Mary Steenburgen Tagged Articles at Cinematical

The new trailer over at Yahoo for Did You Hear About the Morgans? looks... adorable. There, I said it. Hugh Grant and Sarah Jessica Parker play two high-strung, high-powered NYC couples on the verge of divorce when, oops, they witness a murder and have to enroll in the Federal Witness Protection Program. They're sent to the middle of nowhere -- catch always-fab Mary Steenburgen wielding a shotgun -- and are forced to reexamine their relationship in close quarters. And milk cows.

Yes, hijinks ensue. Yes, it's Hugh Grant being neurotic and English, and SJP is being, well, a slightly more chill version of her Carrie Bradshaw character, and it's the whole "New Yorkers stuck out in the Midwest, oh noes!" thing, but it looks like a cute holiday flick. And I was instantly won over by Steenburgen. Sue me.

Check out the trailer for yourself after the jump (or over on Yahoo) and give me your two cents.

Cinematical has just received this exclusive poster for the film The Open Road, starring Justin Timberlake and Jeff Bridges. The film follows a minor league baseball player (Timberlake) who, along with his girlfriend (Kate Mara), travel to reunite with his estranged father (Bridges) and bring his family back together to help support his sick mother (Mary Steenburgen). Lyle Lovett and Harry Dean Stanton also star.

Written and directed by Michael Meredith, we first reported on this dramedy wayyy back in 2007, and again in 2008 when Timberlake and Bridges signed on. It's hard to argue against this cast -- Bridges always brings his quirky A-game, and Timberlake, in my opinion, is only a year or so away from really landing some big roles. But it's these smaller flicks that will convince people of Timberlake's on-screen talent; the ones that strip away his celebrity and expose a little more substance. Definitely seems like one you should seek out when it hits theaters on August 28.

Check out the full poster by clicking below. Full synopsis after the jump.

They say that the music makes the man.

Actually, no, They don't, but I do, and by "man," I mean "movie". And it isn't so much that the work of composer Paul Oakenfold single-handedly undoes Nobel Son but rather unwittingly serves an accomplice to creating one aggressively atonal crime caper. His thumping techno beats are more fitting for the likes of Swordfish -- indeed, they were at the time -- and maybe more so when accompanying a night of relentless thrusting and occasional pill-popping in Ye Local Nightclub, an activity of more potential enjoyment than sitting through this movie instead. Either way, you'd end up lots of noise, plenty of flash, and little to show for it other than a lasting headache and a lingering sense of regret.

Last November, Warner Bros. released Fred Claus, a Christmas-set comedy pairing up lead Vince Vaughn with Rachel Weisz.

This November, New Line released Four Christmases, a Christmas-set comedy pairing up lead Vince Vaughn with Reese Witherspoon.

Mere coincidence, you might ask, despite the fact that New Line is owned by Warner Brothers, not to mention the shared initials of both the titles and the actresses playing the love interests? Perhaps, but happenstance loses my vote when the best one can say for Four Christmases is that it's a marginally better holiday romp than the likes of Fred Claus.

Feel that chill in the air? That's because you left the kitchen window open -- go on, I'll wait -- but that secondary chill you're feeling would be the multiplex yuletide season turning in our direction, ready and waiting to melt the bleep out of your heart. Last year, it was This Christmas and The Perfect Holiday begging to be mistaken for one another (in title, not in quality).

This year we've got at least two winter-themed family-minded dramedies waiting in the wings. First out the gate is Nothing Like The Holidays (the trailer's now up at Apple), in which a Hispanic-American family gathers for what might be their last Christmas spent together. Sooooo ... it's basically This Christmas, with the casting emphasis on a different minority. However, for all that film's familiar beats, I found myself surprisingly won over, so here's to hoping that something similar might come of Holidays on November 21st.

In the other corner, we have Four Christmases, in which Vince Vaughn and Reese Witherspoon find themselves shuffling off to visit each of their parents on X-Mas Day. If this (embed-less) TV spot on YouTube is any indication, Vaughn's creaky neurotic shtick and infant spewage will be par for the course, not to mention the last thing I might expect to come from the non-doco directorial debut of Seth Gordon (The King of Kong). As the Hollywood gods have decreed it, Christmases is set to open just before Thanksgiving on November 26th. Ah, the smell of leftovers...

Anyone with more than a passing interest in Judd Apatow's career will note how there's a curious call-back to one of Apatow's earlier works in this most recent of his productions, with the credits for Step Brothers in the exact same scrawled, stretched-out font as his comedy Freaks and Geeks. Freaks and Geeks, though, featured teens who often spoke and acted like adults; Step Brothers features adults who constantly speak and act like children.

The credit-font's evocation of an earlier Apatow work is an omen for the rest of Step Brothers, in fact, with Will Ferrell and John C. Reilly recycling and amplifying their rivalry from Talladega Nights: The Ballad of Ricky Bobby (also directed by Step Brothers helmer Adam McKay) but without that film's plot structure, surreal wit or inspired mockery (and celebration) of NASCAR culture; instead, Step Brothers seems constructed -- or, rather, contrived -- solely to create a circumstance where Ferrell and Reilly can act like idiot man-children and riff to their great amusement. That, however, is not the same thing as riffing to the amusement of the audience. ...

As Jessica posted back in January, we're about to get more of the same, old, tired romcom fare with the upcoming Disney-distributed flick, The Proposal. The queen of romantic comedy herself, Sandra Bullock, and Ryan Reynolds had signed on to play a publishing exec who forces her assistant to marry her to avoid being deported back to Canada. Come on... Is it really a proposal if an older, desperate woman forces her subordinate to marry her? It's going to be directed by Anne Fletcher, who will tap into her Step Up roots and make use of the film's "great physical comedy."

The Hollywood Reporter now posts that the two stars will be joined by Malin Akerman, Mary Steenburgen, Craig T. Nelson, and Aasif Mandvi (Jericho). There is, however, no word on who they'll play -- not that it really matters. We know the drill by now -- there will be hatred, crappy power plays, and ultimately, romantic reconciliation -- just like real life. You gotta wonder -- does Sandra Bullock ever get tired of these flicks? After Crash, I was hoping she'd get some more meaty work, but I guess not. And what about Malin? I can only hope that Watchmen wrenches her from her selection of questionable romcoms. Then again, it works for Ashton Kutcher's paycheck, so why should she stop?

Production begins this month.

Cinematical has just received this exclusive poster for the upcoming comedy Step Brothers (click on the image for a larger version), and damn it if I'm not ridiculously excited about this film. Will Ferrell and John C. Reilly re-team with director Adam McKay (Talladega Nights) for a flick that just tugs at the heart strings inside all of us. I'd say it's inspiring -- almost earth shattering -- but then again, I don't want to get your hopes up too much. They should be up, though, but at a level where you can still reach them -- kinda like a cookie jar. Step Brothers tells the tale of pampered best friends whose single parents fall in love and decide to get married. Admit it, you know you secretly dreamt of that happening to you growing up -- except in my fantasy, my best friend was Alyssa Milano and, well, use your imagination.

Co-starring Adam Scott, Mary Steenburgen and Richard Jenkins, and produced by some dude named Judd Apatow, Step Brothers arrives in theaters on July 25.

When 'N Sync was prancing around the stage in the late '90s, did anyone imagine that one of the dudes would become a pretty successful actor in less than 10 years? I mean, I'm sure Jeff Bridges didn't see Justin Timberlake on the boob tube and say: Gee, that kid should play my son in something! It's as weird as watching Ronnie Regan in his movies and imagining that he'd become President. NOTE: I am, in no way, suggesting Justin will turn to politics -- I'm just noting surprising career moves.

Anyway, Variety reports that Timberlake is about to head on The Open Road with Bridges, the comedy drama that Christopher Campbell first blogged about almost a year ago. Under filmmaker Wim Wenders' watchful eye, writer Michael Meredith will direct his own script. This was going to be a reunion for the Land of Plenty crew, but unfortunately, it seems that cinematographer Franz Lustig has been replaced by Yaron Orbach.

Road is a reconciliation tale about a young man who reconnects with his dad, "a legendary athlete, as he struggles to get him home to his ailing mother's bedside." While the parts aren't specifically laid out, I imagine Bridges is the dad, Timberlake the son, and Mary Steenburgen is the mom. Initial reports also described a girlfriend on the trip, but there is no word about that role in this latest bit of news. This could be at least partly autobiographical, as Meredith's dad is ex Cowboys QB Don Meredith, but for this film, the sports figure is a baseball legend. Personally, I'm interested in seeing how Meredith handles the comedic aspects since Land of Plenty was all sorts of somber -- good, but somber. The film is scheduled to slip into production in Louisiana later this month.

It must be a lot of fun casting veteran actors as parents of current stars. Thanks to past casting decisions we got to see Sean Connery play Harrison Ford's father, Barbara Streisand and Dustin Hoffman play Ben Stiller's mom and dad, and Keith Richards (wait, he's not a veteran actor) as Johnny Depp's pirate papa. Now, somewhat similar to the parental stunt-casting of the Meet the Parents movies, we're getting some interesting casting choices for the roles of both Reese Witherspoon and Vince Vaughn's parents in next holiday season's Four Christmases. It's a comedy about a married couple attempting to visit with all four of their parents -- who are all divorced and live in four different locations -- on Christmas Day.

We've already learned Robert Duvall is one of the fathers (now we find out he's playing Vaughn's). Now, according to the Hollywood Reporter, Oscar-winning actresses Sissy Spacek and Mary Steenburgen are hopping on board as the moms. Can you imagine which one goes with which of the movie's leads? Immediately I thought "Loretta Lynn" should be mom to "June Carter" and tall(er) "Clara Clayton" should be mom to super-tall "Fred Claus". Alas, the casting went the other way: "Carrie" is the mother of "Norman Bates" and "Hannah Nixon" is the mother of "Tracy Flick". To be more specific, "Spacek will play the slightly spacey, New Age mother of Brad (Vaughn). Steenburgen will play the chameleonlike mother of Kate (Witherspoon), whose personality changes depending on whom she's married to or dating." We still don't know which Academy Award winning actor (he has to have an Oscar, like the other parents) will play Witherspoon's dad -- may I suggest Chris Cooper? or Alan Arkin? The only other role cast is the part of Witherspoon's "controlling, type-A sister", to be played by Kristen Chenoweth.