Despite the slower-than-expected installation of digital projectors into theaters, yet another movie is slated to be released in digital 3-D (which of course requires digital projection plus additional equipment such as a special screen). According to The Hollywood Reporter, New Amsterdam Entertainment plans to re-release George Romero's 1978 zombie classic Dawn of the Dead into theaters after the film is modified, or "dimensionalized," to be shown in stereoscopic 3-D. The transition from 2-D to 3-D will be handled by In-Three, the company that handled George Lucas' presentation of a segment of Star Wars in 3-D at ShoWest back in 2005. The project is expected to be finished within the year. Romero's Dawn of the Dead, which New Amsterdam remade in 2004, will likely be only the second film to be re-released with a 3-D version, the first being The Nightmare Before Christmas.

As wonderful as it is, the original Dawn of the Dead seems like an odd choice for 3-D, which often capitalizes on the gimmick of having objects jump out at the audience. With this film, we'll instead get to see zombies ever-so-slowly coming towards us as we nonchalantly continue eating our popcorn without fear. Perhaps we'll even have time to head to the restroom before the zombies actually seemingly make their way out into the space of the auditorium. See, that was part of the humor of Romero's Night of the Living Dead sequel, that the characters had time to run in circles around the undead mallrats. It would be much more frightening to see a dimensionalized version of the remake, which featured much quicker zombies. Presently there appears to be no set release date for the re-release, but depending on how crowded the 3-D marketplace is a year from now, I'd guess New Amsterdam is hoping for a 2009 bow.

Diary of the Dead, George A. Romero's first independent zombie film in over 20 years, follows a group of student filmmakers who, making a low-grade horror film in the woods, drive back to civilization ... only to find it isn't there anymore. We watch the film unfold as footage they shoot travelling through desolate and deadly buildings, neighborhoods, towns, cities -- coming to grips with the fact that the dead are walking and hungry and everything they knew is over. Shot outside of Toronto, where Romero now lives (but, as tradition demands, set near Pittsburgh), Diary of the Dead played both the Toronto and Sundance Film Festivals; Scott Weinberg's review from Toronto can be found here, while Jette Kernion's review is here.

Writer-director George A. Romero spoke with Cinematical about his zombie film legacy that stretches back to 1968's Night of the Living Dead, his concerns about the possibilities and perils of user-generated media, which Presidential candidate he thinks would have the best handle on attacking armies of the dead, and the undying popularity of the undead he created. " (If) I created anything ... it was the "neighborhood zombie" ... the guy with Nikes and a sweatshirt. ... Neighbors are scary, and when they're dead they're a bit scarier. But once you have that, it's idiomatic ... I half expect the zombies to show up on Sesame Street hanging out with The Count. ..."

Cinematical: I've read several notes and quotes from you saying that Diary of the Dead essentially felt like a new beginning.

George A. Romero: For me, it was a new beginning; I made four zombie films before this, and they sort of tracked, they were along a single storyline, even though they were 10 years or more apart, each of them. And they were just getting too big. The last one (George A. Romero's Land of the Dead) was a studio-supported film, which, you know, I turned around and looked at it: They let me make the film I wanted to make, I loved working with Dennis Hopper and Leguizamo and people like that, but I felt the film and I had sort of lost connection with the origin of the series, which was a little guerrilla movie that a bunch of amateurs made in Pittsburgh all those years ago. And I wanted to go back to ... I wanted to see if I had the chops and the stamina to make a little guerilla movie. I happened to have an idea that I wanted to do something ... all of my zombie films have had this kind of socio-political satire underneath them, and I've always used them as snapshots of the time in which they were made.

I got an idea that I wanted to do something about emerging media, with the mainstream losing its power and Joe Blow from Oshkosh taking over on the blogosphere. And it all sort of fell into place. And I thought 'Well, I can make a little film, do it pretty inexpensively, about students who are out shooting a student film when the sh*t hits the fan, when zombies sit up and start walking around.' I said 'We can go back to the very first night, and we can try to pretend ' -- even though that was 1968 and this is now --- 'that this is the same first night, when this phenomenon first begins to happen.'

Thanks to the enormous success of 300, director Zack Snyder can probably set up as many dream projects as he wants right now. He has already been able to get Watchmen up and running and he would certainly be offered the 300 sequel if it happens. Another project that he's just set up is a return to the zombie action-horror genre. It is called Army of the Dead and while it sounds like a sequel to his first big hit, Dawn of the Dead, the fact that this will be made by Warner Bros. instead of Universal makes me think it is definitely not related. Snyder wrote the story, which takes place in a quarantined Las Vegas, and he will co-produce with wife Deborah, but he hasn't announced whether or not he'll direct.

For now it is only known that a script is being written by Joby Harold and that Snyder wants the movie to be a sweeping epic with a style similar to that of 300. I am one of the few zombie movie fans that wasn't too crazy about Snyder's Dawn remake (it seemed to me more a scene-by-scene remake of Maximum Overdrive that substituted zombies for trucks), but because I will watch any movie with zombies, I'm willing to give him another shot. Plus, I love the idea of zombies in Vegas. Whenever I'm at a casino, I already think of the people around me as being like the living dead, and I can certainly imagine zombies blankly playing the slots. Of course, since I'm envisioning a campy movie closer in style to Romero's original Dawn of the Dead, I doubt I will be satisfied. Still, I can't completely dismiss it just because it is different than what I would do, and I'm excited to see what Snyder claims will be the biggest-scale zombie movie yet.