No, no, there's not going to be a remake of A Clockwork Orange starring Mick Jagger. At least I don't think so. This is just a fun bit of what-could-have-been. We like to play around with alternate-universe casting here once in a while, and this one's a doozy. Someone found a letter from producer Si Litvinoff to legendary director John Schlesinger, urging him to consider directing an adaptation of Anthony Burgess's novel. And part of the pitch was that Mick Jagger wanted the role of the psychopathic Alex, and that the Beatles "love[d] the project" and wanted to provide the musical score. Fortunately (?) Schlesinger wasn't interested and the project eventually wound up falling to good old Stanley Kubrick.

The Clockwork Orange we got was -- like all of Kubrick's work -- too singular a film to even try to imagine how someone else's version would have been different. But I admit I'm amused (and intrigued) by the notion of Jagger taking on the Malcolm McDowell role. Hell, after watching the manic two-hour stage show he put on in Shine a Light at age 63, I'm kind of convinced that he's actually omnipotent. As for the Beatles? That's just creepy. I'll stick with Kubrick's classical selections.

[hat tip: Movie City News]

You like Martin Scorsese, right? You're a fan of The Rolling Stones, correct? Well, get ready to have your "19th Nervous Breakdown." AOL is reporting that the release date for Scorsese's Stones documentary has been pushed back. Waaay back. Seven months, to be exact. Just a couple weeks ago, Monika told you the film would be released in both conventional and IMAX theaters on September 21st. But now we won't get it until "sometime next April." What's the reason? Why can't we get no "Satisfaction?" A spokeswoman says that more time was needed to set up the promotional campaign for the film, because the band is on tour in Europe until August 26th. Isn't that a "Bitch?" I've got serious "Mixed Emotions" about this. I mean, "I Know It's Only Rock n' Roll...But I Like It!" I'll stop.

The documentary is called Shine a Light (also the title of one of my favorite Stones songs), and its concert footage was shot over two nights last fall at the beautiful Beacon Theater in New York. Guest performers for the shows included Buddy Guy, the almost impossibly cool Jack White, and Miss Dirrrrrty herself -- Christina Aguilera. The film will intersperse footage from the shows with career-spanning documentary material. Hopefully it will be as fascinating as what Scorsese did with his Dylan doc, the excellent No Direction Home. Scorsese also directed one of the greatest concert films of all time -- The Last Waltz, which documented the final show of The Band and included terrific performances from the likes of Bob Dylan, Van Morrison, and -- with a hunk of cocaine visibly dangling from his nose -- Neil Young. Scorsese has used Rolling Stones music in nearly all of his films. I'm surprised he didn't have the monks in Kundun dance to "Start Me Up." Hell, he's used "Gimme Shelter" three times -- in Goodfellas, Casino, and The Departed!

Way back in October, we heard a rumor that Hayden Christenson, best known for his non-performance as Anakin Skywalker in two of the Star Wars prequels, had been cast in Factory Girl as a character based heavily on Bob Dylan. Today Rush and Malloy are saying that this rumor, whilst once true, now isn't so much. The film's original script included a torrid affair between Dylan and Edie Sedgwick (to be played by Sienna Miller), but after protests from the Dylan camp that the affair never actually happened in real life, the script has been rewritten. Christenson's character is now some kind of strange hybrid rock star, with elements of Dylan, Mick Jagger and Jim Morrisson, apparently, thrown into the mix. Still, the Boy Who Was Anakin says that Dylan remains his key influence.  "I don't want to talk with him," he said, "But I am watching all his documentaries. I'm doing my homework."