MyKidCouldPaintThat Tagged Articles at Cinematical

There's no better way to stir up controversy about modern art then to have an up-and-coming artist, one who sells her work for thousands, be under the young age of 5. It brings a whole new meaning to the common modern art gripe: "a kid could paint that," which is why the new documentary about Marla Olmstead is called: My Kid Could Paint That. Amir Bar-Lev's doc follows the quick rise of the young artist, and the discussion she's brewing both in and out of the art world -- questioning the validity of much modern art, as well as just how responsible the child is for her own paintings.

Earlier this year, Scott Weinberg reviewed the film at Sundance and said that it did "a rock-solid and entirely admirable job of dancing on both sides of the fence." With the October 5 limited release date quickly approaching, a trailer has gone up online, and it's pretty solid.* (Erik briefly mentioned it for Trailer Park here.) Some money and time was obviously put into it, resulting in a slick and thought-provoking blip, perfect to stir up interest and discussion about the film. It shows Marla, her parents and a sea of supporters and naysayers as she rises from kid with a paintbrush to artist sensation. What really strikes me is how easily "genius" is thrown around. It makes me wonder more about what will happen to this kid later, rather than whether she's the lone artistic mind behind her paintings. The life of an artist is tough. Can she continue to produce art that art collectors are itching for? Laying it on a girl under five almost surely sets up harsh criticism and disappointment, probably before she even gets to hit her teens.

Bar-Lev's documentary is looking like the perfect doc to see with friends and then have rabid discussions with afterwards: Did she make the art all on her own? If yes, does that mean modern art is a farce, or that she's utterly brilliant and comparable to adult greats? Can she continue to wow people? Is this all just a big scam?

*It's a great trailer, and not just because our Scott Weinberg got quoted in it! Woot!

To most movie fans, Sundance is this far-off and distant place they can't visit because, well, it's a pretty damn expensive trip -- and who the heck wants to spend a week on a mountain in January and not ski? The second question I'm always asked upon my return home from Sundance (after "What good movies did you see?") is "What famous people did you meet?" But the third question is usually something like "So when will I actually get to see these movies that everyone's been chattering about for the last two weeks?" And so I decided to collect all the acquisition news from this past festival and offer it all up on one convenient platter. I'll keep the chatter to a minimum, but if you want more info on a particular film, please do partake of all the links below.

• Clubland -- Warner Independent Pictures -- $4,000,000
• Crazy Love -- Magnolia Pictures -- n/a
  
• Grace is Gone -- The Weinstein Co. -- $4,000,000
• How She Move -- Paramount Vantage -- $4,000,000
• In the Shadow of the Moon -- ThinkFilm -- $2,500,000
• Joshua -- Fox Searchlight -- $4,000,000
• King of California -- First Look Pictures -- $3,000,000
• La Misma Luna (The Same Moon) -- The Weinstein Co. & Fox Searchlight -- $5,000,000
• My Kid Could Paint That -- Sony Pictures Classics -- $1,500,000
• Nanking -- Fortissimo Films -- n/a
  
• Once -- Summit Entertainment -- n/a
  
• Protagonist -- IFC & Netflix -- Under $1,000,000
• The Signal -- Magnolia Pictures -- $2,300,000
• Son of Rambow -- Paramount Vantage -- $8,500,000 (some say even higher)
• Teeth -- The Weinstein Co. & Lionsgate -- $1,000,000
• The Ten -- ThinkFilm & City Lights Home Entertainment -- $4,500,000
• Waitress -- Fox Searchlight -- $4,500,000
• Weapons -- After Dark Films -- $1,000,000

Thanks to Variety, Movie City News, THR's RiskyBiz Blog, and our own Cine-maniacs (particularly Jette and Karina) for all the info. [Have any updates, additions or corrections? Leave 'em in the comments section please!] Added Bonus: After the jump you'll find a list of movies that already had North American distribution set up before they arrived at Sundance!

I love a documentary that doles out both sides of an interesting story and then forces you to decide for yourself where the truth actually lies. Amir Bar-Lev's My Kid Could Paint That is precisely that kind of documentary: It offers a very interesting (yet decidedly ambiguous) story, offers two very distinct sides of the story, gives tons of interesting facts and opinions, and then leaves you to decide who's telling the truth ... and if it really matters. The story is this: There's this adorable little 4-year-old girl who lives in Binghamton, New York. Her name is Marla Olmstead. She has a cute little brother, two adoring parents and a huge batch of talent in the painting department ... or does she?

In the first half of this effortlessly entertaining documentary, we're given no reason to doubt that little Marla is a true genius, a stunning pre-school ingenue, and a small human being overstuffed with some really staggering artistic talents. Propping herself up on the kitchen floor and using her daddy's paints and canvases, little Marla sure looks like she's some sort of astronomical prodigy -- especially after a local restaurateur and gallery owner decide to exhibit her pieces ... and the things absolutely fly off the shelf.