Oliver Platt Tagged Articles at Cinematical

Not too terribly long after Sony Pictures decided to shuffle rom-com The Ugly Truth back a couple of months from April to July, we get word from the Hollywood Reporter that they've opted to similarly relocate disaster flick 2012 from its July date to a mid-November spot. Were Roland Emmerich and his tidal waves scared off by Gerard Butler and Katherine Heigl's opposites-attract antics?

No, probably not, but while Sony insists that the film could've been completed as originally scheduled, they're willing to capitalize on the weekend that served their Bond franchise so well in its past two outings. (Hey, who wouldn't kill to have four more months of post-production on their effects-heavy film?) One's willing to interpret the dual moves as the studio's efforts at making the most of a slate left light by that writer's strike a while back, just as Warner Brothers had by moving back Harry Potter and the Half-Blood Prince from last November to this July.

Starring John Cusack, Amanda Peet, and Oliver Platt -- it's a Martian Child reunion, y'all! -- 2012 is now scheduled to open on November 13th (until it gets moved back once more to the actual year of 2012, in what may either turn out to be the best or worst marketing move of all time).

So Erik-with-a-k covered the coming comedies of 2009, Scott was all over the horror picks (though his inclusion of Race to Witch Mountain still boggles my mind), Eric-with-a-c nabbed the family-friendly fare, and Elisabeth went over the geek fodder that awaits. But while I respect their calendar years and made-up math alike, I've opted to divide my list of 2009's action and adventure flicks into four categories: Action Flicks I Couldn't Care More About, Action Flicks I Couldn't Care Less About, Action Flicks That I Hope Surprise Me, and Those Which Fell In Between. Enjoy!

Action Flicks I Couldn't Care More About: First and foremost -- Watchmen (March 6th). It's one hell of a graphic novel and looks to be one hell of an adaptation (with or without the Giant Blank), but the only problem is it may not hit theaters on time if 20th Century Fox has anything to say about it. Both Fox and Warner Brothers are fighting over who actually owns the rights, and if a judge favors Fox comes January 20th (when the court date is set), we're looking at a delayed release and a whole ton of angry fans. Then there's Public Enemies (July 1st), which has me sold on not the subject matter, but sheer pedigree: Michael Mann directs Johnny Depp and Christian Bale as '30s gangsters. (It doesn't hurt that the earliest word ranges from damn good to great.) On the skimpier side, I can only hope that Harry Potter and the Half-Blood Prince (July 17th) streamlines its source material as the previous one had, and I can only hope that Crank 2: High Voltage (April 17th) lives up/down to the depravity of its predecessor. There's one last action movie that I couldn't care more about because, well, I've already seen a version of it. The international cut of Taken (January 30th, though reportedly opening with some R-dodging trims) is about as brisk and butt-kicking as one might hope out of a man-on-a-mission kidnapping thriller, and if you disagree, I'll send Liam Neeson to change your mind.

Gallery: Watchmen

Have you seen the recently-released trailer for the animated Wonder Woman? If not, you can check it out above.

Firstly, I must admit that they certainly did a great job portraying Wonder Woman's toughness, although it's a bit tainted by the lone piece of dialogue in the trailer: "It's not polite to hit a lady." There's nothing to weaken the muscles of toughness like references to ladies and impoliteness. If they changed "lady" to "goddess," then I'd be good -- it would be a nice play on words.

Anyway, what really surprises me is that there's no dialogue, save for the above quote. Sure, it's important to show the action, but considering the voice talent connected to this project, I see no better way to get people interested. Keri Russell is Wonder Woman, Virginia Madsen is Hypolyta, Nathan Fillion is Steve Trevor, Alfred Molina is Ares, Oliver Platt is Hades, Rosario Dawson is Artemis, and David McCallum is Zeus.

Now that's the sales kicker for me. The feature will hit shelves in February of 2009.

Almost two full years ago, Russell Crowe was looking to star in the big-screen adaptation of Michael Stanton's The Prince of Providence, which was being helmed by Michael Corrente. Since that time, Crowe is out, the project is still in the works, and as The Hollywood Reporter posts, it might be getting itself a serving of Robin Williams.

The script, which was written by David Mamet and polished by Howard Korder, focuses on Mayor Vincent "Buddy" Cianci, a corrupt politician "who dominated Providence's political machine for 21 years." There's no word on who Robin Williams will play if his scheduling works out, but Oliver Platt will take on the role of Cianci (quite the change from Crowe), and be joined by the likes of Dermot Mulroney, Adam Goldberg (Ronnie Gantz), Bradley Cooper (Haxton), and Ed Burns.

All of the actors sound great, but it will be even better if Williams officially signs on. After so many questionable films in the last handful of years, it would be so very nice to see Robin stretching his acting chops again. Production will begin later this summer in Rhode Island.

Considering the critical reception that a Roland Emmerich film usually receives, I am always a little surprised by the actors who are willing to sign on for one of his films. Although to be fair, it wouldn't be the first time that John Cusack had signed on the dotted line for a less-than-stellar project. The Hollywood Reporter has now announced that Thandie Newton, Danny Glover, and Oliver Platt are all in talks to join Cusack in Emmerich's apocalyptic thriller, 2012. According to THR, "Glover is in talks to play the President, with Newton in discussions to play his daughter. Platt is in negotiations to play the president's chief of staff."

Thanks to Erik, we now have a few more details about the story, and that it centers on an academic researcher (Cusack) who "opens a portal into a parallel universe and makes contact with his double in order to prevent an apocalypse predicted by the ancient Mayans." Emmerich co-wrote the script with fellow 10,000 B.C. scribe, Harald Kloser -- which is probably not a great selling point for most audiences. Columbia has projected a budget of $200 million for the end-of-the-world flick -- I guess all that destruction doesn't come cheap. But, Columbia has also stated that they're hoping to bring the thriller in under budget. Emmerich has promised to start production by July, barring any hiccups from a possible SAG strike.

2012 is scheduled to arrive in theaters on July 10, 2009.

Word about Nicole Holofcener's still-untitled new film hit back in December, when Catherine Keener, regular Holofcener star, was circling the project. Now The Hollywood Reporter posts that the film has been picked up by Sony Picture Classics, and three players have been added to the roster -- Amanda Peet, Oliver Platt, and Rebecca Hall.

Written by Holofcener, the film focuses on a New York couple (Keener and Platt) who own the next-door apartment, which is occupied by a "cantankerous, elderly woman." The pair want to reclaim the apartment, so they're anxiously waiting for the woman to die so they can grab it back. It's not the most charming plan, but certainly understandable in a morbid way. But then their impatience is complicated by the presence of the woman's two granddaughters, who the couple befriend (Peet and Hall) -- it's not so easy to itch for death when the whole scenario becomes more real.

The film is scheduled to begin production in mid-May, with plans to wrap before that looming, potential SAG strike. In the meantime, a number of roles still need to be cast -- namely the grandmother who won't die, and the couple's daughter.

A dedicated contributor to the Ain't it Cool News machine got the chance to catch what they claimed was the final cut of Ron Howard's political drama, Frost/Nixon, and the good news is that it earned a resounding thumbs up (if you make it through the entire review, there is also a little surprise regarding the Arrested Development feature). Frost/Nixon is based on the famous stage play by Peter Morgan, which premiered in 2007 and earned Frank Langella a Tony for Best Performance by a Leading Actor in a Play.

In 1977, Frost, as the host of a popular news show titled Frost on America, conducted a series of hard-hitting interviews with Richard Nixon. Nixon had been interviewed countless times before, but Frost was perhaps the only journalist to ever get him to admit his culpability in the Watergate break-in. Morgan adapted his own play for the screen, and it centers on Frost's team as well as re-enactments of the interviews.

Reprising their roles are Frank Langella as the disgraced former President Nixon, and Michael Sheen as British journalist, David Frost. Joining Langella and Sheen are Kevin Bacon, Oliver Platt, and Sam Rockwell as James Reston Jr. Judging by AICN's tipster, it looks like most of the praise will be directed at Langella's stellar performance as the former president. So for those of you who like to get an early jump on your Oscar pool, you might want to keep Langella in mind. Frost/Nixon goes into limited release on December 5th.

Though he still hasn't lined up his next directing gig, Judd Apatow is slowly creating a comedic empire. His latest producing effort, Year One, has added five new faces to its cast -- and The Hollywood Reporter tells us one of those faces just happens to be McLovin himself, Christopher Mintz-Plasse. Joining Mintz-Plasse in the comedy will be Oliver Platt, David Cross, Vinnie Jones and Juno Temple. Production on the film is set to begin this January in Louisiana and New Mexico, with Harold Ramis onboard to direct off a script written by Ramis, Gene Stupnitsky and Lee Eisenberg (both of whom have written several episodes of The Office). Jack Black and Michael Cera also star.

All we know about the story at this point is that it's a comedy set in biblical times. HR says Platt is in talks to play a platform-shoe-wearing high priest (love that description!), while Jones will tackle the role of a head palace guard named Sargon. No word on who Cross, Temple and Mintz-Plasse will play, though I assume the latter will take on the role of biblical geek? So far Apatow has found success with comedies set in today's world, around characters we can all relate to. It should be interesting to see his group take on a project set in biblical times, though anything with Jack Black and Michael Cera in the lead automatically garners my interest. But here's the big question: Who will Will Ferrell play in a cameo role?

This Frost/Nixon is turning into the "character actor" event of 2008. All they need is Steve Buscemi! The cast includes Frank Langella, Michael Sheen, Kevin Bacon, Sam Rockwell, Toby Jones, Matthew Macfadyen, and now the great Oliver Platt is on board as Bob Zelnick. Zelnick was the executive editor of the Frost/Nixon interviews. Ron Howard is directing the film, Peter Morgan (writer of Oscar bait The Queen and The Last King of Scotland) is adapting his Broadway play, which is a dramatic retelling of the post-Watergate interviews between British talk show host David Frost (played by Sheen) and former President Richard Nixon (played by Langella). Sheen and Langella will reprise their stage roles, Langella just won a Tony award for his performance.

I'm a big Oliver Platt fan, he's a welcome addition to just about any movie. I remained supportive even through the 1999-2000 "dark period" when he appeared in pretty much every bad film released, including the jaw-droppingly terrible trifecta of Bicentennial Man, Gun Shy, and Ready to Rumble. Today brings two bits of Platt casting news -- you television fans will be pleased to learn that he has also just been cast in a recurring role on the FX drama Nip/Tuck (Apparently he's only appearing in works with slashes in the title these days). Platt will appear in five episodes as "Freddy Prune, the producer of a TV show on which Sean McNamara (Dylan Walsh) and Christian Troy (Julian McMahon) serve as consultants," Remember, the boys are in Hollywood this season. Nip/Tuck (a guilty pleasure if ever there was one) is a favorite of mine, and I'm very interested in the Frost/Nixon subject matter, so this is a good time to be an Oliver Platt enthusiast.

Living in New York City, there's no way to escape the incredible food featured on nearly every corner throughout the five boros. If you're in the mood to throw down a nice chuck of change, I can direct you to a number of restaurants that will -- and I'm serious here -- change your life. Oh yes, the food is that good. Of course, this means I've packed on a few extra pounds, but I have no one else to blame but myself.

However, that's not the case for the obese editor of a food magazine in the 1978 flick Who Is Killing the Great Chefs of Europe. Instead of simply finding another job, he decides to kill the chefs behind some of his favorite dishes. Hmm, I guess that's one way to go about it. According to the Hollywood Reporter, Warner Bros. has announced it will remake the film, which originally starred George Segal, Jacqueline Bisset and Robert Morley, and, in doing so, will shorten its title to Who Is Killing the Great Chefs. David A. Goodman has signed on to pen the script, with Oliver Platt attached to reprise the role of Max, originally played by Morley. Great, for some reason just writing this post has made me hungry. Time to eat!