th, 2010. Taking its place on the '09 date is something called G-Force, "a Jerry Bruckheimer family-adventure about a band of animal commandoes trying to stop an evil billionaire taking over the world." If that plot description is any indication, Summer '09 is going to be a magical time at the cineplex! Mark Romanek's The Wolf Man, with Benicio del Toro in the title role, is being moved from November 18th, 2008 to Spring 2009. I love del Toro, and am really looking forward to that one. I wonder if the notoriously hairy Robin Williams was considered for Wolf Man? Might have saved money on makeup. Reasons have not been given for the release date changes, but Empire speculates that it likely has something to do with the actor's strike that could shake up the industry next June. Hopefully, putting some extra time and care into these movies will be a good thing.

I am The Wolf Man, coocoocachoo! There are times when remakes make me cringe, times when I'm indifferent and times when I start to get the itch of excitement. The latter usually comes from who is involved. It didn't scare or upset me to hear that Lon Chaney's Wolf Man was getting remade, because Benicio Del Toro's involvement just seemed right. Then we got Mark Romanek added to the pot to make things interesting, and then in a moment of insanity or genius, Anthony Hopkins came on-board to play pops -- Sir John Talbot. Now TMZ has a photo up of Del Toro, who is in the midst of his role as Lawrence Talbot. While this isn't an on-set image, he's still looking wolfy.

Take a look at that mug! Well, imagine it without "The Hunted" truck cap and worn, leather jacket, because they make him look like a scary rapist or something. The hair... The look in his eye... This is what got me amped about the project. Will it be just like the original? Doubtful. Will it do it justice? My magic 8-ball says signs point to yes -- crap! I just pulled it out and actually asked, and it says: "Cannot Predict Now." Back when Hopkins jumped on, his agent had said it was a great script, but then again, as many great roles as he has had, he's also had some stinkers. According to the script review at Latino Review, we've got Victorian London in 1888, and Talbot is a Shakespearean actor performing Hamlet, picked for the passage: "To be or not to be, that is the question; whether 'tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing, end them." They also say screenwriter Andrew Kevin Walker is at the top of his game. God, I hope so!

Trent Reznor scares me. He's not scary in the way that Marilyn "Ooo! Look at me! I'm spoooooky!" Manson thinks he is. He seems to be a genuinely disturbed person. I remember being traumatized after seeing the horrifying video for Nine Inch Nails' "Closer" as a young man -- the images of severed pig heads and torture devices remain imprinted on my memory. And now he's talking about taking his latest album, Year Zero, into visual mediums. Says Reznor: "Some interesting things have come up in terms of turning this into another format of entertainment, like a television show or a movie. I've had some meetings with A-list people I'm interested in possibly working with." With the right A-lister, this could be a really cool project. Off the top of my head, Mark Romanek (One Hour Photo) shot that "Closer" video, as well as the video for Johnny Cash's cover of NIN's "Hurt" -- my favorite music video of all time. David Fincher directed the terrific video for NIN's "Only," and memorably used "Closer" in the first-class opening credits to Seven -- putting those two together could potentially be an excellent collaboration as well.

Reznor intended Year Zero to be the first album of a trilogy, and should this film project take off, it could have an impact on the music he writes. "It interjects a narrative into it that, if this is all going to make sense, it affects the second musical part of it. Or not. It depends on how closely I want the puzzle to go." Well, consider me puzzled already, Rezzie! When can we expect this project, Trent? "I haven't written any new music for this yet, I literally haven't had a second to do that...But I don't expect it to sound like Year Zero did. It won't be another 15 songs from that same vibe." Fun Fact -- "Closer" was the last song played at my eighth grade dance. Yes, somehow a song with the chorus "I want to f*** you like an animal!" got past the teachers and principals. As if eighth grade isn't enough of a sexually confusing and frustrating time, just imagine young boys and girls trying to dance to that song under the watchful eye of authority figures. Paging Dr. Freud!