Charlie Kaufman is notorious for challenging audiences with his brain-bending screenplays; now, the screenwriter's directorial debut, Synecdoche, NY, faces a challenge even getting to audiences.

The film concerns a playwright (Philip Seymour Hoffman) who uses a grant in order to stage a life-size re-enactment of his life within a massive hangar. Our own James Rocchi referred to the film as "a sprawling, messy work of inspired brilliance and real humanity, a film that enthralls and affects even as it infuriates and confounds"; Kim Voynar put it much more simply: "man, is that film two hours of mental-mindf*ck."

So, as might be the case with another lengthy high-profile Cannes premiere greeted by praise but no distribution, Kaufman is considering trimming the film down from its current 124-minute length to something a bit leaner ... which is saying something about a movie whose first cut, according to the Hollywood Reporter, ran just over four hours.

What say you, readers? Having seen the likes of Adaptation and Eternal Sunshine of the Spotless Mind, would you rather greet Synecdoche in all its full-bore glory, whether in theaters or on DVD, or would you be willing to settle for a tighter version?

[via Hollywood Elsewhere]

Synecdoche: n. A figure of speech in which a part is used for the whole (as hand for sailor), the whole for a part (as the law for police officer), the specific for the general (as cutthroat for assassin), the general for the specific (as thief for pickpocket), or the material for the thing made from it (as steel for sword). -- American Heritage Dictionary

The directorial debut of screenwriter Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Adaptation), Synecdoche, New York is a sprawling, messy work of inspired brilliance and real humanity, a film that enthralls and affects even as it infuriates and confounds. Kaufman gives us parts, and the whole; he gives us the general and the specific. The plot is, on the surface, about a theater director, Caden (Phillip Seymour Hoffman), whose work, and life, in upstate New York have both fallen into a state of stasis relieved only by hints of slow decay. His marriage to Adele (Catherine Keener) is a qualified success: somewhat supportive, somewhat loving, somewhat successful, sustained in part by their daughter Olive (Sadie Goldstein). And just as Caden's life falls apart personally -- Adele, a painter, takes Olive to Berlin for a gallery showing and never comes back -- he also earns a "Genius" grant, and embarks on an ambitious, immersive theater piece that'll be his masterwork.

But that meat-and-potatoes synopsis does not, and can not, fully explain what Kaufman covers and examines and explores and offers in the film -- partially because of the fluidity of time and space and art and reality in the story, and partially because of how Kaufman wedges every frame full of set design, side notes, visual tricks, subtext, , deadpan jokes, prosthetic makeup, voice-over, post-modern inventions and old-fashioned melodrama. Synecdoche, New York veers away from reality fairly early in its journey; indeed, there's a question of if it even starts anywhere near there to begin with. Caden's obsessed with the decline of his physical body as he ages, poking at bumps, examining anomalies, concerned with disease.

If you're anywhere near New York City this weekend, you simply must check out the work of this great new filmmaker named Harmony Korine, whose strangely fantastical movie, Mister Lonely, opened yesterday at the IFC Center (it hits Los Angeles on May 9). Some readers may confuse this Korine for the angry young radical who wrote Larry Clark's teen sex drama Kids when he was 19 and later directed the startling divisive, sharply confrontational films Gummo and Julien Donkey-Boy.

I assure you that the 1990's-era Korine is long gone -- or, rather, has morphed into an agreeably warmer artist. Mister Lonely, which stars Diego Luna as a Michael Jackson impersonator and New German Cinema legend Werner Herzog as an eccentric priest, doesn't always make sense, but that's precisely what Korine was going for. "I've always been interested in making a perfect nonsense," he told a crowd at the Apple store in lower Manhattan Thursday night. "I never really cared much about plot. I wanted to make movies about moments that went through you, that were experiential."

Photographers, journalists and casual television watchers alike went into frenzies late last year when the Sex and the City team reunited all across New York for the feature-length version of the hit series. Whether or not you're a fan, it's hard to deny that Sex and the City qualifies as one of those event films, if only because it puts a definitive cap on the six seasons when the show became a phenomenon. It's automatically a quintessential New York film, belonging to a separate class from any number of movies that come out each year incidentally featuring New York that could take place anywhere else.

For that reason, you'd imagine that the movie would celebrate the town of its title with a glitzy New York premiere at some big media affair, of which there is never a shortage. Oddly enough, the Los Angeles Times is reporting that Sex and the City might premiere in London, of all places. London? Really? When Spider-Man 3 opened last year, the Tribeca Film Festival dedicated an entire week to the webslinger with large scale events throughout New York's five boroughs. Considering all that Sex and the City owes to New York -- its entire legacy, really -- the idea of fleeing to Europe first sounds a little confused. Then again, I never understood the appeal of this show anyway, but that's just me. Right?

The cast and crew of New York, I Love You keeps growing and growing. There's not even enough room on the headline to list all the names that were just added. New York is a collection of short stories, part of a "Cities of Love" anthology that was begun by Paris, je ta'ime. New York will reportedly be followed by Shanghai, and then cities in South America and Africa.

The stories are showcasing an incredible variety of actors and directors. Natalie Portman and Scarlett Johansson are both making their directing debut, there's a good representation of international talent, and Brett Ratner hasn't been driven away by pitchforks and torches. Variety reported that Orlando Bloom, Olivia Thirlby, Hayden Christensen, and Ethan Hawke had climbed aboard the film. No word on who's segments they will appear in yet -- but a far better choice for Bloom's career than Prince of Persia, wouldn't you say?

Just over a week ago, Anthony Minghella passed away suddenly at the age of 54. One of the unfinished projects that he left was his installment in the upcoming anthology New York, I Love You, which includes the talents of Scarlet Johansson, Natalie Portman, Woody Allen, Kevin Bacon, and more. While some of the segments have begun filming, Minghella had not gotten a chance to cast or shoot the segment he had written.

The Hollywood Reporter now posts that after confirming the move with Minghella's family, this honor will be handed to Shekhar Kapur, whose roster includes both Elizabeth and Elizabeth: The Golden Age. One week ago, Kapur had blogged about his last conversation with Minghella, and said: "On Sunday, two days before Anthony Minghella went in for an operation on a tumour they had just discovered, Anthony called me to see if I would direct a short he had written ... He told me his film was about the value of life, and how people sometimes just throw away their lives unable to look beyond into the real beauty of it."

In the past, both directors had long conversations about the nature of life, and Kapur says: "He recalled those conversations -- saying that it was those conversation too that lead him to believe that I should be the one to direct this short film." I like the idea of Minghella not only choosing a worthy director, but one who has similar thoughts about the project. With all that has happened, plus Anthony's talents as a screenwriter, this should make for a pretty powerful short.

• Paul Scofield (1922-2008) - British actor (pictured) who won an Oscar for his portrayal of Sir Thomas More in A Man for All Seasons and who was nominated again almost thirty years later for his supporting role in Quiz Show. He also co-stars in Frankenheimer's The Train, Branagh's Henry V, Zeffirelli's Hamlet, Hytner's The Crucible and Michael Winner's Scorpio, and he played the title role in Peter Brook's King Lear. He narrated the documentaries London and Robinson in Space and voiced the part of Akira Kurosawa in the documentary Kurosawa. He died of leukemia March 19, in West Sussex, England. (NY Times)
• Arthur C. Clarke (1917-2008) - Oscar-nominated screenwriter of 2001: A Space Odyssey. Best known as a science fiction author, he wrote the novel-turned-film 2010, and his novels Rendezvous with Rama and Childhood's End are also currently being adapted. See Richard's full post for details of his death.
• Hugo Claus (1929-2008) - Belgian filmmaker, novelist and playwright. He wrote the screenplay for the 1958 Oscar nominee Dorp Aaan De Rivier and his directorial work includes the Berlin Film Festival nominee Vrijdag and an adaptation of his play De Verlossing. He died March 19 in Antwerp, Belgium. (BBC)

It's almost like the beginning of a joke: "A Hasidic Jew and Natalie Portman are walking down the street in New York ..." Only problem is it's far from a joke ... it's all kinda real and kinda not good. The other day we shared photos from the set of the upcoming anthology New York, I Love You, featuring Portman walking alongside a Hasidic Jew on the Brooklyn Bridge. Apparently, Portman is playing a Jewish bride in the film -- problem is, the real Jews aren't so happy about who's starring opposite her.

Turns out the Hasidic Jew filming the scene with Portman was, in fact, a real Hasidic Jew, and his community was not happy after the photos leaked online. Abe Karpen, a kitchen cabinet salesman from Brooklyn and married father of three, told the New York Daily News that he's backing out of the movie because of the pressure he's feeling. "They [the rabbis] didn't like the ideas of a Hasidic guy playing in Hollywood. I have my kids in religious schools and the rabbi called me over yesterday and said in order for me to keep my kids in the school I have to do what they tell me and back out."

Well that sucks. But the good news for you Jewish guys out there -- Portman speaks Hebrew! Oh yes, according to Karpen, "I was shocked that she's a big Hollywood big shot. We talked in Hebrew ... She wants to become more religious." (Keep in mind, some Hasidic Jews do not believe in are not allowed to watching television or film, so that's probably why he doesn't know who she is.) No word yet on Karpen's replacement, though I imagine the filmmakers will tone down the authenticity with their next casting choice.

I miss many things about living in New York -- the people, the restaurants and bars, Central Park, the smell of baked ass that overtakes the city this time of year (OK, not that last one). But what I miss the most has got to be the film "scene." Getting a coffee and taking the subway to a movie on a Sunday morning always filled me with happiness. NYC also puts on one of the best film festivals in the country -- the cleverly named New York Film Festival. Showcasing 28 films, the fest will be held this year at Frederick P. Rose Hall in the Time Warner Center. Screenings are set for September 28 through October 14th, and this year's lineup is a real doozy. It includes new films from Sidney Lumet (Before the Devil Knows You're Dead, with Ethan Hawke and Philip Seymour Hoffman), Catherine Breillat (The Last Mistress, just grabbed by IFC), Todd Haynes (I'm Not There, his Bob Dylan movie), Abel Ferrara (the promisingly titled Go-Go Tales, starring Willem Dafoe), Noah Baumbach (following up the excellent Squid and the Whale with Margot at the Wedding), the ascotted Peter Bogdanovich (profiling one of my favorite bands with Tom Petty and the Heartbreakers: Runnin' Down a Dream), and Brian DePalma (an Iraq war drama called Redacted).

Wes Anderson's new film (can't wait!) The Darjeeling Limited will open the NYFF. The Coen Brothers' new one No Country for Old Men (really really can't wait!) will be the "centerpiece" of the festival. And Cannes '07 jury prize-winner Persepolis, an "animated coming-of-age" story directed by Marjane Satrapi and Vincent Paronnaud, will close the fest. Also showcased will be Cannes favorites like Gus Van Sant's Paranoid Park, Julian Schnabel's French-language The Diving Bell and the Butterfly, and Palme d'Or winner 4 Months, 3 Weeks and 2 Days. In addition, there will be five classic films screened, including John Ford's first major film -- The Iron Horse. Probably the most anticipated of that bunch is Ridley Scott's "definitive cut" of Blade Runner, in honor of that film's 25th anniversary. An evening called "The Technicolor Show" should be a major attraction, as it's introduced by Martin Scorsese. Head over to Yahoo Movies for the full roster.

There's arguably no better city for a movie lover in America than Manhattan. On a rainy Sunday you can head out to the Museum of the Moving Image in Queens, which always has incredible screenings going on in addition to their amazing exhibits. You can go to the Ziegfeld, a huge, old fashioned, one-screen jewel that is probably the most beautiful movie theater I've been in. And then there's Film Forum, which shows a mixture of new independents, "lost" treasures, foreign films, and the classics. And all you Bond fanatics who reside outside of the Big Apple might want to sell your home (the money should get you a studio apartment for about three months in New York, if memory serves) and move to NYC because Film Forum is hosting a James Bond Marathon, starting next month.

The film fest runs from April 27 to May 17, and will be showing all of the pre-Dalton Bond flicks (except one, they took the liberty of removing Moonraker). Film Forum is also showing a bunch of non-Bond 60's spy films, such as Our Man Flint and The Ipcess File, and there's some great extras in the mix too: Five vintage Bond trailers will be shown before Live and Let Die and there will be a sing-along (presumably of the Bond themes) following From Russia With Love. Oh, and there's double features and a movie called Dr. Goldfoot and the Bikini Machine! With Vincent Price and Frankie Avalon! What are you waiting for? For a lot of younger fans who grew up watching these films on video and DVD, this is one hell of an opportunity, and you've got to support these events when they come to your town. Too many of these great theaters are disappearing.