MarySteenburgen Tagged Articles at Cinematical

They say that the music makes the man.

Actually, no, They don't, but I do, and by "man," I mean "movie". And it isn't so much that the work of composer Paul Oakenfold single-handedly undoes Nobel Son but rather unwittingly serves an accomplice to creating one aggressively atonal crime caper. His thumping techno beats are more fitting for the likes of Swordfish -- indeed, they were at the time -- and maybe more so when accompanying a night of relentless thrusting and occasional pill-popping in Ye Local Nightclub, an activity of more potential enjoyment than sitting through this movie instead. Either way, you'd end up lots of noise, plenty of flash, and little to show for it other than a lasting headache and a lingering sense of regret.

Last November, Warner Bros. released Fred Claus, a Christmas-set comedy pairing up lead Vince Vaughn with Rachel Weisz.

This November, New Line released Four Christmases, a Christmas-set comedy pairing up lead Vince Vaughn with Reese Witherspoon.

Mere coincidence, you might ask, despite the fact that New Line is owned by Warner Brothers, not to mention the shared initials of both the titles and the actresses playing the love interests? Perhaps, but happenstance loses my vote when the best one can say for Four Christmases is that it's a marginally better holiday romp than the likes of Fred Claus.

Feel that chill in the air? That's because you left the kitchen window open -- go on, I'll wait -- but that secondary chill you're feeling would be the multiplex yuletide season turning in our direction, ready and waiting to melt the bleep out of your heart. Last year, it was This Christmas and The Perfect Holiday begging to be mistaken for one another (in title, not in quality).

This year we've got at least two winter-themed family-minded dramedies waiting in the wings. First out the gate is Nothing Like The Holidays (the trailer's now up at Apple), in which a Hispanic-American family gathers for what might be their last Christmas spent together. Sooooo ... it's basically This Christmas, with the casting emphasis on a different minority. However, for all that film's familiar beats, I found myself surprisingly won over, so here's to hoping that something similar might come of Holidays on November 21st.

In the other corner, we have Four Christmases, in which Vince Vaughn and Reese Witherspoon find themselves shuffling off to visit each of their parents on X-Mas Day. If this (embed-less) TV spot on YouTube is any indication, Vaughn's creaky neurotic shtick and infant spewage will be par for the course, not to mention the last thing I might expect to come from the non-doco directorial debut of Seth Gordon (The King of Kong). As the Hollywood gods have decreed it, Christmases is set to open just before Thanksgiving on November 26th. Ah, the smell of leftovers...

Anyone with more than a passing interest in Judd Apatow's career will note how there's a curious call-back to one of Apatow's earlier works in this most recent of his productions, with the credits for Step Brothers in the exact same scrawled, stretched-out font as his comedy Freaks and Geeks. Freaks and Geeks, though, featured teens who often spoke and acted like adults; Step Brothers features adults who constantly speak and act like children.

The credit-font's evocation of an earlier Apatow work is an omen for the rest of Step Brothers, in fact, with Will Ferrell and John C. Reilly recycling and amplifying their rivalry from Talladega Nights: The Ballad of Ricky Bobby (also directed by Step Brothers helmer Adam McKay) but without that film's plot structure, surreal wit or inspired mockery (and celebration) of NASCAR culture; instead, Step Brothers seems constructed -- or, rather, contrived -- solely to create a circumstance where Ferrell and Reilly can act like idiot man-children and riff to their great amusement. That, however, is not the same thing as riffing to the amusement of the audience. ...

As Jessica posted back in January, we're about to get more of the same, old, tired romcom fare with the upcoming Disney-distributed flick, The Proposal. The queen of romantic comedy herself, Sandra Bullock, and Ryan Reynolds had signed on to play a publishing exec who forces her assistant to marry her to avoid being deported back to Canada. Come on... Is it really a proposal if an older, desperate woman forces her subordinate to marry her? It's going to be directed by Anne Fletcher, who will tap into her Step Up roots and make use of the film's "great physical comedy."

The Hollywood Reporter now posts that the two stars will be joined by Malin Akerman, Mary Steenburgen, Craig T. Nelson, and Aasif Mandvi (Jericho). There is, however, no word on who they'll play -- not that it really matters. We know the drill by now -- there will be hatred, crappy power plays, and ultimately, romantic reconciliation -- just like real life. You gotta wonder -- does Sandra Bullock ever get tired of these flicks? After Crash, I was hoping she'd get some more meaty work, but I guess not. And what about Malin? I can only hope that Watchmen wrenches her from her selection of questionable romcoms. Then again, it works for Ashton Kutcher's paycheck, so why should she stop?

Production begins this month.

When 'N Sync was prancing around the stage in the late '90s, did anyone imagine that one of the dudes would become a pretty successful actor in less than 10 years? I mean, I'm sure Jeff Bridges didn't see Justin Timberlake on the boob tube and say: Gee, that kid should play my son in something! It's as weird as watching Ronnie Regan in his movies and imagining that he'd become President. NOTE: I am, in no way, suggesting Justin will turn to politics -- I'm just noting surprising career moves.

Anyway, Variety reports that Timberlake is about to head on The Open Road with Bridges, the comedy drama that Christopher Campbell first blogged about almost a year ago. Under filmmaker Wim Wenders' watchful eye, writer Michael Meredith will direct his own script. This was going to be a reunion for the Land of Plenty crew, but unfortunately, it seems that cinematographer Franz Lustig has been replaced by Yaron Orbach.

Road is a reconciliation tale about a young man who reconnects with his dad, "a legendary athlete, as he struggles to get him home to his ailing mother's bedside." While the parts aren't specifically laid out, I imagine Bridges is the dad, Timberlake the son, and Mary Steenburgen is the mom. Initial reports also described a girlfriend on the trip, but there is no word about that role in this latest bit of news. This could be at least partly autobiographical, as Meredith's dad is ex Cowboys QB Don Meredith, but for this film, the sports figure is a baseball legend. Personally, I'm interested in seeing how Meredith handles the comedic aspects since Land of Plenty was all sorts of somber -- good, but somber. The film is scheduled to slip into production in Louisiana later this month.

It must be a lot of fun casting veteran actors as parents of current stars. Thanks to past casting decisions we got to see Sean Connery play Harrison Ford's father, Barbara Streisand and Dustin Hoffman play Ben Stiller's mom and dad, and Keith Richards (wait, he's not a veteran actor) as Johnny Depp's pirate papa. Now, somewhat similar to the parental stunt-casting of the Meet the Parents movies, we're getting some interesting casting choices for the roles of both Reese Witherspoon and Vince Vaughn's parents in next holiday season's Four Christmases. It's a comedy about a married couple attempting to visit with all four of their parents -- who are all divorced and live in four different locations -- on Christmas Day.

We've already learned Robert Duvall is one of the fathers (now we find out he's playing Vaughn's). Now, according to the Hollywood Reporter, Oscar-winning actresses Sissy Spacek and Mary Steenburgen are hopping on board as the moms. Can you imagine which one goes with which of the movie's leads? Immediately I thought "Loretta Lynn" should be mom to "June Carter" and tall(er) "Clara Clayton" should be mom to super-tall "Fred Claus". Alas, the casting went the other way: "Carrie" is the mother of "Norman Bates" and "Hannah Nixon" is the mother of "Tracy Flick". To be more specific, "Spacek will play the slightly spacey, New Age mother of Brad (Vaughn). Steenburgen will play the chameleonlike mother of Kate (Witherspoon), whose personality changes depending on whom she's married to or dating." We still don't know which Academy Award winning actor (he has to have an Oscar, like the other parents) will play Witherspoon's dad -- may I suggest Chris Cooper? or Alan Arkin? The only other role cast is the part of Witherspoon's "controlling, type-A sister", to be played by Kristen Chenoweth.

The Amateurs (formerly The Moguls), the directorial debut of writer/director Michael Traeger, is an underdog comedy about a group of small-town losers who decide to raise money by making a porno film. It's got a wonderful supporting cast that includes Joe Pantoliano, William Fichtner, Tim Blake Nelson, and Lauren Graham. Cinematical recently attended a press junket with the film's stars -- Jeff Bridges and Ted Danson, who were interviewed separately. Needless to say, meeting The Dude and Sam Malone in the same day was kind of a big deal! First up was Mr. Bridges...

What attracted you to the The Amateurs and the role of Andy?

Jeff Bridges: Like most of the movies I get involved with, I resisted it as long as possible. I always try to figure out why I shouldn't do it, and with this one there were plenty of reasons not to do it. What attracted me to it in the first place is that it was so unusual. It put this porn aspect and this Frank Capra aspect together, and I thought that was really interesting, very ambitious. But I didn't know if this guy who had never directed a film would be able to pull it off. Also, I've done movies in the past that have a lot of characters, and I find them hard to follow and you wind up not caring about any of the people, and I thought that might be the case with this one. But my representatives kept telling me I should do it, so finally I said "Alright. I want you guys to organize a reading, and I want you to see that this thing's not going to work at all." So we had a table read, and it just flew, it was just great. I think it works very well.

When the release started to get delayed, did any of that old skepticism start to come back, like maybe something did go wrong?

JB: No, I didn't really get all the ins and outs of why it didn't get released, it's very convoluted and I haven't heard all the sides and the stories, but it wasn't because of the nature of the film or anything like that. I think it was more business type stuff.

It's been quite awhile since we first and last heard about Adam McKay's Step Brothers, an R-rated comedy that will reunite the director's Talladega Nights duo, Will Ferrell and John C. Reilly (cementing Reilly's placement in the "Frat Pack") and will be overseen by that film's producers, Judd Apatow and Jimmy Miller. Joining the leads, according to The Hollywood Reporter, is Adam Scott, who recently played the male nurse in Apatow's Knocked Up and Oscar-winner Mary Steenburgen, who co-starred with Ferrell in Elf.

In Step Brothers, Ferrell and Reilly play -- what a shocker -- immature guys who become stepbrothers and best friends when their parents marry. Scott has been cast as Ferrell's younger, more successful brother and Steenburgen is their mom. Still no word on who plays Reilly's father, who I assume will be marrying Steenburgen's character. Other cast members reportedly include Andrea Savage (Comedy Central's Dog Bites Man) as Ferrell's therapist, and someone named Katherine Hahn (could it be Knocked Up costumer Catherine Hahn?) as Adam Scott's character's wife.

Steenburgen seems way too young to play mother to Will Ferrell, who is only 14 years her junior, but this won't be the first time such close-age parental casting has occurred (the craziest was Angela Lansbury and Laurence Harvey -- two years apart -- in The Manchurian Candidate). Still, the actress is one of my favorite motherly actresses, mainly thanks to Parenthood and even Back to the Future III -- her schoolmarm character seems like a mom even if she isn't, at least not until the animated series. Now if Apatow could just get her Parenthood husband, Steve Martin, to play Ferrell's step-dad, I could really get behind this movie. Apatow could be just the guy to re-boost Martin's once-funny career.

We hear it on the news twice a week, it seems: A young dead woman has been found on the road, in a ditch, back behind someone's barn, etc. We give the news a casual listen, perhaps offer a brief bit of sympathy to the girl's family, and then throw our focus back into our own lives. The world can be an ugly place; best not to dwell on the more horrific aspects of it ... until we have to.

Karen Moncrieff's follow-up to 2002's Blue Car is a decidedly unique take on the "serial killer movie." The Dead Girl is not a mystery, nor is it really a thriller. It's more of an anthology piece that introduces us to a collection of people on the periphery of a horrible murder. It's not a movie about the killer, per se, nor is it a character study of the victim ... except when it is. It's a tough movie to describe, a tougher movie to "enjoy," but an easy one to recommend -- provided you don't mind a little darkness, gloom and sobriety mixed in with your indie-style ensemble pieces.