Martyrs Tagged Articles at Cinematical

If I were a more superstitious person, I would start to think that Dimension's Hellraiser remake is cursed. It has been a long time since Clive Barker first signed on to help re-write his original story for the screen ... again, but here we are three years later and not a day closer to a finished product. The last anyone had heard was that Pascal Laugier (Martyrs) had signed up to direct. But, thanks to an update from Barker's Twitter feed, we now know that "Pascal Laugier is regrettably no longer on the Hellraiser remake. I think Martyrs is extraordinary, I don't know much more. I mean why would anyone tell me? I mostly discover these things here or through friends who still buy the trades."

The horror-remake has had a revolving door cast for a couple of years now, and Laugier isn't the first director to walk. Originally, the French directors Alexandre Bustillo and Julien Maury (Inside / A l'interieur) were supposed to be shooting Marcus Dunstan and Patrick Melton's script, but Bustillo and Maury soon left the film thanks to "creative differences." Laugier was supposed to be their replacement, and we might be back to square one now that rumors are swirling that Dimension has plans to commission an entirely new script as well.

After the jump: so, will Hellraiser ever get made? Plus some of my fantasy picks for a new director.

They claim that Seppuku Paradigm did the score for the harsh-as-hell horror flick, Martyrs (now on DVD -- beware the Blockbuster cut!), but I don't remember hearing any music... just Scott Weinberg screaming and squealing and squirming about when we saw it at Fantastic Fest last year. It was pretty much like watching The Love Guru with him all over again.

Well, those handy-dandy fellas over at Twitch say that the film's composers, Alex and Willie Cortés, have made their score for the film freely available online. In fact, their only other score -- for the unseen-by-me sci-fi mystery Eden Log -- has ALSO been made available to all. It's a veritable festivus for soundtrack junkies!

And why? Hell if I can tell, though tempted as one may be to throw around the phrase 'economic generosity' these days, I won't. Maybe these are just two cool guys who made two cool scores that they'd rather have people to listen to than pay for. It's a downright hippie stance, if you ask me, but we'll let it slide this time -- but only because, y'know, it has something to do with movies.

Bride Wars
One minute, she's struggling with addiction and family drama in the winning Rachel Got Married. The next, Anne Hathaway was skyrocketing to the dredge, terrible marriage stereotyping, and wedding wars with Kate Hudson. Jeffrey M. Anderson said there's one worthy minute in the film, but the "rest of the time, for 88 out of its 89 minutes, it's a movie totally devoid of life." Also on Blu-ray. Skip it.

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The Uninvited
One would think that a film with David Strathairn and Elizabeth Banks would be worth a moment or two, especially since they're not running to the horror/thriller genre every day, but as Jette Kernion said in her review in February: the story is weak, Banks' lines are "stilted and almost laughable," and Strathairn's performance "made me want to go home and put on one of his better movies to forget about his nearly wooden character in this one." That's enough reason to Skip it. Also on Blu-ray.

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Martyrs
Movies that make Saw look like Sesame Street aren't the type I usually have in my queue, so I'll leave this entirely up to Scott Weinberg: "It may be one of the most ferocious horror films ever made -- but Martyrs is also quite effectively chilling and consistently disturbing ... frankly I think it's one of the most fascinating pieces of 'hardcore' horror cinema you'd ever want to see." Buy it ... if you have the guts.

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Nothing But the Truth
Another political drama in Rod Lurie's stable, Truth boasts the likes of Kate Beckinsale, Alan Alda, Vera Farmiga, Matt Dillon, taking the Valerie Plame case and morphing into an amped up drama with intrique based around missile strikes on Venezuela. Eric Snider said from TIFF: "Still, for all its strengths, Nothing But the Truth falls under the umbrella of good but not great." Rent it.

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Also out: Frost/Nixon: Complete Interviews, What Doesn't Kill You (also on Blu-ray), While She Was Out

I know, it's been a while since I've written one of these gore-soaked missives, but the upside to that is ... we have a lot to talk about! And since I wrote this during a lazy Sunday (happy belated holidays, btw) I figure it's time to break out the candy-coated bullet points! Let's start out with a freaky fistful of upcoming DVD releases:

Currently strewn across shelves are Donkey Punch and Vinyan, two festival-heavy horror films that couldn't possibly be more different. One's about venal young jerks, and the other is about heartbroken (but stupid) parents. Really bad things happen to all of them.

This Tuesday we're getting the old-school-style monster movie Splinter, which is really quite good. If you like prickly monsters, that is. On the same day ... whoa. It looks like someone actually bothered to exhume flicks like Repossessed, Slaughter High, and My Best Friend Is a Vampire. That sound you just heard was my Netflix queue getting fatter.

Come the 21st we get J.T. Petty's The Burrowers, which played (and played well) at last year's Fantastic Fest, and Robert Hall's Laid to Rest, which is sort of like a non-snarky slasher throwback with a hint of Phantasm-style weirdness. Couldn't find a stranger double feature than these two, believe me.

And mark your calendars, gore-lovers, for April 28, because that's when Martyrs finally hits R1 DVD. According to the UK poster, Scoot Weinberg says it "makes Saw look like Sesame Street," which is one of the most shameless blurbs I've ever heard. Even if the guy is correct, brilliant, and really handsome. (Trust me, this is one rough horror movie.) Also on this Tuesday we'll get the unofficial Donnie Darko sequel, and a movie starring Amber Benson called One-Eyed Monster. I leave the jokes to you fine folks.

So after years of wondering and months of alleged deals, it finally looks like Universal is dusting something off for a remake. SomeTHING I should say, so if you're a fan of Christian Nyby's The Thing (From Another World), John Carpenter's The Thing, or John Campbell's source material Who Goes There?, then you should be suitably elated to learn that Universal has tapped a writer and a director for the new-fangled version. Me, I'm fine with it. But if you come into my house and mess with my The Thing DVD, I may have to cut you. (More from Pete right here.)

Sam Raimi's long-awaited return to horror is called Drag Me to Hell, and while I won't get to see it for a few more weeks (sadface), the early buzz from the L.A. horror hounds is nothing but enthusiastic. I refuse to read ANYthing about this movie, but you can click around Bloody, Shock, and Dread to see what those gorehounds thought.

Oooh, next week we get a bunch of new Friday the 13th DVDs! (I wonder why.) Check out my little report on those platters right here. Directly opposite of next week we have last week, which is when we saw a few new horror flicks at Sundance. Those films were Grace (Snider's review / mine at FEARnet), The Killing Room (mine), and Dead Snow (Snider's / mine), and while it's not horror at all, Moon is just damn cool enough to warrant another mention. Here's James' review and here's mine. (It's old-school science fiction, in that it's about ideas AND technology. How very cool.)

Random bits on: Joss Whedon's Cabin in the Woods; that remake of The Crazies; the availability of the awesome [REC] on R1 DVD; and our multiple affectons for Sean Ellis' The Broken. (Ooh, the Martyrs DVD cover!)

What were the breakout films at this year's Fantastic Fest? Which French horror film had audiences squirming and arguing at Fantastic Fest and Toronto's Midnight Madness? What question couldn't James shake during Zack and Miri Make a Porno -- and what, according to Scott, is that film's secret weapon? And which October films are waiting to be your new fave film of the fall? Joining James this week to talk about all of the above -- and more -- is Cinematical's Managing Editor Scott Weinberg. ... Cinematical's podcast is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

OK, so I missed my flight to San Diego this morning and I've had a really rotten day, but there's always a small silver lining, right? In the movie world there is: JUST announced (like, within the last few minutes!) is the Toronto Film Festival's Midnight Madness '08 line-up. And, as usual, it looks pretty damn awesome.

I've heard some really good things about Pascal Laugier's Martyrs, Franck Vestiel's Eden Log, and Jon Hewitt's Acolytes -- plus I've been itchin' to see JT Petty's horror-western The Burrowers for over a year now! Other selections include Pracha Pinkaew's Chocolate, Toshio Lee's Detroit Metal City, and Mark Hartley's Not Quite Hollywood. Click right here for all ten of TIFF's Midnight picks --and of course you can expect all sorts of expansive festival coverage once TIFF rolls out in early September. Woo!

(Note: Rocchi got all excited about JCVD being chosen as one of the Midnight selections, which is a title I neglected to mention the first time around. Ditto Sexykiller and Deadgirl.)

( Also announced today: Toronto's Wavelengths and Sprockets Family Zone selections. )

What did you do on Saturday night? The Weinstein Co. was busy, closing three deals at the American Film Market (AFM), according to ScreenDaily.com. They picked up US distribution rights to films represented by French company Wild Bunch.

• Dorothy Mills stars Carice Van Houten, who gave an incredible performance in Paul Verhoeven's Black Book and has since been rumored as a Bond Girl and signed for biopic Smoke and Ochre, Bryan Singer's Valkyrie, Body of Lies with Leonardo DiCaprio and Russell Crowe, and Repossesion Mambo with Jude Law. (Whew!) Dorothy Mills was directed by Agnès Merlet (Artemisia) and is described as a mystery thriller. Van Houten plays a grieving psychiatrist assigned to help a teenage girl accused of strangling a baby.
  

• Dante 01 represents the solo directing debut of Marc Caro, who previously made Delicatessen and The City of Lost Children with Jean-Pierre Jeunet. The film is set in a "space prison," where dangerous criminals become unwilling participants in medical experiments. The prisoners begin resisting; the arrival of a mysterious convict brings everything to a head. It's due for release in France on January 2, 2008.
  

• Martyrs is a horror flick from writer/director Pascal Laugier. It starts in the 1970s with the discovery of Lucie, a young girl who'd gone missing the year before and has no memory of what happened. Hospitalized, she suffers from nightmares of torture, but slowly recuperates with the help of another young patient. Fifteen years pass and she turns up at a house in a forest with shotgun in hand. (Cineuropa has the details.)
  

No word yet on whether the Weinsteins plan theatrical releases, though Dorothy Mills is the most likely to get one. AFM continues through November 7 in lovely, seaside Santa Monica, California.