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Shia LaBeouf No Longer 'Y: The Last Man'

Filed under: Action », Sci-Fi & Fantasy », Thrillers », Casting », New Line », Fandom », Newsstand », Comic/Superhero/Geek »

Hey, now I can care about a Y: The Last Man movie again! (Harsh, but true -- I cannot tell a lie.) After months of being linked to D. J. Caruso's adaptation, Shia LaBeouf is apparently uninterested in taking the titular role.

LaBeouf told Wizard that it's too similar to his Transformers character. "You take Sam and you put a monkey on his shoulder. "I don't know if it's that big a differential. It seems like he's the ordinary guy in an extraordinary situation again. I'm not willing to make that movie currently, and may be too old to play the role by the time it does come around."

That's fine by me, although if there was a role written for LaBeouf, it was this one. Now, I'm only at the third volume (I never seem to have cash on me when I find the trades), so he may grow up and change, but on the outset Yorick is a rather immature and arrogant sort of guy. He's essentially Mutt Williams -- if Mutt was crossed with James "Sawyer" Ford's ability to drop pop culture references every two seconds. But to me, that sort of character needs a young actor who can really make him likeable under the slick smugness ... and LaBeouf isn't that guy for me. Joseph Gordon-Levitt is (though he's a little too far into his 20s), as is Daniel Radcliffe. There's a 20-something out there just dying to have a meaty, sci-fi story like this, and I will embrace him when he's cast ... unless its Zac Efron, in which case I will make a formal apology to LaBeouf.

[via Superhero Hype]

Jake Gyllenhaal and Jim Carrey Are 'Damn Yankees'

Filed under: Classics », Music & Musicals », Casting », New Line », Remakes and Sequels »

I have a weird relationship with musicals -- and unfortunately I don't always have the best taste. For example, I can sing every song from Xanadu, but I don't think I've ever made it through an entire viewing of Meet Me in St. Louis (musical heresy, I know). But, one classic musical I have always loved is Damn Yankees, so the announcement of an updated version has me a little nervous -- throw in two untried singers and dancers and we just might be reaching panic. Variety reports that Jim Carrey (the man famous for talking out of his butt ... literally) has signed to star alongside Jake Gyllenhaal in an update of the 1958 musical.

Yankees was the story of Joe Boyd, a loveable loser who is so dedicated to his team, he makes a deal with the devil, and boy, does the devil deliver. Boyd is soon transformed into a star slugger by the name of Joe Hardy, who can help the team win the world series, but only in exchange for his soul. Throw in a sexy dame by the name of Lola, fantastic music, and dance routines by Bob Fosse, and you have one of the greatest musicals ever made. Lowell Ganz and Babaloo Mandel have already been tapped to write the script, and according to Variety, Carrey is set to play the devil, with Gyllenhaal as Boyd, but the production has yet to cast the role of Lola.

A Yankees update almost made it into production back in 2004 under Miramax, but after Mr. Weinstein left the building, the rights lapsed and now New Line is the proud owner of the property. So place your bets: what do you think are the chances of either of these guys being musical wunderkinds? Or, are we doomed to another so-so remake of a classic musical?

Drew Barrymore Will Teach You 'How to Be Single'

Filed under: Comedy », Romance », Deals », New Line », Scripts », Newsstand »

I feel like Drew Barrymore is trying to tell us girls something with her latest movie roles. This fall, she tells us He's Just Not That Into You, and now according to The Hollywood Reporter, she's telling us How to Be Single. She's been rather unlucky in romance, so maybe this is her form of therapy.

New Line bought the rights to Liz Tuccillo's summer bestseller for Barrymore and Nancy Juvonen's Flower Films to produce, with the entire Into You gang coming on board. Marc Silverstein and Abby Kohn will write the screenplay. There's no word on director, or whether Barrymore will star, but she generally does headline her Flower Films.

Both Into You and Single are the products of Liz Tuccillo's pen, former Sex and the City writer, and New Line hopes that a trifecta of might-as-well-be-spinoffs keep female moviegoers buying tickets.
And it will probably work because How to Be Single, not surprisingly, sounds like a variation on Sex. It's the story of five single New York women, one of whom decides to travel the world to see how international women manage to fly solo. Naturally, while listening to global stories of romances successful and disastrous, she finds herself enjoying a foreign love affair. Naturally, her friends back home get their turn to, and become embroiled in all kinds of romantic mishaps. They probably all end up with versions of Mr. Big.

I'm curious about what the message of the book is. Is it how to maintain your single state? How to be fulfilled in it? How to overcome it? I find singledom to be riveting! Staying up all night, spending your weekends reading graphic novels and historical novels, no one to notice if you've combed your hair. Yikes, maybe I do need this book. Help me, Drew Barrymore! You're my only hope.

Pack Ratner Heads to Paramount

Filed under: Action », Comedy », Casting », Deals », New Releases », Executive shifts », RumorMonger », Celebrities and Controversy », Box Office », Scripts », Comic/Superhero/Geek »

Love him or hate him, you've got to hand it to Brett Ratner for keeping his career in motion. Variety brings word that the hustling filmmaker plans to take his Rat Entertainment company from New Line, where it first settled in 1996, to a first-look deal with Paramount Pictures. Ratner says the departure of New Line execs Bob Shaye and Michael Lynne in February convinced him it was time to move on. At Paramount, Ratner will probably get bigger budgets and executives more receptive to his blockbuster-ready concepts. Stating the obvious, Ratner told Variety he "will not be pitching art films. I want to make major tentpole movies." You don't say?

Unless you're Scott Foundas, you probably balk at the idea of more Ratner movies populating the mainstream film scene, but the guy does fit the proper archetype of the classic Hollywood powerhouse. A modern day Sammy Glick, he knows how to make movies that bring out the audiences, whether or not they're any good. But maybe that determination means that, one day, Ratner will make a lot of great movies. His planned Hugh Hefner biopic sounds promising -- or at least, appropriate.

Still, that's a little ways off. Encouraged by his experience with X-Men: The Last Stand, Ratner decided he wanted to work on a new superhero franchise, so he's adapting Valiant Comics' Harbinger. Also in his queue: Beverly Hills Cop 4, The Incredible Shrinking Man and The Boys From Brazil. Do these projects get anyone excited? Anyone at all?

Len Wiseman to Direct 'Gears of War'

Filed under: Action », Deals », New Line », Warner Brothers », Newsstand », Comic/Superhero/Geek », Games and Game Movies »

According to The Hollywood Reporter, Gears of War is on a fast-track to the big screen, thanks to New Line. Len Wiseman (Live Free or Die Hard) has been given the directing job, and will be developing the story alongside Chris Morgan.

Based on the hugely popular video game, Gears of War tells of an elite Delta Squad who are charged with the task of saving the planet Sera from the vicious Locust Horde. Of course, the question on everyone's mind is whether or not this video game adaptation can succeed where so many have failed? Gears of War will probably be even more problematic than most, as the appeal stems from being plunked into the action, not because of the storyline. (Though, to be fair, it has no thinner a plot than Commando.)

Chris Bleszinski, one of the brains behind the video game, is optimistic as long as Hollywood takes it seriously. "Disney made a great movie out of a theme park ride, and somebody is sooner or later going to make a great one out of a video game. Having someone like Len really helps the odds. I think we're going to create something special here."

Sadly, Len Wiseman is only marginally more popular with fanboys and girls than Brett Ratner, so his name alone could sink this project when it comes to the geeks. However, he has a knack for over the top action, so perhaps this could be the ideal film for him. Sound off, Gears fans -- do you think this has potential, or is it destined to be another Doom?

The Rocchi Review -- With David Fear of Time Out New York!

Filed under: Tribeca », Festival Reports », Podcasts », Cinematical Indie », The Rocchi Review: Online Film Community Podcast »



What are the most anticipated movies at this year's Tribeca Film Festival? And has that (relatively) young festival in fact found a voice yet? And what does Tribeca's premiering Baby Mama and Speed Racer at this year's fest say about the uneasy relationship between high art and big headlines in New York's media world? Plus, what the end of New Line Cinema says about the state of the industry, and can Warner Brothers market The Dark Knight while still honoring Heath Ledger? Joining us this week on The Rocchi Review to talk about Tribeca and summer entertainment is film critic David Fear of Time Out New York as we discuss all of the above and more ... Cinematical's podcast content now has even better sound quality, and is now in iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

Review: The Golden Compass -- Scott's Review

Filed under: Action », Sci-Fi & Fantasy », New Line », Theatrical Reviews », Family Films »



Having never read the source material, but most definitely a serious fan of the fantasy genre, I walked into Chris Weitz's adaptation of Philip Pullman's The Golden Compass with a small sense of schizophrenia. As much as I enjoy epic adventures, daring escapes, dramatic battles and all that magical stuff, I'm well aware that every studio in Hollywood has tried to copy-cat the success of Harry Potter and the Lord of the Rings. Between Narnia, Eragon, Stardust, The Seeker, Beowulf, and a few others (with Inkheart and The Spiderwick Chronicles on the way!), it's tough to keep track of which ethereal realm needs the assistance of which plucky youths in order to thwart which decidedly nasty villain.

But it seems a little silly to complain, especially when you consider that the last time the "swords and sorcery" sub-genre had a revolution, it yielded movies like Legend, Labyrinth, Ladyhawke, Dragonslayer and Krull. (Yes, all of which I like.) Our latest entry into the family-friendly epic adventure category is, of course, The Golden Compass, which is based on a rather controversial fantasy novel that has the audacity to (gasp) criticize organized religion. But since pretty much all of the subtext has been drained out of this movie version, we can skip all that nonsense and cut right to the meat of the movie -- which is pretty damn fun, if you ask me.

The setting is a parallel universe in which people look a lot like we do ... only they all have personal "daemons" that hang nearby at all times. Not creepy Clive Barker-style demons, these are more like magical talking animals that share a soul with their respective 'masters' -- and the kids' daemons can morph into different animals at will. Cool! Our heroine is a precocious young tomboy called Lyra, and her adventure begins when she's whisked away from Jordan College by a mysterious lovely known as Mrs. Coulter. (It comes as little surprise to learn that Mrs. Coulter actually isn't that nice a lady, but let's not spoil things for those who haven't read the books.)

Peter Jackson to Direct 'The Hobbit' in 3D?!

Filed under: Sci-Fi & Fantasy », Deals », New Line », RumorMonger », Fandom », DIY/Filmmaking », Peter Jackson », Remakes and Sequels »

First off, who the hell are Marketsaw and what are they smoking? Additionally, can I have some? Okay, so this site called Marketsaw claims to have received word that Peter Jackson will indeed direct The Hobbit -- split up into two different parts -- and that both films will be shot in 3D. Yup. Marketsaw. And the reason why we believe them is because most of their text shows up in these annoying red and green colors. They say they're "100% SURE that this is happening." We don't know who they talked to or how they acquired this information, but the site says an official announcement should be coming soon.

Apart from the two Hobbit films in 3D, Marketsaw also says Jackson will revisit his Lord of the Rings trilogy and convert all three over to 3D and release them between 2012 and 2014. If true, of course, this is the most unbelievable news, like, EVER! But we have no idea who these people are or where they're getting their information from, so for the time being you'll have to consider this a giant rumor. As recently as October, EW reported that tensions between New Line and Peter Jackson had lowered to a simmer, after both sides had been tied up in legal wranglings for well over a year. In that time, names like Sam Raimi had been tossed around The Hobbit project, but nothing official hit. We know New Line wants to make The Hobbit, and we know the fans want Peter Jackson to direct it, so could it be that both sides finally found civil ground and Jackson was given the go-ahead to split up the films and make them in 3D? I hope so. And if this does turn out to be true, kudos to Marketsaw for breaking the news we've been waiting to hear for a long, long time.

[via Cinema Blend]

Some Early Tidbits from the 'Friday the 13th' Remake

Filed under: Horror », Thrillers », New Line », Fandom », Remakes and Sequels »

A few days back when Monika shared the news that Marcus Nispel had signed on for Platinum Dunes' Friday the 13th remake, she was met by one wise-ass commenter who actually made a good point: How can the remake have Jason as the hockey-masked killer -- if Jason didn't start slashing until Part 2 and didn't locate a hockey mask until the third act of Part 3? (Such are the things that ravenous horror nerds worry about.)

Luckily we have a semi-spoilery little report from Devin at CHUD.com, and let's just say that screenwriters Mark Swift and Damian Shannon are not exactly looking to re-invent the wheel. Which is good news for me, because it's the formulaic simplicity of the original Friday the 13th that I dig so much. (Yes, I really believe the original is a damn fine horror film. Cheap, choppy and all but completely plagiarized, but still grim, atmospheric and graphically effective.) Swift and Shannon also provided the screenplay for Freddy vs. Jason, but I'm hoping this new project is a little darker (and quite a bit more ... decipherable) than FvJ was.

Anyway, rest assured that I'll be watching this project with both eyeballs. And since they're planning to shoot in Austin early next year, hell, maybe I'll even get to visit the set. Click right here for Devin's notes from a discussion with the Platinum Dunes partners, and then click right here for some (also semi-spoilery) character descriptions at Bloody-Disgusting.com. But really, who's worried about spoilers at this point? It's not like you haven't seen Friday the 13th at least four times. (Special note to the Dunesmen: Good job on giving Nispel the job. I may be in the minority, but I really dug his take on Leatherface. Looking forward to his interpretation of ol' Jason, which will hit theaters on February 13, 2009. Yes, that's a Friday.)

Special note to me fellow Friday freaks: I was overseas recently and I picked up this very awesome Friday the 13th book AND the unrated Warner Bros. Region 2 DVD that has the nine extra seconds of gore! Whoo!

New Line and del Toro Eye 'Orphanage" Remake

Filed under: Foreign Language », Horror », Deals », New Line », Distribution », Remakes and Sequels », Toronto International Film Festival », Cinematical Indie », Picturehouse »

Despite their great success with Pan's Labyrinth, which did pretty well in the U.S. for a foreign-language film, New Line apparently expects less of a mainstream reception for The Orphanage (El Orfanato). According to Variety, the studio is looking to remake the Spanish film, directed by Juan Antonio Bayona with supervision from Guillermo Del Toro, director of Pan's Labyrinth. Del Toro is actually on board to produce the English-language version, and if he's a good man, he'll make sure Bayona gets to redo his own work for a wider audience. Back when Picturehouse bought the distribution rights to The Orphanage, Del Toro said that Bayona's footage blew him away, so I can't imagine he'd prefer someone else to helm the remake. Of course, I'm shocked that he would be fine with the film being remade in the first place. If the original really is so good, there's no reason for an Americanized take on it. Knowing the way Hollywood works, though, it is more likely that another foreign filmmaker will make his English-language debut with this project, while Bayona will direct a remake of someone else's film (and so on).

Like many popular Spanish horror films, The Orphanage is a ghost story. Well, it features a supernatural imaginary friend, which sounds a lot like a ghost. The original, written by Sergio G. Sánchez, stars Bélen Rueda as a woman who returns to her childhood home with plans to turn it into an orphanage for disabled children. Unfortunately, her son gets a new imaginary friend, who just so happens to be the same imaginary friend that she had when she was a kid. And he terrorized her back then. Yep, sounds like he's actually a ghost. Last month, we shared the trailer with you, and while it didn't show much, it still had the promise of something truly creepy (did you see that scarecrow-faced kid?). Personally, I'd rather check it out as soon as possible than wait for the English-language version. Seriously, what's a few subtitles matter when you're being scared out of your wits? The original Orphanage played at Berlin and Cannes Film Festivals to good reviews, and it screens tonight at the Toronto Film Festival (from where our own Scott Weinberg is raving about it). Picturehouse, a partnership between New Line and HBO, is giving the film a limited release in December.

 

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