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NoCountryForOldMen Tagged Articles at Cinematical

Online Film Critics Put 'Hurt Locker' Back In Front

Filed under: Awards », Oscar Watch »



Despite receiving a leading eight nominations from the Online Film Critics Society, Quentin Tarantino's Inglourious Basterds ended up losing their top prize to Kathryn Bigelow and The Hurt Locker. The acclaimed Iraq war thriller took top honors for Picture, Bigelow for Director and, again, Jeremy Renner for Actor, matching the recently announced choices from the National Society of Film Critics. Basterds hardly walked away empty-handed, tying Hurt Locker's four victories from the 143-member group with awards for Supporting Actor (Christoph Waltz), Original Screenplay for Tarantino, Cinematography for Robert Richardson and Mélanie Laurent for Best Lead Actress. Laurent also won the award from the Austin Film Critics but was relegated into the Supporting category by Detroit and St. Louis where she was only nominated.

The statistics for the OFCS are not going to figure as much in the long run as some other groups might. The numbers that do stand out though are the ones that the OFCS helped put over the top. Throughout this awards season over 20 groups have announced their winners of the season. As of this writing, the OFCS has put The Hurt Locker into the lead with the most victories to date for Best Film of 2009. Their award makes number 10 for Bigelow & Co., just ahead of Jason Reitman's Up In The Air which has won 9. Well-trailing the pack in third place is Inglourious Basterds with 3. Rounding out the Top Five are Pixar's Up with 2 victories and a sole victory for Avatar coming from the other online group, the New York Film Critics Online.

Finally! All Those Ambiguous Movie Endings Resolved!

Filed under: Fandom », Trailers and Clips »



Nothing gets the blood boiling like an ambiguous movie ending. You've invested roughly two or more hours of your time on a film only to watch the freakin' thing fade to black right in the middle of a conversation or before the main characters had time to resolve all their issues. The person you're watching the film with almost always goes "That's it!? That's how they're ending it!?" before turning to you and saying something like, "That's the last time I let you pick the movie!"

Well, good news is those maniacs at College Humor managed to dig up the actual endings for a group of movies whose ambiguous finales are pretty memorable. They have Lost in Translation, No Country for Old Men, The Graduate, The Wrestler and even The Sopranos. Always wonder what Bill Murray whispered to Scarlett Johansson? Or ponder what happened to Mickey Rourke's character after he jumped off the top rope? (I like to think he went and had a couple of beers with Sly Stallone while the two discussed a possible confrontation in Rocky 7, but that's just my imagination running wild.)

Watch the video after the jump and find out all the answers ...

Fan Made: The Improbable Movie Trading Cards

Filed under: Fandom », Images », Fan Made »



I wasn't much of a collector when I was a kid. I could never keep a toy in it's package perched high on a shelf. In fact, usually the packaging would last about as long as it could take me to wrench my new She-Ra, Jem, or Barbie from their cardboard cage. But the one thing I did collect were trading cards, E.T. trading cards to be exact. But that was a long time ago, and those cards have long been misplaced (and I won't even dwell on the fact I had the complete set), so you can imagine the overload of nostalgia I experienced when I saw The Improbably Movie Cards over at Automatic Lifestyle Dispenser. Because, what these fine folks have done is made movie collector cards in that classic 80's style, but the catch is that these cards are for films that no person in their right mind would want to collect, and the results are pretty funny -- if not a little bizarre.

So how bad it could it be? Well, if you thought a Silkwood card might be in 'dubious' taste, wait till you get a look at the Schindler's List "Nazi's on The Move" card. Dispenser also made collector cards for good old Alvy and Annie, Sara Goldfarb, and even Charlie Meadows. But no trading card pack would be complete without the stickers, and luckily they have thought of that too, and we get collectible stickers of Colonel "The Horror" Kurtz, and Anton "Friendo" Chigurh. Unfortunately, these cards only exist online, but I don't think I would be the only one out there who would kill for their very own set of Annie Hall trading cards.

Fan Made: Art at Reelizer

Filed under: Fan Made »



Anyone can buy an official movie poster or a t-shirt, but what happens when an artist re-interprets the official movie artwork and filters it through his or her own unique imagination? You get a whole collection of amazingly cool, crazy, sometimes downright twisted stuff, as showcased on the young blog reelizer.com. The blog started this past April and nothing new has been posted since May, but there are currently 7 pages of amazing artwork that I have gone back to look at several times now. (Many items are for sale if you follow the links.)

Some of my favorites include a series of re-designed, re-interpreted movie posters, done using only red, black and white (by Olly Mos). There's a striking print of the three main characters in No Country for Old Men by Blake Loosli, and a original, unused, potentially eye-straining movie poster for Moon. There's an ad for a complete Travis Bickle wardrobe, some gorgeous Star Wars hoodies, and some official Gremlins Reeboks. Dave Macdowell has done a mind-blowing Wizard of Oz/Pulp Fiction mashup fan poster. You can even see the unblemished artwork for the Criterion Collection's Monsters and Madmen DVD box set. Above is a tribute to Léon (The Professional) by Ruben Martinez that I would be proud to hang on my walls.

Admittedly, most of this stuff is done by professional artists, and some of it is official movie artwork, but there's some amateur stuff here too. Overall, it's a museum-quality exhibition of amazing cinema-stuff, and up-and-coming artists can submit their own work. Check out some of the images below.

Gallery: Fan Art

I Reckon Westerns Are Coming Back ...

Filed under: Fandom », Newsstand », Quentin Tarantino », Western »



Sorry, Hugh Jackman ... I don't think its musicals that are back. I think it's the clink of spurs, and the fast draw that's enjoying a renaissance. I know, they say William Munny killed it along with Little Bill Daggett (and if so, it certainly went out with one hell of a last line), but then came The Missing, The Proposition, Open Range, 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford, and Appaloosa. There's also been a few that stretched the definition beyond the classic, pistols-at-sunset sort and tackled a more modern definition and locale, such as All the Pretty Horses, Brokeback Mountain, No Country for Old Men, and Australia. Asia has gotten in on the fun with Sukiyaki Western Django and the upcoming The Warrior's Way.

Of course I'm leaving a few of them out (apologies to the Texas Rangers fans out there), and it's also worth noting that not all of them were successful or popular. Some of them were downright disastrous. But they were made when Unforgiven supposedly shot them down, and they were clearly popular or interesting enough to warrant a few more remakes and revivals. The Lone Ranger is set to call on Silver, the Coen Bros are re-hiring Rooster Cogburn, and Gerard Butler will reportedly try to duck the noose in The Hanging Tale. On the graphic novel end, you'll have Jonah Hex wrecking bloody havoc, and Preacher may finally go to Texas. Today, Variety is reporting that Roy Rogers may rise from the dead for a new film trilogy. It won't be a biopic, nor a traditional Western, but be some kind of "family-fantasy adventure" that will use the characters of Rogers, Dale Evans, and Trigger, capitalizing (their words, not mine) on their iconic status, and introducing them to a new generation.

Spin-ematical: New on DVD for 4/7

Filed under: Action », Animation », Classics », Comedy », Drama », Horror », Independent », Sci-Fi & Fantasy », New on DVD », Family Films », Home Entertainment », Remakes and Sequels »

Spin-ematical (Doubt, The Tale of Despereaux, The Day the Earth Stood Still, Yes Man, Donkey Punch, Pre-Code Hollywood)

Doubt
Philip Seymour Hoffman is thrilling to watch as a priest accused of abuse by god-like nun Meryl Streep. Streep's highly-studied Bronx accent cracks me up, but this is a crackerjack stage play by John Patrick Shanley that he adopted for the screen and directed. Viola Davis makes a deep impression, and Amy Adams is a cute nun. Buy it.

Add to Netflix queue | Buy at Amazon | Read Jeffrey M. Anderson's review.

The Tale of Despereaux
Quoting myself: "A slapdash character study of two rodents ... a gentle and nurturing children's story, imparting lessons without being too condescending to its audience." This could become a family perennial. With the voices of Matthew Broderick, Dustin Hoffman, and Emma Watson. Buy it.

Add to Netflix queue | Buy at Amazon | Read my review.

The Day the Earth Stood Still
You've already seen the best bits in the trailer. Seriously. Even allowing for Keanu Reeves' intentionally blank slate and the prototypical "annoying kid," and crushing on Jennifer Connelly, this was a deadly bore that didn't come close to the far superior original. Skip it.

Add to Netflix queue | Buy at Amazon | Read William Goss' review.

Yes Man
Jim Carrey stars in what our man Will Goss described as "a minor lark in the Canadian comedian's career ... familiar and funny in about equal measure." Still, Carrey familiarity + Zooey Deschanel makes me want to check it out. Rent it.

Add to Netflix queue | Buy at Amazon | Read William Goss' review.

Bedtime Stories

Adam Sandler has always seemed child-like, but Jette Kernion said: "Watching Bedtime Stories is about as delightful as peeking into your Christmas stocking and finding it empty except for a few lint-covered peppermints." (Note: Released this past Sunday.) Skip it.

Add to Netflix queue | Buy at Amazon | Read Jette Kernion's review.

Fan Made: When Peeps Play Hollywood

Filed under: Fandom », Images », Fan Made »



Most fan-made projects can't hold a torch to the impressive world of Easter Peeps and dioramas. There's something about those marshmallow chicks and bunnies that were just made for the world of Hollywood. For the second year in a row, The Washington Post has held their Peeps contest, and once again, the world of film is heavily, wonderfully, and comically represented. The people that send in these recreated scenes -- they've got some serious talent ... and time on their hands.

Would Ghostbusters have been as eerie if the gigantic Stay Puft monster was actually an enormous Peep with no mouth? And I think the Coens were missing out when they made No Country for Old Men with humans instead of Peeps. There's just something about marshmallow and bloody gore that goes together. But these are only the tip of the iceberg -- other movies that got the Peeps treatment this year: The Wizard of Oz, Full Metal Jacket, Mars Attacks, The Birds, A Christmas Story, Amadeus, Crouching Tiger Hidden Dragon, and Casablanca.

After a few years of these killer recreations, I'm thinking that Hollywood should dump those competing Easter bunny projects and direct their attention to the Peeps. Check out some of our favorite movie-related Peep creations in the gallery below, then view the rest over at The Washington Post.

Watch This: Coen Bros. Direct 'Clean Coal Air Freshener'

Filed under: Politics », Trailers and Clips »

Joel and Ethan Coen - The Coen BrothersLast year about this time, Joel and Ethan Coen were basking in the glow of winning multiple Academy Awards for No Country for Old Men. This year, they're hard at work finishing their black comedy follow-up, A Serious Man, which is due out this fall.

While they're in that black comedy mood, the Coen Brothers took time out to direct a 30-second TV ad in support of the Reality Coalition. You can watch the video, which is embedded below, thanks to the folks at Funny or Die. The Reality Coalition wants to "expose the coal industry's misleading marketing campaign for so-called 'clean coal,'" according to a prepared statement.

The Coens have always laced their work with sly, subversive messages, but the video is the first time they've been so straightforward in making a contribution to a, gulp, somewhat political campaign. (Don't worry, the ad itself won't knock you over the head with its message.) The press release says they "were excited to be part of this important project."

I love the line, "Clean Coal Clean harnesses the awesome power of the word 'clean' to make it sound like the cleanest there is." Beyond the concept and the ad copy, what makes the spot work is the deadpan comic timing of the Coen Brothers; the 'suburban family trying a new product' is a tried-and-true advertising gambit, but they give it a good, choking spin. Check it out:

What's a Best Picture Nomination Worth?

Filed under: Awards », New Releases », Box Office », Oscar Watch »

You hear a lot of talk by pointy-headed box office types about the coveted "Oscar bump" -- the extra bit of staying power provided by a slew of Oscar nominations. The theory is simple: people want to see good movies, and take Oscar recognition -- Best Picture in particular -- as a surefire signal that a movie is worth seeing. (Not everyone is as cynical as the rest of us.) Going on this assumption, theaters keep nominated films playing longer (or even bring them back), people are inspired to go see them, and everybody wins. But what impact does a Best Picture nomination actually have on a movie's bottom line? In an article they ran a couple days ago, Slate thinks it has the answer: $6,663,508.

The way they came up with that number is mildly eyebrow-raising. They looked at box office numbers for the four weeks before and after the Oscar nominations were announced each year, tracking both the Best Picture-nominated films and other "movies that mattered" -- movies they deemed to be "in the running," or otherwise significant. The nominees made, on average, just over $1 million more in the four weeks after the announcement than before, and the other films made, on average, just over $5 million less. Combining those numbers gave Slate their magic figure.

More Like 'No Money for Old Men': Tommy Lee Jones Sues Paramount

Filed under: Drama », Thrillers », Deals », Mystery & Suspense », Paramount », RumorMonger », Celebrities and Controversy », Miramax », Paramount Vantage »

In last year's Best Picture winner, No Country for Old Men, Tommy Lee Jones played a weary sheriff chasing after a man who was chasing after some money. Well, according to the San Antonio Express-News, Jones is now himself a weary man chasing after some money, specifically from the pockets of Paramount.

It appears that a contract signed by Jones between Paramount and its subsidiary, N.M. Classics, Inc. contained two "mistakes" that may have prevented him from garnering up to, and perhaps upwards of, $10 million in the wake of the film's success. What's worse is that he was still deducted for any number of expenses, despite alleged awareness of the errors on the part of Paramount. As such, Jones wants an auditor to go through their books and figure out just how much he is owed.

Naturally, neither side of the case has made much in terms of formal comment. As his character might say, if this ain't a mess, it'll do 'til the mess gets here.

[Thanks to Movie City News for the tip.]

 
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