As I drink my fourth cup of coffee and contemplate a nap, I look to my right at smiling, dapper Clint Eastwood and desperately want to know his secret to life. Because he's already finished his Nelson Mandela biopic / rugby film, and is probably prepping Hereafter or casting around his desk drawers for another script to film as he casually puts it on the awards path. How do you do it, Clint? How?!

According to Variety, Invictus, formerly The Human Factor, will arrive in theaters on December 11, 2009. Starring Matt Damon as rugby player Francois Pienaar, and Morgan Freeman in the daunting role of Mandela, it's based on John Carlin's book Playing the Enemy: Nelson Mandela and the Game That Made a Nation. It follows Nelson's release from prison, his election as president, the fall of apartheid, and his use of the 1995 Rugby World Cup to heal the nation. Its new title comes from the the William Ernest Henley poem which Nelson has recited often. And while that's a lot of history for one movie, this is also the director who did two WWII movies in one year.

Invictus' release date pits it against the long awaited The Lovely Bones, which is also being groomed for award season. Who will be victorious? Who will fail? Who cares, as long as Eastwood's still in the game, right?

I've had Morgan Freeman on the mind lately, between pride that he was able to inspire Prom Night in Mississippi, the fact that he once played Coriolanus (someone must re-release that!), and then memories of him in the past. As we once mentioned in an old Rewind from 2007, before he was God, or the narrator king, right-hand man of the Dark Knight, or Frederick Douglass, he was Count Dracula on the so-cool-it-should-never-have-ended The Electric Company (amongst other equally cool characters).

In the below clip, which makes me want to marry YouTube for its awesome usefulness, Freeman is taking a bath in a casket, bubbles and all. He's not only taking a bath -- he's singing while he does it, about his love for bathing in a casket, where a bath will never leave a ring. I suddenly want a full EC DVD set...

And since his time on The Electric Company was so cool, I'm also going to include a clip of him as a sexy reading guy after the jump. Happy Monday!

WREG-TV in Memphis is reporting that actor Morgan Freeman was airlifted to The Med hospital in "critical condition" following a car crash in Mississippi late last night. According to the Mississippi Highway Patrol, the actor's car reportedly went off Highway 32 in Tallahatchie County at around 11:30PM and "flipped several times." A woman in the car with Freeman was also taken to The Med. WREG says they were told by police Freeman may have fallen asleep at the wheel.

TMZ reports that, according to their source, Freeman was "sitting up and talking at the hospital" following the crash, that the actor suffered some broken ribs and injured knees, and that his female passenger had to be cut out of the car using the Jaws of Life, but that she's also okay.

Freeman lives in Mississippi, where he took time out of his busy filming schedule in February to give a boost to the Oxford Film Festival as a surprise guest, showing up at the fest's first screening to kick things off with some words of encouragement for the fest and attending filmmakers, and encouraged the local audience to continue their support of independent film.

The venerable actor was most recently seen in box office smash The Dark Knight as Lucius Fox, and IMDb lists numerous projects in pre-and-post production on his slate. We here at Cinematical hope that Freeman will be okay, and we thank Michelle Emmanuel at Oxford Film Festival for letting us know about the accident this morning. We'll keep you posted throughout the day as we have updates for you, in the meantime, we'll be keeping Freeman in our thoughts and prayers.

Right about here is where all the gushing and excitement and enthusiasm should begin, because I'll tell you right off the "bat" that Christopher Nolan's The Dark Knight is cause for celebration indeed. But then you'll figure out -- after only one sentence -- that I pretty much loved this movie, and then you'll head off to another, more unpredictable film critic. But it's the WHY that interests me so much. What I enjoyed about Iron Man, The Incredible Hulk, and Hellboy 2 could probably be covered in one lengthy -- and inevitably nerd-tastic -- conversation between the two of us. But The Dark Knight... Well, clearly we're approaching a whole new level here.

Several of the pre-release gushings are accurate. Some say "Scorsesian" and others reference Michael Mann. Many spend paragraphs on the (truly amazing) penultimate performance by Heath Ledger, while others will revel in the grown-up tone or epic scope of the film. What amazed me most about The Dark Knight, among several things, is that the flick's got more layers than an onion farm -- and yet it never loses touch with the idea of FUN. True that we're talking about a comic book fun that's decidedly more melancholy than the cinematic exploits of The Marvel Gang, but dang if TDK isn't supremely satisfying for about a dozen different reasons.

I have a soft spot for nearly everything Danny DeVito's directed. Death to Smoochy was a waste of a cast and a concept, but most everything else -- The War of the Roses, Matilda, and yes, even the underrated Duplex (I haven't seen Throw Momma from the Train in forever, but toss that one in too) -- has a dark, unforgiving sensibility that I really appreciate. For one thing, I'm pretty sure that DeVito is the only filmmaker to truly get what Roald Dahl was all about.

DeVito's next directing project, and his first for the big screen since Duplex flopped in 2003, will be an adaptation of The True Confessions of Charlotte Doyle, a young adult book by a dude named Avi (yes, just Avi). It's about a 13 year-old girl who's crossing the Atlantic on her own in 1832 and gets caught in the middle of a mutiny. Saoirse Ronan, Morgan Freeman and Pierce Brosnan are attached to star.

The funny thing is, I read The True Confessions of Charlotte Doyle at some point while traversing the middle school netherworld back in the mid-to-late 90's, but I'll be damned if I remember a single thing about it. (The plot does sound vaguely familiar. I think there might be a parrot involved, but I'm not sure.) To Kill a Mockingbird it ain't. But if DeVito (who also wrote the screenplay) can give it some character, I'm down.

The pop-culture appetite for Batman seems inexhaustible; thousands of comic books, several movies, endless animated iterations, some of which are quite good and some of which are rather bad. Is there any real need to return to the character beyond the profit motive, though? After the financial and critical success of Batman Begins, the powers-that-be behind The Dark Knight could have made a safe bet of a sequel; a little more action, a few more actors, more of the same and a few extra explosions.

What's telling about The Dark Knight, though, is how risky it is -- how it's bold and brave and truly exciting, full of rich and strong performances and some real ideas along the way. Why return to Batman? It turns out that for Christopher Nolan, the reason to come back is that there's something to say about, and with, the character even after decades of stories and multiple reinventions. I was hoping The Dark Knight would be good; I had no idea that director and co-writer Christopher Nolan was going to make a film that not only addressed the philosophical and political conflict between the rule of force and the rule of law but also takes on the timeless clash between order and chaos ... and, along the way, evokes everything from Michael Mann's Heat to John Ford's The Man Who Shot Liberty Valance. ...

After the record-breaking success of Night Watch and Day Watch (and an early film for B-movie maven Roger Corman, Arena), Khazakstan-born, Russia-based director Timur Bekmambetov makes his English-language big-studio debut with Wanted, a bruising, brawny action film starring James McAvoy and Angelina Jolie. Bekmambetov spoke with Cinematical in Los Angeles about making the jump to big-money moviemaking, the hidden world of secrets behind Wanted's look, the action-film apprenticeship of James McAvoy, working with Angelina Jolie and how " .... we (film makers) are all vampires. ..."

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When Wanted was announced as the opening night film for the Los Angeles Film Festival, there was a mild outbreak of head-scratching over the choice; why start a film festival loaded with independent and foreign film with a big-studio action movie? The fact is that the opening-night LAFF premiere of Wanted -- directed by a Kazakh director who made his name in Russia, loosely based on a series of comics by a Glasgwegian Scot, starring America's most notable movie starlet opposite a Glasgow-born lead actor and shot with Prague standing in for Chicago -- doesn't say much about the LAFF as a film festival and doesn't say a single thing about L.A. as a real city, but it says plenty about L.A. as a company town with a global span. Wanted's a corporate product, but, thankfully, it's an excellent one -- the two-fisted, double-barreled high-octane guilty pleasure summer action movie you've been waiting for. Wanted is speedy and spiffy and shiny as a bullet, and it's got about as much actual weight when it stops moving.

Were you in The Shawshank Redemption? Did you work on set? Were you otherwise involved in the production? If so, you're invited to a 15-year reunion this August in Ohio. Someone having something to do with the 1994 Oscar-nominated film has put together a weekend-long event and a really snazzy website providing details. Oh, and if you're merely a fan of the movie but had nothing at all to do with its making, you can attend as well. A few of the things on the itinerary do cost an admission fee, but only because there are prison and museum tours involved, plus a concert featuring a southern rock band.

Many people consider The Shawshank Redemption one of the best films of the '90s, maybe even of all time, so there are likely plenty of people who'd be interested in a little trip to see the film's shooting locations and meet with extras and crew members who helped create the film. Apparently there aren't many people on board just yet, but if the word gets out to enough people, there's a chance of making this a huge deal. Maybe principal talent like Tim Robbins, Morgan Freeman, Stephen King and/or Frank Darabont could even make room in their schedules to make an appearance. And then, perhaps this can be a yearly thing, like Star Wars conventions and Lebowski Fest.

[via Pop Candy]