Posts with tag Marx Brothers
Cinematical Seven: Great Films That Run Less than 80 minutes
Filed under: Cinematical Seven »

Most critics simultaneously look forward to and dread awards season. We get to see slightly higher quality films, and the studios begin to act a lot nicer towards us -- no more horror remakes that are not screened for the press. But on the downside, a lot of prestige pictures can get tiring. The worst part of all is the extreme length that most films get away with this time of year. Quite a few films this year get close to the three-hour mark, and most of them run longer than two hours. If you look at the history of the Oscar winners, length has always been an important factor. But this does not have to be the case; many award-worthy films have used their time wisely and succinctly.
1. Duck Soup (1933)
Judd Apatow, please take note. While I enjoyed Knocked Up and Superbad as much as anyone, it just won't do to continue making comedies over two hours long. I found many great comedies that run less than 80 minutes, including several from Charlie Chaplin, Buster Keaton, W.C. Fields, and even one each from Jerry Lewis (The Bellboy) and Woody Allen (Zelig). But this Marx Brothers classic tops my list for its uncanny speed and anarchy. It's like watching a crazy lawnmower ripping all over the yard, but at the end of the run, everything falls exactly into place.
2. Following (1998)
Before he became the king of summer blockbusters (Batman Begins, The Dark Knight) and before he made one of my favorite movies (Memento), Christopher Nolan scraped together this equally impressive crime thriller in black-and-white, running just 69 minutes. It jumbles the three acts together over a fractured timeline but very cleverly leaves clues that tie them all back together. Jeremy Theobald plays a man who enjoys following people, but gets himself into deep and unexpected trouble. See also Shane Carruth's exceptional, low-budget time travel head-scratcher Primer (2004).
Cinematical Seven: Best Non-Halloween Costumes and Disguises on Film
Filed under: Classics », Comedy », Documentary », Drama », Paramount », Paramount Classics », Universal », 20th Century Fox », Family Films », Tom Cruise », Steven Spielberg », Comic/Superhero/Geek », Remakes and Sequels », Lists », Miramax »
If you're a true movie geek, you probably refuse to dress up at Halloween in anything but a movie-related costume. I guess I'm not a true movie geek, because two years ago I went as Family Guy's Quagmire, who as of yet is not in any movies. Last year, though, I was Harpo Marx. I haven't decided what to be this year yet, but it isn't definite that I'll be something with cinematic reference.
Of course, if I was a real, hardcore movie geek, I wouldn't just settle for the basic, predictable movie-themed outfit. I'd go for the gold, and be an uber-geek. How? I would doubly dress up as a movie character who is dressed up as somebody or something else. To do so, I would pick one of my favorite non-Halloween costumes and disguises depicted on film (it isn't as fun dressing as a character who is dressed up for Halloween). However, most of these would be difficult to achieve -- or at least too obscure to wear to a common party, where the crowd isn't as film familiar as you. If you attempt any of these, good luck! And please, please send me a photo.
See, now if I had really wanted to be geeky (or pretentious), I would have not just dressed as Harpo last Halloween; I would have dressed as Harpo dressed as Groucho. In one of the most famous sequences in any Marx Brothers film, Pinky (Harpo) and Chicolini (Chico) each disguises himself as Rufus T. Firefly (Groucho) in order to steal some war plans. The real gem of the sequence, of course, is the "mirror scene" (watch it if you've never seen it before, please), where Pinky pretends to be the reflection of Rufus until Chicolini appears and ruins everything. Although historically it was only Harpo and Chico who were often mistaken for each other, or for twins, all three brothers look so alike here, that when they're all together, it is almost difficult to tell who is who. If you want to pull this double-costume off, it won't be hard -- Grouch faces are easy to do, and then you just need a sleeping cap and gown -- but I doubt you'll get much tolerance when you constantly correct everyone who thinks you're simply Groucho.
Jeff Bridges Will Play Graydon Carter in 'How to Lose Friends'
Filed under: Comedy », Independent », Casting »
I keep wondering if I will like the movie version of Toby Young's memoir How to Lose Friends & Alienate People. I hated the book, mostly because I couldn't stand Young's pathetic voice, but so far the casting of the adaptation has me intrigued. With the exception of Kirsten Dunst, the players are of a high enough caliber to make all the unlikeable characters at least enjoyable to watch -- especially now that the great Jeff Bridges has signed on to play the character based on Vanity Fair editor Graydon Carter (named Clayton Harding in the script). Also added to the cast is Gillian Anderson, who will play a top PR person. Bridges and Anderson join Dunst, Danny Huston and Simon Pegg, who will star as Young. The casting of Bridges as Carter should make How to Lose Friends even more comparable to The Devil Wears Prada, but I hope the actor won't make his character as much of a caricature as Meryl Streep made hers -- though I don't mean to put Streep's Oscar-nominated performance down. I would just rather Bridges play a more complex, believable person, who could be completely understood as the villain in Young's miserable world, while also appearing to audiences as a smart, justifiably difficult boss. After all, the book suggests that -- unlike Andy's resentment of Miranda in Prada -- Young actually has a lot of admiration for Carter. And more than Carter, the other Condé Nasties or anyone else, Young is his own villain.
In addition to the casting, I am anxious to see what the tone of How to Lose Friends will be. Directed by Robert B. Weide, who is an enormous fan and documenter of the work of Kurt Vonnegut, Lenny Bruce and the Marx Brothers, as well as a former director for Curb Your Enthusiasm, the movie will hopefully be influenced by the humor of at least one of those subjects. I also hope that the movie is good enough to get Weide some more clout in Hollywood. For ten years I've been dying for him to get to work on a project he once mentioned interest in: an adaptation of Vonnegut's The Sirens of Titan. How to Lose Friends & Alienate People begins shooting next month.
RIP: Reel Important People -- April 23, 2007
Filed under: Obits »
James Aljian (c.1932-2007) - Vice President of finance for MGM Studios in the 1970s and then for MGM/UA in the early 1980s. He died of cancer April 12, in Los Angeles. (Variety) - Dick Arnall (1944-2007) - British animator who worked on Yellow Submarine and produced the BAFTA-nominated shorts A is for Autism and Home Road Movies. He died of pneumonia as a consequence of a brain tumor February 6. (Guardian)
- Nair Belo (1931-2007) - Brazilian actress who appears in Heart and Guts and Alberto Cavalcanti's Simon the One-Eyed. She died of heart disease April 17, in Rio De Janeiro. (Globo)
- Ariane Borg (1915-2007) - French actress who appears in The Phantom Wagon. She died April 16, in Couilly-Pont-Aux-Dames, Seine-et-Marne, France. (IMDb)
- Kitty Carlisle Hart (1910-2007) - Actress best known for starring alongside the Marx Brothers in A Night at the Opera. She also starred opposite Bing Crosby in She Loves Me Not and Here Is My Heart and appeared as herself in Hollywood Canteen. After more than forty years away from the movies, she made appearances in Radio Days and Six Degrees of Separation. She was also the widow of Moss Hart. She passed away following a battle with pneumonia April 17, in New York City. (MSNBC)
- Jean-Pierre Cassel (1932-2007) - French actor (pictured) who worked with many of the great masters of cinema. He starred in Melville's Army of Shadows, Bunuel's The Discreet Charm of the Bourgeoisie, Renoir's The Elusive Corporal, Clément's Is Paris Burning? and multiple films by Chabrol and by de Broca. He also appears among the ensemble casts of Superman II, Those Magnificent Men in Their Flying Machines, Murder on the Orient Express, Prêt-à-Porter, the upcoming Asterix at the Olympic Games and the 1973 version of The Three Musketeers and its follow-ups, The Four Musketeers and The Return of the Musketeers. His son is actor Vincent Cassel, with whom he appears in Matthieu Kassovitz's Café au Lait and The Crimson Rivers. He died April 19. (Playfuls)
Cinematical Seven: Films We'll Never Get to Watch
Filed under: Casting », Fandom », Johnny Depp », Cinematical Seven »

I love hearing stories about The Films That Almost Were, although they make me sad because I then want to see the films and can't. Sometimes I hope that when I die, I'll get access to a celestial movie theater that will play all the movies that almost got made but fell through, along with alternate versions of released films but with the originally planned cast or script. I'm looking forward to finally seeing Peter Sellers in Kiss Me, Stupid and Paulette Goddard in Gone with the Wind, but as much as I like Steve McQueen, I'm not sure I'll enjoy him in Butch Cassidy and the Sundance Kid. And I can't wait to see Orson Welles' cut of The Magnificent Ambersons. An entire book has been devoted to movies that we'll never see, Chris Gore's The 50 Greatest Movies Never Made, although I've never had a chance to read it. Here's a list of seven notorious almost-made films that I know about. If I missed anything good, let me know.
Vintage Image of the Day: A Night at the Opera
Filed under: Classics », Comedy », Vintage Image of the Day »

Today is Groucho Marx's birthday -- he was born in 1890. As someone who has a cat named Rufus T. Firefly (Groucho's character in Duck Soup), I felt I had to commemorate the occasion. And I thought, what better way to start a Monday than with a reminder of the famous stateroom scene in A Night at the Opera?
A Night at the Opera isn't one of my favorite Marx Brothers movies; I'm much fonder of their earlier films Duck Soup, Horse Feathers, and Monkey Business. I realize a lot of people will argue with me, but I feel like the opera bits tend to slow down the comedy. However, no one can argue that the stateroom scene, in which 15 people manage to cram themselves into a tiny room, is a wonderful gag. The contract-signing scene is also memorably funny. The cast includes Margaret Dumont, who was the Marx Brothers' best straight man, as well as a young Kitty Carlisle. More info, trivia, and photos can be found at the Night at the Opera fan site.
Rock is Dead -- Long Live Dwayne Johnson
Filed under: Celebrities and Controversy », Fandom »
Some people will forever be known by their nicknames, no matter how hard they try to shake them. Roscoe Arbuckle will always be "Fatty"; Mark Wahlberg will always be "Marky Mark"; Tommy Lister will always be "Tiny"; the Marx Brothers will always be "Groucho", "Harpo", "Chico", "Zeppo" and "Gummo"; I will always be "Porkchop"; and Dwayne Johnson will always be "The Rock". The way to tell that a nickname has really stuck is when it's not only used in the credits of a film but when it is also the official entry-name for an actor on IMDb. Chances are Lister's SAG card says Tommy 'Tiny' Lister and chances are Johnson's simply says "The Rock", or maybe it used to and then it was changed to Dwayne 'The Rock' Johnson, as his credited name has been extended since the beginning of his acting career.With the release of Southland Tales, Johnson will be credited as just Dwayne Johnson, no nickname included, and he's hoping to keep it that way. Of course, the fans, the journalists and probably most of the world will continue calling him "The Rock". It will never go away. Just as I will forever be called "Porkchop" (even though I haven't had big sideburns for five years), Johnson will forever be called "The Rock", a name that began with his wrestling days (where he had previously been called Rocky Maivia). The only thing the guy can do is retire his signature stare and his culinary catch phrase. Other than that, look forward to "The Rock" in Southland Tales, out this fall.
[via Fark.com]
Vintage Image of the Day: Duck Soup
Filed under: Classics », Comedy », Vintage Image of the Day »

I'm not quite sure how I ended up picking Duck Soup as the focus for the July 4 Vintage Image of the Day. At first, I thought I would pick something from a traditionally patriotic movie, and pondered my options: Yankee Doodle Dandy? Mr. Smith Goes to Washington? It all seemed a little obvious. Then I thought perhaps I should pick something more subversive, like A Foreign Affair, but I used that elsewhere recently. Red Dawn? Animal House? Good Night and Good Luck? I sighed and tried to remember movies that included the national anthem, and suddenly the anthem that popped into my head was, "Oh, Freedonia, don't you cry for me ..." So Duck Soup it was. (What can you expect from someone who named her cat Rufus T. Firefly, after Groucho Marx's character in that film?)
Duck Soup sounds like a great movie to watch at the end of a long holiday weekend, after a long day of slaving over a hot grill, sitting on the lawn, and drinking beer. It doesn't take much energy to appreciate the Marx brothers' crazy dialogue ("You can leave in a taxi. If you can't get a taxi, you can leave in a huff. If that's too soon, you can leave in a minute and a huff."), and the political satire is still pretty sharp today. If you live in Austin, you can watch the movie for free on Wednesday night at the San Antonio Street Cafe in a double-feature with A Night at the Opera.








